The Well-Tempered Ear

Classical music: The second LunART Festival will spotlight women in the performing and creative arts. Here is Part 2 of 2 with more about new music, comedy and a full schedule

June 3, 2019
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ALERT: The second Van Cliburn Junior Piano Competition resumes today — Monday, June 3 — in Dallas at 2:20 p.m. CDT. The young players range from 13 to 17 and come from around the world, and they are terrific. Plus the quality of the live streaming is outstanding, especially for the camera work of the keyboard. It’s all FREE. If you want to see it, here is a link: https://www.cliburn.org. You might also be interested to know that among the jurors are Alessio Bax, who has performed in Madison at Farley’s House of Pianos, and Philippe Bianconi, who has soloed several times with the Madison Symphony Orchestra.  All that and you get to vote for the Audience Award too! 

By Jacob Stockinger

The Ear has received a long and detailed announcement about the upcoming second LunART Festival. Here is Part 2 of two parts with more information about new music, comedy and a schedule of events. Yesterday was Part 1 — a link is below — with background and participants. 

https://welltempered.wordpress.com/2019/06/02/classical-music-starting-wednesday-the-second-lunart-festival-will-again-spotlight-women-in-the-performing-and-creative-arts-here-is-the-first-of-a-two-part-preview/

The LunART Festival, co-founded and co-directed by Iva Ugrcic and Laura Medisky, is back for its second season from this Wednesday, June 5, through Sunday, June 9, and will continue its mission of supporting, inspiring, promoting and celebrating women in the arts.

The 2019 season brings 10 events to eight venues in the Madison area, providing accessible, high-quality, engaging concerts and events with diverse programming from various arts fields.

The festival will showcase over 100 artists this season, including many familiar local artists and performers as well as guest artists hailing from Missouri to Texas, Minnesota to Florida and as far away as Peru.

LunART’s 2019 call for scores was open to women composers of all ages and nationalities, and received an impressive 98 applicants from around the globe. Scores were evaluated by a committee of 17 LunART Festival musicians and directors, and three works were selected to be performed at each of the Gala concerts.

The winning composers are Eunike Tanzil (below top), Edna Alejandra Longoria (below middle) and Kirsten Volness (below bottom). All three will be in attendance at the festival. (In the YouTube video at the bottom, you can hear a piece for cello and piano, with the composer playing the piano, by Eunike Tanzil.)

The “From Page to Stage: Emerging Composers” educational program also returns, bringing six composers to Madison to work with flutist and composer-in-residence Valerie Coleman (below).

During the festival she will mentor participants in developing practical skills to express their creative ideas, cultivate relationships with performers and master the art of collaboration. The program culminates with a free public concert featuring their music on Saturday, June 8, at 2 p.m. in the Capitol Lakes Grand Hall, 333 West Main street, downtown and two blocks from the Capitol Square.

On Friday, June 7 at Overture Center in Promenade Hall, Meaghan Heinrich (below) presents her pre-concert lecture, “Portrait of the Artist as a Young Woman,” which explores what it means to be a woman artist in the 21st century, and how women’s experiences shape their artistic expressions.

Following the Friday gala concert is “Holding Court,” this season’s Starry Night event at Robinia Courtyard. This all-women comedy show features Midwestern comics Vanessa Tortolano (below top), Chastity Washington (below bottom), Vickie Lynn, Samara Suomi and Cynthia Marie who are blazing a trail of funny that will leave you gasping in their wake.

“The Multi-faceted Artist” panel discussion is for anyone interested in the ongoing trend and need for artists to wear multiple hats to succeed and thrive.

Coleman (composer and flutist) and Dr. Linda DiRaimondo (psychiatrist and aerial dancer, below top on top) serve as panelists along with Katrin Talbot (violist, poet and photographer, below bottom in a photo by Isabel Karp), and will lead the discussion on Saturday, June 8, at the downtown Madison Public Library’s Bubbler Room.

