The Well-Tempered Ear

Classical music: The second annual Mineral Point Chamber Festival – with both free and ticketed performances — takes place this coming weekend

June 5, 2018
1 Comment

By Jacob Stockinger

The summer music season in the Madison area — which kicks off big-time this weekend – just seems to get busier and busier.

The second annual Mineral Point Chamber Music Festival will take place this coming Friday through Sunday, June 8-10.

All the information — including ensembles, complete repertoire and concerts times and venues — is available at artsmp.org under “Chamber Music Festival.” You will also find there some extensive audio samples of the performers.

There are three ticketed concerts that will take place at the refurbished Mineral Point Opera House (below top, by Michael J. Smith, and bottom):

Tickets are $20, and a package pass for all three concerts is $49.

The schedule for ticketed events is:

On Friday night at 7:30 p.m., the cello-and-piano Artu Duo (below) from the University of Minnesota will perform music by Robert Schumann, Bohuslav Martinu and Ludwig van Beethoven.

On Saturday at 7:30 p.m. the Volante Winds (below) from Indiana University will perform music by Samuel Barber, Karl Pilss, Gyorgy Orban and Giulio Briccialdi.

On Sunday afternoon at 1:30 p.m., the Altino Duo (below), from Madison, will perform music by Zoltan Kodaly, Maurice Ravel and Johan Halvorsen.

There are also two FREE concerts. They feature many other works by many other composers including George Frideric Handel, Johann Pachelbel, Felix Mendelssohn, Johannes Brahms, Richard Strauss, Jacques Ibert and Samuel Barber.

The first FREE concert is on Saturday afternoon at 1:30 p.m. at the Congregational United Church of Christ, 300 Maiden St., and features Q&A sessions after each ensemble’s performance.

The second FREE concert — weather permitting — is on Sunday afternoon at 12:30 p.m. in Library Park (below) and features the Festival Brass.

The festival’s director Peter Schmalz explains the philosophy of the festival, which strikes The Ear as a savvy way to host a festival of fine performers and great music for very reasonable ticket prices:

“We are a festival devoted to providing opportunity to emerging talent,” says Schmalz. “At least 50 percent of the membership of each ensemble must be currently enrolled students.

“This year we ran into an insoluble problem, when one member of the Zima Piano Trio from Indiana University could not be approved for employment because of her current status as an international student.

“Hence we have the last-minute substitution of the Altino Duo from Madison – cellist Leonardo Altino and violinist Soh-Hyun Park Altino – who are both college professors and obviously not a student ensemble. (She teaches at the UW-Madison, and he teaches privately in Madison and at the Wheaton College Conservatory near Chicago.)

(Editor’s note: You can read more background about the Altinos, and about playing together as spouses, here: https://welltempered.wordpress.com/2018/01/22/classical-music-what-is-it-like-to-play-music-with-a-spouse-local-wife-and-husband-violinist-and-cellist-open-the-winter-masterworks-season-of-the-wisconsin-chamber-orchestra-with-the-brahms-double/

“The Altinos were very gracious about helping us in this situation, and will present a concert Sunday, June 10, of music that is included on their recently released CD “En voyage.”” (You can hear them perform the Duo for Violin and Cello by Zoltan Kodaly, which is on the recording, in the YouTube video at the bottom.)

If you want to see the sponsors of the festival or become a sponsor, go to the bottom of the page at: http://www.artsmp.org/chamber-music-fest/

Advertisements

Classical music: Madison Choral Project gives a concert of new music focusing on the social and political theme of “Privilege” this Friday night and Sunday afternoon

April 20, 2017
1 Comment

ALERT: This week’s FREE Friday Noon Musicale, held at the First Unitarian Society of Madison, 900 University Bay Drive, features David Miller, trumpet; Amy Harr, cello; and Jane Peckham, piano. They will play music by Bach, Schmidt, Piazzolla, Honegger and Cooman. The concert runs from 12:15 to 1 p.m.

By Jacob Stockinger

Call it activist beauty or beautiful activism.

It sure seems that political and social relevance is making a comeback in the arts during an era in which inequality in race, gender, ethnicity, wealth, education, health, employment, immigration status and other issues loom larger and larger.

For the Madison Choral Project (below), for example, singing is about more than making music. It can also be about social justice.

Writes the Project:

“The Madison Choral Project believes that too often the classical music concert is simply a museum of the beautiful. Yet the worlds of theater, art and literature can so brilliantly combine beauty with material that provokes contemplation and understanding.

“Our world is increasingly complicated, and we seek to provide voices exploring important emotional and social concerns of today.”

That means that, in its two concerts this weekend, the Madison Choral Project will explore the concept of privilege in two performances this weekend.

The repertoire is all new music or contemporary music by living composers.

The Madison Choral Project, under the direction of Albert Pinsonneault (below), who formerly taught at Edgewood College and is now at Northwestern University, presents their 10th Project – Privilege – on this Friday night, April 21, at  8:30 p.m. (NOT 7:30, as originally announced, because of noise from a nearby football game); and on Sunday afternoon, April 23, at 3 p.m.

Both performances are at the First Congregational United Church of Christ, 1609 University Avenue, near Camp Randall Stadium.

General admission is $24 in advance and online; $28 at the door; and $10 for students either in advance or at the door. A limited number of preferred seats are offered for $40.

The Privilege concerts feature the work Privilege by Ted Hearne (b. 1982), which Hearne (below) writes “are settings of little texts questioning a contemporary privileged life (mine).”

With texts that range from the inequality of educational experiences, to the unfair playing field brought through race, the work sets thought-provoking texts in a beautiful and musically accessible way. (NOTE: You can hear it in the YouTube video at the bottom.)

The program also includes the world premiere of a new piece of music from Wisconsin composer and UW-Madison graduate D. Jasper Sussman (b. 1989, below), whose piece Work: “What choice?” is a contemplation of society’s confusing and hypocritical demands on women, their bodies and their appearance.

Sussman writes “I have never identified as a feminist. It’d be impossible, however, for me to remain ignorant of the clumsily uneven climate of our world, and certainly of this country. Work: “What Choice?” is an attempt at telling a common story shared by many.”

Included on the concert are two works of Pulitzer Prize-winning composer David Lang (b. 1957, below), whose new minimalism includes sonorities influenced by rock and popular music, but with layered repetition that gives the pieces a meditative and contemplative quality.

Also featured is When David Heard by Eric Whitacre (b. 1970, below), a gorgeous and devastating monologue contemplating the death of one’s child.

For more information and tickets, go to www.themcp.org

You can also go to a fine story in The Capital Times:

http://host.madison.com/ct/entertainment/arts-and-theatre/with-privilege-madison-choral-project-sings-on-social-justice/article_1d4ecf46-3347-5950-a655-eb270449fb96.html

The Madison Choral Project is Wisconsin’s only fully professional choir. All the singers on stage are paid, professional musicians.


    Enter your email address to subscribe to this blog and receive notifications of new posts by email.

    Join 1,143 other followers

    Blog Stats

    • 1,869,207 hits
%d bloggers like this: