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By Jacob Stockinger
The Ear has received the following announcement from The Willy Street Chamber Players (below), a relatively new group that is critically acclaimed for both its adventurous and eclectic, exploratory programming and for its outstanding performances of both the traditional repertoire and new music.
The Willy Street Chamber Players (WSCP) will play a virtual online concert this Sunday, Nov. 15, at noon CST.
Access to the “Beyond the Screen” concert is FREE and no registration is required. It will be available for free online until Dec. 31 on the group’s website. Here is a link to YouTube: https://youtu.be/j5Ved4FqYSQ
Listeners can visit the WSCP website or Facebook page Sunday at concert time for links to the 70-minute performance. Here is a link to the home website: http://www.willystreetchamberplayers.org
The dynamic WSCP program was recorded live, with masks and social distance, at the historic Gates of Heaven Synagogue (below, exterior and interior during the taping) in James Madison Park in downtown Madison.
The concert will premiere on Facebook live and YouTube, providing two ways to watch from the comfort and safety of your own home.
Members of WSCP will be on hand to interact with viewers in real time through the Facebook and YouTube virtual chat during the performance. They will provide spoken program notes.
Then, immediately following the concert, you can join WSCP members for a Q&A “reception” on ZOOM at 1:15 pm.
The concert program is:
Sonata for Violin and Cello (1922) by French composer Maurice Ravel (below)
“Allegro,” the first of Four Pieces for Solo Cello (1983) by Cuban-born composer Tania León (below), which you can hear in the YouTube video at the bottom.
https://en.wikipedia.org/wiki/Tania_León
Canción de Cuna Del Niño Negro (Cradle Song of the Black Baby, 1937) by Cuban composer Amadeo Roldán y Gardes (below), as arranged by Rachel Barton Pine.
https://en.wikipedia.org/wiki/Amadeo_Roldán
“Heart O’ the Hills” from Appalachian Duets, Op. 38, No. 8 (2001) by American composer Maria Newman (below), who is the youngest daughter of famous Hollywood film composer Alfred Newman.
https://en.wikipedia.org/wiki/Maria_Newman
Duo for Violin and Cello, Op. 7 (1914), by Hungarian composer Zoltan Kodaly
IF YOU LIKE A CERTAIN BLOG POST, PLEASE SPREAD THE WORD. FORWARD A LINK TO IT OR, SHARE IT or TAG IT (not just “Like” it) ON FACEBOOK. Performers can use the extra exposure to draw potential audience members to an event. And you might even attract new readers and subscribers to the blog.
ALERT: The sign-up site for Open Piano Day – to be held this coming Sunday, Sept. 22, from 1 to 4 p.m. at the Wisconsin Union Theater — is now available. Slots are for 15 minutes. Here is a link: https://nam04.safelinks.protection.outlook.com/?url=https%3A%2F%2Fsignup.com%2Fgo%2FfpUcsfW&data=02%7C01%7C%7C8ca06003be8b432ab9b408d73ba390d3%7C84df9e7fe9f640afb435aaaaaaaaaaaa%7C1%7C0%7C637043445996735650&sdata=3qwBf6GVLZK6iN0UUywLtlKEfUnIPLfssaug5b3XTl0%3D&reserved=0
Memorial Union members and their guests are invited to attend to play the piano and to listen to the music. Here is a link to a story with more details and background: https://welltempered.wordpress.com/2019/09/07/classical-music-the-wisconsin-union-theater-will-hold-an-exercising-or-playing-session-for-the-public-on-its-steinway-piano-on-sunday-sept-22-details-are-pending/
By Jacob Stockinger
The Ear has received the following announcement about a special concert of Croatian music that includes a world premiere and a Wisconsin premiere.
The Apollo Chamber Players (below) will perform this Saturday night, Sept. 21, at 7:30 p.m. at the Edgerton Performing Arts Center, 200 Elm High Drive, where they will give the Wisconsin premiere of Croatian Connections.