The festival wraps up on Sunday, June 9, from 10 a.m. to noon at Common Ground, 2644 Branch Street in Middleton, with “Mooning Around” poetry reading and artist mixer, featuring a performance of “One for Mileva Maric (Einstein)” by Andrea Musher, with special guests Sarah Whelan and Jackie Bradley, and poetry readings by The Line-Breakers: Andrea Potos (below), Eve Robillard, Rosemary Zurlo-Cuva and Katrin Talbot.

Everyone is welcome to come enjoy their morning coffee and pastries while making creative connections with other artists.

LunART Festival is supported by Dane Arts, the Madison Arts Commission, the Wisconsin Arts Board and the Open Meadows Foundation; it also won first place at the 2018 National Flute Association C.R.E.A.T.E. Project Competition and second prize at the 2018 UW Arts Business Competition.

Schedule of 2019 Festival events:

Wednesday, June 5

  • 6-8 p.m.: “Women Against Hate United by Love” exhibition opening reception @ Rotunda Stage, Overture Center for the Arts (free event)

Thursday, June 6

  • 9 a.m.-Noon From Page to Stage composition master class with Valerie Coleman @ First United Methodist Church (free event)
  • 7 p.m.: Opening Gala Concert @ Maiahaus (402 E. Mifflin St.) (Tickets: $20 general/$10 students)

Friday, June 7

  • 6 p.m.: “Portrait of the Artist as a Young Woman” pre-concert lecture by Meaghan Heinrich (free event)
  • 7 p.m.: “Portraits of Josephine” Gala Concert @ Promenade Hall, Overture Center for the Arts (Tickets: $20 general/$10 students)
  • 9 p.m.: Starry Night: “Holding Court” All-Women Comedy Show @ Robinia Courtyard (Tickets: $7 in advance/$10 at the door)

Saturday, June 8

  • 10 a.m.-Noon: “The Multi-faceted Artist” Panel Discussion @ Madison Public Library Bubbler Room (free event)
  • 2 p.m.: From Page To Stage: Emerging Composers Concert @ Capitol Lakes Grand Hall (free event)
  • 7 p.m.: “Gaia” Closing Gala Concert @ First Unitarian Society of Madison Atrium Auditorium (Tickets: $20 general/$10 students)

Sunday, June 9

  • 10 a.m.-Noon: “Mooning Around” poetry reading and artist mixer @ Common Ground, 2644 Branch St., Middleton (free event)

More information can be found at lunartfestival.org

video


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Classical music: The Ancora String Quartet closes its 18th season with three upcoming local concerts of music by Mendelssohn, Beethoven and Caroline Shaw

May 12, 2019
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By Jacob Stockinger

The Ancora String Quartet closes its 18th season with a trio of concerts, and a program featuring two quartets from the early 19th century, juxtaposed with a shorter piece of much more recent date.

The program is the String Quartet No. 2 in A Minor, Op. 13, by Felix Mendelssohn; “Entr’acte” (Minuet and Trio) by Caroline Shaw; and String Quartet No. 6 in B-Flat Major, Op. 18, No. 6, by Ludwig van Beethoven.

The schedule of concert dates, times and venues is below.     

Members of the Ancora String Quartet (below, from left, in a photo by Barry Lewis), who also perform with the Madison Symphony Orchestra, the Wisconsin Chamber Orchestra and the Madison Bach Musicians among other groups, are: Wes Luke and Robin Ryan, violins; Marika Fischer Hoyt, viola; and Benjamin Whitcomb, who teaches at the University of Wisconsin-Whtewater.

Here are some program notes provided by violist Marika Fischer Hoyt:

“Mendelssohn’s Op. 13 was written in 1827 when he was 18 years old. He’d written the Octet two years earlier, but this was his first mature string quartet. It expresses his youthful passion and includes one of his signature bubbly scherzos.

“Between our two more-established works, we insert a short piece entitled (appropriately enough) “Entr’acte” (“Intermission,” heard in the YouTube video at the bottom), composed by the American Pulitzer Prize-winning composer Caroline Shaw (below, in a photo by Dashing Burton) in 2011. (It is one of The Ear’s favorite contemporary works.)

