The Well-Tempered Ear
Classical music: UW countertenor Gerrod Pagenkopf returns to sing on Sunday night with Chanticleer. Here’s how he got there with the right teacher, hard work, good luck and a push from mom. Part 2 of 2
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By Jacob Stockinger
This coming Sunday night, Oct. 6, at 7:30 p.m. in the new Hamel Music Center, the a cappella singing group Chanticleer (below) will kick off the centennial anniversary celebration of the Concert Series at the Wisconsin Union Theater.
Tickets are $45 for the public; $40 for faculty staff and Union members; and $10 for students. For more information about the performers and the “Trade Winds” program, go to: https://union.wisc.edu/events-and-activities/event-calendar/event/chanticleer/
Among the 12 members of Chanticleer is Gerrod Pagenkopf, who is in his fifth year with the group as both a countertenor and the assistant music director.
For a biography of Pagenkopf, go to: https://www.chanticleer.org/gerrod-pagenkopf
Pagenkopf is a graduate of the UW-Madison. When he performed as a student, his high, clear countertenor voice was a new experience and made those of us who heard him sit bolt upright and take notice. “He is going places,” we said to each. And so he has.
But Pagenkopf’s story is not only about him. It is also about the rediscovery of countertenors, about the changing public acceptance of them, and about the challenges that young musicians often face in establishing a professional performing career.
So The Ear is offering a longer-than-usual, two-part interview with Pagenkopf (below).
Part 1 appeared yesterday. Here is a link: https://welltempered.wordpress.com/2019/09/30/classical-music-uws-first-countertenor-gerrod-pagenkopf-returns-to-perform-on-sunday-night-as-a-member-of-the-acclaimed-choral-group-chanticleer-heres-how-he-got-from-here-to-there/
Here is Part 2:
Back when you were a student here, were you the only countertenor at the School of Music? How did you find out you were a countertenor and pursue that training?
As I recall, I was the only countertenor — certainly the only one studying in the voice department. I had been studying as a tenor with Ilona Kombrink (below, in photo by UW-Madison News Service) for a few semesters, and it just didn’t seem as easy as it was supposed to.
I didn’t sound like other tenors in my studio or on recordings. I remember that a famous countertenor had just come out with an album of Handel arias, and, upon hearing it, I thought to myself, “I can sing like that!”
I asked Professor Kombrink about it, and she told me to learn “Cara Sposa” from Handel’s “Rinaldo” over the summer. When I came back in the fall, if it sounded legitimate she agreed I could pursue countertenor singing.
I remember that first lesson of the fall. After I sang this Handel aria for her, she sat back and mused in her sage-like manner, “Yes, this must needs be.”
I never looked back. I think I was on the early edge of the re-emergence of countertenors. Certainly there were countertenors working professionally, but there weren’t that many. There weren’t any other countertenors in Houston when I went to grad school, and even when I moved to Boston, there were only a handful of working countertenors.
Since then, how has the treatment of countertenors changed in the academic and professional worlds?
By the time I left Boston a few years ago, you couldn’t throw a stone without hitting a countertenor. We now see young countertenors winning major competitions and earning places in young artist programs around the country. The competition is fierce now.
I was lucky enough to be one of just a few fish in the pond, but now countertenors are everywhere—and a lot of them are really good! I also remember that there was a stigma so that it would be difficult to find a voice teacher who would teach countertenors.
A lot of pedagogy books by reputable technicians said that countertenors weren’t real — they just sing in falsetto, which isn’t a real voice. I was lucky that Professor Kombrink was willing to explore that with me. I think now that there are so many successful countertenors singing everywhere, I hope this antiquated view of the voice type has changed.
What would you like the public to know about the program you will perform here? Are you featured in certain pieces?
Our “Trade Winds” program explores several different aspects of the wayfaring sailor. They include Monteverdi madrigals about water and nature; a wonderful mass setting by a largely unknown century Portuguese composer, Filipe de Magalhaes; several charming folksongs from around the Pacific Rim; and even a few sea shanties.
It’s a varied program that includes repertoire from as early as the 15th century up to just a few months ago. One of Chanticleer’s missions is to further the art of live music through new compositions, and we’ve commissioned a fantastic young Chinese-American composer, Zhou Tian (below), to write a new multi-movement piece for us, entitled “Trade Winds,” from which our program also gets its title.
Lots of listeners are scared of “new music,” but Zhou has given us a gem. It’s easy to listen to, and I think listeners will instantly understand what it’s all about.
What are your plans for the future?
Personally, I can’t say that I have anything coming up. As wonderful as Chanticleer is, the job pretty much limits any amount of outside freelance work. (At the bottom, you can hear Chanticleer singing “Shenandoah,” its most popular YouTube video – and a piece with a prominent countertenor part — with well over 1.6 million hits.)
One of the truly fantastic parts of singing in Chanticleer (below, performing on stage) is all the places we travel to. We started off this season with a three-week tour of Europe, which was actually the ensemble’s third trip to Europe in 2019.
We love traveling around the U.S., and as I’ve said, traveling back to Madison is certainly the highlight for me. The Midwest is always a special place for us to sing, as several of our members are from this region.
We’re very excited to travel to Australia in June 2020. I think it’s Chanticleer’s first visit “Down Under.” We will also be going back to the studio in January to record a new album for release sometime later in 2020. We have lots of exciting events coming down the pipeline.
Is there something else you would like to say?
Prior to singing with Chanticleer, I had been living in Boston for almost eight years, pursuing professional singing as a freelance artist.
To make ends meet, I had been working at Starbucks, which I actually started doing when I still lived in Madison, and my gigging was getting lucrative enough that I eventually decided to take a leave of absence from slinging lattes.
While I was in Wisconsin on Christmas vacation, I received a message from Chanticleer’s music director, William Fred Scott, letting me know that there was an immediate vacancy in the ensemble, and would I be interested in singing for them.
I thought I was being spammed, so I didn’t respond, and continued to enjoy the bliss of spending the entirety of the holidays with my family.
When I eventually got back to Boston a few days later, another email arrived from Mr. Scott: “Did you get my email? We’d really like to hear from you.” Ok, how do I tell them I’m clearly NOT the countertenor they’re looking for?
Well, after much soul-searching, calling my mother (“Just do it!” she exclaimed), and figuring out the logistics of liquidating a one-bedroom apartment, I decided to run away and join the circus. It was a complete leap of faith, but I think I made the right decision.
Don’t give up on your dreams. Singing in Chanticleer was the first legitimate dream I remember having. Although my musical path took me in several other directions, that path eventually led me to where I am today, and I wouldn’t trade it for the world.