The program of chamber music is:
Medley of Croatian Folk Songs (2019, a world premiere), by Lorento Golofeev (b. 1976)
String Quartet Op. 33, No. 3 “The Bird” by Franz Joseph Haydn (1732-1809). You can hear the last movement of the “Bird” quartet in the YouTube video at the bottom.
Intermission/Prekid
Pannonia Boundless (1997) by Aleksandra Vrebalov (b. 1970)
String Quartet No. 4 “Obala” (No. 6 in the 20×2020 project and a Wisconsin premiere) by Alexandra du Bois (b. 1981)
Introduction: “Out of sea-mist, in medias res” (Aria: Adagio lugubre)
“Istria: Hrvatska Obala” (Croatian Coast) (Rondo: Allegro assai)
“Uspavankas” (Lullabies) (Waltz: Larghetto cantabile)
“Dalmatian Hinterland” (Scherzo: Allegro pesante con fuoco)
“Tempo di Gusle” (Finale: Presto all’ungherese)
Tickets are $30 each and can be purchased online at www.edgertonpac.comor by phone at (608) 561-6093.
Croatian Connections was underwritten by Frederic Attermeier, a native of Cudahy, Wis., and was first premiered in Houston, Texas in 2016. It explores the Croatian inspirations of the “Father of the String Quartet” Franz Joseph Haydn (below), and music celebrating Croatian cultural heritage.
The Wisconsin premiere of this new string quartet inspired by folk music from Croatia and Serbia by New York City-based composer Alexandra du Bois (below, in a photo by Nick Ruechel), adds a contemporary perspective – a bridge to common ground through ethnic folk music – between often-warring cultures.
The Houston-based Apollo Chamber Players “performs with rhythmic flair and virtuosity” (The Strad) and has “found fruitful territory” (Houston Chronicle) through innovative, globally-inspired programming and multicultural new music commissions.
A recent winner of the Chamber Music America’s prestigious Residency Partnership award, this quartet has performed for sold-out audiences at Carnegie Hall twice in the past five years, and holds the distinction of being the first American chamber ensemble to record and perform in Cuba since the embargo relaxation. The string quartet is featured frequently on American Public Media’s nationally-syndicated program “Performance Today.”
This concert is in honor of the late William J. Wartmann (below) whose parents immigrated to America from Croatia. This concert is partially funded by the William and Joyce Wartmann Endowment for the Performing Arts.
IF YOU LIKE A CERTAIN BLOG POST, PLEASE SPREAD THE WORD. FORWARD A LINK TO IT OR, SHARE IT or TAG IT (not just “Like” it) ON FACEBOOK. Performers can use the extra exposure to draw potential audience members to an event.
By Jacob Stockinger
It’s not just the calendar that makes the Bach Dancing and Dynamite Society the official start of the increasingly busy summer classical musical season in Madison.
The real reason is that the summer chamber music series, about to start its 28th annual summer this Friday night, June 14, is downright summery in its approach.
Say “summer,” and you think of lightness, of fun, of playfulness. And those are the very same qualities – along with serious, first-rate performances of great music by outstanding musicians – that BDDS brings to its six programs spread out in 12 concerts over three weekends and three venues during the month of June.
By now both the performers (below, in a photo by Dick Ainsworth for BDDS) and the audiences know that the formula works, however finely tuned or slightly changed it is from one summer to the next.
WHAT’S THE SAME
This year much remains.
There are still door prizes, spoken introductions and stories, mystery guests and a colorful art installation by UW-Madison designer Carolyn Kallenborn.
The titles of the six programs for 12 concerts over three weekends still have groan-inducing puns — “Name Dropping” in the theme for this summer — that are based on the musicians’ names like “Founteneau of Youth” after the San Francisco cellist Jean-Michel Fonteneau (below top) and “Quadruple Axel” after the Montreal-based violin virtuoso Axel Strauss (below bottom).
