The Well-Tempered Ear

Classical music: COVID-19 pandemic forces more major changes for Concerts on the Square and a cancellation by the Mosaic Chamber Players

June 11, 2020
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ALERT: The Ear has received the following note from Jess Salek — the founder, director and pianist of the Mosaic Chamber Players: “Just a note to mention that the concert scheduled for this Saturday, June 13, is cancelled due to COVID-19. We are doing our best to stay positive during this difficult time for local arts groups, and we will resume our music-making as soon as is safe. Please be well!”

By Jacob Stockinger

Major changes are in store for the annual Concerts on the Square, which were already postponed with a change of dates, day and time, according to television WKOW-TV Channel 27 (you can hear the TV news report in the YouTube video at the bottom):

Here are details:

MADISON (WKOW) – The Wisconsin Chamber Orchestra (WCO) has unveiled a new plan for its 2020 Concerts on the Square series (below), which involves replacing the four postponed concerts with two drive-in performances.

Additionally, they’re planning for two live concerts at Breese Stevens Field if playing outdoors is deemed safe in late summer.

The revised approach was necessary to keep attendees safe, while adhering to state and county requirements that don’t allow for large gatherings, according to a WCO news release.

The WCO will follow Forward Dane Health Guidelines to determine if the live concerts can occur. A decision will be made in late July.

“We were optimistic in April that if we only delayed the start of Concerts on the Square to late July that we could still hold live performances downtown,” said Joe Loehnis (below), the WCO’s CEO. “But as the pandemic continues to affect us all in ways we never could have foreseen, we’ve decided to take creative steps now that will allow us to still share music with our community.”

The new plan for Concerts on the Square looks like this:

  • The first four shows (July 28 – Aug 18) have been postponed until the summer of 2021.
  • The WCO, in partnership with the Madison Mallards, will host two “drive-in” concerts on June 24 and July 22 (more information below). Each concert also will be live-streamed on https://wcoconcerts.org and https://pbswisconsin.org for free.
  • The final two Concerts on the Square will be live concerts at Breese Stevens Field on Aug. 25 and Sept. 1.
  • The WCO’s annual “runout” concert to Portage this summer has been canceled.

Drive-in Concerts on the Square

The two drive-in concerts will feature rebroadcasts of the most popular Concerts on the Square performances, thanks to a partnership with PBS Wisconsin.

The WCO expects to be able to have 115 vehicles at each concert. The goal is to make it accessible to as many people as possible without risking health and safety.

The basics for each program are:

Location: Warner Park, 2930 N. Sherman Ave., Madison
Cost: $25 per car 
Time: 7-8 p.m.; 8:45-9:45 p.m. (two showings each night to allow more people to attend)
Additional information: To purchase tickets, visit: 

 

 

June 24 – “S Wonderful” with Amanda Huddleston, soprano, and Andrew Clark, tenor. Songs include: “The Sound of Music” Medley, “Smoke Gets in Your Eyes,” “Armed Forces Salute” and “1812 Overture.” (2015 Performance)

July 22 – “Film Night,” featuring concertmaster Suzanne Beia. Songs include: “The Magnificent Seven,” “The Pink Panther,” “Raiders of the Lost Ark,” “Schindler’s List” and “E.T.” (2019 Performance)

“With two showings each night, we’re trying to make the concerts as accessible as possible,” Loehnis said. “Community partnerships are so important right now, and because of PBS Wisconsin and the Mallards, we’re able to bring this idea to life. We are grateful for these partnerships.”

Breese Stevens concerts are planned for late summer. If Dane County has entered Phase III of its Forward Dane plan by late August, 250 people will be allowed to gather for outdoor events.

For that reason, the WCO is planning to host two live Concerts on the Square at Breese Stevens.

The WCO will provide an update later in July on progress for this opportunity. Those shows currently are scheduled for Aug. 25 and Sept. 1.

The WCO also is considering how it could broadcast the live performances to other venues such as the Alliant Energy Center, Warner Park or Madison parks, where others could view the concerts safely.

“We’re still working through the logistics, and we’re realists – understanding that the situation changes almost daily,” Loehnis said. “But we also want to be forward-thinking and we’re going to keep pushing ahead unless we don’t believe a live show can be held safely.”

To keep up-to-date with performance schedules, community members can sign up for email updates on the WCO website or follow the orchestra on Facebook (https://www.facebook.com/search/top/?q=wisconsin%20chamber%20orchestra&epa=SEARCH_BOX) and Instagram.

 


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Classical music: TONIGHT through Sunday night, the Ancora String Quartet reprises the program it just performed on a 10-day tour of Germany

September 4, 2018
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By Jacob Stockinger

The Ancora String Quartet (below, in a photo by Barry Lewis) has sent the following announcement about its upcoming concerts in Wisconsin – including two in Madison – that will reprise the group’s recent tour to Germany.