Tags: #ACappella, #ACappellaMusic, #BarabooWisconsin, #BaroqueOpera, #BlogPost, #BlogPosting, #ChoralMusic, #ClaudioMonteverdi, #CommissionedMusic, #CountertenorSinger, #DoIt, #DownUnder, #FacebookPost, #FacebookPosting, #FalsettoVoice, #FilipedeMagalhaes, #folksongs, #GeorgeFridericHandel, #GerrodPagenkopf, #GiveUp, #GraduateSchool, #HamelMusicCenter, #HandelOpera, #Hard Work, #HardWork, #HomeWebsite, #IlonaKombrink, #JustDoIt, #LeapofFaith, #LiveMusic, #MadisonWisconsin, #MusicDirector, #NewMusic, #OperaAria, #PacificRim, #PortugueseComposer, #RunAway, #SchoolofMusic, #SeaChanty, #SeaShanty, #StarbucksCoffee, #TenorSinger, #TheMidwest, #TheU.S., #UnitedStates, #UniversityofWisconsin-Madison, #VocalMusic, #WilliamFredScott, #WisconsinUnionTheater, #YoungMusicians, #YouTubevideo, #ZhouTian, 15th Century, 15thCentury, a cappella, absence, acceptance, accessible, agree, Album, American, anniversary, antiquated, apartment, aria, Arts, assistant, audience, Australia, Baroque, bedroom, biography, bliss, blog, books, Boston, career, celebration, centennial, challenge, challenges, Chanticleer, charming, Chinese, Chinese-American, choral music, Christmas, circus, Classical music, Claudio Monteverdi, coffee, commission, Competition, composer, Composition, Concert, concert series, countertenor, country, decision, direction, do it, down under, dream, Early music, easy, email, ensemble, Europe, event, exciting, Facebook, faculty, falsetto, Family, famous, fantastic, fierce, Filipe de Magalhaes, fish, folksong, forward, freelance, gem, George Frideric Handel, Gerrod Pagenkopf, gig, give up, graduate, Graduate School, Hamel Music Center, Handel, hard, hits, Holiday, Holidays, home website, hope, Houston, Ilona Kombrink, immediate, Jacob Stockinger, January, just do it, latte, leap of faith, learn, leave, legitimate, like, limit, link, liquidate, listen, listener, live music, lived, logistics, look, lucky, lucrative, Madison, madrigal, major, manner, member, message, Midwest, mission, mom, Monteverdi, Mother, movement, muse, Music, Music director, musical, myself, new, New Music, opera, outside, Pacific Rim, path, pedagogy, perform, performer, performing, piece, pipeline, pond, popular, Portuguese, post, posting, professional, program, public, real, Recordings, rediscovery, region, release, repertoire, repertory, reputable, respond, right, Rinaldo, run away, sage, sailor, scared, School of Music, sea, sea chanty, sea shanty, Season, share, Shenandoah, singer, Singing, soul, spam, staff\, Starbucks, stigma, Student, studio, study, summer, tag, Teacher, technician, tenor, thought, tickets, tour, trade, Trade Winds, TradeWinds, travel, treatment, U.S., understand, United States, University of Wisconsin-Madison School of Music, University of Wisconsin–Madison, unknown, UW, UW-Madison, vacancy, vacation, varied, view, vocal music, voice, wayfaring, Website, week, William Fred Scott, Wisconsin, Wisconsin Union Theater, wonderful, work, working, world, young, YouTube, Zhou Tian
Classical music: The Karp family turns in a memorable and moving 40th annual Labor Day concert that also took listeners back in time
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By Jacob Stockinger
If you missed the free 40th annual Karp Family Labor Day Concert on Tuesday night in Mills Hall, you missed more than music. You missed the kind of event that makes for long and precious memories.
Sure, you can nitpick the program and the performers, who also included daughter-in-law violist Katrin Talbot (below right) and guest violinist Suzanne Beia (below left), who performs with the Pro Arte Quartet, the Madison Symphony Orchestra and the Wisconsin Chamber Orchestra.
You could ask, for example, which cello transcription worked better – the Violin Sonatina, Op. 100, by Dvorak or the Violin Sonata No. 10, Op. 96, by Beethoven. (The Ear votes for the Dvorak.)
And you could also ask which performer stood out the most. (The Ear thinks that is the great-grandmother and matriarch pianist Frances Karp playing in a Mozart piano quartet. At 90, Frances still possesses beautiful tone, the right volume and balance, and the necessary technical chops. They say there is nowhere to hide in Mozart, but Frances Karp did need any place to hide. Her Mozart was, simply, sublime.)
But, in the end, those kinds of questions and critiques really seem beside the bigger point.
What mattered most was the sheer enjoyment of hearing a family perform live some wonderful music by Mozart, Beethoven, Dvorak and Schumann (the passionate Adagio and Allegro in A-flat Major, Op. 70, played by Lynn Harrell in the YouTube video at the bottom).
And what mattered more as The Ear thought about it was the kind of time travel the concert involved.
There were two kinds, really.
One had to do with having watched the various performing Karps – clearly Madison’s First Family of Music – over four decades. It was touching to realize that The Ear has seen cellist Parry Karp, to take one example, evolve from son to husband to father to grandfather. And through it all, the music remained.
In today’s culture of short attention spans, that kind of constancy and persistence — through the inevitable ups and downs of 40 years — is something to celebrate, admire and cherish.
Time travel happened in another way too.
The Ear first watched Frances Karp accompany her son Parry (below top), then watched son Christopher Karp accompany his older brother Parry (below bottom). And it called to mind the days when – before radio or recordings – families made music together in their homes.
Historically, that’s how many great composers and much great music got started. Wolfgang Amadeus Mozart and Felix Mendelssohn played piano duets with their gifted sisters, Nannerl and Fanny, respectively. Jean Sibelius played duets with his sister. And there were surely many more. Hausmusik, or “house music,” played a vital role.
And this is how it felt at the traditional Karp family concert. We felt invited into a loving, close and gifted musical family who were performing as much for each other as for the audience.
We could use more of that.
The musical and the familial mixed so beautifully, so convincingly, that all one can say after the event is “Thank you” with the ardent wish to hear them again next year.