There are still the usual venues: the Playhouse in the Overture Center (below top); the Stoughton Opera House (below middle); and the Hillside Theater at Taliesin, the Frank Lloyd Wright compound in Spring Green.
There are still the many distinguished and accomplished musicians among the many imported guest artists and the many local musicians, including the co-founders and co-artistic directors flutist Stephanie Jutt and pianist Jeffrey Sykes (below). The Ear can’t recall ever hearing a bad BDDS performance, even of music he didn’t like.
And there is a mix of older well-known and classic repertoire along with newer and neglected composers and works.
WHAT’S NEW
But some things are different too.
The first concert this Friday will have a post-concert reception with free champagne and dessert to celebrate the 28th season.
This summer, unlike recent ones, there is no vocal music. All music is instrumental.
At both Stoughton and Spring Green, you can get food. Go to the home website for details.
Especially new and noteworthy is that the Russian virtuoso accordion player Stas Venglevski (below), from Milwaukee, will also perform on programs. Venglevski performs on the bayan, a Russian-style accordion noted for its deep bass sound and range and purity of tone.
Venglevski will be featured in works that range from polkas and heart-on-the-sleeve tangos by Argentinian composer Astor Piazzolla, Cuban composer Ernesto Lecuona and Russian composer Igor Stravinsky; down-and-dirty original works by Russian master Tatyana Sergeyeva and arrangements of favorite pieces by Johann Sebastian Bach and others.
This Wednesday night, June 12, from 7 to 9 p.m., Venglevski and Jutt will perform “Bayan-o-rama” at the Arts and Literature Lab, 2021 Winnebago Street. Tickets are $10 at the door. Refreshments will be served.
Here is a summary of the first weekend:
WEEK ONE
The elegance, charm, and finesse of French cellist Jean-Michel Fonteneau is displayed in a program called “Fonteneau of Youth.”
It includes music written by great composers in their youth, including the ravishing Elegy for cello and piano of French composer Gabriel Fauré; the rhythmically exciting Trio for flute, cello and piano of living American composer Ned Rorem; and the astonishing D’un soir triste (One Sad Evening) and D’un matin de printemps (One Spring Morning), both for piano trio, of 21-year old Lili Boulanger (below), who was the Prix de Rome-winning composer sister of famed teacher Nadia Boulanger and who died very young. (You can hear both pieces by Lili Boulanger in the YouTube video at the bottom.)
The great Franz Joseph Haydn—always the most youthful of composers, even into his late years—is represented by the masterful Piano Trio no. 28 in E major, in honor of BDDS’ 28th season.
“Fonteneau of Youth” will be performed at The Playhouse in the Overture Center for the Arts on this Friday, June 14, at 7:30 p.m. A free champagne and dessert reception will be held following the performance to celebrate the 28th season opener. It will also be performed in Spring Green at the Hillside Theater on Sunday, June 16, at 2:30 p.m.
Audience favorite Axel Strauss—not just a virtuoso violinist, but a virtuoso musician and artist of the highest distinction—will brave gravity-defying musical heights in “Quadruple Axel.” Carl Philipp Emanuel Bach’s Trio Sonata in D minor for violin, flute, cello and piano starts the program on an elegant note. Johannes Brahms’ fiery Piano Trio No. 3 in C minor, Op. 101, raises the temperature significantly. And all sorts of hijinks are on display in Maurice Ravel’s extraordinary and ravishing Sonata for Violin and Piano.
“Quadruple Axel” will be performed at The Playhouse in the Overture Center for the Arts on Saturday, June 15, at 7:30 p.m. and in Spring Green at the Hillside Theater, Sunday, June 16, at 6:30 p.m.
For more information about the full BDDS season and how to purchase tickets ($43 and $49), go to: https://bachdancing.org
By Jacob Stockinger
The Ear has received the following announcement to post:
“This semester, Madison Youth Choirs singers (below) are embarking on a musical journey across the globe as they explore and perform compositions connected to the diverse cultures inhabiting Madison’s nine sister cities: Ainaro, East Timor; Arcatao, El Salvador; Camaguey, Cuba; Freiburg, Germany; Kanifing, The Gambia; Mantua, Italy; Obihiro, Japan; Tepatitlán, Mexico; and Vilnius, Lithuania.
“As we study the wide variety of musical forms that emerged from these nine regions and think about the reasons we’re drawn to establish sister city relationships, we’re examining both the common forces that drive the creative expression of artists from all cultures and the unique contributions that artists from our sister cities have made to the worldwide musical canon.
“We invite you to join us for a culminating winter concert series celebrating these international choral connections.
WHERE
Madison Youth Choirs Winter Concerts, “Sister Cities”
First Congregational United Church of Christ
1609 University Ave., Madison
WHEN
Sunday, Dec. 10, 2017
1:30 p.m. Girlchoirs
4:00 p.m. Boychoirs
7:00 p.m. High School Ensembles
Tickets available at the door: $10 for general admission, $5 for students 7-18, and free for children under 7. A separate ticket is required for each performance.
This concert is generously endowed by the Diane Ballweg Performance Fund with additional support from American Girl’s Fund for Children, BMO Harris Bank, and the Wisconsin Arts Board with funds from the state of Wisconsin and the National Endowment for the Arts.
About the Madison Youth Choirs (MYC):
Recognized as an innovator in youth choral music education, Madison Youth Choirs (MYC) welcomes singers of all ability levels, annually serving more than 1,000 young people, ages 7-18, through a wide variety of choral programs in our community. Cultivating a comprehensive music education philosophy that inspires self-confidence, personal responsibility, and a spirit of inquiry leading students to become “expert noticers,” MYC creates accessible, meaningful opportunities for youth to thrive in the arts and beyond.
“SISTER CITIES” PROGRAMS
Sunday, December 10, 2017, First Congregational Church, Madison
1:30 p.m. Concert (Featuring MYC Girlchoirs)
Choraliers
“Now We Are Met” by Samuel Webbe
“Sakura” Traditional Japanese folk song
“Tecolote” Spanish lullaby, arr. Victoria Ebel-Sabo
“S’Vivon” Traditional Jewish folk song, arr. Valerie Shields
Con Gioia
“Peace Round” Traditional round, text by Jean Ritchie
“Shepherd’s Pipe Carol by John Rutter
“Murasame” by Victor C. Johnson, text: 11th-century Japanese poem
“Guantanamera” Cuban folk song, text by José Marti
Capriccio (below)
“A Circle is Cast” by Anna Dembska
“Ich will den Herrn loben alle Zeit” by Georg Philipp Telemann, arr. Wallace Depue
“Ma come bali bene bela bimba” Traditional Italian, arr. Mark Sirett
“Soran Bushi” Japanese folk song, arr. Wendy Stuart
“Yo Le Canto Todo El Dia” by David L. Brunner
4:00 p.m. Concert (Featuring MYC Boychoirs)
Combined Boychoirs
“Dance for the Nations” by John Krumm, arr. Randal Swiggum
Purcell (below)
“La Nanita Nana” by José Ramon Gomis, arr. David Eddlemann
“Es is Ein Ros entsprungen” by Melchior Vulpius
“Sakura” Traditional Japanese folksong, arranged by Purcell choir members
Britten (below)
Two Elegies by Benjamin Britten
“No che non morira” (from Tito Manlio) by Antonio Vivaldi
Holst
“O Rosetta” by Claudio Monteverdi
“O là, o che bon echo” by Orlando di Lasso
“We Are” by Ysaye Barnwell
Combined Boychoirs
Chorus of Street Boys from Carmen by Georges Bizet
“Kimigayao” (The National Anthem of Japan) Melody by Hiromori Hayashi
7:00 p.m. Concert (Featuring High School Ensembles)
Cantilena
“How Can I Keep From Singing?” by Gwyneth Walker
Liebeslieder Walzer by Johannes Brahms, text by Georg Friedrich Daumer
Ragazzi
“Bar’chu” by Salamon Rossi
“The Pasture” (from Frostiana) by Randall Thompson
“Mogami Gawa Funa Uta” by Watanabe/Goto, based on folk materials, arr. Osamu
Shimizu
Cantabile
“Angelus ad pastores ait” (from Sacrae Cantiunculae, 1582) by Claudio Monteverdi
“Gamelan” by R. Murray Schafer
“Mata del Anima Sola” by Antonio Estévez
Cantabile and Ragazzi (below)
“The Virgin Mary Had a Baby Boy” Traditional carol from Trinidad, arr. Stephen
Hatfield
Combined Choirs
“Dance for the Nations” by John Krumm
By Jacob Stockinger
Greg Zelek (below) is the new organist for the Madison Symphony Orchestra.
