The Well-Tempered Ear
Classical music: Here are the world premieres of the last three pieces of “pandemic music” commissioned by the U.S. Library of Congress
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By Jacob Stockinger
The ambitious project has now ended.
Two weeks ago was when the world premieres of the 10 short pieces — written for the U.S. Library of Congress’ “Boccaccio Project” — started going public and began being posted on the social media sites Twitter and Facebook as well as on YouTube and the internet.
Last week saw the last five compositions and the end of the project.
This blog has already posted the first seven compositions and performances.
Today you can hear the last three.
The project, funded by the federal government, is a way to capture some of the unique culture brought about by the coronavirus pandemic and COVID-19. Below are photos with links to the performances.
The eighth piece is “Lobelia,” a work for solo cello composed by Ashkan Behzadi (below top) and performed by Mariel Roberts of the Wet Ink Ensemble (below bottom, in a photo by Gannushkin).
https://www.loc.gov/concerts/boccaccio-project/behzadi-roberts.html
The ninth piece is “A Shared Solitary” for solo violin and electronics by composer Niloufar Nourbakhsh (below top) and performed by Jannina Norpoth (below bottom, in a photo by Laura Ise) of the PUBLIQuartet.
https://www.loc.gov/concerts/boccaccio-project/nourbakhsh-norpoth.html
The 10th and final piece is “Have and Hold” for solo singing flutist and electronics composed by Allison Loggins-Hull (below top, in a photo by Rafael Rios) and performed by Nathalie Joachim (below bottom, in a photo by Erin Patrice O-Brien), both of the group Flutronix.
https://www.loc.gov/concerts/boccaccio-project/loggins-hull-joachim.html
On the same page as the performance you can read what the composer and sometimes the performer have to say about the new work and what it strives to mean or express.
You can use links to go to the past performances and premieres, to all 10 commissions.
You can also follow links on the bottom of the page to see more information about both the composer and the performer, and to general background of the project.
If you would like some more background, along with some commentary and questions from The Ear, go to https://welltempered.wordpress.com/2020/06/13/classical-music-the-library-of-congress-has-commissioned-new-music-about-the-coronavirus-pandemic-you-can-listen-to-the-premieres-from-this-monday-june-15-through-june-28/
What do you think of the individual pieces?
Do you have one or more favorites?
What do you think of the project?
How successful is it?
Will you like to hear more by composers of the commissioned music?
The Ear wants to hear.
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Classical music: The Pro Arte Quartet minus one plays string trios this Friday night and Sunday afternoon, then starts its Beethoven string quartet cycle on Friday, Nov. 22. Plus 3 UW profs premiere a new fusion work tonight
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CORRECTION: The all-Telemann concert by the Madison Bach Musicians on this Saturday night at the First Unitarian Society of Madison is at 8 p.m. — NOT 7:30 as it was mistakenly listed in the early version of yesterday’s post. The Ear apologizes for the error. The pre-concert lecture is at 7:15 p.m. There is also a performance on Sunday at Holy Wisdom Monastery in Middleton at 3:30 p.m., with a lecture at 2:45 p.m. For more information, go to: https://welltempered.wordpress.com/2019/10/02/classical-music-how-did-baroque-composer-telemann-get-overshadowed-and-why-is-he-being-rediscovered-trevor-stephenson-talks-about-his-all-telemann-concerts-this-weekend/
ALERT: TONIGHT, Thursday, Oct. 3, at 8 p.m., three UW-Madison music professors — Anthony Di Sanza (percussion), Tom Curry (tuba, keyboard and electronics) and Mark Hetzler (trombone and electronics) — will perform their new composition “Don’t Look Down” at the Arts + Literature Laboratory, located at 2021 Winnebago Street on Madison’s near east side. (Phone is 608 556-7415.)
The trio’s goal to showcase their instruments using a combination of electro-acoustic techniques, improvisation and traditional chamber music applications to create an array of sonic environments and musical languages.
The result is a work that looks at the impact of media and technology on society, while featuring shifting soundscapes and a variety of styles including classical, rock, jazz and experimental.
Tickets are $10 in advance at: https://dontlookdown.brownpapertickets.com; and $15 at the door. Student tickets are $5 off with a valid school ID. Advance ticket sales end one hour before the show. Doors open at 7:30 p.m.
By Jacob Stockinger
First, a news flash: The University of Wisconsin-Madison’s critically acclaimed Pro Arte Quartet (below, in a photo by Rick Langer) will begin its complete cycle of Beethoven’s 16 string quartets on Friday, Nov. 22.
The program, time and other dates are not available yet, but should be announced soon.
The performances are part of the 2020 Beethoven Year, which will celebrate the 250th anniversary of the composer’s birth. Stayed tuned for more details.
This Friday night, Oct. 4, at 8 p.m. in Mills Hall, three members of the Pro Arte will perform a FREE concert of string trios. Performers are second violinist Suzanne Beia, violist Sally Chisholm and cellist Parry Karp.
Featured on the program are: the Serenade in C Major, Op. 10 (1902), by the Hungarian composer Ernst von Dohnanyi (below top); the String Trio, Op. 48 (1950), by the Polish composer Mieczyslaw Weinberg (below bottom); and the Serenade in D Major, Op. 8 (1796-97), by Ludwig van Beethoven.) You can hear the opening movement of the Weinberg Trio in the YouTube video at the bottom.
For more information about the quartet and the program, go to: https://www.music.wisc.edu/event/pro-arte-quartet-5/
This Sunday afternoon, the Pro Arte Quartet will also perform FREE at the Chazen Museum of Art on Sunday Afternoon Live at the Chazen. The same program of string trios will be repeated. The performance will be held starting at 12:30 in the Brittingham Gallery 3.
For details about attending, go to: https://www.chazen.wisc.edu/index.php?/events-calendar-demo/event/sunday-afternoon-live-at-the-chazen9/
It will also be streamed live at the following portal: https://c.streamhoster.com/embed/media/O7sBNG/OS1C0ihJsYK/iqf1vBMs3qg_5
Tags: #AnthonyDiSanza, #ArtsandLiteratureLaboratory, #BeethovenYear, #BlogPost, #BlogPosting, #BrittinghamGallery3, #BrittinghamGalleryIII, #ChamberMusic, #ChazenMuseumofArt, #CompleteCycle, #CriticallyAcclaimed, #EastSide, #ElectronicMusic, #ErnstvonDohnanyi, #ExperimentalMusic, #FacebookPost, #FacebookPosting, #FirstUnitarianSocietyofMadison, #GeorgPhilippTelemann, #HighTechnology, #HolyWisdomMonastery, #HungarianComposer, #LiveStreaming, #LudwigVanBeethoven, #MadisonBachMusicians, #MadisonWisconsin, #MarkHetzler, #MassMedia, #MeadWitterSchoolofMusic, #MieczyslawWeinberg, #MusicalStyle, #Musicfaculty, #MusicProfessors, #NewMusic, #NewsFlash, #ParryKarp, #PercussionMusic, #PolishComposer, #ProArteQuartet, #RockMusic, #SallyChisholm, #SecondViolin, #StreamedLive, #StringQuartet, #StringTrio, #Sundayafternoon, #SundayAfternoonLiveattheChazen, #SuzanneBeia, #TomCurry, #UniversityofWisconsin-Madison, #YouTubevideo, acoustic, anniversary, Anthony Di Sanza, application, array, Arts, Arts and Literature Laboratory, audience, Austria, Beethoven, Beethoven Year, birth, blog, Brittingham, Brittingham Gallery 3, cellist, Cello, Chamber music, Chazen, Chazen Museum of Art, Classical music, classicalmusic, complete, composer, Concert, create, critically acclaimed, cycle, date, details, doors, east side, electro, Electro-Acoustic, electronic, environment, Ernst von Dohnanyi, experimental, Facebook, faculty member, flash, Forst