The Well-Tempered Ear

October’s FREE virtual and online Just Bach concert is this Wednesday at noon. It lasts 30 minutes. Here are details

October 19, 2020
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By Jacob Stockinger

The Ear has received the following announcement about the month’s Just Bach virtual concert from co-founder and violist Marika Fischer Hoyt.

The online concert takes place at noon CDT this Wednesday, Oct. 21.

Please join us as Just Bach shares the timeless beauty of music by Johann Sebastian Bach (below) from our home in the nave of Luther Memorial Church (LCM), 1021 University Ave.

We are thrilled to participate in LMC’s weekly “Music at Midday” concert series.

As part of this virtual online series, Just Bach concerts (below) take place at NOON on the third Wednesday of each month: Sept. 16; Oct. 21; Nov. 18; Dec. 16; Jan. 20; Feb. 17; March 17; April 21; and May 19.

The online programs last approximately 30 minutes instead of 60 minutes.

Because of the coronavirus pandemic, it is still too risky to have in-person audiences, so Music at Midday concerts are posted on the Luther Memorial website: https://www.luthermem.org/music-at-midday/

In addition, Just Bach concerts are posted on the Just Bach website, the Just Bach Facebook page, and the Just Bach YouTube Channel, where you can still hear the season’s opening concert in September. Links are below.

Viewing the concerts is FREE, but we ask those who are able to help us pay our musicians with a tax-deductible donation at https://www.paypal.com/donate/?cmd=_s-xclick&hosted_button_id=7A4R7CA8VDRMG&source=url

Just Bach co-founder and graduate student soprano at the UW-Madison Sarah Brailey (below) will provide the opening welcome remarks at this Wednesday’s program.

Our guest artists this month, the Madison-based baroque ensemble Sonata à Quattro (SAQ, below top in a photo by Barry Lewis) will perform the instrumental Sinfonia from Cantata 146, featuring organist Mark Brampton Smith (below bottom). You might recognize this as the first movement of the well-known Harpsichord Concerto in D Minor, BWV 1052.

Members of SAQ, who normally use period instruments and historically informed performance practices, will play modern instruments this time because of the organ pitch. SAQ members will continue the program with movements from the solo Cello Suite in G Major and the solo Violin Sonata in G Minor.

Sarah Brailey returns to lead the final chorale from Cantata 146, which uses the familiar tune from “Jesu, Joy of Man’s Desiring.” (You can hear “Jesu, Joy” in the YouTube video at the bottom.) 

We encourage viewers to sing along by following the chorale sheet music, which will be displayed on the computer screen, as Mark Brampton Smith accompanies on the organ. 

We need this soul-centering music now more than ever. So we invite the music community to join us at noon this Wednesday, Oct. 21, for a wonderful program of music by J.S. Bach. 

OCT. 21 PROGRAM:

• Cantata 146: Opening Sinfonia

• Solo Cello Suite in G Major, BWV 1007: Menuets I and II, Courante

• Solo Violin Sonata in G Minor, BWV 1001: Adagio, Presto

• Cantata 146: Final chorale: Freu dich sehr, o meine Seele (Rejoice greatly, oh my soul)

Guest Ensemble: Sonata à Quattro, whose members are: Christine Hauptly Annin, violin; Nathan Giglierano, violin; Leanne League, violin; Marika Fischer Hoyt, viola; Charlie Rasmussen, cello; and Mark Brampton Smith, organ.

Sarah Brailey provides the welcome and leads the chorale.

Dave Parminter is the videographer.

Just Bach is also trying something new: a Zoom meeting at 12:30 p.m. to serve as a virtual Meet and Greet with performers and some of the artistic team, to answer questions and chat with interested viewers. Here is the link: 

Here, in order, are links to: the Just Bach webpage; the Just Bach Facebook page; and the Just Bach YouTube channel:

https://justbach.org

facebook.org/JustBachSeries

youtube.com/channel/UCcyVFEVsJwklHAx9riqSkXQ

 


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Looks like there will be no live concerts for the rest of the 2020-21 season and maybe until early 2022

September 21, 2020
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By Jacob Stockinger

Some important things for classical music fans to know happened over the weekend, even as Dane County continues to break records for new cases of coronavirus.

Three high federal health officials, including director of the CDC Dr. Robert Redfield and his colleague Dr. Anthony Fauci, have testified that it is highly unlikely that vaccines for the coronavirus will be widely available to the public until May 2021 at the earliest and may well be delayed until early 2022 or later.

President Donald Trump says they are wrong, but the public health officials are standing by their estimates.

Adding to the concern is that the rate of people who say they will not get the hurried vaccine continues to rise from 35 percent to 50 percent or more.

In addition, there are reports of logistical problems because the vaccines will be difficult to distribute as they require cold temperatures.

