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Today is World Piano Day. Deutsche Grammophon has a free online celebration

March 29, 2023
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By Jacob Stockinger

Today — Wednesday March 29, 2023 — is World Piano Day.

That is because today is the 88th day of the year — and most pianos these days have 88 keys, with the exception of the Austrian high-end maker Bösendorfer, which also makes models with 91 and 97 keys.

Deutsche Grammophon is the world’s oldest recording label and has signed many great pianists in the past and continues to do so today, including two of the Ear’s young favorites: South Korean pianist and 2015 Chopin Competition gold medalist Seong-Jin Cho (below top) and Icelandic pianist Vikingur Olaffsson (below bottom).

Here’s the press release:

“Deutsche Grammophon is set to mark World Piano Day on 29 March 2023 with its fourth international festival of pianism.

“Available to enjoy without charge on DG’s streaming service STAGE+ and the label’s YouTube channel, the festival will turn the spotlight on artists including Joep Beving, Seong-Jin Cho, Brian Eno and Roger Eno, Jan Lisiecki, Hélène Grimaud, Lucas and Arthur Jussen, Evgeny Kissin, Lang Lang, Bruce Liu, Fabian Müller, Víkingur Ólafsson, Max Richter, Grigory Sokolov and Daniil Trifonov.

“Together they will offer a feast of music ranging from the keyboard works of J.S. Bach and Handel to contemporary compositions.

“Music-lovers will be able to tune in free of charge for 30 days by using promo code WORLDPIANODAY. Full details can be found at https://worldpianoday.com.”

Piano students and fans will love the many close-ups and hand shots.

You can also sample the 1 hour, 21 minute-digital celebration on YouTube via this link (be sure to click of HEAR MORE to see the pianist, the piece and the timing) https://www.youtube.com/watch?v=1H5ZRqfDZ7Y.

You can hear one of The Ear’s favorite young pianists, pieces and recordings — a new release — at the bottom.

Who is your favorite established pianist?

Who is your favorite young pianist?

What are your favorite piano pieces?

Do you have a favorite piano recording, old or new, to recommend?

The Ear wants to hear.

Posted in Classical music
Tags: #BösendorferPiano, #BlogPost, #BlogPosting, #BruceLiu, #BuckyBadger, #ChopinInternationalPianoCompetition, #DaniilTrifonov, #FacebookPost, #GeorgeFridericHandel, #KoreanMusician, #LangLang, #Seong-JinCho, #TheEar, #VikingurOlaffsson, #WilhelmKempff, #YouTubeChannel, #YouTubevideo, 88, Arts, Asia, asian, audience, Austria, Austrian, Bach, Baroque, Beethoven, blog, Bosendorfer, Brian Eno, Bruce Liu, Canada, Canadian, celebration, Chamber music, China, Chinese, Chopin, Chopin International Piano Competition, Classical music, composer, Concert, concerto, contemporary, contemporary composers, Daniil Trifonov, Deutsche Grammophon, DGG, digital, Early music, Evgeny Kissin, Facebook, favorite, Gold medal, Grigory Sokolov, Grimaud, Handel, hear, Helene Grimaud, Jacob Stockinger, Jan Lisiecki, Japan, Japanese, Johann Sebastian Bach, Kempff, key, Korea, Lang Lang, link, Ludwig van Beethoven, Madison, march, Max Richter, month, Mozart, Music, online, Orchestra, Piano, piece, recital, recommend, recording, Seong-Jin Cho, share, solo, Sonata, South Korea, South Korean, The Ear, United States, University of Wisconsin-Madison School of Music, University of Wisconsin–Madison, video, Vikingur Olaffsson, Wilhelm Kempff, winner, Wisconsin, Wolfgang Amadeus Mozart, World Piano Day, year, young, YouTube

The famed International Tchaikovsky Competition has been expelled from the World Federation of International Music Competitions

April 25, 2022
9 Comments

By Jacob Stockinger

One of the granddaddies of all international music competitions — probably the best known and most prestigious — has been disowned.

The International Tchaikovsky Competition — the one that catapulted the young American pianist and first winner Van Cliburn (below, during the competition) to worldwide fame during the height of the Cold War, for which he received the only ticker tape parade in New York City ever given to a musician — has been expelled from the World Federation of International Music Competitions, which was founded in 1957 and represents 110 music competitions and programs to help young musicians build a career.

The move comes in response to recent events in Ukraine — including alleged Russian war crimes during its brutal, deadly and unprovoked invasion.

The famed Tchaikovsky Competition — which started in 1958 and is now for pianists, violinists, cellists, vocalists as well as woodwind and brass players — is held in Moscow and St. Petersburg and is financed and organized by the Russian government. It has launched the careers on many great musicians.

It is co-chaired by the discredited Russian conductor Valery Gergiev (below right, in 2014), a close friend and avid supporter of Russian President Vladimir Putin (below left) and of the conflict in Ukraine.

The expulsion came about because the Tchaikovsky Competition refused to condemn the Russian invasion, as the federation requested.

Here is a link to the story that was published on the website Classical Music, an online publication of the BBC Music Magazine. It contains background on both the competition and the current state of affairs regarding Russian musicians and the Russian conflict in Ukraine. It has a lot of noteworthy links:

https://nam12.safelinks.protection.outlook.com/?url=https%3A%2F%2Fwww.classical-music.com%2Fnews%2Finternational-tchaikovsky-competition-expelled-from-world-federation-of-international-music-competitions%2F&data=05%7C01%7C%7C6c24b49a0d734e9d8cba08da23b1b885%7C84df9e7fe9f640afb435aaaaaaaaaaaa%7C1%7C0%7C637861543449919994%7CUnknown%7CTWFpbGZsb3d8eyJWIjoiMC4wLjAwMDAiLCJQIjoiV2luMzIiLCJBTiI6Ik1haWwiLCJXVCI6Mn0%3D%7C3000%7C%7C%7C&sdata=RO2i3yy3HKXFxzEBotr4wTvrEONBM0%2FqUjxqt5CPhQc%3D&reserved=0

And here is the response from the organizers of the Russian competition, which takes place every four years. The 16th competition was held in 2019, and the 17th is still scheduled for 2023. (The announcement of the 2019 piano winners — by the Russian former piano winner Denis Matsuev, who has been boycotted because of Ukraine — is in the YouTube-Medici.TV video at the bottom.)

The response — which accuses the federation of “persecuting” Russian musicians and promises that it will be held as usual and remain open to contestants worldwide — is posted on the competition’s website:

https://tchaikovskycompetition.com/en/news/415.htm

It makes one wonder what the effects on the next Tchaikovsky competition will be.

Will potential jurors outside Russia boycott the competition?

Will non-Russian contestants — with the exception perhaps on Chinese and Belarusian performers — avoid participating?

And what will be the effect on the inaugural Rachmaninoff Competition for pianists, composers and conductors that is scheduled to take place this June in Moscow?

What do you think?

Is it the right call by the international federation?

Or the wrong call?

Why do you think so?

The Ear wants to hear.