Zelek will make his official debut at the FREE Farmers’ Market organ recital this Saturday morning at 11 a.m. in Overture Hall of the Overture Center, the home of the MSO Concert Organ built by Klaisorgelbau of Germany.
Zelek is succeeding Samuel Hutchison, who has retired.
Here is a link to a previous blog post with more details about Zelek, a graduate of the Julliard School in New York City, and his impressive background:
His virtuosic program this Saturday morning includes music by Johann Sebastian Bach, Franz Liszt, Claude Debussy, American church composers Powell Weaver and Leo Sowerby, and Cuban composer Ernesto Lecuona. (Sorry, no word about specific pieces. But you can hear Zelek playing Lecuona’s well-known “Malagueña” in the YouTube video at the bottom.)
The program will last about 45 minutes.
No tickets or reservation are needed, and all ages are welcome.
For more information, visit:
https://www.madisonsymphony.org/farmers
By Jacob Stockinger
The Oakwood Chamber Players will kick off their 2016-2017 season with a concert entitled “Looking Across the Table: Can We Find Common Ground?” on this coming Saturday night, Sept. 10, at 7 p.m. and Sunday afternoon, Sept. 11, at 2 p.m.
The concerts will both be held in the Oakwood Village University Woods Center for Arts and Education, 6209 Mineral Point Road, on Madison’s far west side.
Tickets can be purchased with cash or personal checks at the door: $20 for general admission, $15 for seniors and $5 for students.
Visit www.oakwoodchamberplayers.com or call (608) 230-4316 for more information.
The season’s theme of “Perspective” is full of interesting viewpoints on life and relationships; the blended use of diverse musical styles with film and theater will help the audience see things from another’s point of view.
Here is a link to a preview of the entire season:
This weekend’s program concert will begin Cafe Music for piano trio by the Michigan-based composer Paul Schoenfield. The work draws inspiration from a range of styles including 20th-century American, Viennese, gypsy and Broadway. (You can hear the catchy music in the YouTube video at the bottom.)
Cuban composer Paul Colina’s “Stairway to Midnight Café” has a delightful current of dance influence and is dedicated to his friends in the First Coast Chamber Ensemble.
The Oakwood Chamber Players will welcome guests to the stage for the charming Dixtuor by French composer Jean Françaix (below). The engaging interplay of strings and winds creates an atmosphere of instrumental commentary parallel to an upbeat social gathering.
Guest musicians include Maureen McCarty, violin; Katrin Talbot, viola; Brad Townsend, string bass; Jennifer Morgan, oboe; and Juliana Mesa-Jaramillo, bassoon.
Famed British composer Sir Edward Elgar (below) wrote Elegy, a poignant adagio, when processing the untimely loss of a friend and colleague. He created a piece that tugs at the heartstrings of both listeners and performers.
