The Well-Tempered Ear

Madison’s Sonata à Quattro performs TONIGHT online for the prestigious Boston Early Music Festival

June 17, 2021
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By Jacob Stockinger

The Ear has received the following note from the local early music group, Sonata à Quattro (SAQ):

We have a very exciting announcement to share.

Tonight we will be one of the featured ensembles at the 2021 Boston Early Music Festival Fringe Concerts!

The Boston Early Music Festival (BEMF) is recognized as a national and international leader in the field of early music, and SAQ is thrilled to make its first appearance at this event. 

Concert presented during the Boston Early Music Festival’s 2021 Fringe Concerts.  Learn more at https://bemf.org/2021-festival/fringe-concerts/

The online premiere of the SAQ concert video will be TONIGHT — Thursday, June 17 — at 7 p.m. ET/6 p.m. CT, and the musicians will be available to chat during and after the recorded performance.

Please join us at this link: https://www.youtube.com/watch?v=tSfzu6Q6DcU

The 50-minute concert, titled “Musical Meditation and Merriment,” features (below, from left) violinists Christine Hauptly Annin and Leanne League; cellist Charlie Rasmussen; and violist Marika Fischer Hoyt.

This period-instrument quartet will perform the following program: Quartet in G Major, TWV 43:G5 by Georg Philipp Telemann (1681-1767); Duo II in D Minor, Op. 19, No. 2, for Violin and Viola by Franz Anton Hoffmeister (1754-1812); Duetto III in G Major, Op. 1, No. 3, for Violin and Cello by Giovanni Battista Cirri (1724-1808, below); and Quartet in D Major, Op. 64, No. “The Lark” by Franz Joseph Haydn (1732-1809).

The concert was live-streamed and recorded at the United Methodist Church in Whitefish Bay, Wis., on April 13, 2021.

From the austere fugal opening of the Telemann to the jaunty Finale of Haydn’s “Lark” Quartet — heard played by the Jerusalem Quartet in the YouTube video at the bottom — this program offers a reflection on the unimaginable year we’ve just experienced, as well as the stirrings of hope, as we awake to a spring and summer of new beginnings.

The slow movements, with their gorgeous string sonorities, range from still, inner contemplation to poignant pleas, while the fast movements outdo one another in wit, verve and sheer joie de vivre.


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As the semester ends, virtual concerts allow UW students to reach many more family members, friends and listeners. Here is how the public can connect to them

April 14, 2021
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By Jacob Stockinger

Starting tonight and over the next two weeks, as the spring semester at the UW-Madison comes to a close, there will be more than two dozen student recitals to listen to. (Below is the YouTube video for the concert this Thursday night, April 15, at 6:30 p.m. of the Marvin Rabin String Quartet that is comprised of graduate students.)

Often two or more concerts a day are scheduled, often at 3:30 p.m. and 6:30 p.m. 

That much is typical.

What is not typical during the pandemic is that technology will allow the recitals to be presented live-streamed and virtual.

The downside is that the students will not experience performing before a live audience.

But there is an upside.

Going virtual also means that the recitals will be available longer to family, friends and interested listeners  here as well as around the country and — especially for international students — the world. (Below, in a photo by Bryce Richter for the UW-Madison, is the Mead Witter Foundation Concert Hall in the Hamel Music Center.)

It also means you can hear them when it is convenient for you and not at the actual scheduled times.

The Ear has heard his share of student recitals and often finds them to be exceptional events.

If you go to the Mead Witter School of Music’s website, you can see the concerts and the lineups.

You will see that there will be student recitals of vocal music, brass music, wind music, string music and piano music. There are solo recitals, chamber music and even a symphony orchestra concert. (Below, in a photo by Bryce Richter for the UW-Madison, is the Collins Recital Hall in the Hamel Music Center.)

There are too many details for each concert to list them all here individually.

