The Well-Tempered Ear
Classical music: The Festival Choir of Madison performs Yiddish music Saturday night. The Wisconsin Chamber Orchestra performs the child-friendly “Beethoven Lives Next Door” for FREE twice on Saturday morning
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ALERT: Do you have children or grandchildren you want to introduce to classical music? This Saturday morning, March 14, at 9:15 and 11:15 a.m. in the Goodman Community Center, at 149 Waubesa Street on Madison’s near east side, the Wisconsin Chamber Orchestra will give two FREE public performances of “Beethoven Lives Next Door.” The interactive, multi-media event includes live music and story-telling, and is designed for children age 4-10 and their families. Because space is limited, advance registration is strongly recommended. You can register for one of the performances by going to: https://wisconsinchamberorchestra.org/performances
By Jacob Stockinger
The Festival Choir of Madison will present its second concert of the season, “Ner Tamid: Eternal Flame,” on this Saturday night, March 14, at 8 p.m. at the First Unitarian Society of Madison at 900 University Bay Drive.
The choir (below), under the artistic direction of Edgewood College professor Sergei Pavlov (below, front right) will perform songs drawing on Yiddish folklore, Klezmer innovations, the pain and cultural fusion of the diaspora, and the poignancy of love in the Holocaust.
Spanning geography and time, this array of Sephardic folk songs, Middle Eastern melodies, the high European tradition of the late 19th century, and contemporary settings of ancient texts paints a rich picture of the breadth of Jewish musical tradition.
The performance includes works by Gustav Mahler, Jacob Weinberg (below top) and Alberto Guidobaldi (below bottom) for classical composers, as well as Paul Ben Haim and Josef Hadar, who are more contemporary Israeli and Jewish composers, respectively.
The Festival Choir of Madison (FCM) is an auditioned, mixed-voice volunteer choir of over 50 experienced singers. FCM performs thematic concerts of artistically challenging choral music from around the world for listeners who enjoy traditional, modern, and eclectic works, and for singers who enjoy developing their talents with others.
The choir performs three thematic concerts annually in November, March and May. It also serves as the core choir for the Wisconsin Chamber Orchestra’s annual “Messiah” concert. (In the YouTube video at the bottom, you can hear the Festival Choir of Madison perform “The West Lake” by Chinese composer Chen Yi in 2019.)
Concert admission — general seating — is $10 for students, $15 for senior citizens, and $20 for adults, with tickets available at the door the day of the concert. Tickets can also be purchased online at: https://www.brownpapertickets.com/event/4383496
To learn more about the choir and see details about its May 16 performance of Mozart’s Requiem, visit: www.festivalchoirmadison.org
Tags: #19thCentury, #AlbertoGuidobaldi, #ArtisticDirector, #BeethovenLivesNextDoor, #BlogPost, #BlogPosting, #BrownPaperTickets, #ChenYi, #Chinesecomposer, #ChoralMusic, #ContemporaryMusic, #EclecticMusic, #EdgewoodCollege, #FacebookPost, #FacebookPosting, #FacultyMember, #FamilyFriendly, #FestivalChoir, #FestivalChoirofMadison, #FirstUnitarianSocietyofMadison, #FolkMusic, #folksongs, #GeorgeFridericHandel, #GoodmanCommunityCenter, #GustavMahle, #Handel'sMessiah, #IsraeliComposer, #IsraeliMusician, #JacobWeinberg, #JewishComposer, #JewishComposers, #JewishMusic, #Jewishmusician, #JewishReligion, #JosefHadar, #KlezmerMusic, #LiveConcert, #LiveMusic, #LudwigVanBeethoven, #MessiahOratorio, #MIddleEast, #MiddleEastern, #Musicfaculty, #NerTermid, #PaulBenHaim, #SaturdayMorning, #SaturdayNight, #SeniorCitizen, #SergeiPavlov, #TheHolocaust, #TheWestLake, #VocalMusic, #WisconsinChamberOrchestra, #WolfgangAmadeusMozart, #YiddishMusic, #YouTubevideo, 19th century, 2019, 2020, Alberto Guidobaldi, alto, ancient, Artistic director, Arts, audience, audition, available, bass, Beethoven, Beethoven Lives Next Door, blog, Brown Paper Tickets, Chen Yi, Child, children, China, Chinese, Chinese composer, choral music, Classical music, classicalmusic, community, composer, Concert, conductor, contemporary music, core, cultural, culture, diaspora, door, eclectic, Edgewood College, eternal, eternal flame, Europe, European, event, experience, Facebook, faculty, families, Family, Festival Choir, Festival Choir of Madison, First Unitarian Society of Madison, flame, folk, folklore, forward, friend, friendly, fusion, future, geography, George Frideric Handel, Goodman, Goodman Community Center, Gustav Mahler, Handel, Holocaust, innovation, interactive, Israel, Israeli, Jacob Stockinger, Jacob Weinberg, Jewish, Jewish composer, Josef Hadar, klezmer, like, limited, link, live music, Love, Ludwig van Beethoven, Madison, Mahler, march, May, melodies, melody, Messiah, Middle East, Middle Eastern, mixed, mixed-voice, modern, morning, Mozart, multi-media, Music, Ner Tamid, night, online, Orchestra, pain, paint, Paul Ben Haim, performance, performer, poignancy, post, posting, professor, recommend, registration, Religion, Requiem, rich, Saturday, Season, seating, senior, Sephardic, Sergei Pavlov, setting, share, sing, singer, song, songs, soprano, space, story-telling, Student, symphony, tag, tenor, texts, thematic, theme, time, tradition, traditional, Unitarian, United States, Viola, Violin, vocal music, voice, volunteer, Weinberg, west lake, Wisconsin, Wisconsin Chamber Orchestra, Wolfgang Amadeus Mozart, works, Yiddish, Yiddish music, YouTube
Classical music: A ticket to the concert here by the Imani Winds is an ideal gift to mark the African-American holiday Kwanzaa
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By Jacob Stockinger
The African-American and Pan-African harvest and heritage holiday of Kwanzaa started Wednesday and runs through Jan. 1.
Many people know the name of the events that mark the African Diaspora.
But do you know more about the holiday itself?
Do you know the seven principles of Kwanzaa?
Do you know the history and person behind the celebration, which started the United States in 1966?
Here is a link to a comprehensive view of Kwanzaa in Wikipedia:
https://en.wikipedia.org/wiki/Kwanzaa
If you are looking for a suitable gift to give during Kwanzaa, it would be hard to beat tickets to the concert by the Imani Winds (below) on Friday, Feb. 1, at 7:30 p.m. in Shannon Hall at the Wisconsin Union Theater.
The Imani Winds have been nominated for a Grammy Award, and have established a reputation for world music and commissioning new works.
For more information about the group, the performers, ticket prices and how to buy tickets, go to: https://union.wisc.edu/events-and-activities/event-calendar/event/imani-winds/
The group’s name comes from a principle of Kwanzaa — namely, faith. And one member, Valerie Coleman, composed a signature piece based on the first principle of Kwanzaa – Umoji, or Unity. You can hear that work in the YouTube video at the bottom.
Then in June, from June 6 to June 9, Valerie Coleman (below) returns to Madison as the Composer-in-Residence for the second annual LunArt Festival — a cultural and all-women festival devoted to performers, composers, writers and artists.
Tags: #African-AmericanMusic, #AfricanDiaspora, #AfricanHeritage, #AfricanHoliday, #All-Female, #BassoonMusic, #BlogPost, #BlogPosting, #ClarinetMusic, #CommissionedMusic, #Composer-in-Residence, #FacebookPost, #FacebookPosting, #FluteMusic, #GrammyAward, #HolidayGift, #HolidaySeason, #HolidayShopping, #HornMusic, #ImaniWinds, #LunARTFestival, #NewMusic, #OboeMusic, #Pan-Africa, #ShannonHall, #UnitedStates, #ValerieColeman, #Wikipediaentry, #WindEnsemble, #WindMusic, #WisconsinUnionTheater, #WorldMusic, Africa, African American, African diaspora, all-women, Arts, audience, Bassoon, blog, celebration, Chamber music, Classical music, commission, Compact Disc, composer, diaspora, ensemble, events, Facebook, faith, festival, flute, gift, Grammy Award, Grammy nomination, harvest, heritage, Holiday, Horn, ideal, Imani Winds, Jacob Stockinger, January, Kwanzaa, like, link, LunART Festival, Madison, Music, name, New Music, NPR, Oboe, person, post, posting, principle, Shannon Hall, share, Shopping, tag, United States, unity, University of Wisconsin-Madison School of Music, University of Wisconsin–Madison, VALERIE COLEMAN, Wednesday, Wikipedia, wind music, winds, Wisconsin Union Theater, women, World music, YouTube
Classical music: Today brings the release of an impressive CD of clarinet duos and trios with UW-Madison cellist Uri Vardi and his clarinetist son Amitai Vardi
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By Jacob Stockinger
Today is when another outstanding recording by UW-Madison cellist Uri Vardi gets released by Delos Records.