Tags: #AntoninDvorak, #AttentionSpan, #BlogPost, #BlogPosting, #BlogReview, #ChamberMusic, #ChristopherKarp, #FacebookPost, #FacebookPosting, #FannyMendelssohn, #FelixMendelssohn, #FirstFamily, #FrancesKarp, #HouseMusic, #JeanSibelius, #KarpFamily, #KatrinTalbot, #LaborDay, #LiveMusic, #LudwigVanBeethoven, #LynnHarrell, #MadisonSymphonyOrchestra, #MillsHall, #MusicReview, #NannerlMozart, #ParryKarp, #PianoAccompaniment, #PianoAccompanist, #PianoQuartet, #ProArteQuartet, #RobertSchumann, #SuzanneBeia, #ThankYou, #TheEar, #TimeTravel, #UniversityofWisconsin-Madison, #UpsandDowns, #ViolinSonata, #WisconsinChamberOrchestra, #WolfgangAmadeusMozart, #YouTubevideo, accompanist, accompany, adagio, admire, allegro, annual, Antonín Dvořák, ardent, ask, attention span, audience, balance, beautiful, Beethoven, blog, brother, celebrate, cellist, Cello, Chamber music, cherish, Christopher Karp, close, Concert, constancy, convincing, convincingly, critique, culture, daughter-in-law, decade, downs, duet, Dvorak, enjoyment, event, evolution, evolve, exposure, Facebook, familial, Family, Fanny Mendelssohn, father, Felix Mendelssohn, first family, forward, Frances Karp, free, gifted, grandfather, grandmother, Haus Musik, hausmusik, hide, historical, History, Holiday, Home, house music, husband, Jean Sibelius, Karp Family, Katrin Talbot, kind, Labor Day, like, link, listener, live, live music, long, Love, loving, Ludwig van Beethoven, Lynn Harrell, Madison Symphony Orchestra, matriarch, matter, memorable, memories, Mills Hall, miss, Mother, moving, Music, music review, musical, Nannerl Mozart, nitpick, nowhere, older, other, Parry Karp, Passion, passionate, performer, persistence, Pianist, Piano, Piano accompanist, Piano Quartet, place, play, Point, post, posting, precious, Pro Arte Quartet, program, Quartet, question, Radio, reader, recording, Recordings, Robert Schumann, share, short, sister, son, Sonata, sonatina, sublime, subscriber, Suzanne Beia, tag, technical, technique, thank you, The Ear, time, time travel, today, tone, tradition, traditional, transcription, travel, University of Wisconsin–Madison, ups, video, Viola, Violin, violinist, violist, volume, vote, watch, wish, Wolfgang Amadeus Mozart, wonderful, year, YouTube
Classical music: Here is a year-long list of concerts at the University of Wisconsin Mead Witter School of Music. They start Tuesday night with the 40th annual Karp Family Labor Day Concert
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By Jacob Stockinger
Get out your datebooks and calendars.
Here is a complete listing for major concerts and events at the University of Wisconsin Mead Witter School of Music during the new 2019-20 season.
The calendar starts with the FREE season-opening 40th annual Karp Family Labor Day Concert this coming Tuesday night, Sept. 3, at 7:30 p.m. in Mills Hall. The program features chamber music by Mozart, Beethoven, Schumann and Dvorak. For more information about the program and performers, go to: https://www.music.wisc.edu/event/40th-karp-family-concert/
Using the search engine on this blog, you could also consult whenever individual or group you want. You could print it out and have it in hand instead of the usual brochure, which will not be printed this year. See a previous blog post: https://welltempered.wordpress.com/2019/08/19/classical-music-the-uw-madison-school-of-music-will-not-have-a-complete-brochure-for-the-new-season-go-to-the-website-and-sign-up-for-an-email-newsletter-the-30th-karp-family-labor-day-concert-is-s/
Most concerts this season will take place in the new Hamel Music Center (below), which has a three-day opening celebration Oct. 25-27.
Please note that just a few programs are listed. For other programs, and for information about any admission charge, you can go to the School of Music’s home website closer to the event and click on Concerts and Events: https://www.music.wisc.edu/events/
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Tuesday, Sep 3, 2019 |
Karp Family Concert |
7:30 PM |
Mills Hall |
|
Sunday, September 29, 2019, |
Jessica Martin & John O’Brien – Nordic song recital |
4:00 PM |
Morphy Hall |
|
Monday, Sept. 30, 2019 |
Beth Wiese, Tuba, Guest Artist Recital |
7:30 PM |
Morphy Hall |
|
Friday, October 4, 2019 |
Pro Arte Quartet |
8:00 PM |
Mills Hall |
|
Sunday, Oct. 6, 2019 |
Chanticleer |
7:30 PM |
Mead Witter Hall |
|
Tuesday, Oct. 8, 2019 |
Wind Ensemble |
7:30 PM |
Mead Witter Hall |
|
Friday, October 11, 2019 |
UW-Madison Symphony Orchestra |
8:00 PM |
Mead Witter Hall |
|
Sunday, October 13, 2019 |
University Bands |
2:00 PM |
Mead Witter Hall |
|
Tuesday, October 15, 2019 |
Contemporary Jazz & Blue Note Ensemble |
7:30 PM |
Collins Hall |
|
Wednesday, October 16, 2019 |
Wisconsin Brass Quintet – Faculty Concert Series |
7:30 PM |
Mead Witter Hall |
|
Thursday, October 17 |
Jazz Faculty Quintet with special guest Michael Dudley, trumpet |
7:30 PM |
Collins Hall |
|
Monday, October 21, 2019 |
Afro-Cuban Jazz Ensemble and UW Jazz Orchestra |
7:30 PM |
Play Circle |
|
Tuesday, October 22, 2019 |
Concert Band |
7:30 PM |
Mead Witter Hall |
|
Wed, October 23, 2019 |
Jazz Composers Group & Jazz Standards |
7:30 PM |
Collins Hall |
|
Thu, October 24, 2019 |
Parry Karp with Eli Kalman, piano |
7:30 PM |
Collins Hall |
|
Friday, October 25, 2019 |
Opening Celebration Weekend: Hamel Music Center. Please check our website for details. |
All Day |
740 University Avenue |
|
Saturday, October 26, 2019 |
Opening Celebration Weekend: Hamel Music Center. Please check our website for details. |
All Day |
740 University Avenue |
|
Sunday, October 27, 2019 |
Opening Celebration Weekend: Hamel Music Center. Featured Event: Collins Fellows Concert |
1:00 PM |
Collins Recital Hall, Hamel Music Center |
|
Wed, October 30, 2019 |
Master Class with Violist Nobuko Imai |
6:30 PM |
Collins Hall |
|
Thu, October 31, 2019 |
Violist Nobuko Imai with Pro Arte Quartet |
12:00 PM |
Collins Hall |
|
