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The Wisconsin Union Theater will stream an online Concert Series performance by the Meccore String Quartet (below, in a photo by Arkadiusz Berbecki) this Sunday night, Feb. 28, at 7:30 p.m. CST.
The program is: String Quartet No. 21 in D major, K. 575, by Wolfgang Amadeus Mozart; String Quartet No. 3 “Leaves from an Unwritten Diary” by 20th-century Polish composer Krzysztof Penderecki; and String Quartet in A minor, Op. 132, by Ludwig van Beethoven.
The ensemble includes violinists Wojciech Koprowski and Aleksandra Bryla; violist Michal Bryla; and cellist Marcin Maczynski.
As one of Europe’s most compelling ensembles, the Meccore String Quartet has appeared at many influential music festivals around the globe, such as the Rheingau Musik Festival and the Festspiele Mecklenburg-Vorpommern.
The ensemble was the first-ever Polish string quartet to perform during the Holocaust Remembrance Day ceremony at the Bundestag, the national parliament of the Federal Republic of Germany.
The Meccore String Quartet has also received many international awards, including a nomination for the Paszport Polityki award in the classical music category for its “innovative approach to the music and for breaking the musical stereotypes.”
The musicians won the Premio Paolo Borciani International String Quartet Competition and the Wigmore Hall International String Quartet Competition.
When they are not performing, Meccore’s members lead chamber music and individual instrumental classes at the Frederic Chopin University of Music in Warsaw, Poland.
Praised for their technical accuracy, Meccore is also known for its deep musicality and expressiveness. (In the YouTube video at the bottom, you can hear the Meccore playing an excerpt from Beethoven’s String Quartet No. 2 n G Major, Op. 18, No. 2.)
“The Meccore String Quartet brings an unparalleled energy and emotional depth to its performances,” says Wisconsin Union Theater director Elizabeth Snodgrass (below). “This ensemble is admired the world over, and our patrons will experience why the Quartet has earned global praise during its virtual Wisconsin Union Theater performance.”
Information about purchasing tickets can be found here. Tickets for this online event are $10 for UW-Madison students; $17 for Wisconsin Union members, UW-Madison staff and faculty, and students that do not attend UW-Madison; and $20 for all other patrons. Tickets are good for access for a week, through next Sunday, March 7.
The performance by the Meccore String Quartet is sponsored by the David and Kato Perlman Chamber Music Fund. The Wisconsin Union Theater presents this event, in part, with the help of financial support from Wisconsin Arts Board funding from the State of Wisconsin and the National Endowment for the Arts.
PLEASE HELP THE EAR. IF YOU LIKE A CERTAIN BLOG POST, SPREAD THE WORD. FORWARD A LINK TO IT OR, SHARE IT or TAG IT (not just “Like” it) ON FACEBOOK. Performers can use the extra exposure to draw potential audience members to an event. And you might even attract new readers and subscribers to the blog.
ALERT: Jess Anderson (below), a longtime local music critic for Isthmus, an active participant in the local music scene and a veteran radio host of an early music program for WORT-FM 89.9, died this past Sunday. He was 85. When more information is known, The Ear will devote a blog post to Jess, who was also a friend.
By Jacob Stockinger
The Ear has received the following announcement to post:
The Wisconsin Union Theater’s Concert Series will continue this season with a performance by the Verona Quartet (below) on this Friday, Jan. 29, at 7:30 p.m. CST. It will be preceded by a question-and-answer session with the Quartet at 7 p.m. CST.
The Quartet will perform two complete works: the String Quartet in A Minor, Op. 51, No. 2, by Johannes Brahms; and the famous String Quartet No. 12 in F Major, Op. 96, the “American,” by Antonin Dvorak. (In the YouTube video at the bottom, you can hear the Verona Quartet perform the familiar last movement of the string quartet by Dvorak.)
The Verona Quartet rose to international fame by sweeping top prizes at competitions, including the Chamber Music America’s Cleveland Quartet Award in 2020.
Hailing from four different parts of the world, differences unify the Quartet’s members and music. Its music aims to show how diverse experiences can come together in harmony.
“The Verona Quartet brings fresh approaches to classical music masterpieces,” says Wisconsin Union Theater director Elizabeth Snodgrass (below). “The Quartet has risen to become one of the world’s most sought-after string quartets. We are honored to include them in our Concert Series season.”