Unitarian Society of Madison, Georg Philipp Telemann, Germany, Holy Wisdom Monastery, Hungarian, Hungary, ID, impact, improvisation, information, Jacob Stockinger, Jazz, Keyboard, languages, lecture, literature, live streaming, look, Ludwig van Beethoven, Madison, Madison Bach Musicians, Mark Hetzler, mass media, Mead Witter School of Music, media, member, Middleton, Mieczyslaw Weinberg, Music, music faculty, music professor, musical, musical style, New Music, news, Parry Karp, percussion, performer, phone, Poland, Polish, portal, post, posting, premiere, Pro Arte Quartet, professor, Quartet, result, Rock, Sally Chisholm, school, second violin, Serenade, shift, show, society, sonic, soundscape, streamed live, String quartet, string trio, stuydent, style, Sunday, Sunday Afternoon Live at the Chazen, Suzanne Beia, technique, technology, tickets, time, Tom Curry, trio, Trombone, Tuba, tuned, United States, University of Wisconsin-Madison School of Music, University of Wisconsin–Madison, UW-Madison, valid, variety, version, Vienna, Viola, Violin, violist, Wisconsin, work, yesterday, YouTube
Classical music: On Thursday and Friday nights, brass music and a modernist homage to Martin Luther King round out UW-Madison concerts before spring break
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By Jacob Stockinger
Spring Break at the University of Wisconsin-Madison starts on Saturday. But there are noteworthy concerts right up to the last minute.
THURSDAY
On this Thursday night, March 14, at 7:30 p.m. in Mills Hall, the acclaimed Wisconsin Brass Quintet (below, in 2017, in a photo by Michael R. Anderson) will perform a FREE concert.
The program by the faculty ensemble includes music by William Byrd; Isaac Albeniz; Leonard Bernstein; Aaron Copland; David Sampson; Anton Webern; Joan Tower; Ennio Morricone; and Reena Esmail.
For more details, including the names of quintet members and guest artists who will participate as well as the complete program with lengthy notes and background about the quintet, go to:
https://www.music.wisc.edu/event/wisconsin-brass-quintet-3-14-2019/
FRIDAY
On this Friday night, March 15, at 7:30 p.m. in Mills Hall, UW-Madison bassoonist Marc Vallon (below, in a photo by James Gill) – who worked in Paris with the renowned 20th-century composer and conductor Pierre Boulez – will host another concert is his series of “Le Domaine Musical” that he performs with colleagues.
Vallon explains:
Every year, I put together a concert devoted to the masterpieces of the 1950-2000 period. We call it “Domaine Musical,” which was the group founded in Paris by Pierre Boulez in the 1950s. Its subtitle is : “Unusual music for curious listeners.”
“The series offers Madison concert-goers an opportunity to hear rarely performed music of the highest quality, played by UW-Madison faculty, students and alumni.
“The program features a deeply moving piece by Luciano Berio, O King, written in 1968 after the murder of Martin Luther King Jr.” (You can hear “O King” in the YouTube video at the bottom.)
The all-modernist program is:
Pierre Boulez (below), Dialogues de l’Ombre Double (Dialogues of the Double Shadow) for solo clarinet and electronics.
Luciano Berio (below), O King and Folk Songs.
Also included are unspecified works by Karlheinz Stockhausen and Timothy Hagen.
Guest performers are Sarah Brailey, soprano (below); Alicia Lee, clarinet; Leslie Thimmig, basset horn; Sally Chisholm, viola; Parry Karp, cello; Timothy Hagen, flute; Yana Avedyan, piano; Paran Amirinazari, violin; and Anthony DiSanza, percussion.
For more information, including a story about a previous concert in “Le Domaine Musical,” go to:
https://www.music.wisc.edu/event/le-domaine-musical-with-marc-vallon/
Tags: #AaronCopland, #AliciaLee, #AnthonyDiSanza, #AntonWebern, #BaroqueMusic, #BassetHorn, #BassoonMusic, #BlogPost, #BlogPosting, #BrassMusic, #BrassQuintet, #CelloMusic, #ChamberEnsemble, #ChamberMusic, #CivilRights, #ClarinetMusic, #Concert-goer, #DavidSampson, #ElectronicMusic, #EnnioMorricone, #FacebookPost, #FacebookPosting, #FacultyMember, #FluteMusic, #IsaacAlbeniz, #JoanTower, #KarlheinzStockhausen, #LeDomainMusical, #LeonardBernstein, #LesThimmig, #LucianoBerio, #MarcVallon, #MartinLutherKing, #MartinLutherKingJr., #MeadWitterSchoolofMusic, #MillsHall, #Musicfaculty, #OKIng, #ParanAmirinazari, #ParisFrance, #ParryKarp, #PercussionMusic, #PianoMusic, #PierreBoulez, #ProgramNotes, #ReenaEsmail, #SallyChisholm, #SarahBrailey, #SopranoSinger, #SpringBreak, #The1950s, #The1960s, #TimothyHagen, #UniversityofWisconsin-Madison, #ViolaMusic, #ViolinMusic, #VocalMusic, #WilliamByrd, #WisconsinBrassQuintet, #YanaAvedyan, #YouTubevideo, 1950s, 1960s, 1968, Aaron Copland, Alicia Lee, alumni, Anthony DiSanza, Anton Webern, Arts, assassination, audience, background, Baroque, Baroque music, basset horn, Bassoon, blog, brass music, Brass quintet, Cello, Chamber music, civil rights, clarinet, Classical music, colleague, complete, composer, Concert, conductor, curious, David Sampson, death, dialpgue, double, Early music, electronic, Ennio Morricone, ensemble, Facebook, faculty, flute, folk song, folksong, forward, France, free, guest artist, information, Isaac Albéniz, Jacob Stockinger, Joan Tower, Karlheinz Stockhausen, Le Domain Musical, Leonard Bernstein, Les Thimmig, like, link, listener, listeners, Luciano Berio, Madison, Marc Vallon, march, Martin Luther King, Martin Luther King Jr, masterpiece, Mead Witter School of Music, MLK, modernist, moving, murder, Music, New Music, night, noteworthy, opportunity, Paran Amarinazari, Paris, Parry Karp, percussion, performer, Piano, Pierre Boulez, program, program notes, quality, rare, Reina Esmail, Sally Chisholm, Sarah Brailey, Saturday, shadow, share, soprano, Spring, story, students, tag, Timothy Hagen, United States, University of Wisconsin-Madison School of Music, University of Wisconsin–Madison, unspecified, unusual, Viola, Violin, vocal music, William Byrd, Wisconsin, Wisconsin Brass Quintet, word, work, Yana Avedyan, YouTube
Classical music: Free concerts of tuba, euphonium, electronic, wind and band music are on tap this week at the UW-Madison
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By Jacob Stockinger
This week will see FREE concerts of tuba, euphonium, electronic, wind and band music at the University of Wisconsin-Madison‘s Mead Witter School of Music.
Here is a schedule:
THURSDAY
On Thursday night at 7:30 p.m. in Morphy Recital Hall, UW tuba professor Tom Curry (below top) will give a FREE faculty recital that features two world premieres, including a new work by Curry.
Joining Curry is UW alumnus Brett Keating (below bottom), who plays the euphonium, uses electronic music and also composes. A world premiere of a new work by Keating will be featured.
Here is a link to the full program of original works:
https://www.music.wisc.edu/event/faculty-concert-tom-curry-tuba/
FRIDAY
On Friday night at 8 p.m. in Mills Hall, the Wingra Wind Quintet will perform a FREE concert.
Members of the quartet (below, from left, in a photo by Katrin Talbot) are Marc Vallon bassoon; Timothy Hagen, flute; Alicia Lee, clarinet; Aaron Hill, oboe; and Joanna Schulz, horn.
Sorry, but no word on specific composers or works on the program. But here is a link to the official listing, where they may yet be posted before the concert:
https://www.music.wisc.edu/event/wingra-wind-quintet-3/
SUNDAY
On Sunday at 1 p.m. in Mills Hall, the University Bands will perform a FREE concert. Sorry, no word on the composers or works on the program.
Tags: #BassoonMusic, #ClarinetMusic, #ElectronicMusic, #EuphoniumMusic, #FluteMusic, #HornMusic, #MeadWitterSchoolofMusic, #TubaMusic, #UniversityofWisconsin, #UniversityofWisconsin-Madison, #WingraWindQuintet, #WorldPremiere, Arts, Bassoon, Chamber music, clarinet, Classical music, composer, Concert, Electronic music, Euphonium, flute, Horn, Jacob Stockinger, Madison, Madison Symphony Orchestra, Oboe, performer, program, Tuba, United States, University of Wisconsin–Madison, winds, Wisconsin, YouTube
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The Well-Tempered Ear 
NPR names relevant classical albums in a musical Diary of the Plague Year of the pandemic, racial protests, wildfires and hurricanes
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By Jacob Stockinger
For an unusual and difficult year, NPR (National Public Radio) and critic Tom Huizenga have found a new and unusual way to recommend this past year’s top classical music recordings.
On the “Deceptive Cadence” blog for NPR, Huizenga kept a personal month-by-month diary of “music and mayhem.”
For last February, for example, this ancient image of The Dance of Death inspired contemporary composer Thomas Adès to compose his own “Totentanz” or Dance of Death. (You can hear an excerpt from the work in the YouTube video at the bottom.)
Some of the thematically-related music is modern or contemporary, some of it is from the Baroque or Classical era.
In June, as protests against the death of George Floyd (below top) flared up and spread worldwide, NPR names a recording of the “Negro Folk Symphony” by African-American composers William Dawson and Ulysses Kay (below bottom), thereby helping to rediscover Black composers whose works have been overlooked and neglected in the concert hall and the recording studio.
Devastating wildfires on the West Coast, Presidential impeachment and hurricanes on the Gulf Coast also found their way into the choices of music to listen to.
It is an unusual approach, but The Ear thinks it works.
See and hear for yourself by going to the sonic diary and listening to the samples provided.
Here is a link to the NPR album diary: https://www.npr.org/sections/deceptivecadence/2020/12/21/947149286/music-and-mayhem-a-diary-of-classical-albums-for-a-troubled-2020
But many roads, if not all, lead to Rome, as they say.
What is also interesting is that a number of the NPR choices overlap with ones listed by music critics of The New York Times as the 25 best classical albums of 2020.
Some choices also are found on the list of the nominations for the Grammy Awards that will be given out at the end of January.
In other words, the NPR diary can also serve as yet another holiday gift guide if you have gift cards or money to buy some new and notable CDs, and are looking for recommendations.
Here is a link to the Times’ choices, which you can also find with commentary and a local angle, in yesterday’s blog post: https://www.nytimes.com/2020/12/17/arts/music/best-classical-music.html
https://welltempered.wordpress.com/2020/12/27/the-new-york-times-names-the-top-25-classical-recordings-of-2020-and-includes-sample-tracks/
And here is a list to the Grammy nominations: https://welltempered.wordpress.com/2020/11/28/for-holiday-shopping-and-gift-giving-here-are-the-classical-music-nominations-for-the-63rd-grammy-awards-in-2021/
What do you think of the NPR musical diary of the plague year?
Do you find it informative? Accurate? Interesting? Useful?
Would you have different choices of music to express the traumatic events of the past year?
The Ear wants to hear.
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