Fri, November 1, 2019
|
Madrigal Singers |
8:00 PM
|
Mead Witter Hall |
Sat, November 2, 2019 |
Alicia Lee, faculty clarinet |
8:00 PM |
Collins Hall |
|
Sun, November 3, 2019 |
Wind Ensemble |
2:00 PM |
Mead Witter Hall |
|
Fri, November 8, 2019 |
Wingra Wind Quintet |
8:00 PM |
Collins Hall |
|
Sat, November 9, 2019 |
UW Chorale |
8:00 PM |
Mead Witter Hall |
|
Thu, November 14, 2019 |
UW-Madison Symphony Orchestra |
7:30 PM |
Mead Witter Hall |
|
Fri, November 15, 2019 |
University Opera: Benjamin Britten’s A Midsummer Night’s Dream |
7:30 PM |
Music Hall |
|
Sun, November 17, 2019 |
University Opera: Benjamin Britten’s A Midsummer Night’s Dream |
2:00 PM |
Music Hall |
|
Tue, November 19, 2019 |
University Opera: Benjamin Britten’s A Midsummer Night’s Dream |
7:30 PM |
Music Hall |
|
Sat, November 16, 2019 |
Low Brass Ensemble |
4:00 PM |
Collins Hall |
|
Sat, November 16, 2019 |
Combined Choirs |
8:00 PM |
Mead Witter Hall |
|
Sat, November 16, 2019 |
Timothy Hagen, faculty flute |
8:00 PM |
Collins Hall |
|
Fri, November 22, 2019 |
UW Concert Choir |
8:00 PM |
Mead Witter Hall |
|
Fri, November 22, 2019 |
Pro Arte Quartet |
8:00 PM |
Collins Hall |
|
Fri, November 22, 2019 |
UW Jazz Orchestra |
5:00-7:00 PM |
Rathskeller |
|
Saturday, Nov 23, 2019 |
Undergrad Audition Day |
All day |
|
|
Sat, November 23, 2019 |
World Percussion Ensemble |
12:00 PM |
Music Hall |
|
Sat, November 23, 2019 |
Brass Ensembles |
1:00 PM |
?? |
|
Sun, November 24, 2019 |
UW Concert Band with Winds of Wisconsin |
5:00 PM |
Mead Witter Hall |
|
Mon, November 25, 2019 |
Chamber Percussion Ensemble |
7:30 PM |
Mills Hall |
|
Tue, November 26, 2019 |
Opera Scenes |
7:30 PM |
Music Hall |
|
Mon, December 2, 2019 |
Piano Studio Recital |
6:30 PM |
Collins Hall |
|
Tue, December 3, 2019 |
Jazz Composers & Contemporary Jazz Ensembles |
7:30 PM |
Collins Hall |
|
Wed, December 4, 2019
|
Jazz Standards Ensemble & Afro-Cuban Jazz |
7:30 PM
|
Collins Hall |
Thu, December 5, 2019 |
UW-Madison Symphony Orchestra & UW Wind Ensemble |
7:30 PM |
Mead Witter Hall |
|
Fri, December 6, 2019 |
Saxophonist Greg Ward with the Blue Note Ensemble and UW jazz faculty |
8:00 PM |
Collins Hall |
|
Sat, December 7, 2019 |
UW & Madison Metropolitan Jazz Festival |
Final Concert, 3:00 PM |
Mead Witter Hall |
|
Sat, December 7, 2019 |
Choral Union: Ralph Vaughan Williams’s “A Sea Symphony” |
8:00 PM |
Mead Witter Hall |
|
Sun, December 8, 2019 |
University Bands |
2:00 PM |
Mead Witter Hall |
|
Sun, December 8, 2019 |
Choral Concerts at Luther Memorial Church |
2:00 PM |
Luther Memorial Church |
|
Sun, December 8, 2019 |
Choral Concerts at Luther Memorial Church |
4:00 PM |
Luther Memorial Church |
|
Sun, December 8, 2019 |
All-University Strings |
4:30 PM |
Mead Witter Hall |
|
BEGIN 2020 |
|||
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Sun, January 26, 2020 |
Annual Schubertiade |
3:00 PM |
Mead Witter Hall |
|
Sat, February 1, 2020 |
Christopher Taylor and Friends — Beethoven Symphony Extravaganza |
8:00 PM |
Mead Witter Hall |
|
Wed, February 5, 2020 |
Daniel Grabois, horn |
7:30 PM |
Collins Hall |
|
Thu, February 6, 2020 |
UW Symphony Orchestra |
7:30 PM |
Mead Witter Hall |
|
Sat, February 8, 2020 |
The Knights |
8:00 PM |
Mead Witter Hall |
|
Sun, February 16, 2020 |
UW Wind Ensemble |
2:00 PM |
Mead Witter Hall |
|
Monday, February 17, 2020 |
Chamber Percussion Ensemble |
7:30 PM |
Mills Hall |
|
Tue, February 18, 2020 |
Concert Band |
7:30 PM |
Mead Witter Hall |
|
Thu, February 20, 2020 |
Parry Karp, faculty recital |
7:30 PM |
Collins Hall |
|
Fri, February 21, 2020 |
Marc Vallon & Friends |
8:00 PM |
Collins Hall |
|
Sunday, Feb 23, 2020 |
Les Thimmig, faculty recital |
2:00 PM |
Collins Hall |
|
Sat, April 18, 2020 |
Low Brass Ensemble |
4:00 PM |
Mead Witter Hall |
|
Fri, February 28, 2020
|
Pro Arte Quartet |
8:00 PM
|
Collins Hall |
Sat, February 29, 2020 |
Wingra Wind Quintet |
8:00 PM |
Collins Hall |
|
Fri, February 28, 2020, |
University Opera – Mozart’s Così fan tutte |
7:30 PM |
Music Hall |
|
Sun, March 1, 2020 |
University Opera – Mozart’s Così fan tutte |
2:00 PM |
Music Hall |
|
Tue, March 3, 2020 |
University Opera – Mozart’s Così fan tutte |
7:30 PM |
Music Hall |
|
Sun, March 1, 2020 |
Winds of Wisconsin |
5:30 PM |
Mead Witter Hall |
|
Wed, March 4, 2020 |
Afro-Cuban Jazz Ensemble & Jazz Composers Group |
7:30 |
Collins Hall |
|
Thu, March 5, 2020 |
Blue Note Ensemble & Jazz Standards Ensemble |
7:30 PM |
Collins Hall |
|
Sat, March 7, 2020 |
UW-Madison Symphony Orchestra with guest pianist Wu Han |
8:00 PM |
Mead Witter Hall |
|
Sun, March 8, 2020 |
University Bands |
2:00 PM |
Mead Witter Hall |
|
Tue, March 10, 2020 |
Percussion Department Recital |
7:30 PM |
Collins Hall |
|
Weds March 11, 2020 |
UW Jazz Orchestra |
7:30 PM |
Play Circle |
|
Wednesday, March 11, 2020 |
Wisconsin Brass Quintet – Faculty Concert Series |
8:00 PM |
Mead Witter Hall |
|
Thu, March 12, 2020 |
UW Wind Ensemble |
7:30 PM |
Mead Witter Hall |
|
Fri, March 27, 2020 |
Le Domaine Musicale with Marc Vallon and Friends |
8:00 PM |
Collins Hall |
|
Sun, March 29, 2020 |
Concert Band |
2:00 PM |
Mead Witter Hall |
|
Sun, April 5, 2020 |
Beethoven Competition Winners’ Recital |
3:30 PM |
Collins Hall |
|
Sun, April 5, 2020 |
“Symphony Showcase” Concerto Winners’ Solo Concert |
7:00 PM |
Mead Witter Hall |
|
Sat, April 11, 2020 |
Chorale |
8:00 PM |
Mead Witter Hall |
|
Fri, April 12, 2019 |
Perlman Trio Chamber Concert |
3:00 PM |
Collins Hall |
|
Tue, April 14, 2020 |
Opera Scenes |
7:30 PM |
Music Hall |
|
Wed, April 15, 2020 |
Contested Homes: Migrant Liberation Movement Suite |
7:30 PM |
Mead Witter Hall |
|
Thu, April 16, 2020 |
Pro Arte Quartet |
7:30 PM |
Collins Hall |
|
Fri, April 17, 2020 |
Combined Choirs |
8:00 PM |
Mead Witter Hall |
|
Sat, April 18, 2020 |
Low Brass Ensemble |
4:00 PM |
Mead Witter Hall |
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Sat, April 18, 2020