Posted in Classical music
Tags: #AnnaNetrebko, #ArmedConflict, #BBCMusicMagazine, #BestKnown, #BlogPost, #BlogPosting, #BrassMusic, #ChineseMusicians, #ColdWar, #DaniilTrifonov, #DenisMatsuev, #DublinIreland, #DublinPianoCompetition, #FacebookPost, #FacebookPosting, #GidonKremer, #InternationalTchaikovskyCompetition, #JacobStockinger, #NewYorkCity, #PeterIlyichTchaikovsky, #PianoConcerto, #RussianFederation, #SergeiRachmaninoff, #SergeiRachmaninov, #StringMusic, #TheEar, #UniversalMusic, #ValeryGergiev, #VanCliburn, #VictoriaMullova, #ViolinConcerto, #VladimirAshkenazy, #VladimirPutin, #VocalMusic, #WarCime, #WoodwindMusic, #WorldFederationofInternationalMusicCompeititions, #YouTubevideo, accuse, Anna Netrebko, announcement, armed conflict, Arts, audience, authoritarian, background, BBC, BBC Music Magazine, Belarus, Belarusian, best-known, blog, Blog post, blog posting, boycott, brass, brutal, build, career, cellist, Cello, China, Chinese, Classical music, classicalmusic, close, Cold War, composer, Concert, concerto, condemn, conductor, conflict, contestant, Daniil Trifonov, deadly, deffect, democracy, Democratic, Denis Matsuev, discredited, Dublin, Dublin Piano Competition, exception, expel, expulsion, Facebook, fame, federation, founded, friend, funance, Gidon Kremer, government, grandaddy, great, hear, International Tchai, International Tchaikovsky Competition, invasion, Jacob Stockinger, June, juror, jury, launch, link, medici.tv, Moscow, move, Music, Musician, New York City, next, now, online, Orchestra, parade, participate, persecute, pianists, Piano, Piano concerto, President, prize, program, publication, publish, Putin, Rachmaninoff, Rachmaninoff Competition, Rachmaninov, represent, response, right, Russia, Russian, Russian Federation, schedule, Sergei Rachmaninoff, Sergei Rachmaninov, share, sing, singer, Singing, St. Petersburg, story, string music, supporter, symphony, tag, Tchaikovsky, The Ear, think, Ukraine, Ukrainian, United States, Universal Music, Valery Gergiev, Victoria Mullova, video, Violin, Violin concerto, violin music, violinist, Vladimir Ashkenazy, Vladimir Putin, vocal music, war, war crime, Website, why, win, winner, Wisconsin, wonder, woodwind, world, World Federation of International Music Competitions, worldwide, wrong, year, young, YouTube

Today – Monday, March 29 – is World Piano Day. Here are links to free online recitals. What does the piano mean to you? Did it play a role during the pandemic?

March 29, 2021
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By Jacob Stockinger

Today – March 29, 2021 – is World Piano Day.

That is because today is the 88th day of 2021.

Gotta have some kind of code or symbolic meaning, after all.

In any case, there are virtual online celebrations all over the world. Here is a link to the official welcoming website that also lists Spotify and SoundCloud playlists from past years and dozens of worldwide events this year, running from March 25-30: https://www.pianoday.org

You can also find more on Google, Facebook, Instagram and Twitter.

The piano means a lot to The Ear, who listens to it and plays it. He loves, loves, loves the piano.

What has the piano and piano music meant to you in your life?

What role did the piano play for you during the past pandemic year?

Have you listened to or discovered newer, younger talent?

Do you have favorite pianists, either historic or current? What do you like about them?

Or maybe you have favorite piano pieces?

Please tell us all about you and the piano in the Comment section.

The Ear wants to hear.

In the meantime you can listen to the World Piano Day “monster recital” by 17 pianists who record for Deutsche Grammophon. The “Yellow Label” – the first commercial record label — has signed a lot of great pianists in its time, and still does.

Here is a link to the YouTube DG recital, which lasts 2 hours and 50 minutes. If you go to the actual YouTube site, click on Show More to see the complete list of performers and pieces. Otherwise performers and programs are displayed on the screen:

Posted in Classical music
Tags: #AliceSaraOtt, #ArthurRubinstein, #BlogPost, #BlogPosting, #ChickCorrea, #CoronavirusPandemic, #COVID-19, #DaniilTrifonov, #DeutscheGrammophon, #FacebookPost, #FacebookPosting, #FredericChopin, #HomeWebsite, #InternationalDoubleReedSociety, #JacobStockinger, #JanLisiecki, #JohannSebastianBach, #JohannStrauss, #LangLang, #LudwigVanBeethoven, #MariaJoaoPires, #OnlineConcert, #PhilipGlass, #PianoMusic, #PIanoRecital, #RecordedMusic, #RecordLabel, #RichardStrauss, #RudolfBuchbinder, #Seong-JinCho, #SergeiRachmaninoff, #SergeiRachmaninov, #SviatoslavRichter, #SymbolicMeaning, #TheEar, #VirtualConcert, #VladimirHorowitz, #WolfgangAmadeusMozart, #WorldPianoDay, #YannickNezet-Seguin, #YellowLabel, #YouTubeChannel, #YouTubevideo, 2021, Alice Sara Ott, Arthur Rubinstein, Arts, Asia, asian, audience, Bach, Baldwin, Baroque, Beethoven, blog, Blog post, blog posting, celebration, Chick Correa, Chopin, Classical music, coe, commercial, composer, computer, Concert, coronavirus, Correa, current, Daniil Trifonov, Deutsche Grammophon, DG, discover, display, Early music, Europe, European, event, Facebook, Facebook post, Facebook posting, favorite, first, forward, Frédéric Chopin, Google, great, hear, historic, home website, Horowitz, Instagram, international, Jacob Stockinger, Jan Lisiecki, Johann Sebastian Bach, Johann Strauss, Kawai, key, Lang Lang, life, like, link, listen, local, Love, Ludwig van Beethoven, Madison, march, Maria Joao Pires, mean, meaning, Mozart, Music, national, new, online, pandemic, performer, Philip Glass, Pianist, Piano, piano music, piano recital, piece, play, post, posting, Rachmaninoff, Rachmaninov, recital, Record label, recorded music, regional, Richard Strauss, Richter, role, Rudolf Buchbinder, screen, Seong-Jin Cho, Sergei Rachmaninoff, Sergei Rachmaninov, share, sign, Sonata, SoundCloud, Spotify, Steinway, Strauss, Sviatoslav Richter, symbolic, symbolic meaning, tag, talent, tell, The Ear, time, today, Trifonov, Twitter, United States, video, virtual, Vladimir Horowitz, Website, welcome, Wisconsin, Wolfgang Amadeus Mozart, world, World Piano Day, Yamaha, Yannick Nézet-Séguin, year, Yellow Label, you, your, YouTube

New York Times critics choose 10 online classical music concerts to stream in February, starting this Thursday

February 2, 2021
1 Comment

By Jacob Stockinger

As they have done for previous months during the coronavirus pandemic, the classical music critics for The New York Times have named their top 10 choices of online concerts to stream in February, which is also Black History Month, starting this Thursday, Feb. 4.

Also predictably, they focus on new music – including a world premiere — new conductors and new composers, although “new” doesn’t necessarily mean young in this context.

For example, the conductor Fabio Luisi (below) is well known to fans of Richard Wagner and the Metropolitan Opera. But he is new to the degree that just last season he became the new conductor of Dallas Symphony Orchestra and its digital concert series.

Similarly, the Finnish composer Magnus Lindberg (below top, in a photo by Saara Vuorjoki) and the American composer Caroline Shaw (below bottom, in a photo by Kait Moreno), who has won a Pulitzer Prize, have both developed reputations for reliable originality.

But chances are good that you have not yet heard of the young avant-garde cellist Mariel Roberts (below top) or the conductor Jonathon Heyward (below bottom).

Nor, The Ear suspects, have you probably heard the names and music of composers Angélica Negrón (below top), who uses found sounds and Tyshawn Sorey (below bottom). (You can sample Negrón’s unusual music in the YouTube video at the bottom.)

Of course, you will also find offerings by well-known figures such as the Berlin Philharmonic and its Kurt Weill festival; conductor Alan Gilbert; pianists Daniil Trifonov and Steven Osborne; violinist Leonidas Kavakos; and the JACK Quartet.

Tried-and-true composers are also featured, including music by Beethoven, Schnittke, Weber, Ravel and Prokofiev. But where are Bach, Vivaldi, Telemann and Handel? No one seems to like Baroque music.

Here is a link to the events with links and descriptions. All times are Eastern: https://www.nytimes.com/2021/01/28/arts/music/classical-music-streaming.html

Do you have other virtual and online concerts to suggest? Please leave details in the Comment sections.

Posted in Classical music
Tags: #African-AmericanComposer, #AlanGilbert, #AlfredSchnittke, #AmericanComposer, #AngelicaNegron, #AnthonyTommasini, #AntonioVivaldi, #BaroqueMusic, #BavarianStateOpera, #BerlinGermany, #BerlinPhilharmonic, #BertoltBrecht, #BlackComposer, #BlackHistory, #BlackHistoryMonth, #BlogPost, #BlogPosting, #CarlMariavonWeber, #CarolineShaw, #ChamberMusic, #ClassicalSymphony, #ConcertSeries, #ContemporaryMusic, #CoronavirusPandemic, #CountertenorSinger, #COVID-19, #DallasSymphonyOrchestra, #DallasTexas, #DaniilTrifonov, #DetroitMichigan, #DetroitSymphony, #DetroitSymphonyOrchestra, #EasternTime, #FabioLuisi, #FacebookPost, #FacebookPosting, #FranzJosephHaydn, #GeorgeFridericHandel, #GeorgPhilippTelemann, #HamburgGermany, #HannahKendall, #HelmutLachenmann, #JACKQuartet, #JacobStockinger, #JohannSebastianBach, #JohnHoliday, #JohnStorgards, #JonathonHeyward, #JoshuaBarone, #KurtWeill, #LatinoComposers, #LeonidasKavakos, #LivingComposer, #LudwigVanBeethoven, #MagnusLindberg, #MarielRoberts, #MauriceRavel, #MetropolitanOpera, #ModernMusic, #MotherGoose, #MotherGooseSuite, #MunichGermany, #MusicCritic, #NDRElbphilharmonieOrchestra, #NewMusic, #NewYorkTimes, #OnlineConcert, #OnlineFestival, #OperaMusic, #OrchestralMusic, #PercussionEnsemble, #PercussionMusic, #PianoConcerto, #PuertoRico, #PulitzerPrize, #RichardWagner, #RiseandFalloftheCotyofMahagonny, #SeattleSymphony, #SergeiProkofiev, #SethColterWalls, #SoPercussion, #SteveOsborn, #StringQuartet, #TheEar, #TheMet, #TheThreeopennyOpera, #TheVoice, #TVShow, #TyshawnSorey, #ViolinConcerto, #VirtualConcert, #VirtualFestival, #VocalMusic, #YouTubevideo, #ZacharyWoolfe, abolitionist, African American, African-Amercian, Alan Gilbert, Alfred Schnittke, America, American, Angelica Negron, Anthony Tommasini, Antonio Vivaldi, Arts, audience, avant-garde, Bach, Barone, Baroque, Baroque music, Bavaria, Bavarian State Opera, Beethoven, Berlin, Berlin Philharmonic, Bertolt Brecht, black, black composer, Black history, Black History Month, blog, Brecht, Carl Maria von Weber, Caroline Shaw, cellist, Cello, Chamber music, chance, Classical music, Classical Symphony, colorful, comment, composer, computer, Concert, concert series, concerto, conductor, contemporary, contemporary music, context, coronavirus, coronavirus pandemic, countertenor, critics, Dallas, Dallas Symphony Orchestra, Daniil Trifonov, dergee, description, details, Detroit, Detroit Symphony, Detroit Symphony Orchestra, digital, Eastern time, enchanting, Europe, European, event, Fabio Luisi, Facebook, Facebook post, Facebook posting, February, female, festival, Finland, Finnish, forward, Franz Joseph Haydn, Georg Philipp Telemann, George Frideric Handel, German, Germany, Gilbert, Hamburg, Handel, Hannah Kendall, Haydn, Helmut Lachenmann, Heyward, Hispanic, History, JACK Quartet, Jacob Stockinger, Johann Sebastian Bach, John Holiday, John Storgards, Jonathon Heyward, Joshua Barone, Kavakos, Kendall, Kurt Weill, Latina, Latino, Leonidas Kavakos, like, Lindberg, link, living composers, Ludwig van Beethoven, Luisi, Magnus Lindberg, Mariel Roberts, Maurice Ravel, Metropolitan Opera, modern music, Mother Goose, Mother Goose Suite, Munich, Music, music critic, NDR Elbphilharmonie Orchestra, Negrón, new, New Music, New York Times, online, opera, Orchestra, orchestral music, original, originality, Osborn, Overture, percussion, Percussion Ensemble, performers, Pianist, Piano, Piano concerto, post, posting, Prokofiev, Puerto Rico, Pulitzer Prize, Ravel, reliable, reputation, Richard Wager, Rise and Fall of the City of Mahagonny, Roberts, Romantic, Schnittke, Season, Seattle, Seattle Symphony, section, Sergei Prokofiev, series, Seth Colter Walls, share, Shaw, singer, Singing, So percussion, Sorey, Steven Osborn, Storgards, stream, String quartet, suffragist, suggestion, Suite, symphony, tag, Telemann, Texas, The Ear, the Met, The Threepenny Opera, The Voice, time, Tommasini, Trifonov, TV, TV show, Tyshawn Sorey, United States, Violin, Violin concerto, violinist, virtual, Vivaldi, vocal music, Wagner, Weber, Weill, win, women, Woolfe, young, YouTube, Zachary Woolfe

Here are the classical music nominations for the 63rd annual Grammy Awards in 2021

November 28, 2020
3 Comments

By Jacob Stockinger

It’s time again for the annual Grammy Awards (below).

Although determined by the recording industry and often considered promotional marketing, they might be more helpful given the peculiar circumstances of the past year.

After all, the coronavirus pandemic has changed our listening habits.

Perhaps you now listen mostly via computer to virtual online concerts and performances that are streamed.

Perhaps you listen to Compact Discs using home stereo systems.

Perhaps you subscribe to a streaming service such as Apple Music, Amazon Music, Spotify and others.

However you listen to music, you might find the following list useful, especially as it comes at the beginning of the holiday shopping and gift-giving season.

You might also find the nominations for the 63rd annual Grammy Awards informative about individual musicians and musical groups in your area.

They can help you judge how many or how few contemporary composers and new works get performed.

Performers provide other examples. You might find it interesting, for example, that soprano Sarah Brailey (below) has been nominated for her role in the solo vocal work “The Prison” by Ethel Smyth. Brailey is a graduate student at the University of Wisconsin-Madison Mead Witter School of Music and a co-founder and performer of the free monthly Just Bach concerts.

Pianist Shai Wosner (below, in a photo by Marco Borggreve), who played late Schubert sonatas at the Salon Piano Series at Farley’s House of Pianos, is included in a list of producer awards for his recording of those sonatas.

The Milwaukee Symphony Orchestra and Florentine Opera have been nominated for a recording of Carlisle Floyd’s opera “Prince of Players.”

Conductor Julian Wachner (below top), violinist Augustin Hadelich (below middle) and pianist Jonathan Biss (below bottom) have all performed with the Madison Symphony Orchestra, some more than once.

Soprano Laquita Mitchell (below) — who has sung with the Madison Opera — has been nominated for her performance in the choral work “Sanctuary Road” by Paul Moravec.