This amounts to bad news for a long list of local arts presenters.

The net effect is that mass gatherings – such as concerts – will not be safe to attend for the rest of this season and perhaps until the beginning of 2022.

That means that many groups that have planned on reopening by January or February are likely to cancel or postpone events for the remainder of this season, and perhaps also for next fall – just as they planned for doing this concert season.

Instead there will probably be more virtual and online events substituted for in-person events — if anything at all is offered.

Among the major groups who have announced earlier reopening and be affected by the new deadlines are: the Madison Symphony Orchestra (below top); the Madison Opera; the Wisconsin Chamber Orchestra (below bottom, in a photo by Mike Gorski); the Wisconsin Union Theater; the University of Wisconsin-Madison’s Mead Witter School of Music; the Wisconsin Youth Symphony Orchestras (WYSO); and the Middleton Community Orchestra.

We can all hope that live music starts happening sooner. But The Ear suspects that alternative plans are already being drawn up and will be announced shortly.

What do you think about the estimates of the delays in vaccine accessibility and acceptance?

What do you think music groups will do – or should do in –in the wake of the public health crisis?

The Ear wants to hear.


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Classical music: Madison Opera’s virtual Opera in the Park goes online for FREE this Saturday night and stays up until Aug. 25. Listen to it indoors or outdoors

July 23, 2020
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By Jacob Stockinger

Madison Opera’s Opera in the Park isn’t in a park this year — as it has been in past years (below) — but it will be available for people to enjoy for free in their backyards, in their living rooms or anywhere else with an internet connection.

The digital concert will be released on this Saturday, July 25, at 8 p.m. CDT, and can be watched on Madison Opera’s website, www.madisonopera.org/digital, where you can find complete information and, soon, a complete program to download.

The annual free concert has moved online in response to the COVID-19 pandemic, with a newly created program of opera arias and more.

Digital Opera in the Park features: soprano Jasmine Habersham; soprano Karen Slack; tenor Andres Acosta; and baritone Weston Hurt. (The last two will sing the justly famous baritone-tenor duet “Au fond du temple saint” from Bizet’s “The Pearl Fishers,” which you can hear in the YouTube video at the bottom.)

Habersham (below) makes her Madison Opera debut with this unique performance, and will sing Susanna in the company’s production of Mozart’s The Marriage of Figaro next April.

Slack (below) debuted with the company in Jake Heggie’s Dead Man Walking, and will be part of the company’s digital fall season.

Acosta (below) sang Timothy Laughlin in Gregory Spears’ Fellow Travelers with Madison Opera this past February.

Hurt (below) debuted as Germont in Verdi’s La Traviata last season and is part of the company’s digital fall season.

The four singers will be joined by several important local artists. They include violinist Suzanne Beia, the assistant concertmaster of the Madison Symphony Orchestra, the concertmaster of the Wisconsin Chamber Orchestra and the second violin of the UW-Madison’s Pro Arte Quartet.

There will also be a fleet of eight pianists. They include MSO music director and Madison Opera’s artist director John DeMain (below top, in a photo by Prasad) and the UW-Madison graduate and composer Scott Gendel (below bottom). The two will play multiple numbers, including DeMain accompanying Beia on the beautiful “Meditation” from Thaïs.

Each singer recorded their arias with an accompanist in their home cities, and chorusmaster Anthony Cao (below top) both accompanies and conducts the Madison Opera Chorus (below bottom) in a virtual “Anvil Chorus” from Il Trovatore.

The evening will be hosted by Madison Opera’s General Director Kathryn Smith and by WKOW TV’s Channel 27 News co-anchor George Smith.

“Reimagining Opera in the Park in the pandemic era has been a challenge, but one we have happily embraced,” says Smith (below in a photo by James Gill). “Our wonderful artists were game to record themselves in their home towns, to sing duets with each other through headphones, and to share their artistry with our community in a new way. Over 40 choristers joined a Zoom call to get instructions, and then they recorded their parts of the ‘Anvil Chorus.’”

“While in some ways this concert has required more work than our live Opera in the Park in Garner Park, it is always a pleasure to present beautiful music for everyone to enjoy.”

Digital Opera in the Park features music from Verdi’s Il Trovatore, now canceled in live performance but originally slated to open Madison Opera’s 2020-21 season; Jerry Bock’s She Loves Me, which the company performs in January; and Mozart’s The Marriage of Figaro, which will be performed in April.

The program also includes selections from Bizet’s The Pearl Fishers, Richard Strauss’ Arabella, Verdi’s Don Pasquale, Puccini’s Tosca, Massenet’s Hérodiade and Thaïs, Rossini’s William Tell, Pablo Sarozabal’s zarzuela La Tabernera del Puerto, Rodgers and Hammerstein’s South Pacific, and more.