Ticket purchase information can be found here. Tickets for this virtual online event are $10 for UW-Madison students, $17 for Wisconsin Union members and students who do not attend the UW-Madison, and $20 for all other patrons.
Ticket buyers will receive an email from approximately 2 hours before the event begins that contains the link to view the performance.
Anyone who purchases a ticket within 2 hours of the event’s start time will receive their link in their confirmation email immediately following their purchase. Only 1 ticket per household is needed to view this concert.
The link will remain active until Friday, Feb. 5, at 9:30 p.m. (CST) to view whenever you would like.
This performance will include the Quartet’s regular violinists Jonathan Ong and Dorothy Ro, and violist Abigail Rojansky.
But due to challenges related to the coronavirus pandemic, Quartet member and cellist Jonathan Dormand will not be part of the event. Instead, cellist Dmitry Kouzov (below top) will perform the string quartet by Brahms and cellist Annie Jacobs-Perkins (below bottom, in a photo by C. Tihms Van Velden) will perform the string quartet by Dvorak.
The Verona Quartet’s performance is made possible by the David and Kato Perlman Chamber Music Endowment Fund, with additional support from the Wisconsin Arts Board with funds from the State of Wisconsin and the National Endowment for the Arts.
An additional Concert Series performance will take place on Sunday, Feb. 28, at 7:30 p.m. CDT and features the Meccore Quartet.
For more than 75 years, the Wisconsin Union Theater has served as a cultural center for community members and visitors and provides a variety of performing arts events.
The Theater’s Concert Series began more than a century ago and is one of the oldest uninterrupted series of its kind in the United States.
The Wisconsin Union Theater team presents the Concert Series in collaboration with the student-led Wisconsin Union Directorate (WUD) Performing Arts Committee.
The Theater team strives for all of its spaces to be accessible, and those that need accommodations can reach out by email to the Wisconsin Union Theater team at: wisconsinuniontheater@union.wisc.edu
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By Jacob Stockinger
Jeremy Denk (below) is not only one of the top pianists on the concert stage today. He is also one of the most interesting and thoughtful pianists when it comes to original, innovative and eclectic programming.
Denk will display his talents again when he performs his third solo recital in Madison this Friday night, Dec. 11, for the Wisconsin Union Theater.
The concert of music by Robert Schumann, Clara Schumann, Johannes Brahms and Missy Mazzoli is at 7:30 p.m. and will be preceded by a public Q&A at 7 p.m. Because of the coronavirus pandemic, both the discussion and the concert will be virtual and online.
Access to the online posting is $20 for the general public, $17 for Wisconsin Union members, and $10 for students.
Denk’s performance, which is part of the Theater’s 101st Annual Concert Series, will include “Papillons” (Butterflies), Op. 2, by Robert Schumann; Three Romances, Op. 21, by Clara Schumann; “Bolts of Loving Thunder” by the contemporary American composer Missy Mazzoli (below); and Four Pieces for Piano, Op. 119, by Johannes Brahms. (You can hear Denk play the lyrically introspective first intermezzo of Brahms’ late Op. 119 in the YouTube video at the bottom.)
Ticket buyers will receive an email from the box office approximately 2 hours before the event begins that will contain their link to view the performance. Anyone who purchases a ticket within 2 hours of the event’s start time will receive their email within 15 minutes of purchase.
To The Ear, Denk’s well-planned and fascinating program seems like a probing contrast-and-compare, narrative exploration of the musical styles and close personal relationships – a kind of love triangle — between Robert and Clara Schumann (below top); between Robert Schumann and Johannes Brahms, whom Robert Schumann championed; and between Brahms and Clara Schumann, who also championed Brahms (below bottom) but rejected him as a lover and suitor after the premature death of her husband Robert.
One of America’s foremost pianists, Denk is a winner of a MacArthur “Genius” Fellowship, and the Avery Fisher Prize, and was recently elected to the American Academy of Arts and Sciences.
In the United States, Denk has performed with the Chicago Symphony, New York Philharmonic, Los Angeles Philharmonic, San Francisco Symphony and Cleveland Orchestra and frequently performs at Carnegie Hall. Internationally, he has toured with the world-famous Academy of St. Martin in the Fields and performed at Royal Albert Hall as part of the BBC Proms.