The recording, which features clarinet trios by Ludwig van Beethoven and Johannes Brahms and clarinet-cello duos by contemporary composer Jan Radzynski, has all the makings of another winner.
For one, the repertoire is a fine mix of the late Classical style (Beethoven), the late Romantic style (Brahms) and modernistic nationalism (Radzynski).
It is, of course, a family affair, as you can read about here in a story about the premiere of the Concerto Duos by Radzynski:
http://news.wisc.edu/music-deepens-connection-for-father-son-performers/
The Ear also finds the playing first-rate and the sound engineering exemplary.
None of that should come as a surprise. You may recall that last year Vardi (below) and his colleague UW-Madison violin professor David Perry, along with pianist Paulina Zamora, released a recording of the three piano trios by Brahms. It was acclaimed by no less than Gramophone magazine. Here is a link to that review:
https://reader.exacteditions.com/issues/49269/page/3
The title of the new CD is Soulmates, and it seems fitting in so many ways that crisscross in many directions.
Here are notes from the educator and performer Uri Vardi:
“The title refers to friendship between composer and performer, as Jenny Kallick highlights in her liner notes.
“For his clarinet trio, Beethoven put to work the manners of a musical style that embraced the outward charm and lively sociability associated with the music of friends, interjecting his soon-to-be famous dramatic flashes only occasionally.
“Jan Radzynski (below) began his association with me in Israel, where the Vardi family from Hungary and Radzynski family from Poland first overlapped.
“Meeting once again during graduate studies at Yale School of Music, our friendship has been enriched by Jan’s project as an esteemed composer with multiple cultural ties to Poland, Israel, the US and Jewish tradition, and by my commitment as celebrated teacher and performer to collaborations across musical boundaries. Jointly, we have found ways to embrace the complexities of their origins and diaspora.
“The duo’s dedication to the entire Vardi family signals this deep connection.
“Nearly a century had passed before Brahms (below top) wrote for this same combination. Had it not been for his newly-blossomed musical friendship with clarinetist Richard Mühlfeld (below bottom, 1856-1907), a star performer in the Hofkapelle Orchestra at Saxe-Meiningen, the composer might have held to his recently announced plans to retire.
“On a more personal level, I admire composer Jan Radzynski’s music. I was moved by his gift to my son Amitai (below) — who teaches clarinet at Kent State University in Ohio — and me, and the rest of our family, of the Concert Duos. He presented the work to us in 2004, and we premiered it that same year.
“Brahms is the composer who influences me on the deepest level. Following the release of my previous CD by Delos, I was eager to record the fourth Brahms trio involving the cello, and was looking for an opportunity to add it to the other three trios.
“It is the greatest joy for me to play chamber music with my son. I was happy that both he, and my colleague and friend, pianist Arnon Erez (below), were ready to embark with me on the journey of performing and recording the three compositions on this CD.
“The UW Arts Institute awarded me the Emily Mead Baldwin Award, which helped me financially in releasing this CD. The recordings were done at the Jerusalem Music Center in Israel (which gave us their wonderful facilities free of charge).
“Sound engineer Victor Fonarov, who recorded this CD and started editing it, passed away before the completion of the work. So we decided to dedicate the album to his memory.
“Here is a promotional video, with a SoundCloud clip of the Beethoven work, for the recording:
https://delosmusic.com/recording/soulmates-cello-clarinet-piano/
“And you can hear an excerpt from Radzynski’s Duos in the YouTube video at the bottom.
“Interested readers can also purchase the album directly from Uri Vardi at: uvardi@wisc.edu”
Tags: Amitai Vardi, Arnon Erez, Arts, Beethoven, Cello, Chamber music, clarinet, clarinet trio, Classical, Classical music, Compact Disc, composer, Composition, David Perry, Delos records, diaspora, duos, Education, educator, friend, friendship, Gramophone, Hungary, Israel, Jacob Stockinger, Jan Radzynski, Jenny Kallick, Jerusalem, Jewish, Johannes Brahms, Kent State University, Ludwig van Beethoven, Madison, modern, modernistic, nationalism, nationalist, notes, Ohio, Paulina Zamora, performer, Piano, Poland, repertoire, Richard Mühlfeld, Romantic, SoundCloud, Teacher, tradition, trio, U.S., United States, University of Wisconsin-Madison School of Music, University of Wisconsin–Madison, Uri Vardi, US, Violin, Wisconsin, Yale School of Music, Yale University, YouTube
Classical music: Starting this Friday, the Madison Early Music Festival will devote a week to exploring familiar and unfamiliar Iberian music during the age of Cervantes. Part 1 of 2
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By Jacob Stockinger
This coming Friday, when the Madison Early Music Festival (MEMF) starts its week-long exploration of Iberian music during the Renaissance Age of novelist Miguel de Cervantes (below) and his pioneering novel “Don Quixote,” much will be familiar but much will also be new.
