The Well-Tempered Ear

Classical music: This Friday night, the Wisconsin Chamber Orchestra will make a LIVE RECORDING of the encore performance of the two-piano concerto it commissioned and premiered two years ago

March 21, 2019
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By Jacob Stockinger

Want to be part of a live concert recording?

At first look, it seems like a typical — and in one way even repetitive – concert by the Wisconsin Chamber Orchestra (below).

But this particular concert — which is this Friday night, March 22, at 7:30 p.m. in the Capitol Theater of the Overture Center – is anything but usual.

In fact, it promises to be unique and historic.

That is because the encore performance of the two-piano concerto “Double Rainbow” –- commissioned by the WCO and composed by Thomas Cabaniss for wife-and-husband pianists Jessica Chow Shinn (a Madison native) and Michael Shinn (below) — will be recorded live.

Also on the program is a string orchestra transcription of Arnold Schoenberg’s “Transfigured Night,” an entrancing work that is an emotionally intense, late Romantic work that precedes Schoenberg’s 12-tone or atonal period; and the Symphony No. 58 in F Major by Franz Joseph Haydn.

For more information and tickets ($12-$80), go to:

https://wisconsinchamberorchestra.org/performances/masterworks-iii-4/

The same pianists, who are on the faculty of the Boston Conservatory at Berklee, gave the world premiere of the work under the baton of WCO music director and conductor Andrew Sewell two years ago. (The two pianists will be interviewed by Norman Gilliland at noon on this Friday during “The Midday” show on Wisconsin Public Radio.)

It proved an accessible work that clearly pleased the audience. (In 2018, Sewell also programmed the concerto for the San Luis Obispo Symphony, which he directs in California.)

“I like tunes,” said Cabaniss (below) – who will attend the performance this Friday night – when he talked to The Ear in an email Q&A from 2017 on the occasion of the world premiere.

Here is a link to that interview, which also has background information about Cabaniss and the inspiration for the concerto:

https://welltempered.wordpress.com/2017/04/24/classical-music-i-like-tunes-says-composer-thomas-cabaniss-who-talks-about-his-double-rainbow-piano-concerto-the-wisconsin-chamber-orchestra-and-guest-soloists/

Then Sewell heard the same pianists play another piece by Cabaniss – “Tiny Bits of Outrageous Love” for two pianos with no orchestra or other accompaniment.

“Andrew heard them and thought the piece would be a great pairing with ‘Double Rainbow’ for a recording,” says Alan Fish, who is the interim executive director of the WCO.

A release date has not yet been set for the recording. The goal is to issue a recording in the near future, adds Fish, both in a CD format and a downloadable format. More details will be known once the Shinns have recorded “Tiny Bits,” Fish adds.


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Classical music: This Thursday morning, WORT will broadcast a live performance of Gideon Klein’s String Trio, composed in a concentration camp, by three up-and-coming musicians from the Dynamite Factory of the Bach Dancing and Dynamite Society

June 14, 2017
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By Jacob Stockinger

The Ear has received the following note from blog fan and local live music documentarian Rich Samuels, who hosts his radio show “Anything Goes” on Thursday morning on WORTFM 88.9. It concerns an unusual performance of Holocaust music by a kind of apprenticeship program that The Ear really likes as a way for to provide continuity between different generations of musicians:

“At 7:26 a.m. on this Thursday morning, June 15, on my WORT broadcast I’ll be playing a performance of Gideon Klein‘s 1944 String Trio by violinist Misha Vayman, violist Jeremy Kienbaum and cellist Trace Johnson (below, from left, in a photo by Samantha Crownover).

“They are the three members of the “Dynamite Factory,” the three emerging musicians who have joined the Bach Dancing and Dynamite Society for its 2017 season.

“I recorded this performance — thanks to co-artistic director Stephanie Jutt and executive director Samantha Crownover — last Thursday at an event at the Central Library of the Madison Public Library system.

Trace and Jeremy are Madison natives and alumni of the Wisconsin Youth Symphony Orchestras (WYSO); Misha comes to Madison from the Russian Republic by way of southern California.

“I think it’s a compelling performance of a remarkable piece. It was the last work Klein (below) composed before he was transported from the Theresienstadt concentration camp to Auschwitz where, in a coal mining sub-camp, he died in early 1945.”


Music education: This coming Friday night, the Wisconsin Youth Symphony Orchestras (WYSO) opens its 50th anniversary celebration with a FREE reception for a retrospective art display at Dane County Regional Airport. On this Monday night, mezzo-soprano Allisanne Apple sings a FREE recital.

September 20, 2015
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ALERT: This Monday night, Sept. 21, mezzo-soprano Allisanne Apple (below) and pianist Jane Peckham will present a FREE concert with the theme of  “Home/Travels/Longing/Return” that features songs by Leonard Bernstein, William Bolcom, Aaron Copland, Hugo Wolf and others. The recital is at 7 p.m. in the Oakwood Village West Auditorium, 6209 Mineral Point Road, on Madison’s far west side.

Alisanne Apple BW mug

By Jacob Stockinger

The Ear has been asked to distribute the following public invitation from Bridget Fraser, the executive director of the Wisconsin Youth Symphony Orchestras (WYSO).

He is happy to do it in the belief that there is no better local investment in music education or in the future of classical music than WYSO, which has educated and trained thousands of area students and their parents over the past half-century.

WYSO Logo blue

Fraser writes:

“This coming Friday, Sept. 25, from 5 to 7 p.m. opens the year-long celebration of our 50th anniversary.

“I hope our friends, former conductors and staff, alumni and faithful supporters will join us as we pay tribute to the amazing impact that WYSO has had and continues to have on hundreds of young musicians each season.

“Local artist and devoted WYSO board member, Andree Valley has captured the true essence and importance of WYSO in a stunning visual display.

“You are invited to attend the opening celebration of the Wisconsin Youth Symphony Orchestras retrospective exhibit, featuring 50 years of compelling history, captivating photographs and intriguing Art of Note painted violins (below) in an extensive display at the Dane County Regional Airport.

WYSO AoN violins 2015

Here is WYSO founder Marvin Rabin conducting the Youth Orchestra during the 1966-67 season:

WYSO Youth Orchestra Marvin Rabin conducting 1966-7

And here is UW-Madison professor and current WYSO music director James Smith conducting the Youth Orchestra in 2015:

WYSO Youth Orchestra James Smith conducting 2015

And at bottom is a YouTube video of the WYSO Youth Orchestra playing the rousing opening of Georges Bizet‘s Overture to his opera “Carmen.”

“The opening reception will feature music by WYSO’s premier quartet and light refreshments and hors d’oeuvres. Please join us in this tribute to the first 50 years of the Wisconsin Youth Symphony Orchestras.

This exhibit was organized by Tandem Press, in collaboration with WYSO.
 For more information, click on our reception invitation, or  contact WYSO at (608) 263-3320 or wyso@wyso.music.wisc.edu.


Classical music: Allan Naplan, the former general director of the Madison Opera, has been named as executive director of the Arizona Musicfest based in Carefree (don’t you love that name), near Phoenix.

March 17, 2013
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ALERT: If you want to know about whether you should attend the performances today (at 3 p.m.) and Tuesday night (7:30) p.m. in Music Hall of University Opera’s production of Mascagni’s “L’Amico Fritz” (with Shannon Prickett and Aldo Perelli, below in a photo by Brent Nicastro), here is a review by John W. Barker written for Isthmus:

http://www.thedailypage.com/daily/article.php?article=39412&sid=d5dd06c8fbafef9a2cb026b18818c449

And here is a link to a Q&A with director William Farlow and some background, including which UW-Madison student sings what roles on what day:

https://welltempered.wordpress.com/2013/03/14/classical-music-qa-university-opera-director-william-farlow-talks-about-why-he-likes-mascagnis-rarely-staged-opera-lamico-fritz-which-will-get-three-performances-on-friday-night-sunday/

L'Amico Fritz 3 Also Perrelli and Shannon Prickett CR Brent Nicastro

By Jacob Stockinger

Last we heard of Allan Naplan (below), he had left his big new job with the Minnesota Opera just a year or so after taking it and leaving the Madison Opera after five years. That was two years ago.

Allan Naplan 2

Rumors said his departure had to do with artistic differences, but no reasons or specifics were ever publicly given.