The concert will be available beginning at 8 p.m. CDT on this Saturday night, July 25, and will remain online until Aug. 25, allowing for both repeated viewing and flexibility for people who are unable to watch on the first night.

While Digital Opera in the Park will be free to watch, it would not be possible without the generous support of many foundations, corporations and individuals who believe in the importance of music. Madison Opera is grateful to the sponsors of Opera in the Park 2020:

  • Presenting Sponsor: the Berbeewalsh Foundation
  • Sponsors: the John and Carolyn Peterson Charitable Foundation, Full Compass Systems, the Raymond B. Preston Family Foundation, University Research Park, Colony Brands, Johnson Financial Group, MGE Foundation, National Guardian Life, Wisconsin Arts Board, Dane Arts and the Madison Arts Commission.
  • Media Sponsors: WKOW, Madison Magazine, Wisconsin Public Radio, Magic 98, and La Movida.

RELATED EVENTS include:

OPERA ON THE WALL | JULY 25, 2020 | ONLINE

Madison artists Liubov Swazko (known as Triangulador) and Mike Lroy have created artwork around our community, including beautiful murals on State Street storefronts.

In an act of artistic cross-pollination, they will create an artwork that comes from their personal response to Digital Opera in the Park, offering a rare glimpse of visual artists responding to musical artists. Their creative process will be filmed in the Madison Opera Center, and shared online starting on July 25.

The finished artwork will be displayed in the Madison Opera Center. Go to Swazko’s website at triangulador.com (one work is below) and Lroy’s website at mikelroy.com to see their past work.

POST-SHOW Q&A | JULY 25, 2020, IMMEDIATELY FOLLOWING THE INITIAL STREAM

Join Kathryn Smith and the Digital Opera in the Park artists for a post-concert discussion, including an opportunity to ask questions. Details on format and platform will be available closer to the date.

 


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Classical music: The Madison Symphony Orchestra, Madison Opera, Wisconsin Chamber Orchestra and Overture Center cancel their fall seasons. Plus, on Saturday cellist Cole Randolph performs a virtual concert for Grace Presents

June 26, 2020
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ALERT: The Saturday at noon, Grace Presents will offer the first in its series of HD Virtual Concerts online. Future performers include organist Mark Brampton Smith and the Willy Street Chamber Players.

The performer this time is the cellist and recent UW-Madison graduate Cole Randolph (below). The program is: the Sonata for Solo Cello by the American composer George Crumb; two of the “Seven Songs Heard in China” by Chinese composer Bright Sheng; and the Suite for Solo Cello No. 3 by Johann Sebastian Bach.

Here is where you can hear the 40-minute concert inside the church on the Capitol Square: https://www.youtube.com/watch?v=0vaOCH53osk

You can also connect with Cole Randolph after the show by joining in a Zoom meet-and-greet immediately following the performance at https://us02web.zoom.us/j/88001773181

The meeting ID is: 880 0177 3181

You can hear Randolph (below, in a photo by Michael Anderson) playing in the YouTube video at the bottom.

By Jacob Stockinger

With all the talk of a second wave of coronavirus coming in the fall — complicated by the seasonal flu – concert cancellations don’t come as a surprise, unfortunately.

In fact, The Ear suspects many more cancellations are to come, including those from the UW-Madison, the Wisconsin Union Theater and the Middleton Community Orchestra.

Here is the latest round: the Madison Symphony Orchestra, the Madison Opera, the Wisconsin Chamber Orchestra and the Overture Center have all canceled their fall seasons, with some qualifications.

The announcements came on Thursday morning in the wake of the Overture Center canceling all performances this summer and fall through Nov. 30.

MADISON SYMPHONY ORCHESTRA

The Madison Symphony Orchestra has provided a short statement and a more complete and detailed press release.

Here is the statement:

“The Madison Symphony Orchestra’s 2020-21 “Beethoven and Beyond” season concerts and Overture Concert Organ performances are now canceled from September 2020 through January 2021.

“The move is due to the Overture Center’s decision to suspend events through Nov. 30, 2020, and the requirements of Dane County’s “Forward Dane” Reopening Plan.

“The 2020-21 season performances in February, March, April and May 2021 are scheduled to take place as planned.

“All subscribers will be sent a refund for the value of their tickets for the September 2020 through January 2021 concerts.”

Here is a list on the five MSO concerts – including the Beyond the Score performance of Stravinsky’s “Rite of Spring” on Jan. 25 — that will be canceled and the four that remain scheduled: https://madisonsymphony.org/concerts-events/2020-2021-symphony-season-concerts/

Here is a link to the full press release about the cancellations by the MSO (below, in a  photo by Peter Rodgers): https://madisonsymphony.org/press-release-june-2020-concert-events-update/

MADISON OPERA

The Madison Opera is canceling the two in-person performances of Verdi’s “Il Trovatore” (The Troubadour) but is planning on offering some kind of large digital event and smaller live events at its center.