To provide a look at what to expect, the longtime co-artistic directors of the festival – wife-and-husband singers soprano Cheryl Bensman Rowe and baritone Paul Rowe (below) – provided the following overview through an email Q&A with The Ear.
All-festival passes are $90 and tickets to individual concerts cost $20, $10 for students.
Click here to buy online, call 608-265-ARTS (2787), or visit the Campus Arts Ticket Box Offices in Memorial Union or Vilas Hall (click here for hours).
(Note: All MEMF Concert Series concerts and lectures are free for participants in the MEMF Workshop. There is a $4 transaction fee per ticket when purchasing online or by phone.)
How successful is this year’s festival compared to others in terms of enrollment, budgets, performers, etc.? How does this program of MEMF’s reach nationally or even internationally compare to previous years?
We will have about 100 students at our workshop this summer, which has been a steady number for the past five years. Our budget increased to cover the big Don Quixote project by Piffaro, which you can read about below.
We continue to attract workshop participants and performers from all over the United States and Canada, and this year our concert series will present Xavier Diaz-Latorre from Spain. For more information, go to: www.xavierdiazlatorre.com
What is new and what is the same in terms of format, students, faculty members and performers?
The following events are new to MEMF this summer:
The Historical Harp Society will be giving a conference before MEMF begins, from Thursday, July 6 through Saturday, July 8, with classes and lectures that will culminate in a concert of Harp Music from the Spanish Golden Age on Friday, July 7, at 7:30 p.m. in Morphy Recital Hall, which is FREE and open to the public. Go to www.historicalharpsociety.org
Master teacher and performer Xavier Diaz-Latorre will be giving a master class in Morphy Recital Hall on Saturday, July 8, from 10 a.m. to noon. It is free and open to the public.
We have a new partnership with the Latin American, Caribbean, and Iberian Studies (LACIS) Program at UW-Madison. LACIS has helped us translate materials and supported MEMF with two grants. www.lacis.wisc.edu
A new display in the Memorial Library foyer will celebrate the 2017 Madison Early Music Festival with a special exhibit of Don Quixote Through the Ages, featuring a selection of books, musical scores, and other materials from the UW-Madison Libraries. While viewing the exhibition, patrons can scan a QR code and listen to a Spotify playlist featuring music that will be heard at the MEMF 2017 Concert Series! This is a MEMF first, created by co-artistic director Paul Rowe.
We worked with several librarians to select the materials: Paloma Celis-Carbajal, Ibero-American Studies and Romance Languages Librarian; Jeanette Casey, head of Mills Music Library; and Lisa Wettleson from Special Collections at Memorial Library (below, in a photo by Brent Nicastro).
Dates: June 26 – August 10, 2017
Location: Memorial Library foyer | 728 State Street | Madison
Library Hours: 8 a.m.-9:45 p.m.
We have several new performers this year.
Xavier Diaz-Latorre, a vihuela player from Spain, and the ensemble Sonnambula from New York. Xavier is a world-renowned musician, and plays the vihuela, a Spanish Renaissance type of guitar, and the lute.
Xavier will perform a solo recital featuring music of the vihuela by composers Luis Narváez, Alonso Mudarra, Gaspar Sanz and Santiago de Murcia. The link below will give you more information about the predecessors to the guitar:
http://www.cs.dartmouth.edu/~lsa/aboutLute/Vihuela.html
Daphna Mor and Kane Mathis will present a program featuring music from the geographic regions of Andalusia, North Africa, the Ottoman Empire and the Sephardic Diaspora. Based on the monophonic music of modes referred to as the Makam, the audience will be drawn to distinct beauty and great similarities of music from the courts, liturgical forms, dance airs and folk music.
