The Well-Tempered Ear

Classical music: The Madison Symphony Chorus performs a medley of choral music this Sunday at 2 and 4 p.m. Plus, a FREE harpsichord recital of music by Bach, Handel and Scarlatti is at noon this Friday.

February 25, 2016
2 Comments

ALERT: This week’s FREE Friday Noon Musicale, to be held from 12:15 to 1 p.m. at the Frank Lloyd Wright-designed Meeting House of the First Unitarian Society of Madison, 900 University Bay Drive, Trevor Stephenson — the founder and director of the Madison Bach Musicians — will play harpsichord music by Johann Sebastian Bach, George Frideric Handel and Domenico Scarlatti.

He will perform on his own four-octave, crow-quilled 17th-century-style Flemish instrument and will talk about the well-tempered tuning of this instrument, the composers’ lives and the concert repertoire. Selections are from Bach’s “Well-Tempered Clavier,” Scarlatti’s Sonatas and Handel’s “Keyboard Suites.”

By Jacob Stockinger

Some groups perform more in tandem or as adjuncts to other groups than by themselves. This seems especially true of choruses.

But this weekend, the Madison Symphony Chorus, which normally performs with the Madison Symphony Orchestra, will have the spotlight to itself. (You can hear the chorus sing as part of the MSO’s Christmas concert in the YouTube video at the bottom.)

Twice on the same day.

Here are the details:

On this Sunday, Feb. 28, at 2 p.m. and 4 p.m., director Beverly Taylor and the Madison Symphony Chorus  (below, in a photo by Greg Anderson) will present a “Memories” concert in Promenade Hall at the Overture Center for the Arts.

MSO Chorus CR Greg Anderson

Taylor (below) is the longtime assistant conductor of the Madison Symphony Orchestra and the director of choral activities at the University of Wisconsin-Madison School of Music.

Beverly Taylor MSO portrait COLOR USE

The concerts will feature an array of musical styles, including classical music selections from Johannes Brahms and contemporary American composer John Corigliano, a collection of Swedish, Norwegian, Scottish and Mexican ethnic tunes, traditional spirituals and gospel music, and nostalgic songs from the Tin Pan Alley era by Cole Porter, George Gershwin and Ira Gershwin, and Fats Waller.

Madison Symphony Orchestra (MSO) Principal Pianist Daniel Lyons will accompany much of the music.

Dan Lyons

Tickets are $20, and are available: at madisonsymphony.org/chorusconcert; at the Overture Box Office (201 State Street); or by calling (608) 258-4141.

Formed in 1927, the Madison Symphony Chorus gave its first public performance in 1928 and has performed regularly with the MSO ever since.

The Chorus was featured at the popular Madison Symphony Christmas concerts in December and will join the MSO April 29 and 30, and May 1 for Carmina Burana, the colossal modern oratorio based on medieval Latin songs by 20th-century German composer Carl Orff.

The Chorus is comprised of more than 125 volunteer and amateur musicians from all walks of life who enjoy combining their artistic talent. New members are always welcome.

Visit madisonsymphony.org/chorus for more information about the chorus and the program for this concert.

 


Classical music: For Black History Month, conductor Marin Alsop rediscovers jazz master James P. Johnson as a serious classical musician and composer of symphonies. Plus, the Madison Symphony Orchestra’s Rhapsodie String Quartet plays a FREE concert of Mozart and Brahms in Stoughton on Tuesday evening.

February 11, 2013
4 Comments

ALERT: The Madison Symphony Orchestra’s Rhapsodie String Quartet (below, in a photo by Greg Anderson) will play music by Mozart and Brahms in a FREE concert tomorrow, Tuesday, Feb. 12, at 7 p.m. at the Skaalen Retirement Community Chapel , at 400 North Morris Street, in Stoughton. Free-will donations will be welcome at the door. The quartet brings together some of the brightest stars of the MSO: Co-concertmaster Suzanne Beia, Principal Cellist Karl Lavine, Principal Violist Christopher Dozoryst and violinist Laura Burns. The concert will include Wolfgang Amadeus Mozart‘s  String Quartet No. 15 in D minor, K. 421, and Johannes Brahms‘ Clarinet Quintet in B minor, Op. 155, featuring MSO clarinetist Nancy Mackenzie. The Rhapsodie String Quartet is the resident quartet of the MSO’s HeartStrings Community Engagement Program which reaches beyond traditional learning environments to bring live, interactive performances by some of the MSO’s best players into healthcare and residential facilities.

Rhapsodie Quartet MSO Greg Anderson

By Jacob Stockinger

February is Black History Month.

That makes it a great time to once again ask a question that I posted last month on Martin Luther King Day: Where are African-American classical musicians, and why don’t we see and hear more of them?

Apparently, I’m not the only person with that question on my mind. In fact, if you follow this link back to that posting, you can read reader Comments and see some very fine suggestions for more names of black composers and performers.

Here is a link:

https://welltempered.wordpress.com/2013/01/21/classical-music-on-martin-luther-king-jr-day-and-president-barack-obamas-second-inauguration-day-the-ear-wonders-why-arent-there-more-african-american-players-in-and-audiences-fo/

But there is more.

National Public Radio’s “Weekend Edition” with Scott Simon also featured a terrific story about Marin Alsop (below), the conductor and music director of the Baltimore Symphony and the Sao Paul Symphony in Brazil.

Marin Alsop big

It turns out that Alsop uncovered long-lost manuscripts of serious music by the forgotten James P. Johnson (below, in a photo by William Gottlieb), best known as an outstanding jazz stride pianist who also taught Fats Waller.

And as a jazz composer, he wrote THE piece that embodied an entire age: “The Charleston.”

But it runs our that there was a classical side to Johnson too. He wrote “Harlem” Symphony (an excerpt in a YouTube video is at the bottom) and several other works that were actually performed in Carnegie Hall during the 1940s.

alsop_johnson

Moreover, Alsop – a Leonard Bernstein student in spirit as well as name — is trying to bring Johnson back into the mainstream.

Alsop is attempting to restore the lost manuscripts that languished in an attic for decades. And she intends to give performances of the music that will become, one suspects, recordings. The story even includes some excerpts, so stream it and listen to it, don’t just read it.

And more live performances and recordings of a black composer just might also lead to more black students and black audiences.

At least one can hope so.

Here is a link to the story:

http://www.npr.org/blogs/deceptivecadence/2013/02/02/170864270/treasures-in-the-attic-finding-a-jazz-masters-lost-orchestral-music


    Enter your email address to subscribe to this blog and receive notifications of new posts by email.

    Join 1,197 other followers

    Blog Stats

    • 2,067,848 hits
%d bloggers like this: