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By Jacob Stockinger
The Ear has received the following announcement to post:
The LunART Festival is back for its third season, continuing its mission to support, inspire, promote and celebrate women in the arts, with a special presentation, “Human Family,” available via two FREE video livestreams on LunART’s website and Facebook page on Saturday, Oct. 10, and Saturday, Oct. 17, at 7 p.m. CDT.
The events will be co-hosted by LunART founder and flutist Iva Ugrcic (below top), and by vocalist and art administrator Deja Mason (below bottom).
In response to the most recent and ongoing racial inequality and in solidarity with the Black Lives Matter movement, LunART will present the “Human Family” virtual festival featuring art created by Black women.
These FREE streamed events will feature a palette of emerging and established artists drawn from Madison’s rich arts scene, while also celebrating those who have paved the way for generations to come.
Radical inclusivity has been part of LunART’s mission from its conception. While women have historically been underrepresented in the arts, we cannot deny that there are segments of women that have been doubly marginalized, including women of color, women in the LGBTQIA+ community, older women and women with disabilities.
Part of creating a more just, inclusive world means recognizing that even within the space of underrepresentation, there remain disparities.
Works from the past include Florence Price’s “Five Folksongs of Counterpoint” for string quartet (heard in the YouTube video at the bottom), which is deeply rooted in the African-American spiritual tradition; Margaret Bonds’ Spiritual Suite for solo piano, written in a neo-Romantic classical style infused by jazz harmonies and rhythms; Afro-American Suite for flute, cello and piano by Undine Smith Moore, based on authentic spiritual songs used to express and record everyday life of slaves in America.
Florence Price (below), Margaret Bonds and Undine Smith Moore all fought against both racial and gender discrimination throughout their lives. To be a woman composing classical music in the mid-20th century was unusual; to be a Black woman composer was even more so. And yet, these women forged ahead, making history and paving the way for the women who would follow them.
Along with these pioneers of the past, LunART will also celebrate contemporary Black women who are making a big impact in the world of arts, culture, advocacy and activism, following the footsteps of their predecessors.
“Voodoo Dolls” for string quartet by Jessie Montgomery (below in a photo by Jiyang Chen) is influenced by West African drumming patterns that are interwoven with lyrical motifs in the improvisatory style.
“Fanmi Imen,” a work for flute and piano by Valerie Coleman (below) — LunART’s 2019 Composer-in-Residence) — is based on a powerful poem by Maya Angelou, “Human Family.” Angelou calls for peace and unity, while acknowledging differences due to ethnic and cultural background in her famous refrain: “we are more alike, my friends, than we are unalike.”
The chamber music will be performed by Madison’s finest musicians: Isabella Lippi, Karl Lavine, Peter Miliczky, Magdalena Sas, Marie Pauls, Satoko Hayami, Yana Avedyan and Iva Ugrcic.
Celebrating women’s creativity across many art forms has been a core component of LunART’s artistic mission from its inception, and this year is no exception. While music will create a sound painting, “Human Family” will also feature women who use words and movement to tell their story.
Enter a world of phenomenal talent with emerging singer-songwriters Danielle Crim and Akornefa Akyea performing their most recent original songs; magically moving poems and spoken-word pieces by Jamie Dawson and Shasparay Lighteard; and join dancer and choreographer Kimi Evelyn in self-exploration of what happens when the body and the soul are left in complete solitude through her powerful piece “Body, Sweet Home.”
To commemorate the Festival events, LunART has commissioned digital artwork (below) by local artist and activist Amira Caire, which is inspired by the “Human Family” concept. This stunning piece of art will be available for purchase in printed form on LunART’s website.
We are calling our community to eat local, drink local and support local. By supporting LunART, you are also supporting local nonprofits and small businesses.
Events are free and available for anyone to watch online, and donations are welcomed. For more details about the artists, events, programs and links, and donation methods, please visit https://www.lunartfestival.org
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By Jacob Stockinger
The Wisconsin Youth Symphony Orchestras will perform its 18th annual FREE summer Concert in the Park (below) on this coming Wednesday, Aug. 7, at 1200 John Q. Hammons Drive in the Old Sauk Trails Business Park. (The rain date is this Thursday.)
Hosted by The Gialamas Company, the Concert in the Park is designed to be fun for all ages and is FREE to the public. The Ear can attest to the excellent quality of the musical performances.