Daphna Mor (below top) sings and plays several historical wind instruments, and Kane Mathis (below bottom) plays the oud, a lute type of stringed instrument with 11 or 13 strings grouped in 5 or 6 courses, commonly used in Middle Eastern music.
Percussionist Shane Shanahan (below) will join them. Shane is an original member of the Silk Road Ensemble with Yo-Yo Ma and a Grammy award winner. https://www.stepsnyc.com/faculty/bio/Shane-Shanahan/
And watch Shane play frame drum in the Cave Temples of Dunhuang at the Getty Museum:
https://www.youtube.com/watch?v=tQjC3y6CXQ8
Hear and read about Daphna Mor: http://www.daphnamor.com/
You can watch Kane Mathis play the oud at this link:
https://www.youtube.com/watch?v=7tHrxEohai8
Sonnambula (below), an ensemble of violins and viol da gambas, has performed at the Metropolitan Museum of Art, and have a regular series at the Hispanic Society of America in New York. It played a sold-out program of Spanish Golden Age works drawn from the over 450 pieces in the Cancionero Musical de Palacio, a manuscript at the Royal Palace of Madrid. This same program will be presented at MEMF on Friday, July 14. (You can hear them perform Spanish music in the YouTube video at the bottom.)
Why was the theme of the Spain’s Golden Age and The Age of Cervantes and Don Quixote chosen for the festival? What composers and works will be highlighted?
We liked the connection with last year’s theme, Shakespeare 400, because, although they never knew one another, Cervantes and Shakespeare (below) were contemporaries and share a “deathaversary,” as they both died on April 23, 1616. They led quite different lives, as Shakespeare was very successful throughout his lifetime and Cervantes wasn’t well known until the end of his life, when Don Quixote was published in 1605.
http://www.dw.com/en/shakespeare-and-cervantes-two-geniuses-and-one-death-date/a-19203237
Also, the Renaissance band Piffaro (below, in a photo by Church Street Studios) — an ensemble from Philadelphia that is well loved by MEMF audiences — suggested we explore this connection to Don Quixote and present their program The Musical World of Don Quixote, a huge project that they have been researching for several years.
They created a musical soundtrack to the novel in chronological order, and their program will open our 2017 concert series. This link from the Early Music America article “Piffaro Tilts At Musical Windmills” will tell you about their project in depth:
https://www.earlymusicamerica.org/web-articles/emag-piffaro-tilts-at-musical-windmills/
The other concerts in the series draw from the music that is mentioned in Don Quixote and from the Spanish Renaissance, known as Siglo de Oro, or the Century of Gold. Many composers from this time period will be represented: Tomás Luis de Victoria, Cristóbal de Morales, Francisco Guerrero, Luis de Milán and Alonso Lobo
https://en.wikipedia.org/wiki/Spanish_Golden_Age
https://artsinstitute.wisc.edu/memf/concerts.htm
Check out our website for the most up-to-date information and how to get tickets:
Tomorrow: What makes Renaissance music in Spain different? What composers and music will be featured in concerts?
Tags: air, Alonso Lobo, Alonso Mudarra, American, Andalusia, Arts, award, baritone, Baroque, beauty, Book, budget, Canada, cave, Cello, Cervantes, Chamber music, Cheryl Bensman Rowe, choral music, class, Classical music, Concert, concerto, court, Cristóbal de Morales, dance, Daphna Mor, diaspora, Don Quixote, Early music, Early Music America, enrolllment, exhibit, explore, faculty, familiar, festival, folk, Folk music, Francisco Guerrero, Gaspar Sanz, Getty Museum, Golden Age, Grammy, guitar, harp, Hispanic, Hispanic Society of America, historical, History, Iberian, Iberian Peninsula, Jacob Stockinger, Kane Mathis, lecture, librarian, library, liturgical, liturgical music, liturgy, Luis de Milan, Luis Narvaez, lute, Madison, Madison Early Music Festival, Madrid, manuscript, master class, Memorial Library, Metropolitan Museum of Art, Middle East, Middle Eastern, mode, monophonic, Music, music library, new, New York, New York City, North Africa, novel, novelist, Ottoman Empire, palace, participants, patrons, Paul Rowe, performer, Piffaro, playlist, rare books, Renaissance, Romance language, royal, sacred, Santiago de Murcia, score, secular, Sephardic, Shakespeare, Shane Shanahan, Silk Road Ensemble, soprano, Spain, special collections, Spotify, strings, temple, theme, ticket, Tomas Luis de Victoria, U.S., United States, University of Wisconsin-Madison School of Music, University of Wisconsin–Madison, US, video, vihuela, viol da gamba, Viola, Violin, vocal music, windmill, winds, Wisconsin, work, workshop, Xavier Diaz-Latorre, Yo-Yo Ma, YouTube
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The Well-Tempered Ear 
Songs by Black composers trace their cultural realities in a free online UW performance TONIGHT of “Verisimilitudes.” Plus, the five winners of this year’s Beethoven Competition perform Sunday.