Here is statement from the Madison Opera:

“Although the Overture Center for the Arts is closed until the end of November, we will not be going silent.

“We are creating a fall season that lasts from September through December, and includes both digital content and live performances at the Margaret C. Winston Madison Opera Center, our home in downtown Madison.

“Some of our signature engagement activities — such as Opera Novice and Opera Up Close — will have monthly editions that include artists from around the country.

“The Opera Center itself will be the site of “Live from the Opera Center,” a variety of streamed performances with a small live audience.

“Other performances will be created digitally and made available exclusively to subscribers.

“Artists involved include members of the original “Il Trovatore” cast: soprano Karen Slack, baritone Weston Hurt, bass Kenneth Kellogg, and stage director Fenlon Lamb. Other soloists include Wisconsin-based artists Jeni Houser (below), David Blalock, Emily Fons, Emily Secor and Kirsten Larson.

“We are working with our artists to create programming that is chosen from their passions: music they want to share, ideas they want to explore, and conversations they want to start. The challenges facing us will create new art, and new ways to make sure it is accessible to everyone.”

Marketing director Andrew Rogers told The Ear that the opera company is still deciding whether digital performances will be ticketed or free with suggested donations.

The full schedule will be announced in early August, after the digital online Opera in the Park takes place Saturday, July 25. For details, go to: https://www.madisonopera.org/2020/05/06/opera-in-the-park-is-going-digital/

To stay current about the regular opera season, you can sign up for the Madison Opera’s news updates via email by going to this website: https://www.madisonopera.org/fall2020/

WISCONSIN CHAMBER ORCHESTRA

The Nov. 20 opening concert with pianist John O’Conor of the Masterworks Series has been POSTPONED with no new date set yet.

Music director Andrew Sewell says the Family Concert on is still on for Saturday, Oct. 10, at the Goodman Community Center but the WCO is looking for an alternative venue.

The concert on Nov. 7 at the Verona Area Performing Arts Center has been CANCELED.

Both performances of Handel’s “Messiah” — on Dec. 9 and Dec. 12 at the Blackhawk Church in Middleton and the UW’s Hamel Music Center on Dec. 12 – have also been CANCELED.

And this season the WCO will not play Tchaikovsky’s “The Nutcracker” from Dec. 17-27 because the Madison Ballet has canceled those performances.

For more information about the WCO (below, in photo by Mike Gorski), go to: https://wcoconcerts.org/concerts-tickets/calendar

What do you think?

Do you think the cancellations are warranted?

Do you want to leave a message or comment encouraging and supporting the various groups and their many musicians?

The Ear wants to hear.


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Classical music: During global protests against racism, a longtime fan of the Madison Symphony Orchestra writes a letter to ask for more diversity and African-American composers

June 9, 2020
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By Jacob Stockinger

During the ongoing global protests and demonstrations against police brutality, racism and white privilege, the Madison Symphony Orchestra (below, in a photo by Peter Rodgers) will hold its annual meeting next Tuesday, June 16, at 3:30 p.m.

The meeting is NOT open to the public — as erroneously stated in an earlier version — but just to season subscribers (not single ticket buyers) and members of MSO boards. The meeting will be virtual and held online via Zoom.

During the meeting, a statement about diversity and inclusion will be read, according to the MSO. 

If you have questions, you can call Alexis Carreon at (608) 257-3734.

With both the symphony and current events in mind, a longtime MSO subscriber has written the following letter to Manager of Individual Giving Jeff Breisach.

Please read the letter and then let us know what you think.

Do you agree or disagree?

What else would you like to say about the role of MSO in adapting to concerns about racism, injustice and privilege?

Do you have any suggestions?

“Dear J. Breisach:

“Please share my following concerns with those planning the annual meeting of the Madison Symphony Orchestra:

“In light of the recent historic events, I hope MSO will add an item or two to deal with the economic and racial injustice prevalent in Madison, as well as elsewhere in our nation.

“Specifically:

  • Empty seats should be made available as Rush Seats ($1 or $5) the day of the concert to open our halls to those facing economic disparity. Such disparity rests on a long history of racism and poverty injustice in our town and in our land. Our hall should always be full and should have a more multi-ethnic, multi-age audience than is currently the case. As our audiences stand, we are one of the most racially and economically privileged events in Madison. That must stop.
  • We need more racially diverse composers included in our regular programming–at the very least during the month of February, but even better throughout the year. And I’m not just thinking of “Porgy and Bess” tunes. Samuel Coleridge-Taylor (below top) also comes to mind as a composer we need to hear more often. Le Chevalier de Saint-Georges — Joseph de Boulogne (1745-1799, below bottom) — is another. (Editor’s note: You can hear the Romance for violin and orchestra by Coleridge-Taylor in the YouTube video at the bottom.) There are more. Having a local black chorus in for Christmas is not enough!

“It is time for MSO to acknowledge its history of white privilege and take some steps to more widely acknowledge the richness of a diverse local audience and classical music history.

Sincerely,

Carol Troyer-Shank

“PS: I have been a MSO ticket holder in the economically denigrated balcony for more than 20 years.

“PS2: The architect and designers clearly thought about making more money — not about safety of attendees — when they designed a balcony to squeeze in more people instead of to allow ease of movement for lower-cost ticket holders. Shame on them! So, of course, all those seats should be filled every time. Even at $5 a ticket, the MSO would gain enormous improvement in their local image.”

 


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Classical music: The Wisconsin Chamber Orchestra uses a new website and a new brochure to announce its new Masterworks season plus other innovations

May 23, 2020
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By Jacob Stockinger

In many ways, there is much that is familiar or tried-and-true about the Wisconsin Chamber Orchestra (below, in a photo by Mike Gorski) and its new Masterworks season for 2020-21.

But in other ways it seems as if the WCO is reinventing and rebranding itself – perhaps under the direction of its new CEO Joe Loehnis – as the ensemble starts a double anniversary: its 60th season of existence and its 20th year under the baton of music director Andrew Sewell (below in a photo by Alex Cruz).

As in past years, the WCO programs feature a mix of familiar composers and works with new and neglected ones. It also features both new and returning guest soloists.

Start with what’s new.

The new WCO home website – like the new brochure that has been mailed out — has been redesigned, with more visuals and more information about the 34-member orchestra. The Ear finds both the new brochure and the new home page to be more attractive, better organized and easier to use. Take a look for yourself: https://wcoconcerts.org

There also seems to be a heightened emphasis on donations and raising money, including a new organization called “Friends” that brings special benefits for $30 or even more perks at $8 a month.

And the website seems more customer-friendly. There is a section on the website about “What to Expect,” which includes how to choose seats, how to dress, when to applaud and so forth. There is also a portal for streaming events and concerts.

There is more, much more, including the pre-concert dinners for the Masterworks concerts and the culturally diverse programs for the postponed Concerts on the Square (below), to run this summer on Tuesday nights at 6 p.m. (NOT the usual Wednesdays at 7 p.m.) from July 28 to Sept. 1.

There seems to be more emphasis on Sewell, who this year provides extensive first-person notes about each program and the guest artists. (In the YouTube video at the bottom, you can hear Sewell discuss the new Masterworks season with Wisconsin Public Radio host and WCO announcer Norman Gilliland.)

This season will see two performances of Handel’s “Messiah”: one on Saturday, Dec. 19, at the Blackhawk Church in Middleton; and another downtown on Sunday, Dec. 20, at the UW-Madison’s Hamel Music Center.

The Masterworks series of concerts – held on Friday nights at 7:30 p.m. in the Capitol Theater of the Overture Center – will begin in late November rather than in late January. The six concerts include five new ones and the postponed appearance of harpist Yolanda Kondonassis, whose appearance this season was canceled because of the COVID-19 pandemic, on May 14.

Two of the concerts – on two Saturdays, Feb. 20 and April 10 – will also be performed in the Milwaukee suburb of Brookfield at the Sharon Lynn Wilson Center for the Arts (below).

You can read more about the community outreach and music education programs, especially the Youth and Education programs. They include the free Family Series and “Side by Side” concerts (below, in a photo by Mike DeVries for The Capital Times, WCO concertmaster Suzanne Beia, right, tutors a WYSO student); the Super Strings educational program; and the Young Artists Concerto Competition for grades 9-12.

Here are the Masterworks series:

NOV. 20Pianist John O’Conor (below) returns in a program of the Piano Concerto No. 5 “Emperor” by Beethoven; the Septet by Igor Stravinsky; and the Symphony No. 1 in D Major by Luigi Cherubini.

JAN. 15Cellist Amid Peled (below, in a photo by Lisa Mazzucco) returns in a program of Cello Concerto No. 1 by Dmitry Kabalevsky and the Andante by Jacques Offenbach; plus the Wind Serenade in D minor by Antonin Dvorak; and the Symphony No. 34 by Mozart.

FEB. 19Violinist Alexander Sitkovetsky (below) in returns in Antonio Vivaldi’s “Four Seasons” and Astor Piazzolla’s “Four Seasons in Buenos Aires”; plus the Suite for Strings by Leos Janacek.

MARCH 19Grammy-winning Spanish guitarist Mabel Millán (below) making her U.S, debut in an all-Spanish program that features the Concierto del Sur (Concerto of the South) by Manuel Ponce; the Sinfonietta in D major by Ernesto Halffter; and the overture “Los Esclavos Felices” (The Happy Slaves) by Juan Crisóstomo Arriaga.