Members are (below, from left) violinist Wes Luke, violinist Robin Ryan, violist Marika Fischer Hoyt; and cellist Benjamin Whitcomb.

“The Ancora String Quartet (below, rehearsing in Nieder-Olm during the tour) is fresh back from Germany, our first overseas tour, which we called “Deutsch-Amerikanische “Träume,” or “German-American Dreams.”

“We are partnering with a wonderful mezzo-soprano, Melinda Paulsen, who serves on the voice faculty at the Hochschule für Musik und Darstellende Kunst in Frankfurt, Germany.

“Together, we have prepared a program of works by German and American composers, for string quartet, and for mezzo-soprano and quartet.

“We spent 10 fabulous days in Germany in August of 2018, performing at town halls, concert halls, churches, and a music school, in Nieder-Olm, Frankfurt, Vellmar, Schlitz and St. Goar on the Rhine. It was wonderful and we can’t wait to go back again in future years.

“We are back in Madison now with Melinda, to perform this same program in concert venues around the state of Wisconsin.

“We are grateful for funding from several German organizations, and from the Kassel-Dane Sister County Task Force.

“Melinda and the members of this quartet (below, in Schlitz) are thrilled that this project has taken shape, are pleased with our recent reception in Germany, and look forward to sharing with Wisconsin audiences a program exploring the intersections between two cultures that are quite distinct today, but which share deep, common roots.”

Here is the “German-American Dreams” Tour, Sept. 4-9, at venues in Wisconsin

Admission is FREE except where noted

  • TONIGHT, Tuesday, Sept. 4, at 7 p.m. at Capitol Lakes Grand Hall, Madison
  • Wednesday, Sept. 5 at noon on The Midday on Wisconsin Public Radio in Madison and at 6 p.m. at Germantown Community Library, Germantown
  • Thursday, Sept. 6, at 7:30 p.m. in the Light Recital Hall at the University of Wisconsin-Whitewater. For ticket information, go to: https://mastercal.uww.edu/MasterCalendar/EventDetails.aspx?data=hHr80o3M7J72xlWbKk4NucsOjgrgFcp7yGVHvRRLZ2VDe4XLariznlZrFvCFdeeY
  • Friday, Sept. 7, at 7:30 p.m. at the Janesville Women’s Club
  • Saturday, Sept. 8, at 7:30 p.m. at the Eaton Chapel, Beloit College
  • Sunday, Sept. 9, at 7:30 p.m. at St. Andrew’s Episcopal Church, Madison. Admission is $15.

PROGRAM

“Dover Beach” by Samuel Barber

Drei Lieder (Three Songs) by Viktor Ullmann

“Melancholia,” Op. 13, by Paul Hindemith

Intermission

Quartet in B Minor, Op. 11, by Samuel Barber (with the more transparent slow movement that later became the orchestral “Adagio for Strings,” heard in the YouTube video at the bottom)

“Wesendonck” Lieder, WWV 91 (arranged by Stefan Heucke) by Richard Wagner


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Classical music: With much of Wisconsin underwater from historic flooding, Britten’s opera “Noah’s Flood” seems timely. Can you think of other works inspired by floods and natural disasters?

August 30, 2018
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By Jacob Stockinger

Right now much of Wisconsin lies underwater.

This past week has seen record-setting rain and historic flooding along with high winds and tornadoes that have left many towns and counties declared official disasters.

Then yesterday, Gov. Scott Walker declared a state of emergency for the entire state. More rain and thunderstorms are predicted for all weekend and next week.

The flooding is not on the order of the deadly and destructive wildfires out west. But the situation seems nonetheless the kind of emergency or natural disaster that usually draws some kind of attention of the national media — on a smaller scale something like Hurricane Katrina, Hurricane Harvey and Hurricane Maria that devastated  respectively, New Orleans, Houston and Puerto Rico.  

But this time The Ear can’t recall seeing or hearing even mentions or 10-second spot reports about the flooding of a state capital on national news programs. Can you?

New programs always seem to focus more on weather stories when they occur on the coasts and in the south. And right now the media also appear preoccupied with offering ever more words about the deaths of Senator John McCain and singer Aretha Franklin, the “Queen of Soul.”

But the situation got The Ear to thinking and searching.

Are there works of classical music inspired by flooding and other natural disasters?

And he doesn’t mean just music inspired by and celebrating calmer and less destructive water such as George Frideric Handel’s “Water Music” or Ludwig van Beethoven’s “Pastoral” Symphony or Georg Philipp Telemann’s “Ebb and Flow” Music.

One important discovery that met the criterion was the children’s opera, “Noah’s Flood,” composed by British composer Benjamin Britten (below) in the wake of his own personal and home experience with floods – as you can see in the YouTube video below.