This is the first of five concerts in the Oakwood Chamber Players’ 2016-2017 concert season. Remaining concerts include “Looking Back and Forward” on Nov. 27; “Looking Within” on Jan. 21 and 22”: “Looking Through the Lens” on March 18 and 19; and “Looking Closely at the Score” on May 13 and 14.
The Oakwood Chamber Players are a group of Madison-area professional musicians who have rehearsed and performed at Oakwood Village for over 30 years. They have experience with the Madison Symphony Orchestra, the Wisconsin Chamber Orchestra, the University of Wisconsin-Madison School of Music and other groups and institutions.
The Oakwood Chamber Players are a professional music ensemble proudly supported by Oakwood Lutheran Senior Ministries and the Oakwood Foundation.
A REMINDER: Subscribers to the Madison Symphony Orchestra‘s current season that just ended have until May 5 — this Thursday — to renew and save their current seats. New subscribers can receive up to 50 percent off and other discounts are available. For more about the programs of the 2016-17 season and about subscribing, visit:
http://www.madisonsymphony.org/16-17
By Jacob Stockinger
The Ear has received the following notice from the Madison Youth Choirs about three concerts this coming weekend:
On this Saturday, May 7, and Sunday, May 8, 2016, in the Capitol Theater of the Overture Center for the Arts, the young singers of Madison Youth Choirs (below, at the winter concert in 2014) will bring to life the musical creations of several groups who have left their homelands throughout history, under a variety of circumstances.
How do we keep our traditions in a place where they may not be tolerated? How do we maintain our identities in the face of great change? How do we preserve our stories and our history for future generations?
We invite you to ponder these questions with us as we explore the rich choral work of the African-American, Indian, Cuban, Arabic, Irish, Jewish and additional musical traditions as well as several works based on the biblical diaspora as told in Psalm 137.
At the Saturday evening performance, MYC will also present the Carrel Pray Music Educator of the Year Award to Dan Krunnfusz (below), former artistic director and conductor of the Madison Boychoir and a longtime choral and general music teacher in Madison and Baraboo public schools.
MYC Spring Concert Series: “Sounds Like Home: Music in Diaspora.” Capitol Theater, Overture Center for the Arts, 201 State Street, Madison, Wisconsin
Saturday, May 7, 2016, 7 p.m.: Boychoirs
Sunday, May 8, 2016, 3:30 p.m. Girl choirs; 7:30 p.m. High School Ensembles
Tickets are $15 for adults, $10 for students ages 8-18. Children 7 and under receive free admission but a physical ticket is required for entry. AUDIENCE MEMBERS WILL NEED A SEPARATE TICKET FOR EACH CONCERT.
Tickets are available through Overture Center Box Office, and may be acquired in person at 201 State Street, Madison; via phone at (608) 258 – 4141; or online at http://www.overturecenter.org/events/sounds-like-home-music-in-diaspora
This project is generously supported by American Girl’s Fund for Children, BMO Harris Bank, the Green Bay Packers Foundation, the Kenneth A. Lattman Foundation, the Madison Community Foundation, the Madison Gas and Electric Foundation, the Pleasant T. Rowland Foundation, and Dane Arts with additional funding from the Endres Mfg. Company Foundation. This project is also supported in part by a grant from the Wisconsin Arts Board with funds from the State of Wisconsin and the National Endowment for the Arts.
About the Madison Youth Choirs (MYC, see below in a photo by Jon Harlow on its tour to an international festival in Scotland in 2014): Recognized as an innovator in youth choral music education, Madison Youth Choirs (MYC) welcomes singers of all ability levels, annually serving more than 1,000 young people, ages 7-18, through a wide variety of choral programs in our community.
Cultivating a comprehensive music education philosophy that inspires self-confidence, personal responsibility, and a spirit of inquiry leading students to become “expert noticers,” MYC creates accessible, meaningful opportunities for youth to thrive in the arts and beyond.