APRIL 9Pianist Michael Mizrahi (below), who teaches at the Lawrence University Conservatory of Music in Appleton, Wis., on the Piano Concerto No. 1 by Beethoven plus the Serenade No. 1 by Johannes Brahms.

MAY 14Harpist Yolanda Kondonassis (below) in the Harp Concerto by Alberto Ginastera; plus the Sinfonietta by Sergei Prokofiev and the Symphony no. 88 by Franz Joseph Haydn.

Single tickets, which go on sale in July, are $15 to $80. Season subscriptions are available now with seat preference through July 1, bring a discounted price with an extra 10 percent off for first-time subscribers.

For more information, go to the website at https://wcoconcerts.org; call 608 257-0638; or mail a subscription form to the Wisconsin Chamber Orchestra, Attn: Subscriptions; PO Box171, Madison, WI 53701-0171.

 


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Classical music: Renowned organist Hector Olivera will play classics and also improvise spontaneously in Overture Hall on Tuesday night

February 9, 2020
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By Jacob Stockinger

At 7:30 p.m. on this Tuesday night, Feb. 11, in Overture Hall, the renowned Argentinian organist and composer Hector Olivera (below) will make his local debut on the Overture Concert Organ Series sponsored by the Madison Symphony Orchestra.

Olivera will perform on the Klais Overture Concert Organ (below)

All tickets are $20.

The program includes works by: Johann Sebastian Bach; Cesar Franck; Wolfgang Amadeus Mozart; Astor Piazzolla; Louis Vierne; Marco Enrico Bossi; and William Ralph Driffill.

For the specific works on the program, plus information about buying tickets, biographical background and reviews of his past performances, go to: https://madisonsymphony.org/event/organ-hector-olivera/

Says Greg Zelek (below), the MSO organist and Juilliard School graduate who also organizes the organ concert series:

“Known as one of the most exciting organists of the 20th century, international concert organist Hector Olivera will entertain and exhilarate the audience with an unforgettable performance.

“Born in Buenos Aires, Argentina, Mr. Olivera has performed all over the world and has had audiences leaping to their feet with applause for years.

“His debut performance at Overture Hall will feature organ classics like Vierne’s Carillon de Westminster, as well as transcriptions like “Oblivion” by another Argentine native, Astor Piazzolla.

“He will close the concert with an improvisation on a submitted theme that is sure to enthrall and amaze everyone in attendance.”

Want proof or a preview?

You can hear Olivera improvise on a traditional Chinese folk song, first sung to him, during a concert in Shenzhin, China, in the YouTube video below:


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Classical music: What concerts or performances in 2019 did you most like, and do you most remember and want to praise?

January 12, 2020
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PLEASE HELP THE EAR. IF YOU LIKE A CERTAIN BLOG POST, SPREAD THE WORD. FORWARD A LINK TO IT OR, SHARE IT or TAG IT (not just “Like” it) ON FACEBOOK. Performers can use the extra exposure to draw potential audience members to an event. And you might even attract new readers and subscribers to the blog.

By Jacob Stockinger

The concert season’s winter intermission will soon draw to a close.

So this is a good time to recall favorite concerts and performances of last year.

But let’s be clear.

This is a not a request to name “The Best Concerts of 2019.”

Calling them the most memorable concerts doesn’t necessarily mean they were the best.

Perfection or “the best” sounds so objective, but can really be quite personal and subjective. So much can depend not only on the music and the performers, but also on your own mood and your taste or preferences.

So please share the concerts or performances that you most liked and enjoyed, the one that most still linger in your mind. And, if you can pin it down, tell us why you liked them so much and why they linger for you.

There are so many excellent groups and concerts, so much fine classical music, in the Madison area that there should be lots of candidates.

Here are several performances or complete concerts that The Ear remembers with special fondness.

The MADISON SYMPHONY ORCHESTRA (below, in a photo by Peter Rodgers) held a season-long celebration of the 25th anniversary of John DeMain’s tenure as its music director and conductor. The big event came at the end: Mahler’s massive Symphony No. 8 – the so-called “Symphony of a Thousand” – that brought together the MSO and the MSO Chorus as well as the Madison Youth Choirs and the UW-Madison Choral Union.

It proved an impressive, overwhelming and moving display of coordination and musicianship, a testament to how far DeMain (below, in a photo by Prasad) has brought the orchestra.

(Also memorable on the MSO season were pianist Marc-Andre Hamelin in Ravel’s jazzy Piano Concerto in G Major and UW-Madison pianist Christopher Taylor in the Leonard Bernstein’s “Age of Anxiety” symphony during the MSO tribute to Bernstein, with whom DeMain worked closely.)

