The Well-Tempered Ear
The Madison Early Music Festival will again be virtual this summer
Leave a Comment
PLEASE HELP THE EAR. IF YOU LIKE A CERTAIN BLOG POST, SPREAD THE WORD. FORWARD A LINK TO IT OR, SHARE IT or TAG IT (not just “Like” it) ON FACEBOOK. Performers can use the extra exposure to draw potential audience members to an event. And you might even attract new readers and subscribers to the blog.
By Jacob Stockinger
|
After much discussion, the 2021 Madison Early Music Festival (MEMF) has decided to create an online Festival again this summer.
Whenever possible, the University of Wisconsin–Madison recommends that events and meetings continue to be held virtually. This was a difficult decision, but at this time it doesn’t seem safe for our MEMF community to travel to the UW–Madison campus, stay in the dorm, meet in small classrooms, and teach, sing, dance and play instruments together.
We are currently planning what we will offer, and announcements will be publicized in February 2021. (In the YouTube at the bottom is a sample of the video that the Orlando Consort created for last summer’s virtual festival.) For the latest news regarding classes and campus operations at the UW–Madison, please visit the COVID-19 Response website. Although it has been a difficult nine months, performing artists are creating amazing projects and producing them for virtual audiences. This includes many of our MEMF artists and ensembles, and we are looking forward to sharing their talents with you in the future! |
Tags: #BlogPost, #BlogPosting, #ChamberMusic, #ChoralMusic, #ClassicalMusician, #CoronavirusPandemic, #COVID-19, #EconomicNews, #FacebookPost, #FacebookPosting, #HomeWebsite, #JacobStockinger, #LastSummer, #MadisonEarlyMusicFestival, #MeadWitterSchoolofMusic, #MEMFOnline, #OnlineConcert, #OnlineFestival, #OrlandoConsort, #PeformingArtists, #TheEar, #TheUW, #UniversityofWisconsin-Madison, #UWArtsInstitute, #VirtualConcert, #VirtualFestival, #VocalMusic, #YouTubevideo, 2021, after, announcements, Arts, audience, blog, Campus, Cello, Chamber music, choral music, Classical music, classicalmusic, classroom, classrooms, community, composer, Concert, continue, coronavirus, create, currently, dance, decision, difficult, discussion, dorm, dormitory, Early music, earlymusic, ensemble, ensembles, event, Facebook, Facebook post, Facebook posting, February, forward, future, home website, instruments, Jacob Stockinger, last summer, latest, like, link, Madison, Madison Early Music Festival, Mead Witter School of Music, meeting, MEMF, month, much, Music, news, online, operations, Orchestra, Orlando Consort, pandemic, performing artists, planning, play, post, posting, projects, publicized, recommend, safe, sample, share, sharing, sing, small, stay, summer, tag, talents, teach, The Ear, together, travel, United States, University of Wisconsin-Madison School of Music, University of Wisconsin–Madison, UW Arts Institute, UW-Madison, Viola, Violin, virtual, virtually, vocal music, Website, Wisconsin, YouTube
Classical music: How will Brexit affect classical music in Great Britain? Many musicians and audiences are preparing for the worst
4 Comments
By Jacob Stockinger
London has long been a international hub of culture, with a special reputation as the home base of many of the great musicians who perform regularly on the Continent.
But how will “Brexit” affect the future of classical music and classical musicians in Great Britain?
Some pretty prominent, active and knowledgeable musicians, including the pianist-conductors Vladimir Ashkenazy and Daniel Barenboim, think it will be for the worst.
One sign is that the European Youth Orchestra (below, in a photo by Peter Adamik, and in the YouTube video at the bottom), which receives a subsidy from the European Union, is moving from London to the city of Ferrara in Italy before Great Britain exits from the European Union.
A particular cause of concern is what kind of confused logistics will happen if visas are required for British groups to tour and perform on the Continent, something that apparently has opera houses especially worried.
A recent story goes into more detail, including charges from Brexit defenders that musicians and representatives of the culture industries in general are being alarmist.
Here is the story, published by The Independent in the United Kingdom and then reproduced in the United States in The New York Times: https://www.independent.co.uk/arts-entertainment/classical/features/brexit-classical-music-musicians-europe-vladimir-ashkenazy-daniel-barenboim-eu-a8483271.html
What do you think?
Leave your opinion in the COMMENT section.
The Ear wants to hear.
Tags: #BlogPost, #BrassMusic, #DanielBarenboim, #EconomicNews, #EuropeanUnion, #EuropeanYouthOrchestra, #Ferrara, #JohannSebastianBach, #MusicEducation, #OperaCompany, #OperaHouse, #OrchestralMusic, #OrchestralPlayers, #PercussionMusic, #PoliticalNews, #StringMusic, #TheContinent, #TheIndependent, #TheNewYorkTImes, #UnitedKingdom, #UnitedStates, #VladimirAshkenazy, #WoodwindMusic, #WorldCulture, #YouTubevideo, active, Arts, Bach, Baroque, Beethoven, blog, Brexit, Cello, Classical music, composer, conductor, culture, Daniel Barenboim, economics, England, European Union, European Youth Orchestra, global, great, industry, international, Italy, Jacob Stockinger, Johann Sebastian Bach, Johannes Brahms, knowledgeable, logistics, London, Ludwig van Beethoven, Mozart, Music, Music education, Musician, New York Times, opera, Opera house, Orchestra, percussion, Pianist, Piano, Politics, prominent, reputation, strings, symphony, The Continent, tour, U.S., UK, United Kingdom, United States, University of Wisconsin-Madison School of Music, Viola, Violin, Vladimir Ashkenazy, Wisconsin, Wolfgang Amadeus Mozart, world, YouTube
Recent Comments
The Well-Tempered Ear 