Cellist Matt Haimovitz (below top) and composer Luna Pearl Woolf (below bottom) have been nominated for the latter’s “Fire and Flood.” Both have appeared with UW-Madison orchestral and choral groups.

If you notice more local connections, please leave word in the Comment section.

The winners will be announced on CBS Television the evening of Sunday, Jan. 31, 2021.

73. Best Engineered Album, Classical
An Engineer’s Award. (Artist names appear in parentheses.)

· DANIELPOUR: THE PASSION OF YESHUA
Bernd Gottinger, engineer (JoAnn Falletta, James K. Bass, Adam Luebke, UCLA Chamber Singers, Buffalo Philharmonic Orchestra & Buffalo Philharmonic Chorus)

· GERSHWIN: PORGY AND BESS
David Frost and John Kerswell, engineers; Silas Brown, mastering engineer (David Robertson, Eric Owens, Angel Blue, Metropolitan Opera Orchestra & Chorus)

· HYNES: FIELDS
Kyle Pyke, engineer; Jesse Lewis and Kyle Pyke, mastering engineers (Devonté Hynes & Third Coast Percussion)

· IVES: COMPLETE SYMPHONIES (below)

Alexander Lipay and Dmitriy Lipay, engineers; Alexander Lipay and Dmitriy Lipay, mastering engineers (Gustavo Dudamel and Los Angeles Philharmonic)

· SHOSTAKOVICH: SYMPHONY NO. 13, ‘BABI YAR’
David Frost and Charlie Post, engineers; Silas Brown, mastering engineer (Riccardo Muti and Chicago Symphony Orchestra)

·
74. Producer Of The Year, Classical
A Producer’s Award. (Artist names appear in parentheses.)

· BLANTON ALSPAUGH

• Aspects Of America – Pulitzer Edition (Carlos Kalmar and Oregon Symphony)
• Blessed Art Thou Among Women (Peter Jermihov, Katya Lukianov and PaTRAM Institute Singers)
• Dvorak: Symphony No. 9; Copland: Billy The Kid (Gianandrea Noseda and National Symphony Orchestra)
• Glass: The Fall Of The House Of Usher (Joseph Li, Nicholas Nestorak, Madison Leonard, Jonas Hacker, Ben Edquist, Matthew Adam Fleisher and Wolf Trap Opera)
• Kahane: Emergency Shelter Intake Form (Alicia Hall Moran, Gabriel Kahane, Carlos Kalmar and Oregon Symphony)
• Kastalsky: Requiem (Leonard Slatkin, Steven Fox, Benedict Sheehan, Charles Bruffy, Cathedral Choral Society, The Clarion Choir, The Saint Tikhon Choir, Kansas City Chorale and Orchestra Of St. Luke’s)
• Massenet: Thaïs (Andrew Davis, Joshua Hopkins, Andrew Staples, Erin Wall, Toronto Mendelssohn Choir and Toronto Symphony Orchestra)
• Smyth: The Prison (Sarah Brailey, Dashon Burton, James Blachly and Experiential Orchestra)
• Woolf, L.P.: Fire And Flood (Julian Wachner, Matt Haimovitz and Choir Of Trinity Wall Street)

· DAVID FROST (below)

• Beethoven: Piano Sonatas, Vol. 9 (Jonathan Biss)
• Gershwin: Porgy And Bess (David Robertson, Eric Owens, Angel Blue, Metropolitan Opera Orchestra and Chorus)
• Gluck: Orphée ed Eurydice (Harry Bicket, Dmitry Korchak, Andriana Chuchman, Lauren Snouffer, Lyric Opera Of Chicago Orchestra and Chorus)
• Holst: The Planets; The Perfect Fool (Michael Stern and Kansas City Symphony)
• Muhly: Marnie (Robert Spano, Isabel Leonard, Christopher Maltman, Denyce Graves, Iestyn Davies, Janis Kelly, Metropolitan Opera Orchestra and Chorus)
• Schubert: Piano Sonatas, D. 845, D. 894, D. 958, D. 960 (Shai Wosner)
• Shostakovich: Symphony No. 13, ‘Babi Yar’ (Riccardo Muti, Alexey Tikhomirov, Chicago Symphony Orchestra and Chorus)

· JESSE LEWIS

• Gunn: The Ascendant (Roomful Of Teeth)
• Harrison, M.: Just Constellations (Roomful Of Teeth)
• Her Own Wings (Willamette Valley Chamber Music Festival)
• Hynes: Fields (Devonté Hynes and Third Coast Percussion)
• Lang, D.: Love Fail (Beth Willer and Lorelei Ensemble)
• Mazzoli: Proving Up (Christopher Rountree, Opera Omaha and International Contemporary Ensemble)
• Sharlat: Spare The Rod! (NOW Ensemble)
• Soul House (Hub New Music)
• Wherein Lies The Good (The Westerlies)

· DMITRIY LIPAY

• Adams, J.: Must The Devil Have All The Good Tunes? (Yuja Wang, Gustavo Dudamel and Los Angeles Philharmonic)
• Cipullo: The Parting (Alastair Willis, Laura Strickling, Catherine Cook, Michael Mayes and Music Of Remembrance)
• Ives: Complete Symphonies (Gustavo Dudamel & Los Angeles Philharmonic)
• LA Phil 100 – The Los Angeles Philharmonic Centennial Birthday Gala (Gustavo Dudamel and Los Angeles Philharmonic)
• Langgaard: Prelude To Antichrist; Strauss: An Alpine Symphony (Thomas Dausgaard and Seattle Symphony Orchestra)
• Nielsen: Symphony No. 1 and Symphony No. 2, ‘The Four Temperaments’ (Thomas Dausgaard and Seattle Symphony)

· ELAINE MARTONE

• Bound For The Promised Land (Robert M. Franklin, Steven Darsey, Jessye Norman and Taylor Branch)
• Dawn (Shachar Israel)
• Gandolfi, Prior and Oliverio: Orchestral Works (Robert Spano and Atlanta Symphony Orchestra)
• Singing In The Dead Of Night (Eighth Blackbird)
• Whitacre: The Sacred Veil (Eric Whitacre, Grant Gershon and Los Angeles Master Chorale)

75. Best Orchestral Performance
Award to the Conductor and to the Orchestra.

· ASPECTS OF AMERICA – PULITZER EDITION (below)
Carlos Kalmar, conductor (Oregon Symphony)

· CONCURRENCE
Daniel Bjarnason, conductor (Iceland Symphony Orchestra)

· COPLAND: SYMPHONY NO. 3
Michael Tilson Thomas, conductor (San Francisco Symphony)

· IVES: COMPLETE SYMPHONIES
Gustavo Dudamel, conductor (Los Angeles Philharmonic)

· LUTOSLAWSKI: SYMPHONIES NOS. 2 and 3
Hannu Lintu, conductor (Finnish Radio Symphony Orchestra)

76. Best Opera Recording
Award to the Conductor, Album Producer(s) and Principal Soloists.

· DELLO JOIO: THE TRIAL AT ROUEN
Gil Rose, conductor; Heather Buck and Stephen Powell; Gil Rose, producer (Boston Modern Orchestra Project; Odyssey Opera Chorus)

· FLOYD, C.: PRINCE OF PLAYERS
William Boggs, conductor; Keith Phares and Kate Royal; Blanton Alspaugh, producer (Milwaukee Symphony Orchestra; Florentine Opera Chorus)

· GERSHWIN: PORGY AND BESS (below)
David Robertson, conductor; Angel Blue and Eric Owens; David Frost, producer (The Metropolitan Opera Orchestra; The Metropolitan Opera Chorus)

· HANDEL: AGRIPPINA
Maxim Emelyanychev, conductor; Joyce DiDonato; Daniel Zalay, producer (Il Pomo D’Oro)

· ZEMLINSKY: DER ZWERG
Donald Runnicles, conductor; David Butt Philip and Elena Tsallagova; Peter Ghirardini and Erwin Sturzer, producers (Orchestra of The Deutsche Oper Berlin; Chorus of The Deutsche Oper Berlin)

77. Best Choral Performance
Award to the Conductor, and to the Choral Director and/or Chorus Master where applicable and to the Choral Organization/Ensemble.

