The Well-Tempered Ear
The Metropolitan Opera has canceled the rest of this season and announced the following season of Live in HD. How will the cancellation affect concert seasons here and elsewhere?
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By Jacob Stockinger
Unfortunately, it seems like The Ear’s prediction on Monday is coming true.
Given the coronavirus spikes and complications of vaccine production, testing, distribution and administration, The Ear said, it looks like live concerts are likely to be canceled for the rest of this season and perhaps even for the fall of 2021.
Here is that post:
Then yesterday the Metropolitan Opera (below) in New York City announced exactly that: It is going to cancel the whole season, and not just the fall productions, as originally planned. (You can hear general manager Peter Gelb discuss the plans for this season and the next season in the YouTube video at the bottom.)
Given that the Met is the largest performing arts organization in the United States, it promises to be a Big Domino with a lot of influence and side effects.
Here is the Met story, with more quotes, details and information, from The New York Times:
https://www.nytimes.com/2020/09/23/arts/music/metropolitan-opera-cancels-coronavirus.html
Perhaps to provide some reassurance and attenuate the negative news of the decision to cancel, the Met also announced its Live in HD season for the 2021-22 season, which is based on live productions.
Here it is on the website Opera Wire: https://operawire.com/met-opera-2021-22-season-here-is-all-the-information-for-this-seasons-live-in-hd-performances/
And if you want to know what the Met (below, from the stage) is planning to offer instead, here is a link to the Met’s own website: https://www.metopera.org.
What do you think will be the local effects of the Met decision to cancel the entire season?
Will other musical organizations follow suit, cancel the entire new season of in-person events and go safely online with virtual events?
The Ear wants to hear.
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Classical music: Here is the complete concert program for the Madison Opera’s Digital Opera in the Park. It premieres online TONIGHT at 8 and stays up until Aug. 25
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By Jacob Stockinger
The 2020 edition of the Madison Opera’s annual summer event Opera in the Park (below, a photo from the past) will be virtual and online due the coronavirus pandemic and the COVID-19 public health crisis.
The concert – which can be viewed indoors or outdoors, anywhere in the country or the world — begins at 8 p.m. CDT TONIGHT, Saturday, July 25. It will remain available online until Aug. 25.
Here are links to the portals where you can watch and listen to the opera program and also join the post-concert Q&A with performers: https://www.madisonopera.org and https://vimeo.com/437164679
For more information about the 90-minute concert, and related events, as well as the performers and the donors, go to: https://welltempered.wordpress.com/2020/07/23/classical-music-madison-operas-virtual-opera-in-the-park-goes-online-for-free-this-saturday-night-and-stay-up-until-aug-25-listen-to-it-indoors-or-outdoors-to-enhance-the-experience/
HERE IS THE COMPLETE PROGRAM FOR THE EVENING
Overture | The Marriage of Figaro (W.A. Mozart; 1786)
Suzanne Beia, violin; John DeMain (below) and Scott Gendel, piano
“Quel guardo, il cavaliere” | Don Pasquale (Gaetano Donizetti; 1843)
Jasmine Habersham, soprano (below); Rolando Salazar, piano
“Un’aura amorosa” | Così fan tutte (W.A. Mozart; 1789)
Andres Acosta, tenor (below); Marika Yasuda, piano
“Ernani, involami” | Ernani (Giuseppe Verdi; 1844)
Karen Slack, soprano (below); Laura Ward, piano
“Vision fugitive” | Hérodiade (Jules Massenet; 1881)
Weston Hurt, baritone (below); Bethany Self, piano
“Aber der Richtige” | Arabella (Richard Strauss; 1933)
Jasmine Habersham, soprano; Karen Slack, soprano; Scott Gendel, piano (below)
“Au fond du temple saint” | The Pearl Fishers (Georges Bizet; 1863)
Andres Acosta, tenor; Weston Hurt, baritone; Scott Gendel, piano
“Deh vieni, non tardar” | The Marriage of Figaro (W.A. Mozart; 1786)
Jasmine Habersham, soprano; Rolando Salazar, piano
“Il balen del suo sorriso” | Il Trovatore (Giuseppe Verdi; 1853)
Weston Hurt, baritone; Bethany Self, piano
“Anvil Chorus” | Il Trovatore (Giuseppe Verdi; 1853)
Madison Opera Chorus via Zoom (below); Anthony Cao, conductor and piano
“Vissi d’arte” | Tosca (Giacomo Puccini; 1900)
Karen Slack, soprano; Laura Ward, piano
“Asile héréditaire” | William Tell (Gioachino Rossini; 1829)
Andres Acosta, tenor; Marika Yasuda, piano
“Meditation” | Thaïs (Jules Massenet; 1894)
Suzanne Beia, violin (below); John DeMain, piano
Spiritual “Scandalize My Name” | arranged by Johnnie Dean
Jasmine Habersham, soprano; Karen Slack, soprano; Scott Gendel, piano
“No puede ser” | La Tabernera del Puerto (Pablo Sorozabal; 1936)
Andres Acosta, tenor; Marika Yasuda, piano
“Vanilla Ice Cream” | She Loves Me (Jerry Bock; 1963)
Jasmine Habersham, soprano; Rolando Salazar, piano
“Some Enchanted Evening” | South Pacific (Richard Rodgers; 1949)
Weston Hurt, baritone; Bethany Self, piano
“He’s Got the Whole World in His Hands” | arranged by Margaret Bonds
Karen Slack, soprano; Laura Ward, piano
SING-ALONG FINALE: It’s a Grand Night for Singing | State Fair (Richard Rodgers; 1945)
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Classical music: Four Madison Opera singers will collaborate with the Wisconsin Youth Symphony Orchestras (WYSO) to perform Winterfest Concerts this Friday night and Saturday afternoon
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By Jacob Stockinger
Each year, over a weekend, the Wisconsin Youth Symphony Orchestras (WYSO) perform the Diane Ballweg Winterfest Concerts.
But this year a new collaboration will take place.
On this Friday night, March 13, at 7 p.m. in the Mead Witter Foundation Concert Hall of the new Hamel Music Center, 740 University Avenue, the senior WYSO Youth Orchestra (below) will accompany four singers from the Madison Opera’s Studio Artist program in which they transition to a professional career by singing minor roles and being understudies for leading roles.
Tickets are $10 for adults, and $5 for youth under 19, and are available in advance through the Campus Ticket Office, and at the venue 30 minutes before the concert.
WYSO says the Friday night concert is close to selling out.
Here are some details: “Now in its eighth year, the Studio Artist Program is an important part of Madison Opera’s artistic and educational mission. The 2019-20 Studio Artists are four singers (below) in the transition between their education and their professional careers.
They are (from left, clockwise): baritone Stephen Hobe; mezzo-soprano Kirsten Larson; tenor Benjamin Hopkins; and soprano Emily Secor. They will sing duets, trios and quartets. There will also be an orchestral overture and a prelude.
WYSO music director Kyle Knox, who is also the associate music director of the Madison Symphony Orchestra, will conduct both singers and instrumentalists. (You can hear WYSO members talking about playing and performing in the YouTube video at the bottom.)
Says Knox (below): “Young instrumentalists rarely get to accompany soloists and singers. Playing opera in particular is something that tends to come much later in their careers, and for many of them, never at all.”
The program includes excerpts from favorite operas, including: arias by “Nabucco” and “Rigoletto” by Verdi; “La Clemenza di Tito” by Mozart; “The Barber of Seville” and “William Tell” by Rossini; “Lohengrin” by Wagner; “The Elixir of Love” by Donizetti; “Carmen” by Bizet; and “La Boheme” by Puccini. For a complete program with specific titles plus ticket information, go to:
https://www.wysomusic.org/diane-ballweg-winterfest-concerts/
For more detailed information about the Madison Opera Studio Atrists program and its WYSO collaboration, go to:
https://www.wysomusic.org/in-collaboration-with-madison-operas-studio-artists/
SATURDAY
On this Saturday, March 14, in Mills Hall in the Mosse Humanities Building, 455 North Park Street, the following groups will perform. No programs have been posted.
11:30 a.m. — Opus One and Sinfonietta (below)
1:30 p.m. — Harp Ensemble (below) and Concert Orchestra
4:00 p.m. — Percussion Ensemble (below) and Philharmonia Orchestra
The WYSO Winterfest Concert series is funded by: Diane Ballweg, with additional funding from the Wisconsin Arts Board; Dane Arts; Madison Arts Commission; American Girl’s Fund for Children; Eric D. Batterman Memorial Fund; and the Coe and Paul Williams Fund for New Musicians.
The performance in the Mead Witter Foundation Concert Hall was made possible by an additional gift from Martha and Charles Casey. The appearance of the Studio Artists in this program has been underwritten by the Charles and Mary Anderson Charitable Fund, Charles and Martha Casey, and David Flanders and Susan Ecroyd.
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Classical music: Madison Opera’s annual FREE Opera in the Park returns this Saturday night, July 20, in Garner Park and celebrates 18 years plus a glimpse of the upcoming season
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By Jacob Stockinger
The Ear has received the following announcement to post about one of the most highly anticipated musical events of summer, one that offers lots of family-friendly fun and serious musical enjoyment:
Madison Opera’s Opera in the Park (below, in a photo by James Gill) celebrates its 18th year on this coming Saturday night, July 20, at 8 p.m. in Garner Park, on Madison’s far west side at the intersection of Rosa Road and Mineral Point Road.
The annual free concert of opera and Broadway favorites closes the company’s 2018-19 season and provides a preview of the 2019-20 season. (You can hear a sample of past years in the YouTube video at the bottom.)
A Madison summer tradition that often attracts over 14,000 people, Opera in the Park is an enchanting evening of music under the stars, featuring selections from opera and Broadway.
Opera in the Park 2019 features soprano Jeni Houser, soprano Michelle Johnson, tenor David Blalock and baritone Ben Edquist.
Jeni Houser (below) has sung many roles with Madison Opera, most recently in Sondheim’s A Little Night Music, and she returns next season as Eurydice in Offenbach’s Orpheus in the Underworld.
Michelle Johnson (below) scored a major success with Madison Opera as Santuzza in Mascagni’s Cavalleria Rusticana last season.
David Blalock (below) debuted with Madison Opera in 2014 and returns this season as Orpheus in Orpheus in the Underworld.
Ben Edquist (below) is making his debut, and will return to the company as Hawkins Fuller in Gregory Spears’ Fellow Travelers, about the Lavender Scare against LGBTQ people, in February.
The four soloists are joined by the Madison Opera Chorus and Madison Symphony Orchestra, conducted by John DeMain (below, in a photo by Greg Anderson).
The evening is hosted by Madison Opera’s General Director Kathryn Smith and WKOW TV’s 27 News co-anchor George Smith (below, in a photo by Simon Fowler).
“Opera in the Park is the greatest performance in Madison Opera’s season,” says Smith (below, in a photo by James Gill). “It offers a truly magical blend of beautiful voices, music from many centuries, and thousands of members of our community relaxing together under the same night sky. I am grateful to all of our supporters who share our belief in the community-building power of music and help us produce this concert every summer.”
Opera in the Park 2019 features arias and ensembles from Verdi’s La Traviata, which opens the 2019-20 season in November; Spears’ Fellow Travelers, which will be performed in February; and Offenbach’s Orpheus in the Underworld, which will be performed in April.
The program also includes selections from Verdi’s Rigoletto and La Forza del Destino (The Force of Destiny); Donizetti’s The Elixir of Love and Don Pasquale; Korngold’s Die Tote Stadt (The Dead City); Romberg’s The Student Prince; Funny Girl; Rodgers and Hammerstein’s Carousel; and more. As always, this spectacular evening will include one number conducted by the audience with light sticks (below).
Garner Park is located at 333 South Rosa Road. Parking is available in the CUNA Mutual Group and University Research Park lots. Attendees are encouraged to bring picnics, blankets and chairs. Alcohol is permitted but not sold in the park.
On the day of the concert, Garner Park will open at 7 a.m. Audience members may not leave items in the park prior to this time. Lots of porta potties will be provided. Transportation via golf carts is available for those who have limited mobility.
The rain date for Opera in the Park is Sunday, July 21, at 8 p.m.