But if you go to the Concerts and Events page on the music school’s outstanding website, you can hover the cursor over the event and then click on the event and get everything from the performers and programs to program notes, a performer biography and a photo with a link to the YouTube performance.

On the YouTube site, if you click on “See More” you will see more details and can even set up an alarm for when the concert starts.

Here is a link: https://www.music.wisc.edu/events/

Try it and see for yourself. Below is the YouTube link for pianist Mengwen Zhu, who performs his recital this Saturday, April 17, at 6 p.m.)

Happy listening!

Let us know what you think, especially if it is encouraging for the students.

The Ear wants to hear.


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Today’s Just Bach concert starts the 10-day Bach Around the Clock festival that runs through March 26. All events are free and online. Here are the lineups

March 17, 2021
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By Jacob Stockinger

Today — Wednesday, March 17 – brings the free monthly Just Bach concert that is online for 30 minutes.

This year that concert will also serve as the opening event of the annual Bach Around the Clock (BATC) festival to celebrate the birthday of Johann Sebastian Bach.

Here is a link to the lineup of the Bach Around the Clock events. As of this writing, many of the special morning and evening guests and events are listed. But the daytime programs and performers are listed only for today, tomorrow and the final concert. The Ear understands the rest of the listings will be up by the end of today: https://bachclock.com/concert-schedule

There might be frequent additions, changes and updates, so it is best to check back often.

The Ear has heard that, as usual, the festival will include students, amateurs and professionals; young people and adults; individuals, smaller chamber music ensembles and larger groups; and many well-known and neglected works from many genres. 

Those genres include vocal and choral music; keyboard music for clavichord, harpsichord, piano and organ; string music for violin, viola and cello; wind and brass music; and much more.

Daily festival concerts will be posted starting at 8 a.m. Central Daylight Time and evening segments will begin at 7 p.m CDT. All events and concerts will be posted and available during the entire festival.

As for today’s Just Bach concert, here is the announcement from Marika Fischer Hoyt (below), the artistic director of Bach Around the Clock and a co-founder and co-director of Just Bach:

Greetings from Just Bach! We hope this finds you well, and ready to experience more of the timeless beauty of Bach, this month in music for organ and strings.

Our concert TODAY opens with a welcome and program overview from me. We figure when Just Bach and Bach Around The Clock join forces, the Master himself (below, in a cutout, in a photo by Barry Lewis) is summoned.

Today’s program opens with organist Mark Brampton Smith (below) playing two Sinfonias from Cantata 35. 

These are arrangements of two dramatic organ concerto movements, and Mark brings off the virtuosic passages with flair, while the strings provide a spirited accompaniment. 

Then the strings take center stage – in arrangements for string quartet — bringing a yearning melancholy to the slow Andante movement of Brandenburg Concerto No. 2, BWV 1047, and energy and excitement to Brandenburg Concerto No. 3, BWV 1048.

The program closes with our popular chorale sing-along, “Befiehl du deine Wege” (Commend Your Ways), BWV 271. I will introduce the piece and the text, and my sister, soprano Barbara Fischer, will sing it — with Mark on the organ.

We encourage viewers to sing along by following the chorale sheet music, which will be displayed on the computer screen.

Do you have a question for the performers? Would you like to listen in as they chat about the program? Please join us for a half-hour live Zoom post-concert reception tonight, March 17, at 7 p.m. The link is posted on the Just Bach website: https://justbach.org/concerts/

As regular performers on Luther Memorial Church’s weekly “Music at Midday” concert series, Just Bach presents half-hour programs starting at 8 a.m. on the third Wednesday of each month and then remain posted. Remaining dates this semester: March. 17, April 21, and May 19. Our concerts are posted on the Just Bach and Luther Memorial YouTube Channels: https://www.youtube.com/channel/UCcyVFEVsJwklHAx9riqSkXQ

Viewing the concerts is free, but we ask those who are able, to help us pay our musicians with a tax-deductible donation at: https://justbach.org/donate/

Today’s performers include members of the Madison-based early music group Sonata à Quattro (below in photo by Barry Lewis) and are: Christine Hauptly Annin and Aaron Yarmel, violin; Marika Fischer Hoyt, viola; Charlie Rasmussen, cello; Mark Brampton Smith, organ; and Barbara Fischer, guest soprano.