The 12-minute piece, subtitled “a minuet and trio,” takes haunting fragments and memes from Baroque and Classical styles and treats them with 21st-century audacity. With an ABA structure, the opening and closing sighing motif seems dolorous, but takes its own sadness in a philosophical spirit.

“While both the Mendelssohn and Shaw end quietly, we conclude the program with Beethoven’s exuberant Quartet No. 6, the final quartet in the composer’s set of six early quartets, his Opus 18. This delightful work, completed in 1800, is full of energy and drive; the melancholy mood of the brief fourth movement “La malinconia” (Melancholy) is banished by a cheerful Allegretto, ending with a flourish in the final Prestissimo.”

SCHEDULE

Monday, May 13, at 3 p.m. in the Stoughton Opera House‘s Music Appreciation Series, 381 East Main Street, Stoughton. Free and open to the public

Tuesday, May 14, 7:30 p.m. at St. Andrew’s Episcopal Church, 1833 Regent Street, Madison. Ticketed event — $15 for adults, $12 for seniors and $6 for young people. There will be a reception following the concert.

Saturday, June 15, at noon in Grace Episcopal Church for “Grace Presents,” 116 West Washington Avenue, on the Capitol Square in downtown Madison. Free and open to the public.


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Classical music: The Well-Tempered Ear surpasses 2 million hits. Thank you, all!!

March 18, 2019
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By Jacob Stockinger

For a variety of reasons, The Ear has not posted anything new in a few days.

That is unusual for this blog.

Some of the reasons were personal.

But the largest reason simply had to do with success and marking a milestone.

Last week, the blog The Well-Tempered Ear surpassed 2 million hits.

Fittingly, the historic moment came while The Ear was attending the outstanding concert by the Madison Symphony Orchestra that featured three of its principal players.

In the beginning, when The Ear started the blog at the request of the Wisconsin Union Theater, such a landmark was never expected and seemed wholly unattainable.

But email subscriptions grew and readership grew – the blog is now read around the world – and such success is even more gratifying than surprising.

So The Ear wants to thank all of his readers and especially his many subscribers as well as the many musicians and presenters who have cooperated and made this endeavor a success.

He has spent the past few days wondering what piece of music he could post that would express his gratitude.

Sad to say, no one piece came to mind.

So he will simply say a huge and heartfelt THANK YOU to all his loyal readers and followers.

He will add that he welcomes comments and suggestions about the contents of the blog and about what piece of music should be posted to celebrate getting 2 million hits!

Again, thank you.

And continued happy reading.


Classical music: Today is Thanksgiving Day, 2017. The Ear gives thanks for music with Beethoven’s own unforgettable hymn of thanksgiving

November 23, 2017
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By Jacob Stockinger

Today is Thanksgiving Day, 2017.

That means it is a good time to recognize and be grateful for — music.

As Franz Schubert once said, “Anyone who loves music cannot be quite unhappy.”

That’s not a surprising sentiment, of course, coming from a composer with so much humanity and empathy who wrote the song “An die Musik” (To Music).

The Ear finds what Schubert said to be true and has many things to be thankful for, including you, his readers.

He also gives thanks for all the people who make music possible from the composer to the audiences, from the performers to the presenters, from the stagehands to the tuners and so many more.

Presenting music is a lot more complex and collective or cooperative than many realize, and those who make it happen should not be taken for granted.

So what is the best way to express one’s gratitude and thanks for music?

In one of the often perplexing late string quartets by Ludwig van Beethoven (below), a tuneful and accessible and unforgettable sacred or holy song of thanksgiving, written in the Lydian mode, suddenly bursts forth.

Beethoven composed it after he had survived a serious health crisis that he feared would prove fatal. The irony is that he recovered and composed the quartet, then died only two years later.

Still, it seems a perfect way to mark this day.

So in the YouTube video at the bottom is the “Heiliger Dankgesang” from Beethoven’s String Quartet in A minor, Op. 132, with a colorful bar graph that helps the listeners to visualize the structure of this special piece of music:

What piece of music would you name to express being thankful?


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