For more details about attending Opera in the Park and for more extensive biographies of the singers, go to: https://www.madisonopera.org/2018-2019-season/oitp/
While Opera in the Park is free to attend, it would not be possible without the generous support of many foundations, corporations, and individuals who believe in the importance of music in the community.
Madison Opera is grateful to the sponsors of Opera in the Park 2019.The Presenting Sponsor is the BerbeeWalsh Foundation. Other sponsors are the John and Carolyn Peterson Charitable Foundation; Full Compass Systems; the Raymond B. Preston Family Foundation; University Research Park; Colony Brands; the Evjue Foundation; Johnson Financial Group; MGE Foundation; National Guardian Life; the Wisconsin Arts Board; Dane Arts; and the Madison Arts Commission.
WKOW, Madison Magazine, Wisconsin Public Radio, Magic 98, and La Movida are media sponsors for this community event.
RELATED EVENTS
The Prelude Dinner at Opera in the Park 2019 is at 6 p.m. This annual fundraiser to benefit Opera in the Park helps support Madison Opera’s free gift to the community.
The event includes dinner catered by Upstairs Downstairs, VIP seating at the concert, and a reception with the artists following the performance. Tickets are $150 per person or $1,150 for a table of eight.
More information about Opera in the Park and about the 2019-20 season, including subscriptions, is available at Madison’s Opera’s home website www.madisonopera.org
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Classical music: Saturday afternoon, Live From the Met in HD closes this season with an acclaimed production of “Dialogues of the Carmelites.” Here is a background story, two rave reviews, and next season’s 10 operas
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ALERT:The Brass Choirs of the Wisconsin Youth Symphony Orchestras will present an afternoon of brass music this Saturday afternoon, May 11, at 2:30 p.m. in Mills Concert Hall, 455 North Park Street, in Madison. Directed by Tom Curry, the program features brass musicians from WYSO’s Concert, Philharmonia and Youth Orchestras. The concert is FREE and OPEN TO THE PUBLC. Music to be played is by Johann Sebastian Bach, George Frideric Handel, Giovanni Gabrieli, Charles Gounod, Edward Elgar, Paul Hindemith, Alan Hovahaness and Karel Husa.
CORRECTION: The Madison Youth Choirs will perform its “Legacy” concerts this weekend in the Capitol Theater of the Overture Center on Saturday and Sunday — NOT Friday, as mistakenly listed and then corrected in the original post, which is below: https://welltempered.wordpress.com/2019/05/08/classical-music-the-madison-youth-choirs-will-explore-the-theme-of-legacy-in-three-concerts-this-saturday-and-sunday-in-the-capitol-theater-of-the-overture-center/
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By Jacob Stockinger
This Saturday afternoon, May 11, the last production of this season’s “Live From the Met in HD” series, broadcast worldwide via satellite to cinemas, is Francis Poulenc’s “Dialogues of the Carmelites.”
By all accounts, it would be hard to end on a higher, stronger or more darkly dramatic note, given the outstanding music and performance of the score as well as the superb acting. (There is a brief preview of short scenes in the YouTube video at the bottom.)
The world premiere of the opera took place in 1957 at La Scala in Milan, Italy. One of the most successful operas of the later decades of the 20th century, “Dialogues of the Carmelites” is a rare case of a modern work that is equally esteemed by audiences and experts, according to program notes from the Metropolitan Opera.
The opera focuses on a young member of the order of Carmelite nuns, the aristocratic Blanche de la Force, who must overcome a pathological timidity in order to answer her life’s calling. The score reflects key aspects of its composer’s personality: Francis Poulenc (below) was an urbane Parisian with a profound mystical dimension, and the opera addresses both the characters’ internal lives and their external realities.
The opera takes place between 1789 and 1794 in Paris and in the town of Compiègne in northeastern France, the site of the Carmelite nuns’ convent.
Its historical basis is the martyrdom of a group of 16 Carmelite nuns and lay sisters from Compiègne, who chose to offer themselves as victims for the restoration of peace to France during the French Revolution.
The Met uses the classic John Dexter production of Poulenc’s devastating story of faith and martyrdom.