The WISCONSIN CHAMBER ORCHESTRA (below, in a photo by Mike Gorski), under its veteran music director Andrew Sewell, continues to test its own limits and surpass them. Particularly impressive was the last concert of the winter season with Shostakovich’s Symphony No. 14 featuring two outstanding soloists: soprano Mary Mackenzie and bass Timothy Jones.

The playing of the difficult score was precise but moving, and the singing blended beautifully. It made one understand why during this season – when the orchestra marks 60 years and maestro Sewell (below, in a photo by Alex Cruz) marks his 20th season — the WCO has deservingly graduated to two performances of each Masterwork concert (one here on Friday nights followed by one in the Milwaukee suburb of Brookfield on Saturday night).

Also memorable was an impressive concert by the mostly amateur but critically acclaimed MIDDLETON COMMUNITY ORCHESTRA. The Ear likes amateur musicians, and for their 10th anniversary concert they really delivered the goods in Dvorak’s famous Symphony No. 9 “From the New World” and, with fabulous guest soloist J.J. Koh (below — principal clarinet of the Madison Symphony Orchestra — in Mozart’s sublime Clarinet Concerto.

But it wasn’t only large-scale works that The Ear remembers.

Three chamber music concerts continue to stand out.

During the summer, the WILLY STREET CHAMBER PLAYERS and guest UW-Madison pianist Christopher Taylor (both below) delivered a performance of Dvorak’s Piano Quintet in A Major that would be hard for any group to match, let alone surpass, for its tightness and energy, its lyricism and drama.

The same goes for the veteran PRO ARTE QUARTET at the UW-Madison, which this fall started its complete cycle of Beethoven’s 16 string quartets in the new Hamel Music Center to celebrate the Beethoven Year in 2020 when we mark the 250th anniversary of the composer’s birth.

The quartet played early, middle and late quartets with complete mastery and subtlety. Treat yourself. Don’t miss the remaining five concerts, which resume in February and take place over the next year at the Hamel center and also at the Chazen Museum of Art, from where they will also be live-streamed.

Finally, The Ear will always remember the wholly unexpected and thoroughly captivating virtuoso accordion playing he heard last summer by Milwaukeean Stas Venglevski (below) at a concert by the BACH DANCING AND DYNAMITE SOCIETY. Venglevski performed music by Johann Sebastian Bach, Igor Stravinsky and Astor Piazzolla in a new and enthralling way.

Unfortunately, for various reasons The Ear missed many other concerts – by the Madison Opera and the University Opera among others – that promised to be memorable performances.

But perhaps you can fill him in as we start 2020 concerts next weekend.

What concerts in 2019 did you like most and do you most remember and praise? Why?

The Ear wants to hear.


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Classical music: Madison Opera’s annual FREE Opera in the Park returns this Saturday night, July 20, in Garner Park and celebrates 18 years plus a glimpse of the upcoming season

July 15, 2019
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By Jacob Stockinger

The Ear has received the following announcement to post about one of the most highly anticipated musical events of summer, one that offers lots of family-friendly fun and serious musical enjoyment:

Madison Opera’s Opera in the Park (below, in a photo by James Gill) celebrates its 18th year on this coming Saturday night, July 20, at 8 p.m. in Garner Park, on Madison’s far west side at the intersection of Rosa Road and Mineral Point Road.

The annual free concert of opera and Broadway favorites closes the company’s 2018-19 season and provides a preview of the 2019-20 season. (You can hear a sample of past years in the YouTube video at the bottom.)

A Madison summer tradition that often attracts over 14,000 people, Opera in the Park is an enchanting evening of music under the stars, featuring selections from opera and Broadway.

Opera in the Park 2019 features soprano Jeni Houser, soprano Michelle Johnson, tenor David Blalock and baritone Ben Edquist.

Jeni Houser (below) has sung many roles with Madison Opera, most recently in Sondheim’s A Little Night Music, and she returns next season as Eurydice in Offenbach’s Orpheus in the Underworld.

Michelle Johnson (below) scored a major success with Madison Opera as Santuzza in Mascagni’s Cavalleria Rusticana last season.

David Blalock (below) debuted with Madison Opera in 2014 and returns this season as Orpheus in Orpheus in the Underworld.

Ben Edquist (below) is making his debut, and will return to the company as Hawkins Fuller in Gregory Spears’ Fellow Travelers, about the Lavender Scare against LGBTQ peoplein February.

The four soloists are joined by the Madison Opera Chorus and Madison Symphony Orchestra, conducted by John DeMain (below, in a photo by Greg Anderson).

The evening is hosted by Madison Opera’s General Director Kathryn Smith and WKOW TV’s 27 News co-anchor George Smith (below, in a photo by Simon Fowler).

