The Well-Tempered Ear
Classical music: The Mosaic Chamber Players perform an all-Schubert concert on Saturday night. On Sunday afternoon, Opera Props presents singers in a benefit concert to support the opera program at the UW-Madison
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ALERT: On this Sunday afternoon at 3 p.m., in the Madison Christian Community Church at 7118 Old Sauk Road on Madison’s far west side, Opera Props will present a benefit concert to raise money for the UW-Madison’s opera program and University Opera.
Student singers and piano accompanist Daniel Fung will perform arias and songs. But the spotlight will shine on University of Wisconsin-Madison alumna soprano Julia Rottmayer, who is a new faculty member at the UW-Madison’s Mead Witter School of Music. (Sorry, no specific program is given and no names of composers and works are mentioned.)
Tickets are $30 in advance, $35 at the door with student tickets costing $10. Tickets include a reception with local Gail Ambrosius chocolate, fruit, cheese and wine. For more information, go to: https://www.uwoperaprops.org
By Jacob Stockinger
Why is The Ear increasingly drawn to the music of Franz Schubert (below) over, say, the music of his contemporary and idol Ludwig van Beethoven? It seems to be more than its sheer beauty and lyricism. It also seems to possess a certain warmth or human quality that he finds irresistible, poignant and restorative, especially if it is true, as the Buddha said, life is suffering.
In any case, The Ear is not alone.
The Madison-based Mosaic Chamber Players (below, in a photo by John W. Barker) will open their new and ambitious season this coming Saturday night with a concert of music by Franz Schubert.
The all-Schubert concert is at 7:30 p.m. in the chapel of the First Congregational United Church of Christ, 1609 University Avenue, near Camp Randall Stadium — NOT at the First Unitarian Society of Madison, as was incorrectly stated earlier in this blog post.
The program includes two Sonatinas for Violin and Piano in D Major, D. 384, and A minor, D. 385; the famous “Arpeggione” Sonata, D. 821, performed on the cello with piano; and the lovely and songful Adagio or “Notturno” (Nocturne) for Piano Trio, D. 897, which you can hear with violinist Anne-Sophie Mutter and pianist Daniil Trifonov, in the YouTube video at the bottom.
Tickets cost $15 for adults; $10 for seniors; and $5 for students. Cash and checks only will be accepted; no credit cards.
Members of the Mosaic Chamber Players are: founder and pianist Jess Salek (below top); violinist Wes Luke (below second), who plays with the Ancora String Quartet and Wisconsin Chamber Orchestra; violinist Laura Burns (below third), who also plays with the Madison Symphony Orchestra and the MSO’s Rhapsodie String Quartet; and cellist Kyle Price (below bottom), who founded the Caroga Lake Music Festival in New York State and is pursuing his doctoral degree at the UW-Madison’s Mead Witter School of Music with distinction and who was a member of the graduate student Hunt Quartet while he studied for his master’s.
A reception will follow the concert.
For more information about the Mosaic Chamber Players and about their new season, which includes some very varied composers but no specific titles of works, go to: http://www.mosaicchamberplayers.com
What do you find so appealing and so special about the music of Schubert?
What is your favorite Schubert work?
Leave your thoughts in the COMMENT section with a link, if possible, to a YouTube video performance.
The Ear wants to hear.
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Classical music: The UW Pro Arte Quartet and Wingra Wind Quintet prove exceptional partners in a joint all-Schubert concert
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By Jacob Stockinger
Here is a special posting, a review written by frequent guest critic and writer for this blog, John W. Barker. Barker (below) is an emeritus professor of Medieval history at the University of Wisconsin-Madison. He also is a well-known classical music critic who writes for Isthmus and the American Record Guide, and who hosts an early music show once a month on Sunday morning on WORT FM 89.9 FM. For years, he served on the Board of Advisors for the Madison Early Music Festival and frequently gives pre-concert lectures in Madison. Barker also took the performance photos.
By John W. Barker
On Saturday night, in Mills Hall on the campus, two ensembles from the Mead Witter School of Music at the UW-Madison joined forces in an all-Schubert program.
The two groups were the Pro Arte Quartet (below, in a photo by Rick Langer) and the Wingra Wind Quintet (no group photo is available).
The music of Schubert (below) will, of course, guarantee a delightful evening, and that was certainly the case this time.
As a prologue, there was the set of variations for flute and piano, D. 802, on Schubert’s own song, Trockne Blumen from his Die schöne Müllerin song cycle. This was played with real flair by Timothy Hagen with pianist Daniel Fung (both are below). Hagen preceded the performance by explaining the relationship of the variations to the whole cycle. (You can hear the original song sung by the legendary Dietrich Fischer-Dieskau in the YouTube video at the bottom.)
That choice of an opener had its point because the variations were composed just weeks before the major work on the program, Schubert’s Octet in F, D. 803.
There is much individuality in this Octet, scored for a combination of strings and winds. It is true that Schubert’s elder contemporary, Louis Spohr, had written such an octet, if with slightly different scoring, in 1817, while Schubert’s was composed in 1824. Still, Schubert’s hour-long score is more expansive, a work remarkable at its time and hardly equaled since.
In this broad, symphonically scaled six-movement work, Schubert just poured out one feast of melodic invention after another. One does not often have a chance to hear this work in concert, but this performance was a particularly memorable one.
The performers (below) were clarinetist Alicia Lee, bassoonist Mark Vallon, and hornist Joanna Schulz, along with bassist David Scholl, plus the usual four members of the Pro Arte Quartet.
Ah, but that last element gave the evening special meaning, for it involved the return to performing by cellist Parry Karp (below). A recent accident had damaged two fingers on his left hand; but here he was, all fingers flying with the spirited efficiency.
It proved a welcome moment in the quartet’s current life, and itself added a significant dimension to this concert.
Tags: accident, American, American Record Guide, Arts, bass, blog, Cello, Chamber music, clarinet, Classical music, composer, contemporary, cycle, Daniel Fung, delight, Die Schöne Müllerin, Die Schoene Muellerin, Early music, elder, emeritus, Finger, flute, Franz Schubert, guide, History, Horn, hour, injury, invention, Isthmus, Jacob Stockinger, Louis Spohr, Madison, Madison Early Music Festival, Mead Witter School of Music, Medieval, melodic, melody, movement, Music, Octet, Orchestra, Parry Karp, partner, photo, Piano, Pro Arte Quartet, professor, Radio, record, review, score, song, symphony, theme and variations, University of Wisconsin-Madison School of Music, University of Wisconsin–Madison, Viola, Violin, Wingra Wind Quintet, Wingra Woodwind Quintet, Wisconsin, WORT-FM 89.9, YouTube
Classical music: The University Opera performs an unusual and original Kurt Weill cabaret this coming Friday night and Sunday afternoon and next Tuesday night
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By Jacob Stockinger
This fall, University Opera is taking a short break from strictly operatic offerings – in the spring it will stage Puccini’s “La Bohème” — as it turns to the music of Kurt Weill (1900-1950).
No ordinary medley, A KURT WEILL CABARET is an organized pastiche of 21 solos and ensembles from many diverse works by Kurt Weill (below, in a photo from the German Federal Archive), and will be presented at Music Hall on the UW-Madison campus at the foot of Bascom Hill.
(One of the most famous and popular Kurt Weill songs to be performed, “Alabama Song,” once covered by the rock band The Doors in the 1960s, can be heard performed by Lotte Lenya in the YouTube video at the bottom.)
Performances are this Friday, Oct. 27, at 7:30 p.m.; this coming Sunday, Oct. 29, at 3 p.m.; and next Tuesday night, Oct. 31, at 7:30 p.m.
University Opera director David Ronis (below, in a photo by Luke Delalio) will direct the show.
Chad Hutchinson (below), adjunct professor of orchestras, will conduct.
Musical preparation will be by UW-Madison collaborative pianist and vocal coach, Daniel Fung (below bottom).
Tickets are $25 for the general public; $20 for seniors; and $10 for UW students.
Here is a link to a full-length press release from the Mead Witter School of Music at the University of Wisconsin-Madison. It has information about the performers and the program as well as historical background about Kurt Weill and how to purchase tickets.