Mezzo-soprano Isabel Leonard (below right) sings the touching role of Blanche and soprano Karita Mattila (below left), a legend in her own time, returns to the Met as the Prioress.
The conductor for the performance is the Met’s highly acclaimed new music director Yannick Nézet-Séguin, who also leads the Philadelphia Orchestra and the Metropolitan Orchestra of Montreal.
The high-definition broadcast of the live performance from the Metropolitan Opera (below) in New York City starts at noon and runs until 3:10 p.m. with two intermissions. (It will also air at noon on Wisconsin Public Radio.)
The encore HD showings are next Wednesday, May 15, at 1 p.m. and 6:30 p.m.
The opera will be sung in French with supertitles in English, German and Spanish.
Tickets for Saturday broadcasts are $24 for adults and $22 for seniors and children under 13. For encore showings, all tickets are $18.
The cinemas where the opera can be seen are two Marcus Cinemas: the Point Cinema on the far west side of Madison (608 833-3980) and the Palace Cinema (608 242-2100) in Sun Prairie.
Here is a link to the Marcus website for addresses and more information. You can also use them to purchase tickets:
https://www.movietickets.com/movies
Here is a link to the Metropolitan Opera’s website where you can find the titles, dates, casts, production information and video clips of all 10 productions this past season — PLUS an announcement, with dates and titles, for next season’s 10 productions (which feature five new productions but no Verdi):
https://www.metopera.org/season/in-cinemas/
Here is a background story that focuses on the French-Canadian conductor Yannick Nézet-Séguin, who leads the orchestra in this production and is the new music director of the Metropolitan Opera:
https://www.nytimes.com/2019/05/02/arts/music/met-opera-dialogues-des-carmelites.html
Here is a rave review of “Dialogues of the Carmelites” by senior classical music critic Anthony Tommasini for The New York Times:
https://www.nytimes.com/2019/05/05/arts/music/dialogues-des-carmelites-met-opera-review.html
And here is another rave review from New York Classical Review:
http://newyorkclassicalreview.com/2019/05/met-closes-season-with-a-riveting-devastating-carmelites/
Here are links to a synopsis and program notes:
https://www.metopera.org/discover/synopses/dialogues-des-carmelites/
https://www.metopera.org/season/2018-19-season/dialogues-des-carmelites/
And here is a Wikipedia history of the hi-def broadcast series that gives you more information about how many cinemas it uses, the enormous size of the worldwide audience – now including Russia, China and Israel — and how much money it makes for The Met.
https://en.wikipedia.org/wiki/Metropolitan_Opera_Live_in_HD
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Classical music: This Saturday the critically acclaimed new production of Francesco Cilea’s “Adriana Lecouvreur” is featured in cinemas in “Live from The Met in HD” satellite broadcasts and on Wisconsin Public Radio. Read a rave review
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By Jacob Stockinger
This Saturday afternoon, Jan. 12, brings the fifth production of this season’s “Live From the Met in HD” series: Francesco Cilea’s “Adriana Lecouvreur.”
This 1902 opera – the only well-known one by this Italian composer (1866-1950) — seeks to capture the Baroque era’s richness of Paris and the French court in 1730. It is based on a real-life French actress who captured the public with her on-stage and off-stage passion.
The Metropolitan Opera’s new production, directed by Sir David McVicar, features superstar soprano Anna Netrebko as Adriana while the acclaimed tenor Piotr Beczala plays Maurizio, who is as smitten with Adriana as she is with him. (You can hear their duet from Act I in the YouTube video at the bottom.)
The conductor is the acclaimed and much in-demand Gianandrea Noseda (below), the music director of the National Symphony Orchestra at the Kennedy Center in Washington, D.C., and a frequent conductor at the Met.
Mezzo-soprano Anita Rachvelishvili (below) has also received critical acclaim for her powerful singing in the production.
The hi-definition broadcast of the live performance from the Metropolitan Opera (below) in New York City starts at 11:55 a.m. and runs until 4:15 p.m. with two intermissions. (It will also air at noon on Wisconsin Public Radio.)
The encore HD showings are next Wednesday, Jan. 16, at 1 p.m. and 6:30 p.m.
The opera will be sung in Italian with supertitles in English, German, Spanish and Italian.
Tickets for Saturday broadcasts are $24 for adults and $22 for seniors and children under 13. For encore showings, all tickets are $18.
The cinemas where the opera can be seen are two Marcus Cinemas: the Point Cinema on the west side of Madison (608 833-3980) and the Palace Cinema (608 242-2100) in Sun Prairie.
Here is a link to the Marcus website for addresses and more information. You can also use them to purchase tickets:
https://www.movietickets.com/movies
Here is a link to the Metropolitan Opera’s website where you can find the titles, dates, casts, production information and video clips of all 10 productions this season, which includes operas by Bizet, Wagner, Donizetti, Saint-Saens, Puccini, Verdi and Poulenc plus a new work, “Marnie,” by Nico Muhly: https://www.metopera.org/season/in-cinemas/
Here is a rave review of “Adriana Lecouvreur” by senior classical music critic Anthony Tommasini for The New York Times: https://www.nytimes.com/2019/01/01/arts/music/review-adriana-lecouvreur-metropolitan-opera.html
Here is a link to a synopsis and cast list: https://www.metopera.org/globalassets/season/in-cinemas/hd-cast-sheets/adriana_usglobal.pdf?performanceNumber=15136
Here is a link to other information about the production of “Adriana Lecouvreur,” including photos and audiovisual clips: https://www.metopera.org/season/2018-19-season/Adriana-Lecouvreur/
And here is a Wikipedia history of the broadcast series that gives you more information about how many cinemas it uses, the enormous size of the worldwide audience – now including Russia, China and Israel — and how much money it makes for The Met.
https://en.wikipedia.org/wiki/Metropolitan_Opera_Live_in_HD
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Classical music: This Saturday the critically acclaimed new production of Verdi’s “La Traviata” is featured in “Live from The Met in HD.” Read two reviews
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CORRECTION: Earlier versions of yesterday’s post about The Madison Choral Project incorrectly stated that the Milwaukee performance is Wednesday night. The Ear apologizes for the error. The correct time is TUESDAY night, Dec. 18. For more information about time, tickets and the program, here is a link to the story: https://welltempered.wordpress.com/2018/12/13/classical-music-the-madison-choral-project-will-sing-of-young-peoples-hope-for-the-future-at-its-concerts-this-saturday-night-and-sunday-afternoon/
By Jacob Stockinger
This Saturday, Dec. 15, the fourth production of this season’s “Live From the Met” in HD series is Giuseppe Verdi’s famous and popular “La Traviata” (The Fallen Woman).
The Metropolitan Opera production, sumptuously directed by Michael Mayer, stars soprano Diana Damrau (below left in a photo by Marty Sohl for The Met) as Violetta while the acclaimed Peruvian tenor Juan Diego Florez (below right) returns to the Met stage for the first time in five years to play her lover Alfredo.
It is also noteworthy because the new music director, French-Canadian Yannick Nézet-Séguin (below, in a photo by Jan Regan), will be making his “Live in HD” debut and opening a new era after his hiring to succeed James Levine. Though relatively young, he has drawn raves for his sensitive conducting and insightful interpretations of this and other operas and orchestral works.
Reportedly, he is also very popular with the singers, the orchestra players and other staff at The Met as well as with audiences.
The hi-definition broadcast of the live performance from the Metropolitan Opera (below) in New York City starts at 11:55 a.m. and runs until 3:45 p.m. with two intermissions. (It will also air on Wisconsin Public Radio at noon.)
The encore showings are next Wednesday, Dec. 19, at 1 p.m. and 6:30 p.m.
The opera will be sung in Italian with supertitles in English, German, Spanish and Italian.
Tickets for Saturday broadcasts are $24 for adults and $22 for seniors and children under 13. For encore showings, all tickets are $18.
The movie theaters where the opera can be seen are two Marcus Cinemas: the Point Cinema on the west side of Madison (608 833-3980) and the Palace Cinema (608 242-2100) in Sun Prairie.
