The Well-Tempered Ear

Classical music: After opening on Friday night, the Willy Street Chamber Players will perform a FREE and PUBLIC concert at Oakwood Village West on Saturday night at 7

July 10, 2019
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By Jacob Stockinger

You might recall that this Friday night, July 12, at 6 p.m., the critically acclaimed Willy Street Chamber Players will open their fifth summer season at Immanuel Lutheran Church at 1021 Spaight Street on the near east side. (Tickets are $15.)

https://welltempered.wordpress.com/2019/07/02/classical-music-the-critically-acclaimed-and-popular-willy-street-chamber-players-start-their-fifth-summer-series-with-a-free-community-concert-this-friday/

Core members of the Willys (below, from front left) are: violist Rachel Hauser, violinist Eleanor Bartsch, cellist Lindsay Crabb, cellist Mark Bridges and violinist Paran Amirinazari.

Rachel Hauser will not play. But the others will be joined by two guest violists and University of Wisconsin-Madison alumni: prize-winning Danny Kim (below top) of the Boston Symphony Orchestra; and Nicholas Jeffery (below bottom) of Chicago’s Ursa Ensemble. Here are links to more information about each of them:

https://www.bso.org/strings/danny-kim-viola.aspx

http://jefferyviola.com/about

For more information and biographies of the local performers, go to the website: http://www.willystreetchamberplayers.org/2019-summer-series.html

Put your cursor first on ABOUT and then on PLAYERS.

But The Ear has now received word that the Willys will also perform a FREE concert that is open to the public on Saturday night at 7 p.m. in the auditorium of the Oakwood Village West (now called University Woods) retirement center,  6205 Mineral Point Road. The concert is sponsored by Kato Perlman (below), a well-known and generous supporter of classical music in Madison.

The program is the same as the previous night’s except for the contemporary work “Study for String Instrument No. 1” (2007) by Simon Steen-Andersen: the String Quintet No. 1 in A minor (1826), Op.18, by Felix Mendelssohn (1826), and the String Quintet No. 2 in C minor (1787), K. 406/516b by Wolfgang Amadeus Mozart. (You can hear the first movement of the Mozart quintet, played by the Dover Quartet, in the YouTube video at the bottom.)

Now in their fifth season, the Willy Street Chamber Players (WSCP) has become an established part of the vibrant Williamson Street neighborhood on Madison’s east side.

Recently recognized in Madison Magazine’s prestigious “Best of Madison” reader poll in the category of “Best Classical Music Group,” WSCP has received numerous accolades for its accessible and exciting performances, intelligent and fun programming, and community partnerships.


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Classical music: Thursday night, the Middleton Community Orchestra closes its season with duo-pianists in music by Mozart and Saint-Saens, and the latter’s “Organ” Symphony. Wednesday is the last Just Bach concert of the season 

May 28, 2019
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ALERT: This Wednesday, May 29, at 1 p.m. in Luther Memorial Church, 1021 University Avenue, is the last FREE Just Bach concert of the season. The one-hour early music program includes: the cantata “Jauchzet Gott in allen Landen” (Praise Ye God in All Lands), BWV 51; Duetto II in F Major, BWV 803; and the cantata “Wachet! Betet! Betet! Wachet!” (Watch! Pray! Pray! Watch!), BWV 70. For more information, go online to the home website: https://justbach.org

By Jacob Stockinger

This Thursday night, May 30, the largely amateur but critically acclaimed Middleton Community Orchestra (below, in a photo by Brian Rupert) will close its ninth season with a special family-friendly concert.

The concert, under the baton of conductor Steve Kurr (below), takes place at 7:30 p.m. in the Middleton Performing Arts Center that is attached to Middleton High School, 2100 Bristol Street.

Guest artists are University of Wisconsin-Madison students and duo-pianists Satoko Hayami (below top) and Thomas Kasdorf (below bottom). They will perform the witty and entertaining “Carnival of the Animals” by Camille Saint-Saens and then the Concerto for Two Pianos, K. 365, by Wolfgang Amadeus Mozart.

Wisconsin Public Radio host Norman Gilliland (below) will be the narrator in “The Carnival of the Animals.” (In the YouTube video at the bottom, you can hear the opening Introduction and Royal March of the Lion, with the late Sir Roger Moore — aka James Bond or 007 — as the narrator plus an all-star cast of musicians and some very cool animal videos in back-and-white.) 

The concert concludes with the always impressive, ambitious and popular Symphony No. 3  — the famous “Organ” Symphony – by Saint-Saens (below, seated at the piano in 1900).

Adds MCO co-founder Mindy Taranto: “We are really excited to share a special concert with the community as we celebrate the end of MCO’s ninth season.

“It took a village to make this concert possible. Farley’s House of Pianos is donating the use of an 1890 Steinway to match the Steinway at the hall. WPR radio host Norman Gilliland is generously volunteering to narrate the ‘Carnival of the Animals’ and Full Compass is offering us a discount on the sound equipment we need to play the “Organ” Symphony. Our very own recording engineer, Alex Ford, is playing the organ.

“Please bring your kids and share this information to invite all students free of charge to hear this concert.”

Admission is $15 for adults; all students get in for free. Tickets are available at the Willy Street Coop West and at the door. The box office opens at 6:30 p.m. and the auditorium opens at 7 p.m.

As usual, after the concert there will be a free meet-and-greet reception for musicians and the public.

For more information about this concert, and about how to join or support the Middleton Community Orchestra, call 608 212-8690 or go online to: http://middletoncommunityorchestra.org


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Classical music: This Friday night, the Wisconsin Chamber Orchestra closes its season with a dark and unorthodox symphony by Shostakovich as well as lighter suites by Bizet and Debussy

May 6, 2019
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By Jacob Stockinger

The Wisconsin Chamber Orchestra (below top) ends its winter Masterworks season this coming Friday night, May 10, at 7:30 p.m. in the Capitol Theater of the Overture Center.

And it is going out in a big, eclectic way.

The WCO will perform under the baton of music director Andrew Sewell (below).

Sewell and the WCO will be joined by two guest singers: soprano Mary Mackenzie, a former Madison resident and member of the Wisconsin Youth Symphony Orchestras (WYSO); (below top); and the Grammy-nominated bass Timothy Jones (below bottom).

Both critically acclaimed singers are familiar to Madison audiences from past appearances with the Bach Dancing and Dynamite Society, the Madison Opera, the Token Creek Chamber Music Festival, the Madison Symphony Orchestra and previous appearances with the Wisconsin Chamber Orchestra.

They will all join in the major work that opens the concert, the Symphony No. 14, Op. 135, by Dmitri Shostakovich (below), his penultimate symphony that runs about 50 minutes and is highly unorthodox in its form.

Shostakovich wrote his symphony in 1969, and dedicated it to the British composer Benjamin Britten.

Perhaps to avoid more confrontations with the government of the USSR and perhaps to critique global events such as war,  the composer gave it a very international flavor.

Written for strings and percussion with vocal soloists, the symphony is composed in 11 movements. It is also set to poetry by the French poet Guillaume Apollinaire (below top), the Spanish poet Federico Garcia Lorca (below middle) and the German poet Rainer Maria Rilke (below bottom). In the YouTube video at the bottom, you can hear a live recording of the first movement from the work’s world premiere in Moscow in 1969.

In the late work, Shostakovich (below, in 1950) – always suspect by the Soviet state and in danger during the Stalinist Terror — seeks to portray the idea of unjust and premature death that aroused deep feelings of protest in him. Shostakovich emphasized, however, that it was not out of pessimism that he turned to the problem of mortality but in the name of life on this earth.

The concert concludes on a lighter, more upbeat note by celebrating the innocence and joy of youth in two charming suites: “Jeux d’enfants” (Children’s Games), Op. 22, by Georges Bizet and the “Petite Suite” (Little Suite) by Claude Debussy.

Tickets are $12-$80. To buy tickets and to see more information about the program and detailed biographies of the performers, go to:

https://wisconsinchamberorchestra.org/performances/masterworks-v-4/


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Classical music: This weekend, the Madison Symphony Orchestra and other individuals and groups join forces to celebrate John DeMain’s 25th season with Mahler’s monumental “Symphony of a Thousand”

April 29, 2019
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By Jacob Stockinger

By any standard, it is epic music.

The stage in Overture Hall will have more than 500 participants on it this coming weekend when the Madison Symphony Orchestra (below, in a photo by Peter Rodgers) partners with the Madison Symphony Chorus, the Madison Youth Choirs, the UW–Madison Choral Union and eight critically acclaimed vocal soloists to bring a performance of Gustav Mahler’s massive Symphony No. 8 — or “Symphony of a Thousand.”

For the first time since 2005, MSO music director and conductor John DeMain will conduct one of the largest undertakings in the classical music repertoire as the final concert marking his Silver Anniversary Season.

Performances will be held in Overture Hall of the Overture Center, 201 State St., on Friday night, May 3, at 7:30 p.m.; Saturday night, May 4, at 8 p.m.; and Sunday afternoon, May 5, at 2:30 p.m.

Information about tickets ($18-$93) is below.

Says DeMain (below, in a photo by Greg Anderson): “I have spent 25 years with this orchestra and chorus. In that time, our collaboration on Gustav Mahler’s monumental Symphony No. 8 in 2005 stands out as perhaps the most memorable. I feel a magnetic affinity with Mahler, and began my career 25 years ago with his first symphony. I am honored and moved to conduct this work and feel it is the perfect conclusion to my 25th season.”

Composed in December 1906, Symphony No. 8 is the last work by Mahler (below) to be premiered in his lifetime. It is one of the largest-scale choral works in the classical concert repertoire, and because it requires huge instrumental and vocal forces, it is frequently called the “Symphony of a Thousand.” (Below is a photo of the final rehearsal for the world premiere performance in Munich in 1910.)

The structure of the work is unconventional; instead of the normal framework of several movements, the piece is in two parts.

Part I is based on the Latin text of a 9th-century Christian hymn for Pentecost, and Part II is a setting of the words from the closing scene of Goethe’s Faust.

The two parts are unified by a common idea: redemption through the power of love, a unity conveyed through shared musical themes.

Symphony No. 8 is revered as one of the greatest achievements of classical concert repertoire and expresses the composer’s confidence in the eternal human spirit. (You can hear Sir Simon Rattle conduct the Berlin Philharmonic in the famous finale of the Symphony No. 8 in the YouTube video at the bottom.)

ABOUT THE PERFORMERS

The distinguished solo singers are: soprano Alexandra LoBianco; soprano Emily Birsan (below), who just last weekend sang the title role in the Madison Opera’s production of Antonin Dvorak’s “Rusalka”; soprano Emily Pogorelc; mezzo-soprano Milena Kitic; mezzo-soprano Julie Miller; tenor Clay Hilley; baritone Michael Redding; and bass-baritone Morris Robinson.

For photos and impressive biographical information about the soloists, go to:

https://madisonsymphony.org/event/symphony-of-a-thousand/

The Madison Symphony Chorus (below top, in a photo by Greg Anderson) gave its first public performance on Feb. 23, 1928 and has performed regularly with the Madison Symphony Orchestra ever since.

The chorus is comprised of more than 150 volunteer musicians who come from all walks of life and enjoy combining their artistic talent under the direction of Beverly Taylor (below bottom), who is the director of Choral Activities at the UW-Madison’s Mead Witter School of Music.

Inclusive of members of all skill levels, the Madison Youth Choirs (below), Michael Ross director, incorporate singers from ages 7-18 into their orchestration.

The choirs aim to introduce youths interested in musical performance to collaborative forms of self-confidence and responsibility in the atmosphere of musical training. Randal Swiggum is conducting rehearsals preparing members of the choir for the MSO’s May Symphony of a Thousand concerts.

With 150 members, the UW-Madison Choral Union (below) fuses university and non-university members. Under the direction of Beverly Taylor, former associate conductor of the MSO who also teaches at the UW-Madison, the Choral Union is another testament to the musical outreach in the Madison arts.

CONCERT, TICKET and EVENT DETAILS

The lobby opens 90 minutes prior to each concert. One hour before each performance, Wisconsin Public Radio host Anders Yocom (below, in a photo by James Gill) will lead a 30-minute Prelude Discussion in Overture Hall to enhance concertgoers’ understanding and listening experience. It is free to ticket-holders.

The Symphony recommends concert attendees arrive early for each performance to make sure they have time to pass through Overture Center’s security stations so they can experience the Prelude Discussion.