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UW-Madison Choral Reunion concert featuring Concert Choir, Madrigals and alumni |
8:00 PM
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Mead Witter Hall |
Mon, April 20, 2020 |
Afro-Cuban Jazz Ensemble & Blue Note Ensemble |
7:30 PM |
Collins Hall |
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Tue, April 21, 2020 |
Jazz Standards Ensemble & Jazz Composers Group |
7:30 PM |
Collins Hall |
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Wed, April 22, 2020 |
Chamber Percussion Ensemble |
7:30 PM |
Mills Hall |
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Thu, April 23, 2020 |
UW Jazz Orchestra with the UW Honors Jazz Band |
7:30 PM |
Music Hall |
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Fri, April 24, 2020 |
Concert Band and Wind Ensemble |
7:30 PM |
Mead Witter Hall |
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Sat, April 25, 2020 |
All-University Strings |
2:00 PM |
Mead Witter Hall |
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Sat, April 25, 2020 |
Choral Union: Giuseppe Verdi’s “Requiem” |
8:00 PM |
Mead Witter Hall |
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Sun, April 26, 2020 |
Choral Union: Giuseppe Verdi’s “Requiem” |
7:30 PM |
Mead Witter Hall |
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Sun, April 26, 2020
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University Bands | 2 PM | Mead Witter Hall |
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Classical music: The UW-Madison School of Music will NOT have a complete brochure for the new season. Use the website and sign up for an email newsletter. The 40th Karp Family Labor Day Concert is Sept. 3
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By Jacob Stockinger
Summer is almost over and the new concert season is about to begin in just a couple weeks.
Just about all the groups in the Madison area, large and small, have announced their upcoming seasons.
But it you are wondering why the brochure for the hundreds of events that will take place at the University of Wisconsin-Madison’s Mead Witter School of Music hasn’t arrived yet, here is the answer.
There isn’t one this year.
For many years the UW-Madison’s SOM — as the School of Music is often abbreviated – has issued a handsome season brochure (below) with names and dates, if not always complete programs.
In the past couple of years, the brochure has been particularly informative with background about performers and events at the school as well as about students and alumni.
But due to a variety of factors, there will be no season brochure although there will be a special brochure for the opening weekend on the new Hamel Music Center (below), which is Oct. 25-27.
A variety of reasons has caused the lack of a brochure, says Publicist and Concert Manager Katherine Esposito. But the familiar full-season brochure will return for the 2020-21 season.
It the meantime, Esposito recommends that you go to the Concert and Events calendar, which has been updated and made more user-friendly, on the website for the school of music. It also features information about faculty and staff as well as news about the school. Here is a link:
https://www.music.wisc.edu/events/
On the right hand side is a menu that allows you to view the calendar as a running list or by the month, week or day with maps or photos.
On the left hand side is another menu that allows you to search by musical category (performers and ensemble) as well as concert date, time, venue and admission cost, if any.
Esposito always recommends that you subscribe to the email newsletters. You can see past ones and sign up to receive future ones if you go to this part of the home website: https://www.music.wisc.edu/recent-newsletters/
As usual, the season at the UW-Madison will open with 40th FREE Karp Family Labor Day Concert, which now takes place the day after the holiday, on Tuesday, Sept. 3, at 7:30 p.m. in Mills Hall.
Over four decades, the Karps (below are the brothers pianist Christopher Karp with cellist Parry Karp, who will team up again this year) have never repeated a piece on the the Labor Day concerts.
The program this year includes the sublime Piano Quartet No. 2 in E-Flat Major, K. 493, by Wolfgang Amadeus Mozart (you can hear the first movement with a visual schematic in the YouTube video at the bottom); the late Sonata No. 10 for Violin and Piano in G major, Op. 96, by Ludwig van Beethoven, which has been transcribed by Parry Karp for cello and piano; and lesser known works by Robert Schumann and Antonin Dvorak.
For more about the program and the performers, who include guest violinist Suzanne Beia of the Pro Arte Quartet, the Madison Symphony Orchestra and the Wisconsin Chamber Orchestra, go to: https://www.music.wisc.edu/event/40th-karp-family-concert/
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Classical music education: The 18th annual family-friendly and FREE Concert in the Park by the Wisconsin Youth Symphony Orchestras, with two student soloists, is this Wednesday night on the far west wide of Madison
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By Jacob Stockinger
The Wisconsin Youth Symphony Orchestras will perform its 18th annual FREE summer Concert in the Park (below) on this coming Wednesday, Aug. 7, at 1200 John Q. Hammons Drive in the Old Sauk Trails Business Park. (The rain date is this Thursday.)
Hosted by The Gialamas Company, the Concert in the Park is designed to be fun for all ages and is FREE to the public. The Ear can attest to the excellent quality of the musical performances.
Led by WYSO’s music director and Youth Orchestra conductor Kyle Knox (below), who is a graduate of the UW-Madison and the associate conductor of the Madison Symphony Orchestra, WYSO’s Youth Orchestra will perform works by Antonin Dvorak, Peter Ilyich Tchaikovsky, Modest Mussorgsky, Felix Mendelssohn, Camille Saint-Saens, John Philip Sousa and Dmitri Shostakovich.