Led by WYSO’s music director and Youth Orchestra conductor Kyle Knox (below), who is a graduate of the UW-Madison and the associate conductor of the Madison Symphony Orchestra, WYSO’s Youth Orchestra will perform works by Antonin Dvorak, Peter Ilyich Tchaikovsky, Modest Mussorgsky, Felix Mendelssohn, Camille Saint-Saens, John Philip Sousa and Dmitri Shostakovich.
The program includes concerto performances by two WYSO student soloists: violinist Ellen Zhou; and cellist Grace Kim.
The grounds will open at 5 p.m. for setting up lawn chairs and blankets for picnics and socializing, and for engaging in pre-concert activities, including an ice cream social (below top) and a WYSO instrument petting zoo. Also scheduled are a visit by The Big Red Reading Bus (below bottom) from the Madison Reading Project and activities by the Madison Children’s Museum.
The concert begins at 7 p.m., followed by a fireworks display.
Cello Concerto No. 1 in A minor, Op. 33, by Camille Saint-Saens
III. Tempo primo
Grace Kim, cello (below)
Symphony No. 4 in F minor, Op. 36, by Peter Ilyich Tchaikovsky
Finale: Allegro con fuoco
Intermission
“Tahiti Trot” (Tea for Two) by Dmitri Shostakovich (orchestrated by Dave Brubeck and heard in the YouTube video at the bottom)
“Stars and Stripes Forever” March by John Philip Sousa (orchestrated by Leopold Stokowski)
“Pictures at an Exhibition” by Modest Mussorgsky (orchestrated by Maurice Ravel)
1st Promenade
Gnomus
2nd Promenade
4th Promenade
Ballet of Unhatched Chicks
The Hut on Hen’s Legs (Baba Yaga)
The Great Gate of Kiev
For more information, food and beverage menus, and information about how to reserve tables, call (608) 836-8000 or visit www.Gialamas.com (click on Events) or email office@Gialamas.com
For more information about WYSO, including how to join it, support it, learn about its background and attend future events, go to https://www.wysomusic.org
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By Jacob Stockinger
The Ear has received the following announcement for a remarkable and must-hear summer series of chamber music concerts that from its very beginning seems to have found a successful formula that resonated with the public It relies on informality, affordable tickets, first-rate musicianship, short concerts, eclectic programs that mix classics with sure-fire new music, support for their local community.
Now in their fifth year, the Willy Street Chamber Players (WSCP, below) have become an established part of the Williamson Street neighborhood.
Recently awarded the silver medal in Madison Magazine’s prestigious “Best of Madison” reader poll in the category of “Best Classical Music Group,” WSCP has received numerous accolades for its accessible and exciting performances, intelligent and fun programming, and dedication to community partnerships.
The group has also been named “Musician of the Year”for 2016 by this blog.
The Summer Series concerts are on Friday evenings at 6 p.m. in the sanctuary of the beautiful Immanuel Lutheran Church (below) at 1021 Spaight St. The church is right on Lake Monona in the Williamson Street neighborhood. Enjoy 60-90 minutes of inspiring and unforgettable live music, then go explore the neighborhood with the remaining daylight hours.
Following the performance, enjoy a reception provided by one of our Willy Street restaurant partners. (Past contributors have been the Underground Butcher, Let It Ride Cold Brew Coffee, Madison Sourdough, the Willy Street Co-Op, Festival Foods, Roman Candle Pizza and more.)
While you enjoy your snacks, chat with the friendly musicians and ask them about the performance, the pieces and the group. We love interacting with our awesome audience.
COMMUNITY CONNECT – This is a FREE and family-friendly concert with all ages welcome for music, interactive learning, conversation and connections.
It takes place this Friday, July 5, at 6 p.m. at the Goodman Community Center (149 Waubesa Street on the east side), as is posted on the home website — NOT at the Wil-Mar Neighborhood Center, which is listed in the printed brochure but is undergoing construction.
The program – “Growing Sound: A Sonic Exploration” – features music by Wolfgang Amadeus Mozart, John Corigliano, Antonin Dvorak, Friedrich August Kummer and Alberto Ginastera.
