The Well-Tempered Ear

Wisconsin Youth Symphony Orchestras (WYSO) will build a new $25 million home on East Washington Avenue

June 24, 2021
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By Jacob Stockinger

The Ear has received the following major announcement to post:

The Wisconsin Youth Symphony Orchestras (WYSO) has announced plans to construct a new $25 million-building in the 1100 block of East Washington Avenue in Madison, Wisconsin.

The new home will occupy three lots and will replace the historic Avenue Bar (below)

The new music center will continue WYSO’s vision to expand instrumental music education and performance opportunities for young people of diverse backgrounds and inspire excellence and a lifelong connection to music.

More than 500 young musicians from communities throughout southern Wisconsin currently participate in WYSO’s programs. 

This 500 percent growth in student numbers since the organization’s founding is driving the need for facilities large enough to support both the organization’s programs and its mission of providing transformational musical experiences and opportunities.

For more information about WYSO, go to its home website: https://wysomusic.org

The purchase of the property and the kick-off of WYSO’s capital campaign have been made possible by two lead gifts totaling $18 million from Pleasant Rowland and Jerry Frautschi, who have long been supporters of the organization. 

The planned 40,000 sq. ft- building will provide state-of-the-art rehearsal spaces sized for full orchestras; a room designed for percussion including a world-class array of percussion instruments; rehearsal rooms perfect for ensembles and chamber music; a piano laboratory; and small teaching studios for private lessons.

The building will also hold all of WYSO’s current orchestra and Music Makers programs, administrative offices, a music library— and provide opportunity to grow. 

But the building will NOT contain public performance spaces. WYSO will continue to rent and use venues that already exist.

Since the fall of 2020, the organization – which used to be located in the UW-Madison School of Music — has been without a home base and has pieced out its program in different facilities throughout the Madison area. (In the YouTube video at the bottom, you can hear the WYSO Youth Orchestra give a virtual and socially distanced performance last year of the finale of Rossini’s Overture to “William Tell.”) 

This new building will allow all of WYSO’s programs to thrive under a single roof and provide the space, location, resources and connections necessary for WYSO to become a key collaborator in a growing youth arts community.

WYSO’s new home will be around the corner from the newly constructed Madison Youth Arts (My Arts), creating a vibrant youth arts synergy on the near east side. (An architect’s renderings of the exterior and interior theater are below.)

Located on a major transit corridor for easy access with adequate parking, the building will be in proximity to area performing arts venues, with space for WYSO’s programs and community events. 

Says WYSO’s Executive Director Bridget Fraser: “Thanks to the incredible generosity of Pleasant Rowland and Jerry Frautschi, musicians of all ages will have state-of-the-art rehearsal facilities to call home. It’s a dream come true!”

WYSO has partnered with Urban Assets, city planners with experience in real estate development; Strang, an integrated architecture, engineering, interior design and planning firm with a history of designing for the civic and cultural sectors; Talaske Sound, experts in architectural acoustics; and J.H. Findorff & Son, a local construction firm passionate about youth education and the arts. 


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Con Vivo woodwind quintet plays a FREE outdoor concert TONIGHT on Madison’s west side

June 12, 2021
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By Jacob Stockinger

The Ear wants to thanks the many readers who sent congratulations and best wishes to him on the return of his blog.

He also wants to post the following announcement:

Con Vivo! … music with life has been opening its 18th season of chamber music concerts with free concerts in city parks performed by CVQ — the con vivo! woodwind quintet (below). 

The last FREE performance will take place TONIGHT – Saturday, June 12 — at 7 p.m. at Rennebohm Park (below, the exterior and interior of the shelter), 115 North Eau Claire Ave., on Madison’s west side not far where the old state DMV building used to be.

The concert will include music by Aaron Copland, Louis Moreau Gottschalk, Franz Danzi and Beethoven.

The woodwind quintet is composed of flute, oboe, clarinet, bassoon and French horn.

The event is free and everyone is welcome. So bring a lawn chair or blanket, and join us for what will prove to be an enjoyable evening of live music!

For more information, visit www.convivomusicwithlife.org or call (608) 277-8087.

This project is supported in part by Dane Arts with additional funds from the Endres Mfg. Company Foundation; The Evjue Foundation, Inc., the charitable arm of The Capital Times; the W. Jerome Frautschi Foundation; and the Pleasant T. Rowland Foundation.


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The Willy Street Chamber Players give a free virtual concert this Sunday at noon. It will be posted until Dec. 31

November 14, 2020
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By Jacob Stockinger

The Ear has received the following announcement from The Willy Street Chamber Players (below), a relatively new group that is critically acclaimed for both its adventurous and eclectic, exploratory programming and for its outstanding performances of both the traditional repertoire and new music.