The program includes concerto performances by two WYSO student soloists: violinist Ellen Zhou; and cellist Grace Kim.
The grounds will open at 5 p.m. for setting up lawn chairs and blankets for picnics and socializing, and for engaging in pre-concert activities, including an ice cream social (below top) and a WYSO instrument petting zoo. Also scheduled are a visit by The Big Red Reading Bus (below bottom) from the Madison Reading Project and activities by the Madison Children’s Museum.
The concert begins at 7 p.m., followed by a fireworks display.
Here is the concert program:
Slavonic Dances Nos. 1, 3, 4, 6, 8 by Antonin Dvorak
Violin Concerto by Felix Mendelssohn
- Allegro molto appassionato
Ellen Zhou, violin (below)
Cello Concerto No. 1 in A minor, Op. 33, by Camille Saint-Saens
III. Tempo primo
Grace Kim, cello (below)
Symphony No. 4 in F minor, Op. 36, by Peter Ilyich Tchaikovsky
- Finale: Allegro con fuoco
Intermission
“Tahiti Trot” (Tea for Two) by Dmitri Shostakovich (orchestrated by Dave Brubeck and heard in the YouTube video at the bottom)
“Stars and Stripes Forever” March by John Philip Sousa (orchestrated by Leopold Stokowski)
“Pictures at an Exhibition” by Modest Mussorgsky (orchestrated by Maurice Ravel)
1st Promenade
Gnomus
2nd Promenade
4th Promenade
Ballet of Unhatched Chicks
The Hut on Hen’s Legs (Baba Yaga)
The Great Gate of Kiev
For more information, food and beverage menus, and information about how to reserve tables, call (608) 836-8000 or visit www.Gialamas.com (click on Events) or email office@Gialamas.com
For more information about WYSO, including how to join it, support it, learn about its background and attend future events, go to https://www.wysomusic.org
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Classical music: The Madison-based string quartet Quartessence will perform this Sunday afternoon at the Little Brown Church in Richland County
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By Jacob Stockinger
On this Sunday, Aug. 4, at 2 p.m. the Madison-based Quartessence string quartet (below, in a photo by Ralph Russo) will perform a rare public concert of classical music at the Little Brown Church in Richland County. (The group usually performs at private events.)
Performers (below, from left) are: violinist Suzanne Beia; cellist Sarah Schaffer; violinist Laura Burns; and violist Jennifer Clare Paulson. Beia, Burns and Paulson are members of the Madison Symphony Orchestra, the Wisconsin Chamber Orchestra and the Pro Arte String Quartet. Schaffer has a career in arts management and organizes the annual summertime Token Creek Chamber Music Festival.
The location is 29864 Brown Church Road at the intersection of Highway 130 and Highway B, approximately five miles north of Highway 14.
Tickets cost $10 for adults and $5 for students, and will be available at the door.
The program includes: music by baroque composer Antonio Vivaldi; the “Brook Green” Suite by Gustav Holst; the String Quartet in G Major, K. 156, by Wolfgang Amadeus Mozart; “Household Music: Three Preludes on Welsh Hymn Tunes” by British composer Ralph Vaughan Williams (originally written for organ, one of the preludes can be heard in an orchestral arrangement in the YouTube video at the bottom); and “Painting the Floors Blue” and “Thanks, Victor” by the contemporary American composer John Harbison.
The concert is sponsored by a family, and proceeds will be used by the Friends of the Little Brown Church for maintenance of the building. The donors are happy to be able to provide this opportunity to music lovers in the community.
The refurbished building is air-conditioned, so you can take a break from the hot weather while you enjoy the music.
Here is some background from Harriet Statz (below, far right), who organizes the event because the Little Brown Church is special to her:
“Last year we started what is turning out to be an annual event (maybe) at the Brown Church (below) in Richland County. That’s up the road (Highway 131) from where I lived in the late 1970s.
“Since then Julie Jazicek and I have been in contact about fencing for this historic place, as she is sort of the manager and deserves much credit for keeping both the building and grounds beautiful. Over the years some concerts have been held in the church, but until 2018 nothing classical. So we fixed that!
“Last year’s concert by the Quartessence Quartet was a resounding success. An audience of about 60 people encouraged us to keep going, so we did, and hope for even a larger turnout to fill up the place. As it turns out the acoustics are outstanding!
“The location is west of Spring Green and north of Lone Rock. It’s a lovely drive. So I invite you to mark this Sunday Aug. 4, on your calendar and come out to the country for a lovely afternoon of music. Bring friends! Share rides!”
For information, call 608-356-8421 or send an email to: FriendsOfLittleBrownChurch@gmail.com
Tags: #AirConditioning, #AmericanComposer, #AntonioVivaldi, #BaroqueMusic, #BlogPost, #BlogPosting, #BritishComposer, #BrookGreenSuite, #ChamberMusic, #ClassicalMusician, #ContemporaryMusic, #FacebookPost, #FacebookPosting, #GreatBritain, #HarrietStatz, #HistoricBuilding, #HotWeather, #JenniferClarePaulson, #JohnHarbison, #JulieJazicek, #LauraBurns, #LittleBrownChurch, #LivingComposer, #MadisonSymphonyOrchestra, #MusicLover, #OrchestralMusic, #PaintingtheFloorsBlue, #ProArteQuartet, #RalphRusso, #RalphVaughanWilliams, #RichlandCounty, #SarahSchaffer, #StringQuartet, #SuzanneBeia, #TokenCreekChamberMusicFestival, #WisconsinChamberOrchestra, #WolfgangAmadeusMozart, #YouTubevideo, AC, acoustics, adult, afternoon, air conditioning, air-conditioned, American, annual, Antonio Vivaldi, arrangement, Arts, audience, available, Baroque, beautiful, blog, British, brook, Brook Green Suite, building, call, career, cellist, Cello, Chamber music, Classical music, classicalmusic, community, composer, Concert, contemporary music, cost, country, credit, donor, door, Early music, email, encourage, English, event, Facebook, Family, fencing, festival, friends, Great Britain, green, grounds, Harriet Statz, highway, historic, hot, hot weather, hymn, intersection, Italian, Italy, Jacob Stockinger, Jennifer Clare Paulson, John Harbison, Julie Jazicek, Kochel, last year, Laura Burns, like, link, Little Brown Church, live, Living composer, lovely, lover, Madison, Madison Symphony Orchestra, maintenance, management, manager, Mozart, Music, music lover, Orchestra, orchestral, organ, organize, outstanding, Painting the Floors Blue, People, performer, performers, place, Prelude, private, Pro Aret Quartet, proceeds, public, Quartessence, Ralph Vaughan Williams, rare, resounding, Richland County, ride, road, Sarah Schaffer, share, sponsor, String quartet, Student, success, Suite, summer, summertime, Suzanne Beia, tag, thanks, ticket, Token Creek Chamber Music Festival, tune, turnout, UK, United States, University of Wisconsin-Madison School of Music, University of Wisconsin–Madison, Victor, Viola, Violin, violinist, violist, Vivaldi, weather, Welsh, Wisconsin, Wisconsin Chamber Orchestra, Wolfgang Amadeus Mozart, YouTube, YouTube video
Classical music: Madison Opera’s annual FREE Opera in the Park returns this Saturday night, July 20, in Garner Park and celebrates 18 years plus a glimpse of the upcoming season
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By Jacob Stockinger
The Ear has received the following announcement to post about one of the most highly anticipated musical events of summer, one that offers lots of family-friendly fun and serious musical enjoyment:
Madison Opera’s Opera in the Park (below, in a photo by James Gill) celebrates its 18th year on this coming Saturday night, July 20, at 8 p.m. in Garner Park, on Madison’s far west side at the intersection of Rosa Road and Mineral Point Road.