Program notes for the concerts are available online: http://bit.ly/msomay19programnotes

  • Single Tickets are $18-$93 each and are on sale now at: https://madisonsymphony.org/event/symphony-of-a-thousandthrough the Overture Center Box Office at 201 State Street, or by calling the Box Office at (608) 258-4141. Fees apply to online/phone sales.
  • Groups of 10 or more can save 25% by calling the MSO office at (608) 257-3734. For more information, visit, https://www.madisonsymphony.org/groups.
  • Student rush tickets can be purchased in person on the day of the concert at the Overture Center Box Office at 201 State Street. Students must show a valid student ID and can receive up to two $15 or $20 tickets. More information is at: https://www.madisonsymphony.org/studentrush
  • Seniors age 62 and up receive 20% savings on advance and day-of-concert ticket purchases in select areas of the hall.
  • Flex-ticket booklets of 10 vouchers for 19-20 symphony subscription concerts are available. Learn more at: https://madisonsymphony.org/flex
  • Subscriptions for the 2019-2020 season are available now. Learn more at: https://madisonsymphony.org/19-20

Discounted seats are subject to availability, and discounts may not be combined.

Major funding provided by NBC15, Larry and Jan Phelps, Diane Ballweg, Carla and Fernando Alvarado, Johnson Financial Group, and University Research Park. Additional funding provided by DeWitt LLP, Kennedy Gilchrist and Heidi Wilde, Thomas E. Terry, Fred A. Wileman, Helen L. Wineke, and the Wisconsin Arts Board with funds from the State of Wisconsin and the National Endowment for the Arts.


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Classical music: Here are short takes about some chamber music, orchestral music and choral music concerts for this week, starting TODAY

April 7, 2019
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By Jacob Stockinger

It is another very busy week in Madison for classical music. Here are some short takes about various concerts, starting today and running through the week.

TODAY

Today — Sunday, April 7 — at 12:30 p.m., longtime chamber music partners UW-Madison cellist Parry Karp and UW-Oshkosh pianist Eli Kalman (below) will perform a FREE all-French recital at the Chazen Museum of Art in Brittingham Gallery 3. The concert  is part of the regular monthly series Sunday Afternoon Live at the Chazen.

The concert will also be STREAMED LIVE starting at 12:30 p.m.

For a streaming portal and details about the program, go to:

https://www.chazen.wisc.edu/index.php?/events-calendar-demo/event/sunday-afternoon-live-at-the-chazen31/

TUESDAY

On Tuesday night, April 9, at 7:30 p.m. in Music Hall, at the foot of Bascom Hill, students in the UW-Madison Opera Workshop class perform a variety of scenes from opera and musical theater, staged and with piano accompaniment.

Sorry, but there are no details available about the composers, opera or scenes.

WEDNESDAY, APRIL 10

On Wednesday night, April 10, at 7:30 p.m. in the Middleton Performing Arts Center that is attached to Middleton High School, 2100 Bristol Street, the largely amateur but critically acclaimed Middleton Community Orchestra (below) will perform.

The program, under guest conductor Kyle Knox, features the Symphony No. 2 in D Major by Ludwig van Beethoven and “The Wand of Youth” Suites by Sir Edward Elgar. (You can hear the opening of the Beethoven symphony in the YouTube video at the bottom.)

The box office opens at 6:30 p.m. and the auditorium opens at 7 p.m.

A meet-and-greet reception follows the concert.

Tickets are $15 for the general public. Admission is FREE to students.

For more information, including how to purchase tickets in advance and how to support the orchestra, go to:

http://middletoncommunityorchestra.org/concert_information

FRIDAY

On Friday, April 12, at 8 p.m. in Mills Hall, the UW Chorale will perform a FREE concert under conductor Bruce Gladstone.

Sorry, no details are available about the program.

SATURDAY

On Saturday, April 13, at 8 p.m. in Mills Hall, a FREE concert by UW-Madison Combined Choirs will be performed. The event features the Masters Singers, the University Chorus and the Women’s Chorus (below).

Sorry, there are no details available about the program.


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Classical music: Acclaimed pianist Ya-Fei Chuang plays works by Schubert, Liszt and Ravel this Saturday night at Farley’s House of Pianos

April 4, 2019
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By Jacob Stockinger

The critically acclaimed pianist Ya-Fei Chuang (below) will return to Madison this weekend to perform a solo recital and give a master class for the Salon Piano Series at Farley’s House of Pianos, 6522 Seybold Road, on Madison’s far west side near West Towne Mall.

Advance tickets are $45 (students $10) or $50 at the door

You can purchase tickets at: https://www.brownpapertickets.com/event/3499200

Service fees may apply. Tickets are also for sale at Farley’s House of Pianos by calling 608 271-2626. Student tickets can only be purchased online and are not available the day of the event.

An artist’s reception will follow the concert.

For more information, go to: https://salonpianoseries.org

RECITAL

The recital by Chuang, who appears at festivals and concert halls around the world, is this Saturday night, April 6, 7:30 p.m. at Farley’s House of Pianos.

She comes with high praise from the famed Alfred Brendel, who said: “If you want to listen to Chopin and Liszt with different ears, Ya-Fei Chuang’s ecstatic performances cannot leave you cold, and her pianism is staggering.”

The program will include:

Maurice Ravel – Sonatine (1905) –  Moderate; Menuet; Animated

Franz Schubert – “Moments Musicaux” (Musical Moments), D. 780/Op. 94

    No. 2 in A-flat Major (1827);   No. 3 in F Minor (1823) – played by        Vladimir Horowitz in the YouTube video at the bottom;  No. 6 in A-flat Major (1824)

Franz Liszt – “Reminiscences of Bellini’s ‘Norma,’” S. 394 (1831)

INTERMISSION

Maurice Ravel – “Jeux d’eau” (Fountain, or Play of Water) (1901)

Franz Liszt – “Reminiscences of Mozart’s ‘Don Juan,’” S. 418 (1841)

MASTER CLASS

On this Sunday afternoon, April 7, at 2 p.m., Ya-Fei Chuang will teach a master class at Farley’s House of Pianos, where she will instruct local students.

This is a FREE event that the public is invited to observe.

The master class program will include:

  1. Ludwig van Beethoven – Piano Sonata No. 8 in C minor (”Pathetique”), Op. 13, Third Movement; performed by Angelina Chang whose teacher is Julie Chang
  2. Franz Liszt – “Liebestraum” (Dream of Love) No. 3 in A-flat Major “Notturno” (Nocturne); performed by Antonio Wu whose teacher is Shu-Ching Chuang
  3. Sergei Rachmaninov – Prelude Op. 3 No. 2, in C-sharp Minor; performed by Alexander Henderson whose teacher is Vlada Henderson

The master classes for the 2018-19 season are supported by the law firm of Boardman and Clark LLP.

This concert is supported in part by a grant from the Wisconsin Arts Board with funds from the State of Wisconsin and the National Endowment for the Arts, with additional support from Jun and Sandra Lee.

Another year of exceptional artists is planned for the 2019-20 season. Subscribe to the series’ e-newsletter, and check the website and social media sites Instagram and Facebook for the season announcement in June.

For more information, go to: https://salonpianoseries.org

To become a sponsor of Salon Piano Series, contact Renee Farley. Salon Piano Series is a nonprofit organization founded to continue the tradition of intimate salon concerts, including solo recitals and chamber music with piano, featuring exceptional artists.


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Classical music: On Saturday night and Sunday afternoon, the Madison Bach Musicians explore the miracle of Mozart across his lifetime and across different genres

April 1, 2019
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By Jacob Stockinger

The Madison Bach Musicians concludes its 15th season on this coming Saturday night, April 6, at 8 p.m. and Sunday afternoon, April 7, at 3:30 p.m. with  The Mozart Miracle .

The program features performances of beloved music by Wolfgang Amadeus Mozart (1756-1791, below) with an all period-instrument chamber orchestra in the magnificent acoustic setting of the First Congregational United Church of Christ (below), 1609 University Avenue, near Camp Randall Stadium.

Period-instrument specialists hailing from Madison, Milwaukee, Chicago, Omaha, Seattle, Philadelphia and New York City will perform on natural or valveless horns, classical oboes, gut-strung violins, violas, cellos and a double bass played with 18th-century transitional bows.

Early music specialist and bassoon professor Marc Vallon (below to, in a photo by James Gill) of UW-Madison Mead Witter School of Music will lead the orchestra (below bottom, in a performance last year at the First Unitarian Society of Madison).

Internationally acclaimed soprano Ariadne Lih (below), from Montreal, Canada, will join the ensemble for  Exsultate Jubilate — a ringing example of how Mozart could seamlessly fuse religious zeal with vocal pyrotechnics. (You can hear Renée Fleming sing “Exsultate Jubilate” in the YouTube video at the bottom.)

The program also features dance sequences, choreographed by Karen McShane Hellenbrand (below) of the UW-Madison, from Mozart’s ballet Les Petits Riens  (The Little Nothings).

Also included are pre-concert lectures: On Saturday, April 6, at 7:15 p.m.  there is a lecture by MBM artistic director Trevor Stephenson with an 8 p.m. concert . On Sunday, April 7, his lecture is at 2:45 p.m.  with the concert at 3:30 p.m.

Advance-sale discounted  tickets are $35 for general admission.

Tickets are available at  Orange Tree Imports and Willy Street Coop (East and West). You can also buy advance tickets online at www.madisonbachmusicians.org

Tickets at the door are:  $38 general for adults, $35 for seniors 65-plus, and student rush for $10, on sale 30 minutes before lecture.

MBM artistic director Stephenson (below) sent the following remarks to The Ear:

Here are two fantastic quotations about Mozart:

“Together with the puzzle he gives you the solution.” Ferrucio Busoni on Mozart

“It may be that when the angels go about their task of praising God, they play only Bach. I am sure, however, that when they are together as a family, they play Mozart…” Karl Barth

Both quotes underline, I believe, Mozart’s charismatic generosity of spirit, his sense of play and camaraderie. We’re all in this together! Mozart’s music is a perfect fusion of melodic inspiration — tunes so good they can stay in your head for joyous weeks at a time, or even a lifetime — and structural clarity.

His sense of proportion — when to display 18th-century balance and when to step outside the frame — is uncanny and always a delight. And for me, as a five-year-old-boy, dancing about the living room to the old LP vinyl — dancing lightly, though, so the record wouldn’t skip — it was Mozart’s boundless energy and joy, pouring out of the speakers, that really revved me up.

The Madison Bach Musicians program on this coming Saturday and Sunday will explore several sides of Mozart’s genius: master orchestrator and symphonist; aficionado of fugues; virtuoso keyboard player and mesmerizing improviser; ballet composer; and the greatest fashioner of material for the soprano voice.

MBM has assembled a Classical-period chamber orchestra, replete with gut strings and transitional bows, natural horns, and classical oboes. To this we’ll add: a fortepiano — the type of instrument Mozart toured with; an elegant dancer — for dance was an integral part of 18th-century living; and a magnificent soprano — Mozart was virtually besotted with the magic of the high female voice, and he wrote for it throughout his life with imagination and a sense of thrilling experiment that has never been equaled before or since.

Here is a bit about each selection:

Symphony No. 1 in E-flat majorComposed 1764 when Mozart was just eight years old (below), during an extended stay in London with his father Leopold and sister Nannerl. Strongly influenced by the symphonies of C. F. Abel and J. C. Bach (The London Bach, youngest son of Johann Sebastian).

Symphony No. 29 in A majorComposed 1774 when Mozart was 18 years old (below). It is often considered the pinnacle of his early symphonic writing.

Exsultate Jubilate  for soprano and orchestra – Written 1773 in Milan for the castrato, or male soprano, Venanzio Rauzzini, it is an elegant fusion of rapturous melodies and vocal display.

Adagio & Fugue  in C minor for strings – Composed in 1788, certainly the latest Mozart work on the program when the composer was 32. Mozart had by this time — largely through the Sunday soirees at Baron van Swieten’s—been studying Bach’s fugues closely for several years. This fugue is an arrangement of a work for two fortepianos, K. 426, which Mozart had composed five years earlier in 1783. Mozart added the opening Adagio for the strings version.

Fantasy in D minor for fortepiano – Mozart improvised frequently as part of both private and public performance. This Fantasy, with its dark distinctive opening which explores the fantastical low register of the fortepiano, may give us a good idea of what Mozart might have done one night just sitting down to “jam” for his friends.

Two French Songs for soprano and fortepiano — Birds follow the warm weather, so they never cease their courtship. And in the woods one day the protagonist foolishly rouses a sleeping Cupid — and pays a terrible price.

