The Well-Tempered Ear
Classical music: Today is the summer solstice. Here is information about the solstice plus 20 pieces of classical music to mark the coming of summer
1 Comment
ALERT: Today is the fifth annual Make Music Madison. More than 300 FREE outdoor performances will be featured at some 100 venues. For information about artists, kinds of music, places and times, go to: http://www.makemusicmadison.org
By Jacob Stockinger
Today is Thursday, June 21, 2018.
The summer solstice arrives in Wisconsin early today at 5:07 a.m. Central Daylight Time.
If you want to know more about the summer solstice, here are two stories from NBC and The Washington Post with some interesting information you might not know:
https://www.nbcnews.com/mach/science/what-summer-solstice-ncna884991
Quite a few composers and works of classical music celebrate the coming of summer.
Twenty of the best-known are featured on a blog at the famous classical radio station WQXR FM in New York City. Here is a link:
https://www.wqxr.org/story/20-summertime-classical-pieces-maximum-chill/
The blog posting features many terrific sound samples, including such well-known works as “Summer” section from “The Four Seasons” violin concertos by Antonio Vivaldi.
Still, some of the titles – including the famous Overture to “A Mid-Summer Night’s Dream” by Felix Mendelssohn – are not accompanied by sound.
That includes one of The Ear’s favorites, “Knoxville, Summer 1915” by the American composer Samuel Barber with words by the journalist and documentarian James Agee.
Here it is, in a much-praised recording by soprano Dawn Upshaw, in the YouTube video at the bottom.
Here’s hoping summer is better in this part of the country than spring was, what with record cold in April and record rainfall in May that seems to be continuing with disastrous flooding in June.
Happy Summer, all.
Tags: #AntonioVivaldi, #AntonWebern, #BlogPost, #BlogPosting, #CentralDaylightTime, #DawnUpshaw, #EdvardGrieg, #FelixMendelssohn, #FrankBridge, #FrederickDelius, #GabrielFaure, #HectorBerlioz, #JamesAgee, #JosefSuk, #Knoxvile, #MarkO'Connor, #MidsummerNight'sDream, #MikhailGlinka, #NaturalDisaster, #NBCNews, #NedRorem, #NewYorkCity, #PeterTchaikovsky, #PeterTchaikowsky, #SamuelBarber, #SergeiProkofiev, #SummerSolstice, #TheWashingtonPost, #ViolinConcerto, #ViolinMusic, #WilliamGrantStill, #ZoltanKodaly, April, Arts, Bach, Baroque, Berlioz, blog, Cello, Chamber music, choral music, Classical music, cold, Compact Disc, composer, concerto, country, Delius, disaster, documentarian, documentary, Early music, flood, flooding, georgegershwin, Gershwin, Glinka, Grieg, information, Johann Sebastian Bach, Johannes Brahms, journalism, journalist, June, Kodaly, Madison, Mark O'Connor, May, Music, NBC, Ned Rorem, New York City, news, Overture, posting, Prokofiev, Radio, rainfall, solstice, soprano, station, Stonehenge, storms, Suk, Summer solstice, Summer1915, Tchaikovsky, United States, University of Wisconsin-Madison School of Music, University of Wisconsin–Madison, Viola, Violin, vocal music, Webern, wet, William Grant Still, WQXR-FM
Classical music: This Thursday morning, WORT will broadcast a live performance of Gideon Klein’s String Trio, composed in a concentration camp, by three up-and-coming musicians from the Dynamite Factory of the Bach Dancing and Dynamite Society
3 Comments
By Jacob Stockinger
The Ear has received the following note from blog fan and local live music documentarian Rich Samuels, who hosts his radio show “Anything Goes” on Thursday morning on WORT–FM 88.9. It concerns an unusual performance of Holocaust music by a kind of apprenticeship program that The Ear really likes as a way for to provide continuity between different generations of musicians:
“At 7:26 a.m. on this Thursday morning, June 15, on my WORT broadcast I’ll be playing a performance of Gideon Klein‘s 1944 String Trio by violinist Misha Vayman, violist Jeremy Kienbaum and cellist Trace Johnson (below, from left, in a photo by Samantha Crownover).
“They are the three members of the “Dynamite Factory,” the three emerging musicians who have joined the Bach Dancing and Dynamite Society for its 2017 season.
“I recorded this performance — thanks to co-artistic director Stephanie Jutt and executive director Samantha Crownover — last Thursday at an event at the Central Library of the Madison Public Library system.
Trace and Jeremy are Madison natives and alumni of the Wisconsin Youth Symphony Orchestras (WYSO); Misha comes to Madison from the Russian Republic by way of southern California.
“I think it’s a compelling performance of a remarkable piece. It was the last work Klein (below) composed before he was transported from the Theresienstadt concentration camp to Auschwitz where, in a coal mining sub-camp, he died in early 1945.”
Tags: Adolf Hitler, alumni, apprentice, Artistic director, Arts, Auschwitz, Auschwitz concentration camp, Bach, Bach Dancing and Dynamite Society, Baroque, blog, California, camp, Cello, Chamber music, Classical music, coal, coal mine, concentration camp, continuity, documentarian, documentary, dynamite, emerging, Executive director, Extermination camp, factory, fan, generation, Gideon Klein, Holocaust, Jacob Stockinger, Jeremy Kienbaum, Jews, library, live, Madison, mining, Misha Vayman, Music, native, performance, public library, republic, Rich Samuels, Russia, southern California, Stephanie Jutt, string, string trio, system, The Holocaust, Theresienstadt, Trace Johnson, trio, United States, University of Wisconsin-Madison School of Music, University of Wisconsin–Madison, Viola, Violin, Wisconsin, Wisconsin Youth Symphony Orchestras, World War II, WORT-FM 89.9, WYSO
Recent Comments
 | Bratsche on Is a lot of ‘woke’ music infer… |
 | Nicholas Ennos on Classical music: The Ear gener… |
 | bbead on Is a lot of ‘woke’ music infer… |
 | Elissa Strauss on Is a lot of ‘woke’ music infer… |
 | Becky on Is a lot of ‘woke’ music infer… |
The Well-Tempered Ear 