http://www.music.wisc.edu/2017/09/27/university-opera-presents-a-kurt-weill-cabaret/
For more information in general about University Opera, got to:
http://www.music.wisc.edu/opera/
Tags: 1960s, 60s, adjunct, Alabama, Alabama Song, archive, Arts, background, Bascom Hill, cabaret, Campus, Chad Hutchinson, choral music, Classical music, coach, collaborative, collaborative piano, composer, conductor, Daniel Fung, David Ronis, director, ensemble, famous, federal, Germany, historical, History, Jacob Stockinger, Kurt Weill, La bohème, Lotte Lenya, Madison, Mead Witter School of Music, medley, Music, Music Hall, musical, offering, opera, Orchestra, ordinary, original, pastiche, performance, performer, Piano, popular, preparation, press, press release, professor, program, public, Puccini, purchase, release, Rock, rock band, rock music, senior, solo, Student, The Doors, ticket, United States, University of Wisconsin-Madison School of Music, University of Wisconsin–Madison, University Opera, unusual, video, Viola, Violin, vocal, vocal music, Website, Wisconsin, YouTube
Classical music: UW oboist Aaron Hill performs world premieres and little known composers in a FREE recital Sunday afternoon
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By Jacob Stockinger
This is Homecoming weekend at the University of Wisconsin-Madison, and it is busy on many counts, including several classical music concerts in the city on Sunday afternoon.
But one of the more intriguing is a FREE recital at 3 p.m. in Mills Hall by UW-Madison Professor Aaron Hill (below), who teaches oboe and also performs in the Wingra Woodwind Quintet.
Hill will be joined by collaborative pianist Daniel Fung (below), who is also a vocal coach at the Mead Witter School of Music at the UW-Madison.
Particularly noteworthy is the number of world premieres and relatively unknown contemporary composers on the program.
Here is the program:
“Poem,” for oboe and piano (1953) by Marina Dranishnikova (1929-1994, below). (You can hear it in the YouTube video at the bottom.)
Oboe Sonata (1947) by Jean Coulthard (1908-2000)
- Gently Flowing
- Sicilienne
- Allegro
Intermission
* Soliloquies (2013) by Andre Myers (b. 1973)
- To be or not to be
- There’s Rosemary, that’s for remembrance
- In the Month of May
- Spring Discourse
* world premiere performance
* After Manchester (2017) Aaron Hill and Michael Slon (b. 1982 and 1970, respectively) * world premiere performance
Four Personalities (2007) Alyssa Morris (b. 1984)
- Yellow
- White
- Blue
- Red
Here are some program notes by Aaron Hill:
“This program highlights five different ways to program previously unfamiliar music, as explained below.
“Poem” by Marina Dranishnikova came to me through our local community. Oliver Cardona, currently a junior music major at UW-Madison, initially brought it to my attention. The work was discovered and edited by my predecessor, Professor Marc Fink (below), during his travels in Russia.
I first heard the Oboe Sonata by Jean Coulthard (below) at the 2017 International Double Reed Society conference at Lawrence University in Appleton, Wis.
Charles Hamann, the principal oboist of the National Arts Centre Orchestra in Ottawa, edited and recorded it as part of a large project to bring international attention to masterpieces by Canadian composers.
Andre Myers (below) attended the University of Michigan with me and we first became acquainted when I performed one of his orchestral works. His beautiful writing for English horn started our friendship and 15 years later, he wrote his Soliloquies for me.
The first two are based on famous scenes from Shakespeare’s “Hamlet.” The third is based on a poem by Minnesota’s first poet laureate, Robert Bly, which will be read aloud from the stage. The final movement is inspired by a dream vision he had of centaurs playing in a meadow.
“After Manchester” was originally a free improvisation I recorded and posted to social media in the wake of the terror attack at Ariana Grande’s concert on June 4, 2017.
Later in the summer, Professor Michael Slon (below), the Director of Choral Activities at the University of Virginia, transcribed my improvisation and wrote a piano part to transform it into a piece of chamber music. The work was completed just days before the violent events in Charlottesville.
Professor Alyssa Morris (below) currently teaches oboe at Kansas State University and her compositions have become widely performed as standard literature for oboists in recent years.
She wrote “Four Personalities” to perform in her own undergraduate recital at Brigham Young University and I first heard it while searching for oboe music on YouTube. The piece is based on the Hartmann Personality Test.
In her words, the colors correspond to the following types:
Yellow: Yellow is fun-loving. The joy that comes from doing something just for the sake of doing it is what motivates and drives yellow.
White: White is a peacekeeper. White is kind, adaptable, and a good listener. Though motivated by peace, white struggles with indecisiveness.
Blue: Blue brings great gifts of service, loyalty, sincerity, and thoughtfulness. Intimacy, creating relationships, and having purpose is what motivates and drives blue.
Red: Motivated by power. Red is aggressive and assertive. Red is visionary, confident, and proactive.