Then many people wondered what would happen to Naplan’s promising career, and The Ear heard nothing.

Until now.

A friendly source tells me that the talented and amiable Naplan has, not unexpectedly, landed on his feet – even if it is not in the field of opera. True, the news comes a little late — but it is still news to me and maybe news to you too!

Here is the press release:

Arizona Musicfest 
appoints
 Allan E. Naplan as Executive Director

“Wednesday, January 23, 2013 Carefree, Arizona – Ann Wallenmeyer, Chairman of the Board of Directors of Arizona Musicfest, today announced the appointment of Allan E. Naplan as Executive Director, effective February 1, 2013.

“Allan Naplan has enjoyed a 20-year career as a performing artist, composer, educator and arts administrator. Most recently, he served as President and General Director of Minnesota Opera.

“In making the announcement, Wallenmeyer said, “Speaking for the Board and our Artistic Director, Robert Moody, I am delighted that Allan Naplan will join Arizona Musicfest as our Executive Director. We are especially pleased that he will be able to be a part of our 2013 Festival and we look forward to introducing him to our patrons, partners, and audiences throughout the community.”

“Wallenmeyer thanked the members of the Arizona Musicfest Search Committee, led by Chuck Goldthwaite, former Chairman of the Board, for the excellent outcome of a national search.

arizona musicfest logo

“Robert Moody, Artistic Director of Arizona Musicfest, added, “I am thrilled that Allan Naplan is joining the Arizona Musicfest team as our new Executive Director. I’ve spent a good deal of time with him during the search process, and as a result I can’t wait to begin ‘scheming’ with him as we plan the next great chapter of the Festival. The future is incredibly bright for Arizona Musicfest with Allan Naplan at the administrative helm.”

“In accepting the position, Allan Naplan said, “I am honored to have been chosen to lead Arizona Musicfest and am excited by the breadth of musical experiences the Festival offers, as well as the excellence it achieves through its acclaimed performances and important education and youth programs.” (See the YouTube video at the bottom of the  “Music Minutes” the festival provides to public schools.)

“Naplan continued, “I look forward to forging important relationships with the Festival’s audience, dedicated volunteers and the community at large, as well as to working with the Arizona Musicfest Board, staff, artists and especially Maestro Moody in developing and enhancing the Festival.”

Arizona Musicfest cactus

“Arizona Musicfest 2013 (Jan. 28 – March 4) presents top artists of classical, chamber, jazz, blues, country, rock n’ roll and opera, such as Denyce Graves, Keb’ Mo’ and Parker Quartet, in exceptional programs (created especially for Arizona Musicfest) at venues throughout the scenic desert foothills of Scottsdale and Carefree.

“At the heart of the Festival is the 60-member Arizona Musicfest Orchestra (below), comprised of musicians from the nation’s finest orchestras, the 100-voice Arizona Musicfest Chorus, and the Arizona Musicfest Chamber Players.

arizona musicfest orchestra

“Allan Naplan began his career as an opera singer and transitioned to administration as a member of the staff of Houston Grand Opera. He served as Director of Artistic Administration of Pittsburgh Opera before being appointed General Director of Madison Opera, where he transformed the company through his leadership in fundraising, audience development, and financial management as well as repertoire and productions, educational programs, and community engagement.

“At Minnesota Opera, Naplan enhanced the company’s community engagement and education activities, oversaw major gift cultivation, and introduced enhancements to the company’s marketing and public profile. During his time with the company, the organization produced the world premiere of the Pulitzer Prize-winning opera by Kevin Puts, “Silent Night” (below).

Kevin Puts "Silent Night" Michal Daniel for Minnesorta Opera

“As a published composer, Naplan’s works, which are standard repertoire for children’s choirs, have been performed and recorded in over 40 countries, and have been featured at Carnegie Hall, the Kennedy Center, the White House, and aboard the Space Shuttle Columbia.

“Naplan has a Bachelor of Music Degree from Ithaca College where he majored in vocal performance and music education. He and his wife Christina Harrop have two young sons, Jonah (age 4) and Elliot (age 2).”

For more information about Naplan and the southwest festival, here is a link:

www.azmusicfest.org

 


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