SUMMER SERIES 1
Friday, July 12, at 6 p.m. – Mozart and Mendelssohn
Prize-winning UW-Madison graduate Danny Kim, viola (below)
PROGRAM:
Mendelssohn: String Quintet No. 1 in A major, Op. 18 (1826)
Simon Steen-Andersen: Study for String Instrument No. 1 (2007)
Mozart: String Quintet No. 2 in C minor, K. 406/516b (1787)
SUMMER SERIES 2
Friday, July 19, at 6 p.m. – Bassoon and Strings
UW-Madison Professor Marc Vallon, bassoon (below)
PROGRAM:
Beethoven: Allegretto for Piano Trio in B-flat major, WoO. 39 (1812)
Jennifer Higdon: “Dark Wood” (2001)
Franz Danzi: Bassoon Quartet in D minor, Op. 40, No. 2 (ca. 1820)
Alberto Ginastera: String Quartet No.1, Op. 20 (1948)
SUMMER SERIES 3
Friday, July 26, at 6 p.m. – Christopher Taylor, piano (below)
PROGRAM:
Ernest Bloch: Three Nocturnes (1924)
Jessie Montgomery: “Voodoo Dolls” (2008)
Dvorak: Piano Quintet No. 2 in A major, Op. 81 (1887) with UW-Madison pianist Christopher Taylor. (You can hear the first movement of Dvorak’s beautiful and melodic Piano Quintet in the YouTube video at the bottom.)
For more information, including background, biographies of the musicians, critics’ reviews, photos and how to support the Willy Street Chamber Players, go to:
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By Jacob Stockinger
This Wednesday, March 13, brings two noteworthy and FREE events: this month’s midday Just Bach concert; and, at night, the annual Final Forte teenage concerto competition of the Madison Symphony Orchestra.
Here are details about both events:
JUST BACH
This month’s FREE hour-long performance by Just Bach (below, in a photo by John W. Barker) will take place at Luther Memorial Church, 1021 University Avenue, starting at 1 p.m. Food and drink are permitted and free-will donations are accepted.
The program this Wednesday is: the Toccata and Fugue in D Minor “Dorian” for organ, BWV 538, by Johann Sebastian Bach; the cantata “Herr, Ich Warte auf dein Heil” (Lord, I Wait for Your Salvation) by Johann Michael Bach, a cousin of Johann Sebastian; and the famous cantata “Christ lag in Todesbanden” (Christ Lay in the Bonds of Death”), BWV 4, by Johann Sebastian Bach. (You can hear the opening Sinfonia and Chorus to the latter in the YouTube video at the bottom.)
Here is a list of upcoming performances and programs for the second semester:
Then on Wednesday night, starting at 6:45 p.m. in Overture Hall of the Overture Center, the four finalists in the annual Final Forte teenage concerto competition, held by the Madison Symphony Orchestra, will compete accompanied by the MSO and conductor John DeMain.
The public is invited to attend the FREE event, but tickets but must be reserved in advance.
The performances will also be broadcast live starting at 7 p.m. by both Wisconsin Public Television (WPT) and Wisconsin Public Radio (WPR).
The four finalists, from dozens of statewide applicants who took part in the two preliminary rounds, are (below, from left): violinist Monona Suzuki of Fitchburg playing Ravel; cellist Grace Kim of Waunakee playing Saint-Saens; flutist Holly Venkitaswaren of Lisbon playing Pierce; and pianist Antonio Wu of Madison playing Rachmaninoff.
For more information about the performers, what they will perform and how to obtain tickets, as well as background on the competition, including impressive radio and television ratings, go to:
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By Jacob Stockinger
This is another very busy week for classical music in the Madison area. If Baroque music interests you, there are two noteworthy concerts this week that should attract your attention.
JUST BACH
This Wednesday, Feb. 20. at 1 p.m. in Luther Memorial Church, 1021 University Avenue, the February midday concert by Just Bach (below, at its September concert) will take place.
Admission to the all-Johann Sebastian Bach concert is FREE with a goodwill offering accepted.
Because it will be lunchtime, food and drink are allowed.
This month’s concert includes three diverse works.
Organist Mark Brampton Smith (below) will open the program with the first movement of the Concerto in D Minor BWV 596. This is Bach’s arrangement for organ of the popular Concerto for Two Violins by Antonio Vivaldi, and it comes off with dramatic effect when transcribed to the organ.
Violinist Leanne League will take the stage next, with the Sonata for Violin in A Minor, BWV 1003.
The program ends with the hauntingly beautiful Cantata 82 “Ich habe genug”(I have enough), scored for solo bass voice and oboe, strings and continuo. The vocal soloist will be UW-Madison bass-baritone Paul Rowe (below). You can hear the incomparable Dietrich Fischer-Dieskau sing the aria in YouTube video at the bottom.)
The orchestra of baroque period-instrument specialists will be led by concertmaster Leanne League, and will include oboist Claire Workinger (below), in her Just Bach debut.
Organizers and performers say the goal of this series is to share the immense range of Bach’s vocal and instrumental repertoire with the Madison community at large. The period-instrument orchestra will bring the music to life in the manner and style that Bach would have conceived.
The audience will be invited to sing along during the opening hymns and the closing cantata chorales.
The other Just Bach dates, all Wednesdays, this semester are March 13, April 24 and May 29.
WISCONSIN BAROQUE ENSEMBLE
The veteran Wisconsin Baroque Ensemble will perform a varied concert of vocal and instrumental chamber music this coming Saturday night, Feb. 23, at 7:30 p.m. in St. Andrew’s Episcopal Church, 1833 Regent Street.
Tickets can be purchased only at the door. Admission is$20, $10 for students.
Performers are: Nathan Giglierano, baroque violin; Eric Miller; viola da gamba; Sigrun Paust, recorder; Charlie Rasmussen, baroque cello and viola da gamba; Consuelo Sañudo, mezzo-soprano; Daniel Sullivan, harpsichord; and Anton TenWolde, baroque cello.
The program is:
Nicolas Bernier – “Diane” Cantata for voice and basso continuo
Marin Marais – Pièces de violes (Pieces for Viola da Gamba), selections from Book 4
Louis Couperin – Pièces de clavecin (Pieces for harpsichord)
Joseph Bodin de Boismortier – Trio sonata, Op. 37, No. 2
INTERMISSION
Francesco Paolo Supriani – Sinfonia for cello and basso continuo
Georg Fridrich Handel – “Nel dolce dell’ oblio” (In Sweet Forgetfuness)
Tommaso Giordani – Duo for two cellos, opus 18 no 5
Georg Philipp Telemann – Quartet in G minor TWV 43 g4
Following the concert, there will be a reception at 2422 Kendall Ave., Apt. 2.
NEWS UPDATE: Tomorrow’s Just Bach concert as been canceled due to weather and the expected snowstorm. The Ear has been told that the program will be performed on another date. The next Just Bach concert is Feb. 20.
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By Jacob Stockinger
This month’s FREE hour-long “Just Bach” concert of music by Johann Sebastian Bach will take place this Wednesday, Jan. 23, at 1 p.m. in Luther Memorial Church, 1021 University Avenue.
Admission is FREE with good will offerings accepted. Food and drink are allowed during the concert. (Below is a photo by John W. Barker of an earlier Just Bach concert.)
The program, which puts the spotlight on the baroque flute (below), includes: the Trio Sonata in G Major, BWV 1038, for flute, violin and continuo; and the Orchestral Suite No. 2 BWV 1067, for flute, strings and harpsichord, which is really a mini flute concerto. (You can hear the popular Orchestral Suite No. 2 in the YouTube video at the bottom.)
The program ends with Cantata 173 “Erhoehtes Fleisch und Blut” (Exalted flesh and blood), which is scored for two flutes, strings and continuo, joined by a quartet of vocal soloists: soprano Sarah Brailey; mezzo-soprano Cheryl Bensman-Rowe; tenor Wesley Dunnagan; and bass-baritone Paul Rowe.
The orchestra of baroque period-instrument specialists, led by concertmaster Kangwon Kim, will include traverso flutists Linda Pereksta (below top) and Monica Steger (below bottom).
Just Bach concert dates – all Wednesdays at the same time and in the same church — for this semester are Jan. 23, Feb. 20, March 13, April 24 and May 29.
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By Jacob Stockinger
Need a break from holiday shopping or final exams this week? Today’s post brings announcements of two short and appealing midday concerts:
TODAY
Just Bach is a new monthly series of hour-long concerts in Madison celebrating the music of Johann Sebastian Bach.
The series continues with an end-of-semester performance at 1 p.m. TODAY, Wednesday, Dec. 12, at Luther Memorial Church, 1021 University Ave.
Admission is free with goodwill offerings accepted. Audience members are permitted to eat and drink during the performance.
Next semester’s dates are Jan. 23, Feb. 20, March 13, April 24 and May 29.
The orchestra of baroque period-instrument specialists will be led by concertmaster Kangwon Kim.
The goal of this series is to share the immense range of Bach’s vocal and instrumental repertoire with the Madison community at large. The period-instrument orchestra will bring the music to life in the manner and style that Bach (below) would have conceived.
The audience will be invited to sing along during the opening hymns and the closing cantata chorales.
Here is the complete program for today’s concert:
BWV 729: In dulci jubilo (Mark Brampton Smith, organ)
Chorale: Wie soll ich dich empfangen (How shall I embrace You?) from Part I of the Christmas Oratorio(All sing)
BWV 61: Nun komm, der Heiden Heiland (Now come, Savior of the Heathen)
Chorale: Ich will dich mit Fleiss bewahren (I will cherish you assiduously) from Part III of the Christmas Oratorio (All sing)
Aria from BWV 213: Schlafe, mein Liebster (Sleep, my beloved)
Chorale: Schaut hin, dort liegt im finstern Stall (Look there, there He lies in a dark stall) from Part II of the Christmas Oratorio (All sing)
Duet from BWV 110: Ehre sei Gott (Glory be to God)
SELECTIONS FROM PART IV OF BACH’S “CHRISTMAS ORATORIO”:
Recit and Chorale: Immanuel, o suesses Wort! (Emmanuel, oh sweet word!)
Aria: Floesst, mein Heiland, floesst dein Namen (My Saviour, Your name instills)
Recit and Chorale: Wohlan, dein Name soll allein (Well then, Your name alone)
Aria: Ich will nur dir zu Ehren leben (I will live only to honor You)
Chorale: Brich an, o schoenes Morgenlicht (Break forth, oh beautiful morning light) from Part II of the Christmas Oratorio (All sing). You can hear it in the YouTube video at the bottom, performed by the critically acclaimed Sir John Eliot Gardiner, the English Baroque Soloists and the Monteverdi Choir, sung to pictures of Bach’s own manuscript.
Singers are Sarah Brailey and Elisheva Pront, sopranos; Cheryl Bensman-Rowe, mezzo-soprano; Wesley Dunnagan, tenor; and UW-Madison Professor Paul Rowe, bass.
The orchestra includes: Kangwon Lee Kim (below) and Nathan Giglierano, violins; Marika Fischer Hoyt and Micah Behr, violas; James Waldo, cello; and Mark Brampton Smith, organ.
FRIDAY
This Friday, Dec. 14, from 12:15 to 1 p.m. the FREE Friday Noon Musicale at the First Unitarian Society of Madison, 900 University Bay Drive, will features violinist Wendy Adams and pianist Ann Aschbacher.
The duo will perform Wolfgang Amadeus Mozart’s Violin Sonata No. 35, K. 526 – which you can hear in the YouTube video at the bottom — and Maurice Ravel’s Violin Sonata No. 2
Here is some background:
The First Unitarian Society of Madison presents “Friday Noon Musicales,” a distinguished artist recital series now in its 31st season.
Talented area musicians play most every Friday, from October through May. Mostly classical music, but Broadway, jazz, folk and other styles are presented at times as well. Enjoy complimentary coffee, tea and live music.
Concerts are free and open to the public. No ticket is required. All performances 12:15–1 p.m. at the First Unitarian Society of Madison, 900 University Bay Drive.
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By Jacob Stockinger
The new Just Bach series of hour-long, midday concerts (below, in a photo by John W. Barker) has reason to celebrate this holiday season.
It has been a success and has just announced that it will continue through the second semester. Next semester’s dates – all Wednesdays–are Jan. 23, Feb. 20, March 13, April 24 and May 29.
As usual, they will run from 1 to about 2 p.m. in Luther Memorial Church, 1021 University Avenue. Admission is FREE with good-will donations accepted. And audiences are permitted to eat and drink during the concert.
Two more concerts are left in this semester.
November’s concert takes place TODAY. The next concert is Dec. 12.
The program includes opening with organist Mark Brampton Smith (below playing the Fantasia in G Major, BWV 572. (You can hear the piece, with a scrolling score, in the YouTube video at the bottom.)
Soprano Sarah Brailey (below top) will be featured in the famous Cantata 82a “Ich habe genug” (I Have Enough). Brailey will then be joined by UW-Madison bass-baritone Paul Rowe (below bottom, in a photo by Michael R. Anderson) in Cantata 173a, “Durchlauchster Leopold” (Most Serene Leopold), a secular work written in 1722 for the birthday of Bach’s employer, Prince Leopold von Anhalt-Koethen.
The orchestra of baroque period-instrument specialists will be led by concertmaster Kangwon Kim (below), and will include traverso flutists Linda Pereksta and Elizabeth Marshall, who play modern piccolo and flute, respectively, in the Madison Symphony Orchestra.
The goal of this series is to share the immense range of Bach’s vocal and instrumental repertoire with the Madison community at large. The period-instrument orchestra will bring the music to life in the manner and style that Bach (below) would have conceived.
Members of the artistic team will prepare local singers to perform alongside seasoned professionals and develop a familiarity and love of the repertoire.
The audience will be invited to sing along during the opening hymns and the closing cantata chorales.
Adds founder and director Marika Fischer Hoyt (below), who plays baroque viola with Just Bach, Sonata a Quattro and the Madison Bach Musicians plus modern viola with the Madison Symphony Orchestra: “We are deeply grateful to Pastor Brad Pohlman and the congregation of Luther Memorial Church for hosting the series this Fall. We invite the Madison community to come spend a lunch hour with the sublime music of J.S. Bach – feed your body and soul!”
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ALERT: This week’s FREE Friday Noon Musicale at the First Unitarian Society of Madison, 900 University Bay Drive, featurestwo local musicians: oboist Laura Medisky and pianist Vincent Fuh.
The program features solo works for oboe, oboe d’amore and piano by Johann Sebastian Bach, Grażyna Bacewicz, and Camille Saint-Saens. Food and drink are allowed. The concert runs from 12:15 to 1 p.m. Due to construction, Friday Musicale concerts are being held in the Atrium auditorium through December.
By Jacob Stockinger
Two choral concerts are the big events this week at the University of Wisconsin-Madison’s Mead Witter School of Music.
Here are the details:
FRIDAY
On this Friday night, Nov. 9, at 8 p.m. in Mills Hall, the UW Chorale, under director and conductor of Bruce Gladstone (below in a photo by Katrin Talbot), will present a FREE concert.
The program features “Lament of Gilboa” by Arthur Honegger (below top) and “Into the Silent Darkness” by Elizabeth Alexander (below bottom).
According to the School of Music’s website: “This concert explores opposites in a variety of ways (cold/hot, slow/fast, laughing/crying, life/death), inviting the listener to think about the gray areas in between.”
SUNDAY
On this Sunday afternoon, Nov. 11, at 2 p.m. in Mills Hall, there will be a FREE concert of combined choirs. Participating groups are Masters Singers, University Chorus and Women’s Chorus (below).
The program, to be performed under graduate student conductors Michael Johnson and Andrew Voth, features traditional folk music as well as works by Giovanni Battista Pergolesi, Johann Sebastian Bach, Franz Joseph Haydn, Johannes Brahms (see the YouTube video at the bottom), Ralph Vaughan Williams and Aaron Copland.
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By Jacob Stockinger
BOO!!
But this time it’s all treat and no trick!
This month’s FREE concert in the new midday series of Just Bach (below, in a photo by John W. Barker) falls on Wednesday – that is, on Halloween!
In keeping with the spooky holiday, this week’s Just Bach concert will feature one of the traditional pieces of classical music used on Halloween: the mighty and well-known Toccata and Fugue in D minor for organ. (You can see an abstract and fascinating animated graphic depiction of the work in the YouTube video at the bottom.)
The FREE concert runs from 1 to 2 p.m. at Luther Memorial Church (below) at 1021 University Avenue. The audience is permitted to eat lunch and drink refreshments during the midday concert.
Two other works are on the program.
One is the Suite No. 5 in C minor for solo cello, played by James Waldo (below). A discerning friend of The Ear heard Waldo play a different solo cello suite at a concert last month by the Madison Bach Musicians, and said it was probably the finest interpretation he had ever heard. And he has heard a lot of them.
The last work will be the Cantata No. 163 “Nur Jedem das Seine,” or “To Each His Own,” with singers and instrumentalists performing on period instruments with historically informed performance practices.