Opera in the Park is the greatest performance in Madison Opera’s season,” says Smith (below, in a photo by James Gill). “It offers a truly magical blend of beautiful voices, music from many centuries, and thousands of members of our community relaxing together under the same night sky. I am grateful to all of our supporters who share our belief in the community-building power of music and help us produce this concert every summer.”

Opera in the Park 2019 features arias and ensembles from Verdi’s La Traviata, which opens the 2019-20 season in November; Spears’ Fellow Travelers, which will be performed in February; and Offenbach’s Orpheus in the Underworld, which will be performed in April.

The program also includes selections from Verdi’s Rigoletto and La Forza del Destino (The Force of Destiny); Donizetti’s The Elixir of Love and Don Pasquale; Korngold’s Die Tote Stadt (The Dead City); Romberg’s The Student Prince; Funny Girl; Rodgers and Hammerstein’s Carousel; and more. As always, this spectacular evening will include one number conducted by the audience with light sticks (below).

Garner Park is located at 333 South Rosa Road. Parking is available in the CUNA Mutual Group and University Research Park lots. Attendees are encouraged to bring picnics, blankets and chairs. Alcohol is permitted but not sold in the park.

On the day of the concert, Garner Park will open at 7 a.m. Audience members may not leave items in the park prior to this time. Lots of porta potties will be provided. Transportation via golf carts is available for those who have limited mobility.

The rain date for Opera in the Park is Sunday, July 21, at 8 p.m.

For more details about attending Opera in the Park and for more extensive biographies of the singers, go to: https://www.madisonopera.org/2018-2019-season/oitp/

While Opera in the Park is free to attend, it would not be possible without the generous support of many foundations, corporations, and individuals who believe in the importance of music in the community.

Madison Opera is grateful to the sponsors of Opera in the Park 2019.The Presenting Sponsor is the BerbeeWalsh Foundation. Other sponsors are the John and Carolyn Peterson Charitable Foundation; Full Compass Systems; the Raymond B. Preston Family Foundation; University Research Park; Colony Brands; the Evjue Foundation; Johnson Financial Group; MGE Foundation; National Guardian Life; the Wisconsin Arts Board; Dane Arts; and the Madison Arts Commission.

WKOW, Madison Magazine, Wisconsin Public Radio, Magic 98, and La Movida are media sponsors for this community event.

RELATED EVENTS

The Prelude Dinner at Opera in the Park 2019 is at 6 p.m.
This annual fundraiser to benefit Opera in the Park helps support Madison Opera’s free gift to the community.

The event includes dinner catered by Upstairs Downstairs, VIP seating at the concert, and a reception with the artists following the performance. Tickets are $150 per person or $1,150 for a table of eight.

More information about Opera in the Park and about the 2019-20 season, including subscriptions, is available at Madison’s Opera’s home website  www.madisonopera.org


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Classical music: January’s FREE “Just Bach” midday concert is this Wednesday at 1 p.m. and spotlights the flute

January 22, 2019
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NEWS UPDATE: Tomorrow’s Just Bach concert as been canceled due to weather and the expected snowstorm. The Ear has been told that the program will be performed on another date. The next Just Bach concert is Feb. 20.

IF YOU LIKE A CERTAIN BLOG POST, PLEASE SPREAD THE WORD. FORWARD A LINK TO IT OR, SHARE or TAG IT (not just “Like” it) ON FACEBOOK. Performers can use the extra exposure to draw potential audience members to an event.

By Jacob Stockinger

This month’s FREE hour-long “Just Bach” concert of music by Johann Sebastian Bach will take place this Wednesday, Jan. 23, at 1 p.m. in Luther Memorial Church, 1021 University Avenue.

Admission is FREE with good will offerings accepted. Food and drink are allowed during the concert. (Below is a photo by John W. Barker of an earlier Just Bach concert.)

The program, which puts the spotlight on the baroque flute (below), includes: the Trio Sonata in G Major, BWV 1038, for flute, violin and continuo; and the Orchestral Suite No. 2 BWV 1067, for flute, strings and harpsichord, which is really a mini flute concerto. (You can hear the popular Orchestral Suite No. 2 in the YouTube video at the bottom.)

The program ends with Cantata 173 “Erhoehtes Fleisch und Blut” (Exalted flesh and blood), which is scored for two flutes, strings and continuo, joined by a quartet of vocal soloists: soprano Sarah Brailey; mezzo-soprano Cheryl Bensman-Rowe; tenor Wesley Dunnagan; and bass-baritone Paul Rowe.

The orchestra of baroque period-instrument specialists, led by concertmaster Kangwon Kim, will include traverso flutists Linda Pereksta (below top) and Monica Steger (below bottom).

Just Bach concert dates – all Wednesdays at the same time and in the same church  — for this semester are Jan. 23, Feb. 20, March 13, April 24 and May 29.


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