Here is a link to the Marcus website for addresses and more information. You can also use them to purchase tickets:
https://www.movietickets.com/movies
Here is a link to the Metropolitan Opera’s home website where you can find the titles, dates, casts, production information and video clips of all 10 productions this season, which include operas by Bizet, Wagner, Donizetti, Saint-Saens, Puccini, Cilea and Poulenc plus a new work, “Marnie,” by Nico Muhly:
https://www.metopera.org/season/in-cinemas/
Here is a rave review of “La Traviata” by senior classical music critic Anthony Tommasini for The New York Times:
And here is another positive review from Vulture magazine in New York City. Below are the impressive set and big cast in a photo by Sara Krulwich for The New York Times:
https://www.vulture.com/2018/12/la-traviata-the-met-opera-review.html
Here is a link to a synopsis and cast list: https://www.metopera.org/globalassets/season/in-cinemas/hd-cast-sheets/traviata_us-global-pr.pdf?performanceNumber=15367
Here is a link to other information about the production of “La Traviata,” including photos and audiovisual clips (in the YouTube video preview at the bottom you can also hear the director, conductor and others speak and sing):
https://www.metopera.org/season/2018-19-season/la-traviata/
And here is a Wikipedia history of the broadcast series that gives you more information about how many cinemas it uses, the enormous size of the worldwide audience – now including Russia, China and Israel — and how much money it makes for The Met.
https://en.wikipedia.org/wiki/Metropolitan_Opera_Live_in_HD
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Classical music: This Saturday the acclaimed German tenor Jonas Kaufmann returns to the Metropolitan Opera in Puccini’s “Girl of the Golden West. It’s the second “Live from The Met in HD” production this season
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By Jacob Stockinger
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This Saturday, Oct. 27, the second production of this season’s “Live From the Met” in HD series will be broadcast worldwide: It is Puccini’s “La Fanciulla del West” (Girl of the Golden West), his last work that, for some reason, has never achieved the popularity of “La Boheme,” “Tosca,” “Madama Butterfly” and “Turandot.”
The production features acclaimed superstar German tenor Jonas Kaufmann (below top), who is returning to the Met stage after four years. Soprano Eva-Maria Westbroek (below bottom) plays the gun-slinging title role.
The hi-definition broadcast of a live performance from the Metropolitan Opera (below) in New York City starts at 11:55 a.m. and runs until 4 p.m. with two intermissions.
The encore showings are next Wednesday, Oct. 31, at 1 p.m. and 6:30 p.m.
The opera will be sung in Italian with supertitles in English, German, Spanish and Italian. (You can see the trailer preview in the YouTube video at the bottom.)
Tickets are for Saturday broadcasts are $24 for adults and $22 for seniors and children under 13. For encore showings, all tickets are $18.
The cinemas where the opera can be screened are two Marcus Cinemas: the Point Cinema on the west side of Madison (608 833-3980) and the Palace Cinema (608 242-2100) in Sun Prairie.
Here is a link to the Marcus website for addresses and more information. You can also use them to purchase tickets:
http://www.marcustheatres.com/movies/met-aida-live
Here is a link to the Metropolitan Opera’s web site where you can find the titles, dates, casts, production information and video clips of all 10 productions this season, which includes operas by Bizet, Wagner, Donizetti, Saint-Saens, Puccini, Cilea and Poulenc plus a new work, “Marnie,” by Nico Muhly:
https://www.metopera.org/season/in-cinemas/
Here is a review from The New York Times, which right now has a technical glitch that makes loading it difficult (the Times said the problem should be fixed soon):
https://www.nytimes.com/2018/10/18/arts/music/review-jonas-kaufmann-met-opera-puccini-fanciulla.html
And here is a more positive review from Opera Wire:
http://operawire.com/metropolitan-opera-2018-19-review-la-fanciulla-del-west-jonas-kaufmann-edition/
Here is a link to a synopsis and cast list:
Here is a link to other information about the production of “Girl of the Golden West,” including photos and audiovisual clips:
https://www.metopera.org/season/2018-19-season/la-fanciulla-del-west/
And here is a Wikipedia history of the broadcast series that gives you more information about how many cinemas it uses, the size of the worldwide audience – now including Russia, China and Israel — and how much money it makes for The Met.
https://en.wikipedia.org/wiki/Metropolitan_Opera_Live_in_HD
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Classical music: The 13th season of “Live from The Met in HD” opens this Saturday with Verdi’s opera “Aida” starring Anna Netrekbko
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By Jacob Stockinger
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This Saturday, Oct. 6, the new 10-opera season of the series “Live From the Met in HD” starts with Giuseppe Verdi’s popular late masterpiece and epic opera “Aida.”
The hi-definition broadcast of a live performance from the Metropolitan Opera (below) in New York City – which is a revival production with the superstar Russian soprano Anna Netrebko — starts at 11:55 a.m. and runs until 4:13 p.m. The encore showings are on next Wednesday, Oct. 10, at 1 p.m. and 6:30 p.m.
The opera will be sung in Italian with supertitles in English, German, Spanish and Italian.
Tickets are for Saturday broadcasts are $24 for adults and $22 for seniors. For encore showings, all tickets are $18.
The cinemas where the opera can be seen are two Marcus Cinemas: the Point Cinema on the west side of Madison and the Palace Cinema in Sun Prairie.
Here is a link to the Marcus website for address and more information:
http://www.marcustheatres.com/movies/met-aida-live
Get out your datebooks!
Here is a link to the Metropolitan Opera’s web site where you can find the titles, dates, casts, production information and video clips of all 10 productions in the 2018-19 season, which include operas by Bizet, Wagner, Donizetti, Saint-Saens, Puccini, Cilea and Poulenc plus a new work, “Marnie,” by Nico Muhly. (You can also see and hear the season trailer in the YouTube video at the bottom.)
https://www.metopera.org/season/in-cinemas/
Here is a link to a very positive review of “Aida” — Anna Netrebko as Aida is on the left in the photo by Sara Krulwich for The New York Times — by senior music critic Anthony Tommasini that appeared in The New York Times:
https://www.nytimes.com/2018/09/27/arts/music/anna-netrebko-aida-met-opera-review.html
Here is a link to a synopsis and cast list, which can be printed out:
Here is a link to other information about the production of “Aida,” including photos and audiovisual clips:
https://www.metopera.org/season/2018-19-season/aida/
And here is a Wikipedia history of the successful broadcast series that gives you more information about how many cinemas it uses, the size of the worldwide audience – now including Russia, China and Israel — and how much money it makes for The Met.
https://en.wikipedia.org/wiki/Metropolitan_Opera_Live_in_HD
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Classical music: Live radio broadcasts from the Metropolitan Opera start their 87th season with the Verdi Requiem at NOON this Saturday on Wisconsin Public Radio.
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By Jacob Stockinger
What is the longest-running classical music broadcast on American radio?
If you said the live Saturday matinee broadcasts from the Metropolitan Opera (below) in New York City, you got it right.
So, does that qualify the Met, and opera in general, as pop culture?
Does it do anything to reassure those who worry about the future of opera and classical music?
Anyway, the 87th broadcast season starts again on Wisconsin Public Radio this Saturday morning and runs through May 5.
Of course, not there are also the popular and more cinematic broadcasts of “Live From the Met in HD.” But many listeners still prefer the radio — which is FREE — to help them focus on the music, not the visual and theatrical aspects, and to use their imagination more.
On Saturday at the usual time of NOON — not 11:05 a.m. as was mistakenly first published here — the Met features a performance of the dramatic Requiem by opera great Giuseppe Verdi (below). (You can hear the operatic Dies Irae, or Day of Wrath, section in the YouTube video at the bottom.)
The Requiem will be conducted by James Levine (below), the now retired longtime artistic director of the Met.
The 90-minute performance will dedicated to the famed Russian baritone Dmitri Hvorostovsky (below bottom), who died two weeks ago from a brain tumor at age 55. For more information about the late singer, go to:
For as complete schedule of the works to be performed, which include well-known standards by Mozart, Rossini, Donizetti, Bellini, Verdi, Puccini, Wagner and Richard Strauss as well as a contemporary work by Thomas Adès, go to the WPR website:
https://www.wpr.org/metropolitan-opera-begins-its-87th-broadcast-season
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