Dave Parminter is the videographer and Barry Lewis is the photographer.


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The Madison Early Music Festival joins the UW-Madison School of Music’s regular program and undergoes a major revamping. There will be no more separate summer events, and the two directors will retire next spring

March 10, 2021
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By Jacob Stockinger

After refining the format over the past 20 years, the Madison Early Music Festival (below) has grown into a popular event that is recognized regionally, nationally and internationally. It usually takes place for about 10 days in July.

But no longer.

The Ear has received the following updates from the two co-founders and co-directors, singers Cheryl-Bensman Rowe and UW-Madison Professor Paul Rowe.

Curiously, no reasons or causes are given for the major changes and revamping, or for the cancellation of the event this summer.

The Ear suspects it has something to do with the lack of funding and the reorganizations and consolidations being carried out because of the budgetary effects of the coronavirus pandemic on the UW-Madison, the whole UW System and the performing arts scene in general.

But that could be completely wrong. We will probably find out more details in the near future.

For more information and background, go to: https://www.music.wisc.edu/2021/02/01/memf-school-of-music-announce-administrative-partnership/

And to sound off, please leave your reactions to the news in the comment section.

Here is the letter from the Rowes (below, in a photo by Katrin Talbot):

Dear MEMF Supporters,

It is difficult to believe that February is over and spring is on its way. We hope everyone is having luck scheduling coronavirus vaccines, and that you have all stayed healthy throughout this past year. 

We are writing to give you advance notice of the latest MEMF news before you read it in an upcoming press release.

Due to programming realignment in the UW-Madison Division of the Arts, the Madison Early Music Festival will become a program of the Mead Witter School of Music, which will be our new administrative home.

After much discussion with the Director of the School of Music and the Interim Director of the Division of the Arts, the details of the move have been finalized. 

The School of Music is excited to bring MEMF into its programming, and would like MEMF to be an integral part of the academic year so more students can have an opportunity to work with professionals in the field of early music.

At this point, in order to focus on this goal, the decision has been made to discontinue the summer festival in its current (pre-pandemic) format.(You can hear a sample of that in the YouTube video at the bottom.)

We know this is disappointing news, but at the same time we are excited that MEMF concerts, lectures and classes will now be offered in some capacity throughout the year. 

Although MEMF will be taking a different direction than the one we have all known and loved over the past 20 years, we are thrilled that it will continue to provide early music learning and presentation opportunities through this new collaboration.

We also want to announce that the two of us will be retiring from MEMF in the spring of 2022 and new leadership will take the helm. 

Current plans are to present a celebratory MEMF concert and workshop next spring with School of Music students and faculty and former MEMF participants and faculty.

We want all of you to know that we appreciate everything you have done for MEMF. Some of you have been involved for 21 years! 

We are grateful for your support, the friendships we have made, and all the beautiful music we have heard and made together. The success of the festival would not have been possible without each and every one of you.

This is an exciting new journey for MEMF, although different from what we have known and experienced. We hope that you will continue to be involved in MEMF in its new format, and we hope to see you in the spring of 2022!

Thank you for all your generosity in so many ways,

Cheryl Bensman-Rowe and Paul Rowe, co-founders and co-artistic directors of the Madison Early Music Festival


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Just Bach will release its FREE online concert for this month on this Wednesday, Feb. 17, at 8 a.m. The program features a virtuosic violin and harpsichord sonata and a sing-along cantata chorale

February 16, 2021
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By Jacob Stockinger

The Ear has received the following announcement to post from violist Marika Fischer Hoyt of the group Just Bach:

February greetings from Just Bach!

We hope this finds you all well, keeping warm and ready to experience more of the timeless beauty of Bach’s music.

As regular performers on Luther Memorial Church’s weekly “Music at Midday” concert series (below, in a photo by Barry Lewis), Just Bach presents half-hour programs on the third Wednesday of each month. This semester’s dates: Jan. 20, Feb. 17, March 17, April 21 and May 19.

Our concerts are FREE and online indefinitely once they are released at 8 a.m. They are posted on the Just Bach and Luther Memorial YouTube Channels.  

https://www.youtube.com/channel/UCcyVFEVsJwklHAx9riqSkXQ

Concert viewers are invited to a 30-minute live Zoom Post-concert reception on this Wednesday, Feb. 17,at 7:30 p.m. Those who would like to join us and chat with the performers can follow this link: https://us02web.zoom.us/j/84516271617?pwd=THR5bTFwRkh0VTBIWDlzR2VxSGIrUT09

Viewing the concerts is free, but we ask those who are able, to help us pay our musicians with a tax-deductible donation. https://justbach.org/donate/

Our February concert opens with Just Bach co-founder, Grammy-nominated soprano and UW-Madison graduate student Sarah Brailey (below), providing welcoming remarks.

The program offers the sonata for that belongs to a set of six that Bach wrote for violin and harpsichord. 

Violinist Kangwon Kim (below left, in a photo by Dave Parminter) and harpsichordist Professor John Chappell Stowe (below right), of the UW-Madison, join forces for a performance of the Sonata No. 6 in G Major, BWV 1019. 

This five-movement work includes an extraordinary middle movement for solo keyboard — a jaunty Allegro in E minor that has more attitude than any Allegro has a right to!

Sarah closes the program with the final chorale from Cantata 159, “Jesu, deine Passion ist mir lauter Freude” (Jesus, Your passion is pure joy to me), which you can hear in the YouTube video at the bottom.

We encourage viewers to sing along by following the chorale sheet music, which will be displayed on the computer screen as Sarah sings and Professor Stowe accompanies on the organ.

The videographer is Dave Parminter.

For more information, contact Marika Fischer Hoyt, a co-founder and performer, at the Just Bach Concert Series: justbach.marika@gmail.com

Here are more links, including a preview with the Allegro movement in the last one:

https://justbach.org

facebook.org/JustBachSeries

youtube.com/channel/UCcyVFEVsJwklHAx9riqSkXQ?

 


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This Friday night the Verona Quartet performs an online concert of Brahms and Dvorak for the Wisconsin Union Theater. Plus, longtime music critic Jess Anderson has died

January 27, 2021
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ALERT: Jess Anderson (below), a longtime local music critic for Isthmus, an active participant in the local music scene and a veteran radio host of an early music program for WORT-FM 89.9, died this past Sunday. He was 85. When more information is known, The Ear will devote a blog post to Jess, who was also a friend.

By Jacob Stockinger

The Ear has received the following announcement to post:

The Wisconsin Union Theater’s Concert Series will continue this season with a performance by the Verona Quartet (below) on this Friday, Jan. 29, at 7:30 p.m. CST. It will be preceded by a question-and-answer session with the Quartet at 7 p.m. CST. 

The Quartet will perform two complete works: the String Quartet in A Minor, Op. 51, No. 2, by Johannes Brahms; and the famous String Quartet No. 12 in F Major, Op. 96, the “American,” by Antonin Dvorak. (In the YouTube video at the bottom, you can hear the Verona Quartet perform the familiar last movement of the string quartet by Dvorak.) 

The Verona Quartet rose to international fame by sweeping top prizes at competitions, including the Chamber Music America’s Cleveland Quartet Award in 2020.

Hailing from four different parts of the world, differences unify the Quartet’s members and music. Its music aims to show how diverse experiences can come together in harmony.

“The Verona Quartet brings fresh approaches to classical music masterpieces,” says Wisconsin Union Theater director Elizabeth Snodgrass (below). “The Quartet has risen to become one of the world’s most sought-after string quartets. We are honored to include them in our Concert Series season.”

Ticket purchase information can be found here. Tickets for this virtual online event are $10 for UW-Madison students, $17 for Wisconsin Union members and students who do not attend the UW-Madison, and $20 for all other patrons.

Ticket buyers will receive an email from approximately 2 hours before the event begins that contains the link to view the performance. 

Anyone who purchases a ticket within 2 hours of the event’s start time will receive their link in their confirmation email immediately following their purchase. Only 1 ticket per household is needed to view this concert. 

The link will remain active until Friday, Feb. 5, at 9:30 p.m. (CST) to view whenever you would like.

This performance will include the Quartet’s regular violinists Jonathan Ong and Dorothy Ro, and violist Abigail Rojansky.

But due to challenges related to the coronavirus pandemic, Quartet member and cellist Jonathan Dormand will not be part of the event. Instead, cellist Dmitry Kouzov (below top) will perform the string quartet by Brahms and cellist Annie Jacobs-Perkins (below bottom, in a photo by C. Tihms Van Velden) will perform the string quartet by Dvorak.

The Verona Quartet’s performance is made possible by the David and Kato Perlman Chamber Music Endowment Fund, with additional support from the Wisconsin Arts Board with funds from the State of Wisconsin and the National Endowment for the Arts.

An additional Concert Series performance will take place on Sunday, Feb. 28, at 7:30 p.m. CDT and features the Meccore Quartet.

For more than 75 years, the Wisconsin Union Theater has served as a cultural center for community members and visitors and provides a variety of performing arts events.

The Theater’s Concert Series began more than a century ago and is one of the oldest uninterrupted series of its kind in the United States.

The Wisconsin Union Theater team presents the Concert Series in collaboration with the student-led Wisconsin Union Directorate (WUD) Performing Arts Committee.

The Theater team strives for all of its spaces to be accessible, and those that need accommodations can reach out by email to the Wisconsin Union Theater team at: wisconsinuniontheater@union.wisc.edu

For more information about the Verona Quartet, including how to purchase tickets, visit union.wisc.edu/events-and-activities/event-calendar/event/verona-quartet.  

 


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Due to popular demand, Wisconsin Youth Symphony Orchestras (WYSO) opens its FREE virtual master classes to the public. Today features the violin and Monday features the bass

January 10, 2021
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By Jacob Stockinger

The Wisconsin Youth Symphony Orchestras (WYSO) welcomes back two distinguished and successful alumni this weekend to teach the fifth and sixth master classes in an ongoing series that has already wowed observers. (WYSO alumni are noted below with an asterisk.)

Each virtual event is free and open to the general public with registration required in advance.

“The series has been so fabulous that, due to popular demand, we’ve opened up the events to anyone who wants to attend,” says Susan Gardels, marketing and communications director for WYSO. 

TODAY – Sunday, Jan. 10 — from 5:30-7:30 p.m. CST Derek Powell, a violinist with the National Symphony Orchestra in Washington, D.C., will coach four WYSO violin members in a two-hour master class.

This will be followed the next evening with a master class coached by Scott Pingel, Principal Bass with the San Francisco Symphony Orchestra (Monday, Jan. 11, 6:30-8:30 p.m. CST).

A master class presents a one-on-one opportunity for a student musician to learn from a guest artist with an audience invited to observe the process.

In previous master classes in this series, the audience has learned instrument performance techniques and musical interpretation tips from a wide variety of guest artists who professionally play music around the world.

With the master classes presented in an intimate Zoom setting, the audience learns along with the student— and it is amazing to see the sudden growth in a student’s musical prowess as a master class proceeds.

Derek Powell’s bio includes his experience with the New World Symphony where Powell (below) performed as concertmaster with famed conductor Michael Tilson Thomas and as a violinist with the Army Strings, as well as his current experience with the National Symphony Orchestra. 

Scott Pingel (below) was a trumpet player in his WYSO days with a side love for electric bass. Pingel switched to concert bass as an undergraduate at UW-Eau Claire, continued studies at the Manhattan School of Music, and played with the New World Symphony and the Charleston Symphony before joining the San Francisco Symphony as Principal Bass in 2004. He recently created buzz by playing with Metallica in a packed house with the San Francisco Orchestra.

For more information, go to: WYSO Amazing Masterclass Series

Here are details and links to register:

*Derek Powell, Violin Master Class

TODAY, Sunday, Jan. 10, 5:30-7:30 p.m. CST

Free and open to the public

Click here to register in advance

_______________________________

*Scott Pingel, Bass Master Class

Monday, Jan. 11, 6:30-8:30 p.m. CST

Free and open to the public

Click here to register in advance

Here are is a schedule of future WYSO alumni master classes:

Katherine Steele (below), oboe 
Sunday, Jan. 17, 6-8 p.m. CST
(Principal Oboe, Milwaukee Symphony Orchestra) https://wysomusic.org/katherine-steel-masterclass/

James Shields (below), clarinet
Sunday, Jan. 24, 7-9 p.m. CST
(Principal Clarinet, Oregon Symphony Orchestra)
Read more about James Shields

*Nancy Goeres (below), bassoon
Sunday, Feb. 7, 6-8 p.m. CST
(Principal Bassoon, Pittsburgh Symphony Orchestra)

Danbi Um (below), violin
Sunday, Feb. 21, Time TBD
(Soloist, member Chamber Music Society of Lincoln Center)

Megumi Kanda (below), trombone
Sunday, Feb. 28, 5:30-7:30 p.m. CST (Principal Trombone, Milwaukee Symphony Orchestra)

David Perry (below), violin
Sunday, March 7, 6-8 p.m. CST
(First Violin, UW-Madison Pro Arte Quartet and UW-Madison Music Professor)

Naha Greenholtz (below), violin
Sunday, March 28, 6-8 p.m. CST
(Concertmaster, Madison Symphony Orchestra and Quad Cities Symphony Orchestra)

*Sharan Leventhal (below), violin
Sunday, April 11, 6-8 p.m. CST
(Boston Conservatory)

For more information, go to https://wysomusic.org or call (608) 733-6283.


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Salon Piano Series cancels the rest of this season but offers a free monthly video from past concerts

December 13, 2020
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PLEASE HELP THE EAR. IF YOU LIKE A CERTAIN BLOG POST, SPREAD THE WORD. FORWARD A LINK TO IT OR, SHARE IT or TAG IT (not just “Like” it) ON FACEBOOK. Performers can use the extra exposure to draw potential audience members to an event. And you might even attract new readers and subscribers to the blog.

By Jacob Stockinger

The Ear has received the following announcement from the Salon Piano Series that take place at Farley’s House of pianos:

Dear friends,

How we’ve missed seeing you, since last we were able to gather – in February, for pianist Shai Wosner (below, in a photo by Marco Borggreve) and his recital of heart-stopping Schubert, Scarlatti, Rzewski and Beethoven.

Since then, our pianos have sat silent, waiting for the day we can safely reopen and welcome you back.

For now, although it breaks our hearts, we do need to stay dark through the rest of the 2020-21 season, for everyone’s safety. Our highest priority is the well-being of our artists, audience and staff.

But rest assured that we are rescheduling all of our postponed performances:

Drew Petersen (below) (https://www.brownpapertickets.com/event/4275242) will perform next October.

Jazz great Bill Charlap (below) (https://www.brownpapertickets.com/event/4275248) will perform in June.

We are working to schedule Sara Daneshpour, violinist Rachel Barton Pine, Niklas Sivelov and John O’Conor over the next two seasons.

In the meantime, while we can’t gather in person, we’re pleased to announce the launch of a monthly video series featuring some of our past and upcoming artists.