The annual free concert of opera and Broadway favorites closes the company’s 2018-19 season and provides a preview of the 2019-20 season. (You can hear a sample of past years in the YouTube video at the bottom.)
A Madison summer tradition that often attracts over 14,000 people, Opera in the Park is an enchanting evening of music under the stars, featuring selections from opera and Broadway.
Opera in the Park 2019 features soprano Jeni Houser, soprano Michelle Johnson, tenor David Blalock and baritone Ben Edquist.
Jeni Houser (below) has sung many roles with Madison Opera, most recently in Sondheim’s A Little Night Music, and she returns next season as Eurydice in Offenbach’s Orpheus in the Underworld.
Michelle Johnson (below) scored a major success with Madison Opera as Santuzza in Mascagni’s Cavalleria Rusticana last season.
David Blalock (below) debuted with Madison Opera in 2014 and returns this season as Orpheus in Orpheus in the Underworld.
Ben Edquist (below) is making his debut, and will return to the company as Hawkins Fuller in Gregory Spears’ Fellow Travelers, about the Lavender Scare against LGBTQ people, in February.
The four soloists are joined by the Madison Opera Chorus and Madison Symphony Orchestra, conducted by John DeMain (below, in a photo by Greg Anderson).
The evening is hosted by Madison Opera’s General Director Kathryn Smith and WKOW TV’s 27 News co-anchor George Smith (below, in a photo by Simon Fowler).
“Opera in the Park is the greatest performance in Madison Opera’s season,” says Smith (below, in a photo by James Gill). “It offers a truly magical blend of beautiful voices, music from many centuries, and thousands of members of our community relaxing together under the same night sky. I am grateful to all of our supporters who share our belief in the community-building power of music and help us produce this concert every summer.”
Opera in the Park 2019 features arias and ensembles from Verdi’s La Traviata, which opens the 2019-20 season in November; Spears’ Fellow Travelers, which will be performed in February; and Offenbach’s Orpheus in the Underworld, which will be performed in April.
The program also includes selections from Verdi’s Rigoletto and La Forza del Destino (The Force of Destiny); Donizetti’s The Elixir of Love and Don Pasquale; Korngold’s Die Tote Stadt (The Dead City); Romberg’s The Student Prince; Funny Girl; Rodgers and Hammerstein’s Carousel; and more. As always, this spectacular evening will include one number conducted by the audience with light sticks (below).
Garner Park is located at 333 South Rosa Road. Parking is available in the CUNA Mutual Group and University Research Park lots. Attendees are encouraged to bring picnics, blankets and chairs. Alcohol is permitted but not sold in the park.
On the day of the concert, Garner Park will open at 7 a.m. Audience members may not leave items in the park prior to this time. Lots of porta potties will be provided. Transportation via golf carts is available for those who have limited mobility.
The rain date for Opera in the Park is Sunday, July 21, at 8 p.m.
For more details about attending Opera in the Park and for more extensive biographies of the singers, go to: https://www.madisonopera.org/2018-2019-season/oitp/
While Opera in the Park is free to attend, it would not be possible without the generous support of many foundations, corporations, and individuals who believe in the importance of music in the community.
Madison Opera is grateful to the sponsors of Opera in the Park 2019.The Presenting Sponsor is the BerbeeWalsh Foundation. Other sponsors are the John and Carolyn Peterson Charitable Foundation; Full Compass Systems; the Raymond B. Preston Family Foundation; University Research Park; Colony Brands; the Evjue Foundation; Johnson Financial Group; MGE Foundation; National Guardian Life; the Wisconsin Arts Board; Dane Arts; and the Madison Arts Commission.
WKOW, Madison Magazine, Wisconsin Public Radio, Magic 98, and La Movida are media sponsors for this community event.
RELATED EVENTS
The Prelude Dinner at Opera in the Park 2019 is at 6 p.m. This annual fundraiser to benefit Opera in the Park helps support Madison Opera’s free gift to the community.
The event includes dinner catered by Upstairs Downstairs, VIP seating at the concert, and a reception with the artists following the performance. Tickets are $150 per person or $1,150 for a table of eight.
More information about Opera in the Park and about the 2019-20 season, including subscriptions, is available at Madison’s Opera’s home website www.madisonopera.org
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Classical music: YOU MUST HEAR THIS: Three piano pieces by the forgotten American composer William Mason that are worth rediscovering
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By Jacob Stockinger
As often happens, The Ear was listening to Wisconsin Public Radio and yesterday afternoon he made a discovery during The Midday program with Norman Gilliland.
It was piano piece called “Amourette” by the American 19th-century composer William Mason (below). Unfortunately, you won’t find that piece on YouTube. But here, in the YouTube video at the bottom, are three other fine works, probably from the same Naxos CD, that are also noteworthy discoveries of a forgotten, if minor, composer who had a knack for pleasing and melodic salon music.
Here are a brief biography and an introduction from YouTube and Wikipedia:
William Mason (below, 1829-1908) was an American pianist, composer and teacher. He was from a musical family, son of the famous and prolific hymn composer Lowell Mason, and brother of Henry Mason, co-founder of Mason and Hamlin pianos.
William studied in Europe and was the first American student of Franz Liszt. In his music, you can hear reflected some of the major piano composers of the 19th century.
Here is a link to his entry in Wikipedia:
https://en.wikipedia.org/wiki/William_Mason_(composer)
Although these William Mason pieces are largely forgotten now, his work is wonderfully melodic and certainly deserves to be heard more often.