The Willy Street Chamber Players (WSCP) will play a virtual online concert this Sunday, Nov. 15, at noon CST.

Access to the “Beyond the Screen” concert is FREE and no registration is required. It will be available for free online until Dec. 31 on the group’s website. Here is a link to YouTube: https://youtu.be/j5Ved4FqYSQ

Listeners can visit the WSCP website or Facebook page Sunday at concert time for links to the 70-minute performance. Here is a link to the home website: http://www.willystreetchamberplayers.org

The dynamic WSCP program was recorded live, with masks and social distance, at the historic Gates of Heaven Synagogue (below, exterior and interior during the taping) in James Madison Park in downtown Madison.

The concert will premiere on Facebook live and YouTube, providing two ways to watch from the comfort and safety of your own home.

Members of WSCP will be on hand to interact with viewers in real time through the Facebook and YouTube virtual chat during the performance. They will provide spoken program notes.

Then, immediately following the concert, you can join WSCP members for a Q&A “reception” on ZOOM at 1:15 pm.

An RSVP required for Q&A

The concert program is:

Sonata for Violin and Cello (1922) by French composer Maurice Ravel (below)

“Allegro,” the first of Four Pieces for Solo Cello (1983) by Cuban-born composer Tania León (below), which you can hear in the YouTube video at the bottom.

https://en.wikipedia.org/wiki/Tania_León

Canción de Cuna Del Niño Negro (Cradle Song of the Black Baby, 1937) by Cuban composer Amadeo Roldán y Gardes (below), as arranged by Rachel Barton Pine.

https://en.wikipedia.org/wiki/Amadeo_Roldán

Heart O’ the Hills” from Appalachian Duets, Op. 38, No. 8 (2001) by American composer Maria Newman (below), who is the youngest daughter of famous Hollywood film composer Alfred Newman.

https://en.wikipedia.org/wiki/Maria_Newman

Duo for Violin and Cello, Op. 7 (1914), by Hungarian composer Zoltan Kodaly

 


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Classical music: The Library of Congress has commissioned new music about the coronavirus pandemic. You can listen to the world premieres from this Monday, June 15, through June 26

June 13, 2020
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By Jacob Stockinger

The U.S. Library of Congress (LOC, exterior is below top and interior is below bottom) has started a new artistic project relevant to a public health crisis in both a historical era and the current times.

The LOC has commissioned 10 different short works, experienced in 10 different performance videos recorded at their homes — that pertain to the coronavirus pandemic and COVID-19 from American composers and performers.

It is called The Boccaccio Project after the Renaissance poet Giovanni Boccaccio (below), a 14th-century Italian writer who wrote “The Decameron,” a series of stories told by 10 people who fled from Florence, Italy, to find refuge in the countryside during the Black Plague.

The musical works will start being premiered on weekdays this coming Monday, June 15, at the Library of Congress website. The works will also be broadcast on social media including Facebook, Twitter and YouTube.

The website, which now has a complete list of performers and works, will soon have a complete schedule of world premieres, running on weekdays from Monday, June 15, to Friday, June 26. Then the manuscripts will be transferred to the LOC archives.

Here is a link: https://loc.gov/item/prn-20-038/

Many of the names will be unfamiliar to the general public. But an excellent story about the background and genesis of the project, including music samples, can be found on National Public Radio (NPR), which aired the story Friday morning.

Here is a link to that 7-minute story (if you listen to it rather than read it, you will hear samples of the music): https://www.npr.org/2020/06/12/875325958/a-new-library-of-congress-project-commissions-music-of-the-coronavirus-pandemic

And here are some of the participants, who are noteworthy for their ethnic and geographic diversity:

Flutronix (below) includes flutist Allison Loggins-Hull, left, and composer Nathalie Joachim.

The work by composer Luciano Chessa (below top) will be performed by violist Charlton Lee (below bottom), of the Del Sol Quartet:

And the work by Damien Sneed (below top) work will be performed by Jeremy Jordan (below bottom):

The new project strikes The Ear as a terrific and timely undertaking — the musical equivalent of the photographic project, funded and staffed by the Farm Security Administration (FSA) during The Great Depression of the 1930s. That project yielded enduring masterpieces by such eminent photographers as Dorothea Lange and Walker Evans.

But several questions arise.

How much did the project cost?

Will the general public be able to get copies of and rights to these works to perform? One assumes yes, since it is a public project funded with public money.

And will this project give rise to similar projects in other countries that are also battling the pandemic? New art – literature, films, painting, dance and so on — arising from new circumstances seems like something that is indeed worth the undertaking.

Listen to them.

What works stand out for you?

What do you think of the project?

The Ear wants to hear.


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