Can you think of other works composed in response to a natural disaster?

If so, in the comment section please leave the names of the work and composer and, if possible, a link to a YouTube performance.

The Ear wants to hear.


Classical music: The Bach Dancing and Dynamite Society opens its 26th season with a bang worthy of its name. Plus, TONIGHT the Willy Street Chamber Players open the summer season of the Rural Musicians Forum in Spring Green

June 12, 2017
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A REMINDER: Tonight at 7:30 p.m. in the Hillside Theater at Frank Lloyd Wright’s Taliesin compound in Spring Green, six members of the Willy Street Chamber Players will open the summer season of the Rural Musicians Forum. The program features works by Johannes Brahms, American composer Charles Ives, and Argentine composer Alberto Ginastera. A free-will donation will be requested. The Hillside Theater is located at 6604 County Highway 23, Spring Green. For more information about the Rural Musicians Forum, go to: http://ruralmusiciansforum.org/home

By Jacob Stockinger

This guest review is by a new contributor, Kyle Johnson (below). As a pianist since elementary school, Johnson has devoted most of his life to music. Born and raised in Lexington, Kentucky, he is now a doctoral candidate in piano performance at the UW-Madison, where he studies with Christopher Taylor and specializes in modern and contemporary music. He participates in many festivals and events around the U.S. and Europe. Recently, he co-founded the Madison-based ensemble Sound Out Loud, an interactive contemporary music ensemble. For more information, visit: www.kyledjohnson.weebly.com

By Kyle Johnson

The Bach Dancing and Dynamite Society’s 26th season — themed “Alphabet Soup” for 26 letters — began on Friday evening at the historic Stoughton Opera House (below bottom) with a program of underprogrammed French, German and Russian works.

BDDS is led by artistic directors (below) Stephanie Jutt, UW-Madison’s newly-retired flute professor and principal flute of the Madison Symphony Orchestra, and Jeffrey Sykes, pianist of the San Francisco Piano Trio who studied at the UW-Madison. The two musicians assembled a “dynamite” group of musicians for their opening concert.

First on the program was Médailles antiques (Old Medals) for flute, violin and piano from 1916 by Philippe Gaubert (below). Like the weather throughout the day on Friday, the piece provided a sunny and spry start to the program in the centennial year of World War I.

At times, I wanted the ends of phrases to have a little more stretch and grace to them. However, the richness of sound from each musician, as well as the ensemble’s superb blend, made up for any small qualm I may have had.

The next piece, Gideon Klein’s String Trio (1944), featured three “apprentice” musicians from BDDS’s Dynamite Factory. Violinist Misha Vayman (below top), violist Jeremy Kienbaum (below middle) and cellist Trace Johnson (below bottom) are the program fellows for this year’s series.

Striking about the work was Klein’s musical optimism amid stark reality – the piece was written at the Auschwitz concentration camp just a few months before the death of the composer (below).

The Dynamite Factory artists gave a spirited rendition of the weighty work, which at times resembles the rollicking intensity of Bela Bartok’s folk dances.

Before the intermission, the audience was treated to Sergei Prokofiev’s chilling Sonata No. 1 in F Minor, Op. 80, for violin and piano. Like the preceding piece, Prokofiev’s sonata was written during the strife of World War II. (You can hear the first movement, played by Maxim Vengerov, in the YouTube video at the bottom.)

Prokofiev labeled one passage at the end of the first movement as “wind passing through a graveyard”; the passage (a series of quick violin scales) returns at the close of the piece. Under the hands of violinist Carmit Zori (below top) and pianist Jeffrey Sykes (below bottom), the sonata seemed both devastating and human.

A brief, unprogrammed presentation began the second half of the concert, which was a performance of “Arrival of the Queen of Sheba” from the oratorio Solomon by George Frideric Handel.

The work was lauded and produced by the Fourth Earl of Sandwich in the mid-1700s. Fittingly, during the music, characters clad in 18th-century attire roamed the Stoughton Opera House to hand out sandwiches.

Last on the program was Johannes Brahms’s Piano Quartet No. 2 in A Major, Op. 26, played by violinist Zori; Pro Arte Quartet violist Sally Chisholm (below top); Toronto Symphony principal cellist Joseph Johnson (below bottom); and pianist Sykes.

The quartet brimmed with musical swells and overlapping layers of sound. There are a number of memorable themes that allow the listener to simply ride the wave of sound throughout the 40-minute work.

All of the musicians were fully deserving of the ovation (below, in a photo by Kyle Johnson) they received in Stoughton, as all technical demands were met with superb musicality and passion.

Future BDDS concerts run through June 25 and are not to be missed! For more information about programs and about performers, performance dates, times and venues, go to www.bachdancing.org


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