These three pieces are from the Naxos CD “William Mason” (No. 8.559142) The CD contains 14 other Mason compositions – including his best known “Silver Spring.” (The CD is part of the American Classics Collection.)
For those tired of hearing the same classical music on the radio or the concert hall – the Naxos collection provides a wide spectrum of superb but rarely heard music.
The pianist on this album is Kenneth Boulton. On the third piece, “Badinage,” which is for piano four-hands, Kenneth Boulton is joined by his wife and pianist JoAnne Barry.
Track Listings: 0:00 “Improvisation”; 4:30 “Lullaby”; 7:35 “Badinage”
Do you like Mason’s music?
Let us know what you think.
The Ear wants to hear.
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Classical music: The critically acclaimed and popular Willy Street Chamber Players start their fifth summer series with a FREE community concert this Friday
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By Jacob Stockinger
The Ear has received the following announcement for a remarkable and must-hear summer series of chamber music concerts that from its very beginning seems to have found a successful formula that resonated with the public It relies on informality, affordable tickets, first-rate musicianship, short concerts, eclectic programs that mix classics with sure-fire new music, support for their local community.
Now in their fifth year, the Willy Street Chamber Players (WSCP, below) have become an established part of the Williamson Street neighborhood.
Recently awarded the silver medal in Madison Magazine’s prestigious “Best of Madison” reader poll in the category of “Best Classical Music Group,” WSCP has received numerous accolades for its accessible and exciting performances, intelligent and fun programming, and dedication to community partnerships.
The group has also been named “Musician of the Year”for 2016 by this blog.
The Summer Series concerts are on Friday evenings at 6 p.m. in the sanctuary of the beautiful Immanuel Lutheran Church (below) at 1021 Spaight St. The church is right on Lake Monona in the Williamson Street neighborhood. Enjoy 60-90 minutes of inspiring and unforgettable live music, then go explore the neighborhood with the remaining daylight hours.
Following the performance, enjoy a reception provided by one of our Willy Street restaurant partners. (Past contributors have been the Underground Butcher, Let It Ride Cold Brew Coffee, Madison Sourdough, the Willy Street Co-Op, Festival Foods, Roman Candle Pizza and more.)
While you enjoy your snacks, chat with the friendly musicians and ask them about the performance, the pieces and the group. We love interacting with our awesome audience.
A season pass is $40. Admission to individual concerts is $15. For tickets and more infomation, got to: http://www.willystreetchamberplayers.org/2019-summer-series.html
COMMUNITY CONNECT – This is a FREE and family-friendly concert with all ages welcome for music, interactive learning, conversation and connections.
It takes place this Friday, July 5, at 6 p.m. at the Goodman Community Center (149 Waubesa Street on the east side), as is posted on the home website — NOT at the Wil-Mar Neighborhood Center, which is listed in the printed brochure but is undergoing construction.
The program – “Growing Sound: A Sonic Exploration” – features music by Wolfgang Amadeus Mozart, John Corigliano, Antonin Dvorak, Friedrich August Kummer and Alberto Ginastera.
SUMMER SERIES 1
Friday, July 12, at 6 p.m. – Mozart and Mendelssohn
Prize-winning UW-Madison graduate Danny Kim, viola (below)
PROGRAM:
Mendelssohn: String Quintet No. 1 in A major, Op. 18 (1826)
Simon Steen-Andersen: Study for String Instrument No. 1 (2007)
Mozart: String Quintet No. 2 in C minor, K. 406/516b (1787)
SUMMER SERIES 2
Friday, July 19, at 6 p.m. – Bassoon and Strings
UW-Madison Professor Marc Vallon, bassoon (below)
PROGRAM:
Beethoven: Allegretto for Piano Trio in B-flat major, WoO. 39 (1812)
Jennifer Higdon: “Dark Wood” (2001)
Franz Danzi: Bassoon Quartet in D minor, Op. 40, No. 2 (ca. 1820)
Alberto Ginastera: String Quartet No.1, Op. 20 (1948)
SUMMER SERIES 3
Friday, July 26, at 6 p.m. – Christopher Taylor, piano (below)
PROGRAM:
Ernest Bloch: Three Nocturnes (1924)
Jessie Montgomery: “Voodoo Dolls” (2008)
Dvorak: Piano Quintet No. 2 in A major, Op. 81 (1887) with UW-Madison pianist Christopher Taylor. (You can hear the first movement of Dvorak’s beautiful and melodic Piano Quintet in the YouTube video at the bottom.)
For more information, including background, biographies of the musicians, critics’ reviews, photos and how to support the Willy Street Chamber Players, go to:
http://www.willystreetchamberplayers.org
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Classical music: The opera world is divided over accusations of sexual harassment against superstar tenor Placido Domingo. Here is how John DeMain reacted. How do you react and what do you believe?
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By Jacob Stockinger
By now, you have probably heard about the allegations of sexual harassment recently made anonymously against the still-active superstar Spanish tenor Placido Domingo (below), 78, who holds the record for the most opening-night appearances at the Metropolitan Opera.
What you might not have heard is how divided the opera world is over those accusations, which are now being formally and independently investigated.
Much of that division falls along lines of Europe versus the United States. The former has so far not cancelled upcoming appearances while the latter was quick to. And Domingo has been defended by famed Russian soprano Anna Netrebko (below, with Domingo).
In the wake of the #MeToo movement, sexual misconduct and sexual assault continue to be perhaps the most controversial issues amid many similar or more serious criminal allegations against conductors James Levine, Charles Dutoit and Daniele Gatti as well as many teachers and orchestra players.
Perhaps the best account of the divided reactions came in a story from The New York Times. Here it is:
https://www.nytimes.com/2019/08/18/arts/music/placido-domingo-opera-harassment.html
One sign of the difficulty in dealing with the situation can be found in the carefully worded, balanced and empathetic Facebook comment by maestro John DeMain, the music director of the Madison Symphony Orchestra and the artistic director of the Madison Opera.
DeMain has often worked with Domingo, perhaps most notably in the famous 1992 Concert for Planet Earth in Rio de Janeiro, which DeMain conducted. (You can hear Domingo singing an aria by Puccini and see DeMain conducting the orchestra in the YouTube video at the bottom.)
Says DeMain (below in a photo by Prasad): “Thinking about the Placido Domingo controversy. While I’m not in a position to take sides in this very sad situation, I would just like to say that in my many interactions with this great tenor over many decades, I personally never witnessed him do anything that was inappropriate. He was always a kind and gentle person to me and my family. I wish him and his family well through this difficult time.”
Here is a link to DeMain’s Facebook page if you would like to read comments from others or leave one of your own: https://www.facebook.com/jldemain
How do you react to the accusations?
What do you believe should happen to Domingo?
The Ear wants to hear.
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