· CARTHAGE
Donald Nally, conductor (The Crossing)

· DANIELPOUR: THE PASSION OF YESHUA (below)
JoAnn Falletta, conductor; James K. Bass and Adam Luebke, chorus masters (James K. Bass, J’Nai Bridges, Timothy Fallon, Kenneth Overton, Hila Plitmann and Matthew Worth; Buffalo Philharmonic Orchestra; Buffalo Philharmonic Chorus and UCLA Chamber Singers)

· KASTALSKY: REQUIEM
Leonard Slatkin, conductor; Charles Bruffy, Steven Fox and Benedict Sheehan, chorus masters (Joseph Charles Beutel and Anna Dennis; Orchestra Of St. Luke’s; Cathedral Choral Society, The Clarion Choir, Kansas City Chorale and The Saint Tikhon Choir)

· MORAVEC: SANCTUARY ROAD
Kent Tritle, conductor (Joshua Blue, Raehann Bryce-Davis, Dashon Burton, Malcolm J. Merriweather and Laquita Mitchell; Oratorio Society of New York Orchestra; Oratorio Society of New York Chorus)

· ONCE UPON A TIME
Matthew Guard, conductor (Sarah Walker; Skylark Vocal Ensemble)

78. Best Chamber Music/Small Ensemble Performance
For new recordings of works with chamber or small ensemble (24 or fewer members, not including the conductor). One Award to the ensemble and one Award to the conductor, if applicable.

· CONTEMPORARY VOICES
Pacifica Quartet

· HEALING MODES
Brooklyn Rider

· HEARNE, T.: PLACE
Ted Hearne, Steven Bradshaw, Sophia Byrd, Josephine Lee, Isaiah Robinson, Sol Ruiz, Ayanna Woods and Place Orchestra

· HYNES: FIELDS
Devonté Hynes and Third Coast Percussion

· THE SCHUMANN QUARTETS
Dover Quartet

79. Best Classical Instrumental Solo
Award to the Instrumental Soloist(s) and to the Conductor when applicable.

· ADÈS: CONCERTO FOR PIANO AND ORCHESTRA
Kirill Gerstein; Thomas Adès, conductor (Boston Symphony Orchestra)

· BEETHOVEN: COMPLETE PIANO SONATAS (below)
Igor Levit

· BOHEMIAN TALES
Augustin Hadelich; Jakub Hrusa, conductor (Charles Owen; Symphonieorchester Des Bayerischen Rundfunks)

· DESTINATION RACHMANINOV – ARRIVAL
Daniil Trifonov; Yannick Nézet-Séguin, conductor (The Philadelphia Orchestra)

· THEOFANIDIS: CONCERTO FOR VIOLA AND CHAMBER ORCHESTRA
Richard O’Neill; David Alan Miller, conductor (Albany Symphony)

80. Best Classical Solo Vocal Album
Award to: Vocalist(s), Collaborative Artist(s) (Ex: pianists, conductors, chamber groups) Producer(s), Recording Engineers/Mixers with 51% or more playing time of new material.

· AMERICAN COMPOSERS AT PLAY – WILLIAM BOLCOM, RICKY IAN GORDON, LORI LAITMAN, JOHN MUSTO
Stephen Powell (Attacca Quartet, William Bolcom, Ricky Ian Gordon, Lori Laitman, John Musto, Charles Neidich and Jason Vieaux)

· CLAIRIÈRES – SONGS BY LILI and NADIA BOULANGER
Nicholas Phan; Myra Huang, accompanist

· FARINELLI
Cecilia Bartoli; Giovanni Antonini, conductor (Il Giardino Armonico)

· A LAD’S LOVE
Brian Giebler; Steven McGhee, accompanist (Katie Hyun, Michael Katz, Jessica Meyer, Reginald Mobley and Ben Russell)

· SMYTH: THE PRISON
Sarah Brailey and Dashon Burton; James Blachly, conductor (Experiential Chorus; Experiential Orchestra)

81. Best Classical Compendium
Award to the Artist(s) and to the Album Producer(s) and Engineer(s) of over 51% playing time of the album, if other than the artist.

· ADÈS CONDUCTS ADÈS
Mark Stone and Christianne Stotijn; Thomas Adès, conductor; Nick Squire, producer

· SAARIAHO: GRAAL THEATER; CIRCLE MAP; NEIGES; VERS TOI QUI ES SI LOIN
Clément Mao-Takacs, conductor; Hans Kipfer, producer

· SEREBRIER: SYMPHONIC BACH VARIATIONS; LAMENTS AND HALLELUJAHS; FLUTE CONCERTO
José Serebrier, conductor; Jens Braun, producer

· THOMAS, M.T.: FROM THE DIARY OF ANNE FRANK and MEDITATIONS ON RILKE
Isabel Leonard; Michael Tilson Thomas, conductor; Jack Vad, producer

· WOOLF, L.P.: FIRE AND FLOOD
Matt Haimovitz; Julian Wachner, conductor; Blanton Alspaugh, producer

82. Best Contemporary Classical Composition
A Composer’s Award. (For a contemporary classical composition composed within the last 25 years, and released for the first time during the Eligibility Year.) Award to the librettist, if applicable.

· ADÈS: CONCERTO FOR PIANO AND ORCHESTRA
Thomas Adès, composer (Kirill Gerstein, Thomas Adès and Boston Symphony Orchestra)

· DANIELPOUR: THE PASSION OF YESHUA
Richard Danielpour, composer (JoAnn Falletta, James K. Bass, Adam Luebke, UCLA Chamber Singers, Buffalo Philharmonic Orchestra & Buffalo Philharmonic Chorus)

· FLOYD, C.: PRINCE OF PLAYERS (below)
Carlisle Floyd, composer (William Boggs, Kate Royal, Keith Phares, Florentine Opera Chorus and Milwaukee Symphony Orchestra)

· HEARNE, T.: PLACE
Ted Hearne, composer (Ted Hearne, Steven Bradshaw, Sophia Byrd, Josephine Lee, Isaiah Robinson, Sol Ruiz, Ayanna Woods and Place Orchestra)

· ROUSE: SYMPHONY NO. 5
Christopher Rouse, composer (Giancarlo Guerrero & Nashville Symphony)

If you want to see many more nominations, including those for pop, rock, folk, hip hop, jazz and videos, go to: https://www.grammy.com/grammys/news/2021-grammys-complete-nominees-list

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Will the public pay for online virtual concerts? Will you? Consider the fate of newspapers

August 23, 2020
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By Jacob Stockinger

More and more local classical musicians and music presenters are moving concerts and music-making to virtual online events, at least for the fall and early winter – and quite possibly for the rest of the season. (Below is Shannon Hall in the Wisconsin Union Theater.)

And although we are still waiting for details, it seems all but certain that many of them will be pay-per-view and require tickets.

True, the move from free streaming to pay-for-view might be very useful in helping performers earn a much-needed living.

But it could also be disastrous – or at least extremely disruptive and disappointing.

Anthony Tommasini (below), the senior music critic for The New York Times, recently wrote a long story defending the move from being free to becoming paid for both livestreams and pre-recorded music concerts.

Tommasini — whose profession demands that he follow wherever the music goes — thinks it will, or should, work.