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ALERT: This Sunday, April 25, from 3:30 to 5:30 p.m. the five winners of this year’s Beethoven Competition at the UW-Madison will perform in a winners’ concert. Included in the program are the popular and dramatic “Appassionata” Sonata, Op. 57, and the famous and innovative last piano sonata, No. 32 in C minor, Op 111. Here is a link to the YouTube video: https://www.youtube.com/watch?v=eMF0Hd1MJwMg. Click on “Show More” and you can see the full programs and biographical profiles of the winners.
By Jacob Stockinger
The concert could hardly be more timely or the subject more relevant.
Think of the events in and near Minneapolis, Chicago and elsewhere in the U.S.; of the Black Lives Matter movement and social protest; of the political fight for D.C. statehood and voting rights – all provide a perfect context for an impressive student project that will debut online TONIGHT, Saturday, April 24, at 7 p.m.
The one-hour free concert “Verisimilitudes: A Journey Through Art Song in Black, Brown and Tan” originated at the UW-Madison’s Mead Witter School of Music. It seems an ideal way for listeners to turn to music and art for social and political commentary, and to understand the racial subtexts of art.
Soprano Quanda Dawnyell Johnson (below) created, chose and performs the cycle of songs by Black composers with other Black students at the UW-Madison.
Here is a link to the YouTube video: https://youtu.be/-g5hjeuSumw
Click on “Show More” to see the complete program and more information.
Here is the artist’s statement:
“Within the content of this concert are 17 art songs that depict the reality of the souls of a diasporic people. Most of the lyricists and all of the composers are of African descent. In large part they come from the U.S. but also extend to Great Britain, Guadeloupe by way of France, and Sierra Leone.
“They speak to the veracity of Black life and Black feeling. A diasporic African reality in a Classical mode that challenges while it embraces a Western European vernacular. It is using “culture” as an agent of resistance.
“I refer to verisimilitude in the plural. While syntactically incorrect, as it relates to the multiple veils of reality Black people must negotiate, it is very correct.
“To be packaged in Blackness, or should I say “non-whiteness” is to ever live in a world of spiraling modalities and twirling realities. To paraphrase the great artist, Romare Bearden, in “calling and recalling” — we turn and return, then turn again to find the place that is our self.
“I welcome you to… Verisimilitudes: A Journey Through Art Song in Black, Brown, and Tan”
Here, by sections, is the complete program and a list of performers:
I. Nascence
Clear Water — Nadine Shanti
A Child’s Grace — Coleridge-Taylor Perkinson
Night — Florence Price (below)
Big Lady Moon — Samuel Coleridge-Taylor
II. Awareness
Lovely, Dark, and Lonely — Harry T. Burleigh
Grief –William Grant Still (below)
Prayer — Leslie Adams
Interlude, The Creole Love Call — Duke Ellington
III. The Sophomore
Mae’s Rent Party, We Met By Chance –Jeraldine Saunders Herbison
The Barrier — Charles Brown
IV. Maturity
Three Dream Portraits: Minstrel Man, Dream Variation; I, Too — Margaret Bonds (below)
Dreams — Lawren Brianna Ware
Song Without Words — Charles Brown
Legacy
L’autre jour à l’ombrage (The Other Day in the Shade) — Joseph Boulogne (Chevalier de Saint-Georges, below)
The Verisimilitudes Team
Quanda Dawnyell Johnson — Soprano and Project Creator
Lawren Brianna Ware – -Pianist and Music Director
Rini Tarafder — Stage Manager
Akiwele Burayidi – Dancer
Jackson Neal – Dancer
Nathaniel Schmidt – Trumpet
Matthew Rodriguez – Clarinet
Craig Peaslee – Guitar
Aden Stier –Bass
Henry Ptacek – Drums
Dave Alcorn — Videographer
Here is a link to the complete program notes with lyrics and composer bios. And a preview audio sample is in the YouTube video at the bottom: https://simplebooklet.com/verisimilitudesprogramnotes#page=1
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