Ballet excerpts from  Les Petit Riens – literally The Little Nothings. Mozart composed most, but not all, of this ballet in Paris 1778 for Jean-Georges Noverre, ballet master of the Paris Opera. The work served as an interlude to an opera by Niccolo Piccinni that closed after just four performances.

For more information, go to: www.madisonbachmusicians.org


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Classical music: Two FREE chamber music concerts on Thursday and Friday nights at the UW-Madison feature quartets and quintets by Mozart, Boccherini, Schubert, Dvorak and Weinberg

March 26, 2019
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By Jacob Stockinger

Chamber music fans have something special to look forward to this week with back-to-back evening concerts at the University of Wisconsin-Madison’s Madison’s Mead Witter School of Music that mix famous and well-known works with less familiar ones.

THURSDAY NIGHT

On Thursday night at 7:30 p.m. in Mills Hall, the Pro Arte Quartet will perform.

The program features six miniature “Evening Songs”  (1865) – also called “Cypresses” — by Antonin Dvorak; the String Quartet No. 5 in B-Flat Major (1945) by Mieczyslaw Weinberg; and the String Quartet in B-Flat Major “Hunt,” K. 458 (1784), by Wolfgang Amadeus Mozart. (You can hear one of Dvorak’s “Cypresses” in the YouTube video at the bottom.)

Members of the Pro Arte Quartet (below, from left, in a photo by Rick Langer) are: violinists David Perry and Suzanne Beia; violist Sally Chisholm; and cellist Parry Karp.

For more information about the unique and dramatic history of the critically acclaimed Pro Arte Quartet, the longest active string quartet in the history of music, go to:

https://www.music.wisc.edu/event/pro-arte-quartet/

FRIDAY NIGHT

On Friday night at 7:30 p.m. in Mills Hall, UW-Madison cellist Uri Vardi (below) will be joined by several faculty colleagues, one of his students and his son for an evening of three quintets.

In addition to Uri Vardi, the performers include: clarinetist Amitai Vardi (below); pianist Christopher Taylor; violinists David Perry and Soh-Hyun Park Altino; violist Sally Chisholm; cellist James Waldo; and double bassist David Scholl.

The program includes: the Quintet in C major, assembled from other quintets by Johann Lauterbach, by Luigi Boccherini, a contemporary of Mozart; the famous Clarinet Quintet in A Major, K. 581, by Wolfgang Amadeus Mozart and the well-known “Trout” Quintet by Franz Schubert.

For more background, go to: https://www.music.wisc.edu/event/uri-vardi-quintets-students-friends-and-family/


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Classical music: This Wednesday night, the Middleton Community Orchestra will perform a Russian trumpet concert and a new work by an orchestra member along with a famous Schumann symphony

February 24, 2019
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By Jacob Stockinger

The Ear has received the following announcement from the mostly amateur but critically acclaimed Middleton Community Orchestra (below, in a  photo by Brian Ruppert) to post:

“For our winter concert, we are excited to welcome trumpeter Jessica Jensen back to the stage on this Wednesday night, Feb. 27, at 7:30 p.m. to perform the Concerto for Trumpet and Orchestra by Aleksandra Pakhmutova with the musicians of the Middleton Community Orchestra led by conductor Steve Kurr (below).

“I am beyond thrilled to be playing Aleksandra Pakhmutova’s Trumpet Concerto with the Middleton Community Orchestra,” says Jensen (below).

“After completing her concerto in 1955, Pakhmutova (below) — who is still actively composing and performing today at the age of 89 — cultivated a legendary career as one of Russia’s top film and popular music composers.

“Her future cinematic success was foreshadowed in her trumpet concerto as parts of it sound as though they could have been taken directly out of the score to a 1950s film. Week after week the MCO adds a new electricity to the work. I cannot wait to share this rarely performed fiery, dramatic piece with everyone.”

The program will open with “Polar Nights,” a piece composed by MCO violist Nebojsa Macura (below), who says: “‘Polar Nights’ uses a variety of instrumental colors to conjure up images of winter above the Arctic Circle. I’m tremendously honored to perform my own piece as a member of such a dedicated orchestra.”

The program will conclude with the famous Symphony No. 3 “Rhenish” by Robert Schumann. (You can hear the lyrical second movement in the YouTube video at the bottom.)