Here is a link to his story that includes concerts at The Metropolitan Opera and elsewhere with international stars such as soprano Renée Fleming (beow top) and pianist Daniil Trifonov (below bottom).

https://www.nytimes.com/2020/08/11/arts/music/classical-music-livestream.html

But The Ear isn’t so sure.

For one thing, many listeners might find alternatives. They might like watching outstanding performances of the same works by great and even historical performers on YouTube for free.

They might like exploring their own collections of recordings, or listening to the radio and watching TV, or even making more music as amateurs.

The Ear also suspects that now that the habit of going to live concerts has been interrupted, many people will simply find that they miss going to live performances much less than they thought they would – or than various arts groups hoped they would. (Below is the Wisconsin Chamber Orchestra in a photo by Mike Gorski.)

In addition, even since the coronavirus pandemic lockdown last March, listeners have become used to the free events that many organizations offered if only to keep a presence in the public’s mind.

The strategy was understandable and made sense at the time.

But The Ear thinks of what happened with newspapers.

In the early days of the internet, newspapers offered online stories for free, as a kind of extra attraction or added benefit to secure subscribers.

But as the newspapers lost both advertisers and subscribers and tried to “monetize” their online editions, they found that the horse was already out of the barn.

Many viewers did indeed subscribe to digital editions, but many others abandoned newspapers and instead turned to free online media for their news.

So what will happen in cases less prestigious than what Tommasini describes?

What do you think?

Will local pay-per-view concerts, perhaps with bigger volume if lower individual ticket prices, be successful?

Will you pay to “attend” such virtual online events?

The Ear wants to hear.

Posted in Classical music
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Classical music: Here are many more FREE online and streamed concerts to follow and listen to as you quarantine during the COVID-19 pandemic

April 25, 2020
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By Jacob Stockinger

During the COVID-19 public health crisis and coronavirus pandemic, live streaming of concerts has taken off. It started with daily broadcasts of past productions by the Metropolitan Opera and the Berlin Philharmonic.

Local organizations have followed suit. They include the Madison Symphony Orchestra; the “couchertos” of the Wisconsin Chamber Orchestra; the twice weekly “tiny desk concerts” by the Bach Dancing and Dynamite Society sent to email newsletter subscribers and other recorded audiovisual performances; and local recordings made by Rich Samuels and aired on WORT-FM 89.9.

Here is a compilation, from the British radio station Classic FM with many other FREE listings that also get updated: https://www.classicfm.com/music-news/live-streamed-classical-music-concerts-coronavirus/

Here is another listing of FREE live streams and archived performances from Minnesota Public Radio (MPR): https://www.classicalmpr.org/story/2020/03/16/free-online-classical-concerts

And below are several more that The Ear has checked out and recommends:

CARNEGIE HALL LIVE

Carnegie Hall (below), America’s premier concert venue, has started a series of live streams that include world music, jazz and of course classical music.

The format includes conversation and remarks from homes as well as first-rate live performances from the past. (You can also hear many of the concerts on radio station WQXR in New York City: https://www.wqxr.org)

This past week, The Ear heard an outstanding concert with three pianists, all of whom appeared in Madison last season: Emanuel Ax, who performed an all-Beethoven recital at the Wisconsin Union Theater, played the piano and acted as host; Orion Weiss, who performed a Mozart concerto with the Wisconsin Chamber Orchestra; and Shai Wosner, who gave a terrific master class and a memorable recital on the Salon Piano Series at Farley’s House of Pianos. If you missed it, it is still archived and accessible.

On this Thursday, April 30, at 1 p.m. CDT you can hear violinist Joshua Bell with pianist Jeremy Denk and cellist Steven Isserlis.

Here is a link: https://www.carnegiehall.org/Explore/Watch-and-Listen/Live-with-Carnegie-Hall?sourceCode=31887&gclid=EAIaIQobChMIsYigzumB6QIVjIbACh061Qz2EAAYASABEgJE3fD_BwE

DEUTSCHE GRAMMOPHON

Deutsche Grammophon, the world oldest record label, which was established in 1898, has several online series of live streams and archived concerts.

They include “Moment Musical” (Musical Moment) by Daniel Barenboim and guest artists, broadcast from the Pierre Boulez Saal (concert hall) in Berlin.

Barenboim, who started as a child prodigy pianist and ended up being a world-class conductor who once headed the Chicago Symphony Orchestra, has done solo piano and chamber music concerts with the Piano Quintet and two solo pieces by Robert Schumann; the epic Diabelli Variations by Beethoven; and an all-Chopin program of encores. You can also find individual ones on YouTube.

Along more promotional lines, DG also offers a “Best of” series that features movements and excerpts from their newer recordings by some of the best known artists – including pianists Lang Lang, Danill Trifonov, Yuja Wang, Vikingur Olafsson, Jan Lisiecki and Seong-Jin Cho; conductors Gustavo Dudamel, Yannick Nézet-Séguin and Andris Nelsons; opera singers Anna Netrebko and Elina Garanca.

Here is a link to DG’s homepage from where you can get to the various series: https://www.youtube.com/channel/UC34DbNyD_0t8tnOc5V38Big

MILWAUKEE SYMPHONY ORCHESTRA

Closer to home, every Friday you can listen to weekly concerts by the Milwaukee Symphony Orchestra called “Musical Journeys.”

Performers include the MSO’s new music director Ken-David Masur as well as guest conductors like Jeffrey Kahane and the past conductor Edo de Waart.

You can hear the past five episodes, and join new ones. You can also hear past concerts by the Milwaukee Symphony Orchestra (below) on Wisconsin Public Radio. Broadcast time is Sunday at 2 p.m.

Here is a link to Musical Journeys: https://www.mso.org/about/music/mso-musical-journeys-5/

VIOLINIST DANIEL HOPE AT HOME

British violinist Daniel Hope – who has performed with the Madison Symphony Orchestra — has been streaming chamber music concerts from the living room of his home in Berlin.

A prolific concert artist and 25 recordings and four Grammy Award nominations to his credit, Hope (below) has many invited guests and offers a wide range of repertoire.

Here is a link with past episodes. You can also click in upcoming episodes: https://www.arte.tv/en/videos/RC-019356/hope-home/

Are there other sites and streamed performances that you recommend?

Please leave the name and a link in the Comment section.

The Ear wants to hear.

Posted in Classical music
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Classical music: Today is World Piano Day. Why do you love the piano? Do you have a favorite piano piece? A favorite pianist? Something to say about taking piano lessons? Want to thank your piano teacher? The Ear wants to hear

March 28, 2020
5 Comments

By Jacob Stockinger

Today – Saturday, March 28, 2020 – is World Piano Day.

The international celebration is fitting because today happens to be Day 88 of the year – a timely parallel to the fact that most pianos have 88 keys.

Here is a link to the official website with a list of international events and other links to playlists of piano music on SoundCloud and Spotify: https://www.pianoday.org

Here is a link to the virtual live streaming piano festival — starting at 3 p.m. Central European Time (CET), which is 6 hours ahead of Central Daylight Time or at 9 a.m. CDT) — by the record label Deutsche Grammophon: https://www.udiscovermusic.com/classical-news/deutsche-grammophon-world-piano-day-livestream/

A lot of us took piano lessons.

So today seems like a good occasion to say something about the role of the piano in your life.

Why do you love the piano? The sound? The physical act of playing? The vast repertoire?

Maybe you want to mention a specific piano piece that made a difference in your life, as the Scherzo No. 3 in C-sharp minor, Op. 39, by Chopin did for The Ear. (You can hear Arthur Rubinstein play it in the YouTube video at the bottom.)