Denk’s talents include writing about music. Some of his stories about music have been featured on the front page of The New York Times Book Review as well as in The New Yorker, The New Republic and The Guardian. Many of those writings form the basis for a forthcoming book.
His passion for composing both music and writing compositions is evident in his music-based blog “Think Denk” — “to think” in German is “denizen” — which dates back to 2005.
“Jeremy Denk is one of the greatest pianists of our generation,” says WUT director Elizabeth Snodgrass. “While many pianists specialize in a particular period or composer, Jeremy is a musical omnivore whose wide-ranging interests span centuries and styles, and he is exceptional at playing all of them. As The New York Times said, he is ‘a pianist you want to hear no matter what he performs.’”
Proof of that can be found in the program “c. 1300-c. 2000” he toured with and recorded last year for Nonesuch, which features a sampling tour of 700 years of keyboard compositions.
Said a critic for the Boston Globe: “Denk has “an unerring sense of the music’s dramatic structure and a great actor’s intuition for timing.”
This performance was made possible by the David and Kato Perlman Chamber Music Endowment Fund.
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By Jacob Stockinger
Think of it as one anniversary celebrating another anniversary.
This week, four members of the Chamber Music Society of Lincoln Center in New York City will be giving two concerts as part of the Concert Series at the Wisconsin Union Theater (below).
The Chamber Music Society is marking its 50th anniversary and is in town this week to help the WUT’s Concert Series celebrate its 100th anniversary.
The first concert is tomorrow — Thursday night, March 5 — at 7:30 p.m. in Shannon Hall at the Memorial Union. The program features two piano quartets and a violin sonatina.
The Ear has seen the Society players before in Madison and has never heard them give anything short of a first-rate performance.
The piano quartets are the Piano Quartet in A Minor, Op. 1, by Czech composer Josef Suk; the Piano Quartet No. 1 in G Minor, Op. 25, by Johannes Brahms; and the Violin Sonatina in G Major, Op. 100, by Antonin Dvorak. (You can hear Chopin Competition winner and South Korean pianist Song-Jin Cho, play the Gypsy Rondo finale from the Brahms piano quartet in the YouTube video at the bottom.)
Personal ties link all three works. Brahms greatly admired Dvorak and helped launch his career. And Dvorak was both the teacher and father-in-law of Suk.
The performers (below, from left) are violinist Arnaud Sussmann, pianist Wu Han, violist Paul Neubauer; and cellist David Finckel.
The wife-and-husband team of Wu Han and David Finckel are the co-music directors of the Chamber Music Society and also the artistic advisors who helped the Wisconsin Union Theater put together its centennial season.
Says Han: Chamber music is a form of music that has the ability to provide comfort in difficult times, escape and inspiration for all. The Musical America’s Musician of the Year award winner adds that it’s those very things that drive her to continue to make music.
The performance is part of the new David and Kato Perlman Chamber Music Series. More information about the Chamber Music Society of Lincoln Center can be found on their website.
There will also be a pre-concert performance by students of the Suzuki method in Sonora Strings (below) beginning in Shannon Hall at 7 p.m.
On Saturday night, March 7, at 7:30 p.m. in the Mead Witter Foundation Concert Hall of the new Hamel Music Center, 740 University Ave., pianist Wu Han (below top) will perform with the UW Symphony Orchestra under the baton of its director and conductor Oriol Sans (below bottom).
The program is the Suite No. 1 from the chamber opera “Powder Her Face” by the contemporary British composer Thomas Adès; the Piano Concerto No. 3 in C Minor, Op. 37, by Beethoven; and the Symphony No. 2 in D Major, Op. 73, by Brahms.
“Wu Han brings to the Wisconsin Union Theater not only a passion for music, but also authentic excitement about inspiring a love of music in others,” said Amanda Venske, Concert Series coordinator of the Wisconsin Union Directorate (WUD) Performing Arts Committee.
The students of the UW-Madison Symphony Orchestra (below, with the UW Choral Union in the background) will have the opportunity to learn from Han as they prepare for the Saturday performance.
Patrons can purchase tickets online or at the Memorial Union Box Office. The Wisconsin Union Theater team offers discounted tickets for University of Wisconsin-Madison faculty, staff and students as well as Wisconsin Union members.
Other upcoming Concert Series performances are by violinist Gil Shaham with Akira Eguchi on March 28, and superstar soprano Renée Fleming on May 2. The Concert Series is the longest running classical music series in the Midwest.