The concert is at the Middleton Performing Arts Center, which is attached to Middleton High School at 2100 Bristol Street.

General admission is $15.  All students are admitted free of charge. Tickets are available at the door and at Willy St. Coop West.

The box office opens at 6:30 p.m. and the concert hall doors open at 7 p.m.

A meet-and-greet reception (below) follows the concert.


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Classical music: Saturday at noon, Bizet’s “Carmen” airs in cinemas during “Live from The Met in HD” and on Wisconsin Public Radio. Saturday night, the Pro Arte Quartet performs a FREE concert of Haydn, Schumann and Shostakovich

February 1, 2019
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ALERT: This Saturday night, Feb. 2, at 8 p.m. in Mills Hall, the University of Wisconsin-Madison’s Pro Arte Quartet performs a FREE concert. The program offers the String Quartet in D Major, Op. 50, No. 6, “The Frog” by Franz Joseph Haydn; the String Quartet No. 9 in E-flat Major by Dmitri Shostakovich; and the String Quartet in A Major, Op. 41, No. 3, by Robert Schumann. For more about the unusual history of the critically acclaimed Pro Arte Quartet, go to: https://www.music.wisc.edu/event/pro-arte-quartet-2/

By Jacob Stockinger

This Saturday, Feb. 2, the seventh production of this season’s “Metropolitan Opera Live in HD” series is Georges Bizet’s lusty, sultry  and violent “Carmen,” one of the most popular operas ever composed.

Its successful world premiere was in Paris in 1875, which Bizet did not live to see. But Bizet’s masterpiece of the gypsy seductress who lives by her own rules has had an impact far beyond the opera house.

The opera’s beautiful melodies are as irresistible as the title character herself, a force of nature who has become a defining female cultural figure. (You can hear one of Carmen’s signature arias– “Love Is a Wild Bird” — in the YouTube video at the bottom.)

“Carmen” was a scandal at its premiere but soon after became a triumphal success and has remained one of the most frequently staged operas in the world.

French mezzo-soprano Clémentine Margaine reprises her acclaimed portrayal of opera’s ultimate temptress, a triumph in her 2017 debut performances.

Opposite her is the impassioned tenor Roberto Alagna (below right, in a photo by Karen Almond for The Met) as her lover, Don José.

French native Louis Langrée (below, in a photo by Jennifer Taylor), who heads the Mostly Mozart Festival and is the artistic director of the Cincinnati Symphony Orchestra, will conduct Sir Richard Eyre’s production, a Met favorite since its 2009 premiere.

The hi-definition broadcast of the live performance from the Metropolitan Opera (below) in New York City starts at 11:55 a.m. and runs until 3:45 p.m. with two intermissions. (It will also air at noon on Wisconsin Public Radio.)

There will be encore HD showings next Wednesday, Feb. 6, at 1 p.m. and 6:30 p.m. (“Carmen” is so popular that some cities will also host a second encore showing on Saturday, Feb. 9.)

The opera will be sung in French with supertitles in English, German, Spanish and Italian.

Tickets for Saturday broadcasts are $24 for adults, and $22 for seniors and children under 13. For encore showings, all tickets are $18.

The cinemas where the opera can be seen are two Marcus Cinemas: the Point Cinema on the west side of Madison (608 833-3980) and the Palace Cinema (608 242-2100) in Sun Prairie.

Here is a link to the Marcus Theaters website for addresses and more information. You can also use them to purchase tickets:

https://www.movietickets.com/movies

Here is a link to the Metropolitan Opera’s website where you can find the titles, dates, casts, production information and video clips of all Met productions this season:

https://www.metopera.org/season/in-cinemas/

Here is a link to a synopsis and cast list:

https://www.metopera.org/globalassets/season/in-cinemas/hd-cast-sheets/carmen_global.pdf?performanceNumber=15202

Here is a link to other information about the production of “Carmen,” including photos and audiovisual clips:

https://www.metopera.org/season/2018-19-season/carmen/

And here is a Wikipedia history of the broadcast series that gives you more information about how many cinemas it uses, the enormous size of the worldwide audience – now including Russia, China and Israel — and how much money it makes for The Met.

https://en.wikipedia.org/wiki/Metropolitan_Opera_Live_in_HD


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