December brings us the incomparable Shai Wosner  and in January, Adam Neiman (below).

During these uncertain times, we appreciate remembering time spent together enjoying music.

Please take a break from your day to see and hear Shai Wosner (below) performing Domenico Scarlatti’s Sonata in C Minor, K. 230, and Frederic Rzewski’s Nano Sonata No. 12.

The video was recorded live at Farley’s House of Pianos as part of the Salon Piano Series on Feb. 23, 2020.

Click here or at the bottom for the YouTube video: https://www.youtube.com/watch?v=-MCxr5ioV4o&feature=youtu.be

Last March, Shai Wosner released a 2-CD album (http://www.shaiwosner.com/recordings.html) of Schubert late piano sonatas. The album’s producer is nominated for a Grammy Award for the album.

Over the years, you have supported the intimate Salon Piano Series with your attendance, individual sponsorships and donations (https://salonpianoseries.org/donate).

We look forward to bringing you more world-class musical performances in our unique salon setting again soon.

In the meantime, these performances are a way to recapture the live concert experience, including commentary from artistic director Tim Farley, with videography by Tom Moss.

Those on our e-newsletter list, available at our website at https://salonpianoseries.org/contact.html, will receive a video link each month, and the videos are also available on our social media channels.

Stay safe, stay healthy and keep listening.

Sincerely,

The Salon Piano Series Board of Directors

 


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UW-Madison Symphony Orchestra gives a FREE hybrid online concert this Thursday night by mixing both recorded and live performances

November 18, 2020
1 Comment

PLEASE HELP THE EAR. IF YOU LIKE A CERTAIN BLOG POST, SPREAD THE WORD. FORWARD A LINK TO IT OR, SHARE IT or TAG IT (not just “Like” it) ON FACEBOOK. Performers can use the extra exposure to draw potential audience members to an event. And you might even attract new readers and subscribers to the blog.

By Jacob Stockinger

One of the most interesting and innovative responses to the limitations imposed on live concerts by the coronavirus can be heard this Thursday night, Nov. 19, at 8 p.m.

That is when the UW-Madison Symphony Orchestra – playing under the baton of director Oriol Sans in the Mead Witter Foundation Concert Hall of the Hamel Music Center — will perform a short concert that features both live performances and pre-recorded performances in the same piece.

The reason for the hybrid is public health precautions, the same reason why no in-person audience will be allowed.

String players can play with masks and social distancing, as the same orchestra showed in a previous virtual concert (below) this semester.

But brass and woodwinds prohibit wearing masks and involve the spraying or draining of saliva – an obvious risk for the spread of COVID-19.

So, presenting the full symphonic experience of the Beethoven piece will be accomplished by a combination of pre-recorded and live music, all performed by UW-Madison Symphony Orchestra musicians. 

The concert will last about 90 minutes with no intermission.

Here is a direct link to the YouTube channel of the UW-Madison Mead Witter School of Music: https://youtu.be/af6hjmW1cQw

The program is:

“Fuga con Pajarillo” (Fugue with Pajarillo Dance) by the Venezuelan composer Aldemaro Romero (below, 1928-2007), who was known for blending folk songs and dances with classical music. You can hear the string version of the orchestral piece in the YouTube video at the bottom.

https://en.wikipedia.org/wiki/Aldemaro_Romero

The famous Allegretto second movement from Symphony No. 7 in A Major, Op. 92, by Ludwig van Beethoven (1770-1827)

“Ancient Airs and Dances, Suite III” by the Italian composer Ottorino Respighi (below, 1879-1936)    

    I. Anon.: Italiana

    II. Jean-Baptiste Besard: Arie di corte

    III. Anon.: Siciliana

    IV. Lodovico Roncalli: Passacaglia

For more information about the program and the names of the student performers, go to: https://www.music.wisc.edu/event/uw-madison-symphony-orchestra-3/

 


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