Here is the repertoire of the MYC 2016 Spring Concert Series “Sounds Like Home: Music in Diaspora”
Saturday, May 7, 2016, Capitol Theater, Overture Center for the Arts
7 p.m. Concert (Featuring MYC Boychoirs)
Purcell
Sometimes I Feel Like a Motherless Child…Traditional spiritual, arr. Burleigh
Hashivenu…Traditional Hebrew, arr. Rao
Rolling Down to Rio…Edward German
Britten
The Minstrel Boy…Traditional Irish, arr. Benjamin Britten
Super Flumina Babylonis…Giacomo Carissimi
Duke’s Place…Duke Ellington, arr. Swiggum/Ross
Holst
As by the Streams of Babylon…Thomas Campion
A Miner’s Life…Traditional Irish, arr. Houston
Combined Boychoirs (below, in a photo by Joanie Crump)
The Riflemen of Bennington…Traditional, arr. Swiggum
Babylon…Don McLean
Sunday, May 8, 2016, Capitol Theater, Overture Center for the Arts
3:30 p.m. Concert (Featuring MYC Girlchoirs, below in a photo by Karen Brown)
Choraliers
Babylon…Don McClean
Beidh Aonach Amarach…Traditional Irish, arr. Dwyer
Ani Ma’amin…Traditional Hebrew, arr. Caldwell/Ivory
Gospel Train…Traditional spiritual, arr. Shirley McRae
Alhamdoulillah…Traditional Arabic, arr. Laura Hawley
Con Gioia
Folksong arrangements (2, 3, 4)…Gideon Klein
Hope is the Thing with Feathers…Marye Helms
Wild Mountain Thyme…Traditional Irish, arr. Jay Broeker
Stadt und Land in stille Ruh…Traditional German canon
Capriccio
Mi’kmaq Honor Song….arr. Lydia Adams
Thou Shalt Bring Them In…..G.F. Handel
Iraqi Peace Song…..Lori Tennenhouse
Bring Me Little Water, Silvy…..credited to Leadbelly, arr. Moira Smiley
Capriccio, Cantilena, and Cantabile
Across the Water (world premiere)… UW-Madison alumnus Scott Gendel (below)
7:30 p.m. Concert (Featuring High School Ensembles)
Cantilena
We Are…Ysaye Barnwell
Sometimes I Feel Like a Motherless Child…Traditional spiritual
Jai Bhavani…arr. Ethan Sperry
Hej, Igazitsad…Lajos Bardos
Ragazzi
An Wasserflüssen Babylon…Michael Praetorius
Uz mne kone vyvadeji (from folksong arrangements)…Gideon Klein
Son de Camaguey…Traditional Cuban, arr. Stephen Hatfield
Loch Lomond…Traditional Scottish air, arr. Ralph Vaughan Williams
Cantabile
In a Neighborhood in Los Angeles (from Alarcón Madrigals)…Roger Bourland
Riawanna…Stephen Leek
Barchuri Le’an Tisa…Gideon Klein
Kafal Sviri…Traditional Bulgarian, arr. Liondev
Cantabile and Ragazzi
O, What a Beautiful City…Traditional spiritual, arr. Shawn Kirchner
ALERT: This week’s FREE Friday Noon Musicale, held from 12:15 to 1 p.m. at the First Unitarian Society of Madison, 900 University Bay Drive, features bassoonists Rozan Anderson and Willy Walter with oboist Scott Ellington and English hornist Ruth Dahlke in music by Bela Bartok, Bill Malcolm, Ange Flegier, Sarah Woolsey, Thomas Morley and John Wilbye with a world premiere by Louise Hillery.
By Jacob Stockinger
The Ear has received word from the Madison-based wind quintet Black Marigold about its upcoming winter concerts running from January 23 through January 31.
Members of Black Marigold (below) include Elizabeth Marshall, flute; Laura Medisky, oboe; Bethany Schultz, clarinet; Kia Karlen, horn; and Carl Wilder, bassoon.
Here is the announcement:
“Add a dash of heat to your winter with a hearty dose of chamber music!
“Black Marigold’s winter program features: the Wind Quintet in C major, Op.79 (ca. 1898, heard at bottom in a YouTube video) by August Klughardt; “La Cheminée du Roi René,” Op. 205 (1939) by Darius Milhaud; and two contemporary pieces by Brian DuFord: Vignettes Balletiques (2011) and Variations on an Afro-Cuban Lullaby (2012).
“You can learn more about Black Marigold’s 2016 commissioning collaboration with Brian DuFord (below), a musical salute to Wisconsin craft brews and beer, at http://www.blackmarigold.com/beermusic.html
“All concerts are FREE and OPEN TO THE PUBLIC.
Here is a complete schedule:
“Saturday, January 23, 2016 – 7 p.m. Orchard Ridge United Church of Christ 1501 Gilbert Rd, Madison
“Sunday, January 24, 2016 – 2 p.m. First United Methodist Church 203 Wisconsin Ave, Madison
“Friday, January 29, 2016 – 12:15 p.m. First Unitarian Society, Noon Musicale Series, 900 University Bay Drive, Madison
“Sunday, January 31, 2016 – 4 p.m. St. Peter’s Episcopal Church, Chamber Series, Fort Atkinson, Wisconsin
“Black Marigold is a dynamic wind quintet that has performed throughout Wisconsin since 2012.
“As advocates of new music and living composers, the quintet presents captivating concerts introducing new music, while also highlighting classic woodwind quintet repertoire.
“For more information, visit:
https://www.facebook.com/BlackMarigold/
By Jacob Stockinger
Anniversaries and deaths (below is a link to the musicians we lost in 2015).
Debuts, farewells and unusual tours.
(In a YouTube video at the bottom and below in photo by Yamil Lang for Getty Images, is the Minnesota Orchestra playing in Havana under music director Osmo Vanska during its historic tour to Cuba in May 2015.)
Revivals and world premieres.
Appointments and retirements.
What were the notable events in classical music in 2015?
How many do you recall?
The blog Deceptive Cadence, written and posted by NPR or National Public Radio, takes a look back at 2015.
ALERT: The Ear attended an outstanding choral concert Friday night. It was put on by the Madison Choral Project with singers (below) plus UW-Madison trumpeter John Aley (far right), cellist Eric Miller and UW-Madison pianist Martha Fischer, all under the direction of the legendary conductor Dale Warland. The concert “Music of Our Time” will be repeated at 2:30 p.m. on this Sunday at the First Congregational United Church of Christ, 1609 University Ave. You can park in the lot two blocks away at the UW Foundation. If you love choral music, don’t miss it.
By Jacob Stockinger
Yesterday, President Obama made it official. He removed Cuba from the State Department‘s list of outlaw countries that sponsor terrorism.
The economic and cultural thaw is gathering momentum. And just as happened with the Soviet Union, cultural exchanges are going to play a major role.
The Minnesota Orchestra made history with its recent visit to Cuba, where it gave two concerts, played a side-by-side concert with a youth orchestra, played in a cafe informally with Cuban musicians and tutored music students.
If you missed it, here are stories — and a YouTube video interview with the orchestra’s Finnish-born music director and conductor Osmo Vanska and orchestra players at the bottom — to catch up.
Here is a photo essay put together by Minnesota Public Radio:
http://www.mprnews.org/story/2015/05/18/photos-a-look-back-at-the-orchestras-trip-to-cuba
Here is the story from the Deceptive Cadence blog on NPR (National Public Radio):
Here is The New York Times account of the two well received concerts that include the “Eroica” Symphony by Ludwig van Beethoven and the two countries’ national anthems:
And here is The New York Times account of a more informal café get-together:
Finally, here is an account from the orchestra’s hometown Minneapolis Star-Tribune:
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