Tags: Aaron Hill, adapt, afternoon, aggressive, allegro, aloud, Andre Myers, Appleton, Ariana Grande, Arts, assertive, beautiful, beauty, blue, Brigham Young University, busy, Canada, Canadian, centaur], Chamber music, Charlottesville, city, Classical music, colors, community, composer, Composition, Concert, confident, Creation, Daniel Fung, discourse, dream, England, English horn, famous, flowing, Folger Shakespeare Library, friend, friendship, fun, fun-loving, gentle, Hamlet, Hartmann Personality Test, Homecoming, improvisation, improvise, internaitonal, International Double Reed Society, intimacy, Jacob Stockinger, Jean Coulthard, Joy, Kansas, Kansas State University, laureate, Lawrence University, Lawrence University Conservatory of Music, listener, Love, loving, loyalty, Madison, Manchester, Marc Fink, Marina Dranishnikova, masterpiece, May, Mead Witter School of Music, meadow, media, Michael Slon, Michigan, Minnesota, motivation, Music, National Arts Centre Orchestra, New Music, notes, Oboe, Orchestra, orchestral, Ottawa, peace, personality, personality type, Piano, poem, poet, Poet laureate, Poetry, power, premiere, proactive, professor, program notes, purpose, read, recent, recital, red, relationship, Robert Bly, Russia, scene, service, Shakespeare, Sicilienne, sincerity, social media, soliloquy, Sonata, Spring, stage, summer, Sunday, teach, terror, terrorist, terrorist attack, thought, thoughtfulness, transcribe, transcription, travel, type, UK, undergraduate, United Kingdom, United States, University of Michigan, University of Virginia, University of Wisconsin-Madison School of Music, University of Wisconsin–Madison, video, violence, Virginia, vision, visionary, white, Wingra Woodwind Quintet, Wisconsin, world, world premiere, years, yellow, YouTube
Classical music: The annual showcase benefit for University Opera, with student performers and famed bass-baritone alumnus Sam Handley, is this Sunday afternoon
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By Jacob Stockinger
Students in the University of Wisconsin-Madison’s opera program will present the annual “Showcase Concert” of songs and arias this Sunday, Sept. 24, at 3 p.m. at the First Unitarian Society of Madison’s Meeting House, 900 University Bay Drive.
They will be joined by bass-baritone Sam Handley (below top), a well-known alumnus now living in Chicago, and accompanist Daniel Fung (below bottom).
The program includes:
Samuel Handley in the “Calumny” aria from Rossini’s “Barber of Seville” and the song “Her Face” from Merrill’s show “Carnival”
John McHugh in “Donne mie” (Mozart’s “Cosi fan tutte”)
Shaddai Solidum in “The Jewel Song” (Gounod’s “Faust”)
Grace Subat in “Far From the Home I Love” (Bock’s “Fiddler on the Roof“)
Sarah Kendall in “Mi chiamano Mimì” (Puccini’s “La Bohème“)
Benjamin Liupaogo (below) in the “Flower Song” (Bizet’s “Carmen”)
Liza Shapin in “I Walked in the Path Where Jesus Walked”
Matthew Chastain in “Questo amor” (Puccini’s “Edgar”)
Yanzelmalee Rivera in “Dondi lieta” (Puccini’s “La Bohème”)
Also the trio “Soave sia il vento” (from Mozart’s “Così fan tutti”) will be sung by Solidum, Subat and Handley; and the duet “Libiamo” (from Verdi’s “La Traviata“) will be sung by Rivera and Liupaogo.
Sam Handley has been praised for “his rich, burnished” voice and the “genuine emotional depth of his characterizations.” The Houston Chronicle has described his “vivid and polished singing” as “leaving the audience panting.”) You can hear him in the YouTube video at the bottom, where he sings the “Calumny” aria that he will also perform at this event.
A contribution of $30 at the door ($10 for students) is requested for this benefit concert.
A reception of chocolate, cheese, wine and punch will follow the concert and is included in the donation. (Below are the participants from last year with David Ronis, third from left in the back row, who is the director of the University Opera.)
Tags: alumni, alumnus, aria, Arts, Barber of Seville, baritone, bass, Bizet, Bock, Campus, Carmen, cheese, Chicago, chocolate, Classical music, Cosi fan tutte, Daniel Fung, director, donation, duet, Education, Faust, Fiddler on the Roof, First Unitarian Society of Madison, flower, Gounod, Home, Houston, Houston Chronicle, Jacob Stockinger, Jesus, jewel, La bohème, La Traviata, Love, Madison, Mimi, Mozart, Music, Music education, opera, Piano, Puccini, punch, reception, review, Rossini, Sam Handley, showcase, song, spiritual, Student, trio, United States, University of Wisconsin-Madison School of Music, University of Wisconsin–Madison, University Opera, Verdi, vocal music, Wine, Wisconsin, Wolfgang Amadeus Mozart, YouTube
Classical music: UW-Madison opera students are on display at a concert this Sunday afternoon along with guest professional and UW opera graduate Lindsay Metzger
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By Jacob Stockinger
The Ear has received the following announcement from UW Opera Props, the support organization for University Opera at the University of Wisconsin-Madison School of Music.
We invite you to attend a benefit concert showcasing the University of Wisconsin-Madison opera program’s talented students, along with special guest artist, distinguished alumna and mezzo-soprano, Lindsay Metzger (below top) who will be accompanied by pianist Daniel Fung (below bottom).
Please join us for a program of songs and arias, followed by a reception. Enjoy conversation with the singers, faculty and other musical friends, along with light refreshments including artisanal cheeses, fruit, wine, juices and chocolatier Gail Ambrosius’s delicious creations.
The concert is this Sunday, Sept. 18, at 3 p.m. followed by light refreshments and conversation. Sorry, no word about the composers or works to be sung.
The concert will take place in the Landmark Auditorium at the Frank Lloyd Wright-designed First Unitarian Society of Madison Meeting House, 900 University Bay Drive, Madison
Admission is a contribution of $25 in advance ($30 at the door), and $10 for students. All proceeds go to UW Opera student scholarships.
For more information, visit:
https://www.facebook.com/events/1838139499750385
http://www.uwoperaprops.org/uw-opera-props-student-showcase-concert/
Lindsay Metzger (below) hails from Mundelein, Illinois. She spent two summers as an apprentice artist with Des Moines Metro Opera and was a studio artist in 2014-15 with Milwaukee’s Florentine Opera (Gannett in Donizetti’s L’elisir d’amore).
Among her other recent portrayals have been Daphne/Marc-Antoine Charpentier’s La descente d’Orphée aux enfers (Chicago’s Haymarket Opera Company), Cherubino in Mozart’s Le nozze di Figaro (La Musica Lirica in Novafeltria, Italy), Nella in Puccini’s Gianni Schicchi (DuPage Opera Theatre), the title role in Handel’s Ariodante, Béatrice in Berlioz’ Béatrice et Bénédict, and Beppe in Mascagni’s L’amico Fritz (all at the University of Wisconsin-Madison).
With Lyric Unlimited’s community-engagement program “Opera in the Neighborhoods,” Metzger was heard in the title role in Rossini’s La Cenerentola.
A soloist featured frequently in numerous Chicago-area venues, Metzger debuted with the Grant Park Symphony singing the soprano solo in Gabriel Fauré’s Requiem.
She was awarded the Paul Collins Fellowship from University of Wisconsin-Madison, the Virginia Cooper Meier Award from the Musicians’ Club of Women, and an Encouragement Award from the Metropolitan Opera National Council District Auditions.
Metzger is an alumna of the University of Wisconsin-Madison and DePaul University. Last season at Lyric she was featured in Mozart’s Le nozze di Figaro (debut) and Richard Strauss’ Der Rosenkavalier. In the 2016-17 season the mezzo-soprano will perform in Massenet’s Don Quichotte and Bizet’s Carmen.
Tags: accompany, aria, Arts, Berlioz, Bizet, Carmen, cheese, Chicago, chocolate, Classical music, Daniel Fung, DePaul University, Der Rosenkavalier, Des Moines, Donizetti, Early music, faculty, Faure, First Unitarian Society of Madison, Florentine Opera, Frank Lloyd Wright, fruit, Gail Ambrosius, George Frideric Handel, Grant Park, Haymarket Opera, Jacob Stockinger, juice, Lindsay Metzger, Lyric Opera of Chicago, Marc-Antoine Charpentier, Marriage of Figaro, Mascagni, Massenet, Met, Metropolitan Opera, Milwaukee, Mozart, Music, opera, Opera Props, Piano, Puccini, Requiem, Richard Strauss, singer, song, United States, University of Wisconsin-Madison School of Music, University of Wisconsin–Madison, University Opera, vocal music, Wine, Wisconsin, Wolfgang Amadeus Mozart
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The Well-Tempered Ear 