Maybe you have a favorite piano piece or piano composer you like to listen to?

Maybe you wished you had stopped lessons earlier or continued them longer?

Would you like to say thank you to your piano teacher?

Maybe you have memories – good or bad — of a recital you gave?

Who is your favorite pianist from the past – maybe Van Cliburn or Vladimir Horowitz (below), Sviatoslav Richter or Dame Myra Hess?

Which pianist today would you recommend to others? Daniil Trifonov or Haochen Zhang, Simone Dinnerstein (below) or Maria Joao Pires?

Those suggestions hardly exhaust the possibilities. So be creative and leave a Comment with a YouTube link, if possible.

The Ear wants to hear.

Posted in Classical music
Tags: #ArthurRubinstein, #AsianMusicians, #BlogPost, #BlogPosting, #CentralDaylightSavingTime, #CentralDaylightTime, #CentralEuropeanTime, #DaniilTrifonov, #DeutscheGrammophon, #FacebookPost, #FacebookPosting, #FredericChopin, #HaochenZhang, #HomeWebsite, #HowardGoodall, #InternationalPianoDay, #LiveStreaming, #MariaJoaoPires, #MyraHess, #People'sRepublicofChina, #PianoDay, #PianoLessons, #PianoMusic, #PIanoTeacher, #RecordingLabels, #Russianpianist, #SimoneDinnerstein, #SouthKorea, #SviatoslavRichter, #ThankYou, #TimeZone, #VanCliburn, #VladimirHorowitz, #YouTubevideo, 88, ahead, American, Arthur Rubinstein, Arts, Asia, audience, Bach, Baroque, Beethoven, blog, celebration, Central Daylight Saving Time, Central Daylight Time, Central European Times, China, Chinese, Chopin, Chopin Scherzo, Classical music, comment, composer, Concert, concerto, creative, Daniil Trifonov, day, daylight, Deutsche Grammophon, DG, difference, Dinnerstein, early, Europe, European, event, Facebook, favorite, festival, first, fitting, forward, Frédéric Chopin, good, Haochen Zhang, hear, home website, Horowitz, hour, international, International Piano Day, Jacob Stockinger, Japan, Johann Sebastian Bach, Johannes Brahms, Korea, Korean, label, later, lessons, life, like, link, listen, live, livestream, Love, Ludwig van Beethoven, Madison, march, Maria Joao Pires, Masterpiece Theatre, memories, memory, mention, Music, Myra Hess, official, parallel, performer, Piano, Piano Day, piano lessons, piano music, piano teacher, piece, playlist, Portugal, Portuguese, possibility, post, posting, recital, record, repertoire, repertory, Richter, role, Russia, Russian, Saturday, say, Scherzo, share, Simone Dinnerstein, Sonata, Sound, SoundCloud, South Korea, specific, Spotify, stream, streaming, Sviatoslav Richter, tag, Teacher, thank, thank you, thanks, time zone, timely, today, United States, University of Wisconsin-Madison School of Music, University of Wisconsin–Madison, Van Cliburn, vast, virtual, Vladimir Horowitz, Website, why, Wisconsin, world, World Piano Day, worldwide, year, your, YouTube, Zhang

Classical music: Famed radio station WQXR names the best 100 recordings of 2019. Listen to samples of them here

December 28, 2019
2 Comments

By Jacob Stockinger

Did you get a gift card for the holidays?

Are you looking how to spend it by either purchasing CDs or subscribing to a streaming service?

Help and guidance are available.

Few names in the airing of classical music carry more prestige than the famed radio station WQXR in New York City.

To check out the radio station’s choice of the best recordings of 2019 is also to see where the worlds of recording and concertizing are heading.

Such trends include rediscovering neglected composers and championing new music as well as women composers, such as Clara Schumann, and composers of color, such as the American composer Florence Price (below), who has often been featured on Wisconsin Public Radio this past year.

But you will also find noteworthy recordings of such classics as Johann Sebastian Bach – and two of his rarely heard cousins instead of his sons – and well as outstanding recordings of symphonies and piano sonatas (below, the set by Igor Levit) for the upcoming Beethoven Year to mark the 250th anniversary of the birth of the composer.

And you will also find names of outstanding performers you may not have heard of — such as the exceptional Chinese pianist Haochen Zhang (below), a Van Cliburn Competition gold medalist whom The Ear would like to see perform here.

Here is a link to 25 picks with commentaries– plus another 75 titles and samples, without commentary, to round out a Top 100.

Happy listening!

https://www.wqxr.org/story/best-classical-recordings-2019/

Posted in Classical music
Tags: #AmericanComposer, #AmyBeach, #AndrewNorman, #Anne-SophieMutter, #AntoninDvorak, #AntonioVivaldi, #BarbaraStrozzi, #BaroqueMusic, #BeethovenPianoSonatas, #BeethovenYear, #BelaBartok, #BlogPost, #BlogPosting, #CamilleSaint-Saens, #CarolineShaw, #ChamberMusic, #ChoralMusic, #ClaraSchumann, #ClassicalGuitar, #CompactDisc, #ComposersofColor, #DaniilTrifonov, #DanishStringQuartet, #DerekBermel, #DomenicoScarlatti, #EdvardGrieg, #FacebookPost, #FacebookPosting, #FannyMendelssohn, #FilmMusic, #FlorencePrice, #FranzJosephHaydn, #FredericChopin, #GabrielFaure, #GeorgeFridricHandel, #GiacomoPuccini, #GiftCard, #GiftGuide, #GuitarMusic, #GustavMahler, #HaochenZhnag, #HectorBerlioz, #HolidayGift, #HolidayGiftGuide, #IgorLevit, #IsaacAlbeniz, #IsataKanneh-Mason, #JeanSibelius, #JenniferHigdon, #JohannesBrahms, #JohannSebastianBach, #JohnTavener, #JohnWilliams, #JuliaWolfe, #LudwigVanBeethoven, #LuigiBoccherini, #MauriceRavel, #MieczyslawWeinberg, #ModestMussorgsky, #MovieMusic, #NeglectedComposers, #NeglectedMusic, #NewMusic, #NewYorkCity, #OperaMusic, #OrchestralMusic, #OrganMusic, #PeterIlyichTchaikovsky, #PianoConcerto, #PianoSonata, #RichardStrauss, #RobertSchumann, #SergeiProkofiev, #SergeiRachmaninoff, #SergeiRachmaninov, #StringQuartet, #TheEar, #VanCliburn, #VanCliburnInternationalPianoCompetition, #ViolinConcerto, #ViolinMusic, #VocalMusic, #WisconsinPublicRadio, #WolfgangAmadeusMozart, #WomenComposer, #WQXRradio, #WyntonMarsalis, 2019, Albeniz, American, American composer, Amy Beach, Andrew Norman, Anne-Sophie Mutter, anniversary, Antonín Dvořák, Antonio Vivaldi, Arts, Bach, Barbara Strozzi, Baroque, Baroque music, Bartok, Béla Bartók, Beethoven, Beethoven piano sonatas, Beethoven Year, Berlioz, best, birth, blog, Boccherini, Brahms, Caroline Shaw, CD, Chamber music, champion, China, Chinese, Chopin, choral music, Clara Schumann, Classical music, classicalmusic, classics, color, commentary, Compact Disc, composer, composers of color, concertizing, concerto, conductor, cousin, Daniil Trifonov, Danish String Quartet, Derek Bermel, discover, Domenico Scarlatti, Dvorak, Early music, Edvard Grieg, Facebook, fame, Fanny Mendelssohn, Faure, film, film music, Florence Price, forward, Franz Joseph Haydn, Franz Schubert, Frédéric Chopin, George Frideric Handel, Giacomo Puccini, gift, gift card, gift guide, gold, Gold medal, Grieg, guidance, guitar, Gustav Mahler, Handel, Haochen Zhang, Haydn, Hector Berlioz, help, Holiday, holiday gift guide, Igor Levit, Isata Kanneh-Mason, Jacob Stockinger, Jean Sibelius, Jennifer Higdon, Johann Sebastian Bach, Johannes Brahms, John Tavener, John Williams, Julia Wolfe, like, link, Ludwig van Beethoven, Luigi Boccherini, Mahler, Maurice Ravel, medal, Mieczyslaw Weinberg, Modest Mussorgsky, Mompou, Mozart, Music, Mussorgsky, name, neglected, neglected composer, neglected music, new, New Music, New York City, noteworthy, opera, Orchestra, organ, perform, Peter Ilyich Tchaikovsky, Pianist, Piano, Piano concerto, Piano sonata, post, posting, prestige, prize, Puccini, Rachmaninoff, Rachmaninov, Radio, radio station, Ravel, reader, recording, Richard Strauss, Robert Schumann, Saint-Saens, Scarlatti, Sergei Prokofiev, Sergei Rachmaninoff, service, share, Shaw, Sibelius, son, Sonata, Strauss, streaming, String quartet, subscribe, subscription, symphonies, symphony, tag, Taiwan, Taiwanese, Tchaikovsky, The Ear, title, trend, United States, Van Cliburn, Van Cliburn International Piano Competition, Viola, Violin, Vivaldi, vocal music, winner, wisconsin public radio, Wolfgang Amadeus Mozart, women, word, world, WQXR, WQXR-FM, Wynton Marsalis, year, Zhang

Classical music: The Mosaic Chamber Players perform an all-Schubert concert on Saturday night. On Sunday afternoon, Opera Props presents singers in a benefit concert to support the opera program at the UW-Madison

September 13, 2018
5 Comments

ALERT: On this Sunday afternoon at 3 p.m., in the Madison Christian Community Church at 7118 Old Sauk Road on Madison’s far west side, Opera Props will present a benefit concert to raise money for the UW-Madison’s opera program and University Opera.

Student singers and piano accompanist Daniel Fung will perform arias and songs. But the spotlight will shine on University of Wisconsin-Madison alumna soprano Julia Rottmayer, who is a new faculty member at the UW-Madison’s Mead Witter School of Music. (Sorry, no specific program is given and no names of composers and works are mentioned.)

Tickets are $30 in advance, $35 at the door with student tickets costing $10. Tickets include a reception with local Gail Ambrosius chocolate, fruit, cheese and wine. For more information, go to: https://www.uwoperaprops.org

By Jacob Stockinger

Why is The Ear increasingly drawn to the music of Franz Schubert (below) over, say, the music of his contemporary and idol Ludwig van Beethoven? It seems to be more than its sheer beauty and lyricism. It also seems to possess a certain warmth or human quality that he finds irresistible, poignant and restorative, especially if it is true, as the Buddha said, life is suffering.

In any case, The Ear is not alone.

The Madison-based Mosaic Chamber Players (below, in a photo by John W. Barker) will open their new and ambitious season this coming Saturday night with a concert of music by Franz Schubert.

The all-Schubert concert is at 7:30 p.m. in the chapel of the First Congregational United Church of Christ, 1609 University Avenue, near Camp Randall Stadium — NOT at the First Unitarian Society of Madison, as was incorrectly stated earlier in this blog post.

The program includes two Sonatinas for Violin and Piano in D Major, D. 384, and A minor, D. 385; the famous “Arpeggione” Sonata, D. 821, performed on the cello with piano; and the lovely and songful Adagio or “Notturno” (Nocturne) for Piano Trio, D. 897, which you can hear with violinist Anne-Sophie Mutter and pianist Daniil Trifonov, in the YouTube video at the bottom.

Tickets cost $15 for adults; $10 for seniors; and $5 for students. Cash and checks only will be accepted; no credit cards.

Members of the Mosaic Chamber Players are: founder and pianist Jess Salek (below top); violinist Wes Luke (below second), who plays with the Ancora String Quartet and Wisconsin Chamber Orchestra; violinist Laura Burns (below third), who also plays with the Madison Symphony Orchestra and the MSO’s Rhapsodie String Quartet; and cellist Kyle Price (below bottom), who founded the Caroga Lake Music Festival in New York State and is pursuing his doctoral degree at the UW-Madison’s Mead Witter School of Music with distinction and who was a member of the graduate student Hunt Quartet while he studied for his master’s.

A reception will follow the concert.

For more information about the Mosaic Chamber Players and about their new season, which includes some very varied composers but no specific titles of works, go to: http://www.mosaicchamberplayers.com

What do you find so appealing and so special about the music of Schubert?

What is your favorite Schubert work?

Leave your thoughts in the COMMENT section with a link, if possible, to a YouTube video performance.

The Ear wants to hear.

Posted in Classical music
Tags: #AncoraStringQuartet, #Anne-SophieMutter, #ArpeggioneSonata, #BenefitConcert, #CampRandallStadium, #CarogaLakeMusicFestival, #ChamberMusic, #ChristianChurch, #Classicalera, #ConcertSeason, #DanielFung, #DaniilTrifonov, #DoctoralDegree, #FirstCongregationalUnitedChurchofChrist, #FirstUnitarianSocietyofMadison, #FranzSchubert, #GailAmbrosius, #HumanQuality, #HuntQuartet, #JessSalek, #JesusChrist, #JuliaRottmayer, #LauraBurns, #LudwigVanBeethoven, #MadisonChristianCommunityChurch, #MadisonSymphonyOrchestra, #Master'sDegree, #MeadWitterSchoolofMusic, #MosaicChamberPlayers, #MusicFestival, #NewSeason, #NewYork, #NewYorkState, #OperaArias, #OperaProps, #PianoAccompanist, #PianoTrio, #RhapsodieStringQuartet, #RomanticComposer, #SaturdayNight, #StringQuartet, #Sundayafternoon, #TheBuddha, #UniversityofWisconsin-Madison, #UniversityOpera, #UWAlumni, #ViolinMusic, #WesLuke, #WisconsinChamberOrchestra, #YouTubevideo, admission, alumna, alumni, Ancora String Quartet, Anne-Sophie Mutter, aria, Arpeggione, Arpeggione sonata, Arts, beauty, Beethoven, Buddha, Camp Randall Stadium, Caroga Lake Music Festival, cellist, Cello, Chamber music, chapel, cheese, chocolate, Christian, Classical music, community, Compact Disc, composer, Daniel Fung, Daniil Trifonov, doctoral, favorite, First Congregational United Church of Christ, First Unitarian Society of Madison, Franz Schubert, fruit, Gail Ambrosius, graduate student, human, Hunt Quartet, irresistible, Jacob Stockinger, Jess Salek, Julia Rottmayer, Laura Burns, life, Ludwig van Beethoven, lyricism, Madison, Madison Symphony Orchestra, master's, Mead Witter School of Music, Mosaic Chamber Players, Music, Music festival, name, new season, New York, New York State, nocturne, Notturno, opera, Opera Props, Orchestra, Pianist, Piano, Piano Trio, poignant, program, reception, restorative, Romantic composer, Saturday night, Schubert, Season, singer, Sonata, sonatina, song, soprano, spotlight, String quartet, Student, suffering, Sunday afternoon, symphony, thought, ticket, United States, University of Wisconsin-Madison School of Music, University of Wisconsin–Madison, University Opera, Violin, violinist, Wes Luke, west side, Wine, Wisconsin, Wisconsin Chamber Orchestra, YouTube

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