The Well-Tempered Ear

Classical music: This Sunday brings a preview of Bach Around the Clock 5. Plus, a FREE song recital is on Friday at noon.

March 1, 2018
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CORRECTION: The two performances by the Madison Symphony Orchestra the were listed earlier in this post took place last Sunday, and are NOT scheduled for this coming Sunday. The Ear apologizes and regrets the error. 

ALERT: This week’s FREE Friday Musicale at the First Unitarian Society of Madison, 900 University Bay Drive, features mezzo-soprano Consuelo Sañudo (below) and pianist Jeff Gibbens performing music by Johann Sebastian Bach, Ludwig van Beethoven, Claude Debussy, Andre Caplet and Maurice Ravel. The concert runs from 12:15 to 1 p.m.

By Jacob Stockinger

On this Sunday, March 4, you can hear a sample of the Bach Around the Clock marathon that will take place a week from Saturday, on March 10, from 10 a.m. to 10 p.m. in St. Andrew’s Episcopalian Church, 1833 Regent St.

The preview of the event that celebrates the 333nd birthday of Johann Sebastian Bach (below) will be this month’s Sunday Afternoon Live From the Chazen concert. It starts at 12:30 p.m. in Brittingham Gallery No. 3.

NOTE: It will also be live-streamed from the UW-Madison’s Chazen Museum of Art via the following website:

https://www.chazen.wisc.edu/about/news/in-the-news/sunday-afternoon-live-at-the-chazen-march-4-with-back-around-the-clock/

The program features the popular Brandenburg Concerto No. 2 in F Major (with flutist Dawn Lawler, below top, as soloist) and the familiar Harpsichord Concerto No. 1 in D minor (with Mark Brampton Smith, below bottom, as soloist). (You can hear the opening of the Harpsichord Concerto in the YouTube video below.)

There will also be selections by Bach from the books for the Suzuki method.

Information about the program and performers is on the website above.

For more information about the complete Bach Around the Clock, as well as the Chazen preview, including the full schedule of works and performers with times and information about live-streaming, go to:

https://bacharoundtheclock.wordpress.com

 

 


Classical music: Violinist and concertmaster David Kim will discuss becoming a professional musician and will give two public master classes plus a student performance of string music by Vivaldi, Massenet and Brahms

October 16, 2017
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By Jacob Stockinger

The Ear has received the following announcement from the Mead Witter School of Music at the University of Wisconsin-Madison about upcoming events:

“From oboist to organist, whether one performs pop or Prokofiev, every musician has a story of an intricate and sometimes unsettling pathway to a professional career.

“Violinist David Kim, (below) who will visit the School of Music TODAY and Tuesday, Oct. 16 and 17, is no different. Since 1999, Kim has been the concertmaster of the Philadelphia Orchestra.

“On Tuesday at 7: 30 p.m. in Mills Hall, Kim will offer a talk, “From Prodigy to Professionalism – A Life in Music.” (Editor’s note: You can sample Kim’s terrific conversational style and accessible analysis in the interview with him about his violin in the YouTube video at the bottom.)

“He’ll describe his experiences and struggles to reach the pinnacle of his career, interspersed with performances of some of Mr. Kim’s favorite works. It will be a humorous, sometimes jarring, and often poignant story not to be missed.

“Kim’s talk will be followed by a concert with UW-Madison strings and pianist Thomas Kasdorf. The program will include “Sonatensatz” (Sonata Movement) by Johannes Brahms (1833-1897); “Banjo and Fiddle” by William Kroll (1901-1980); “Meditation” from the opera “Thais” by Jules Massenet (1842-1912); and “The Four Seasons” by Antonio Vivaldi (1678-1741).

“I’ve always shared anecdotes about my crazy upbringing,” Kim wrote in an email. “From the beginning, my story seemed to resonate, especially with parents. After all, who doesn’t have a story of an overzealous parent from some stage of life!

“Now I share my story numerous times each season and have been urged by many to write a book – a la the widely read book, ‘Battle Hymn of the Tiger Mom.’

“But that will probably never happen as I prefer speaking during my concerts and love seeing the audience react in person.”

“Join us for our “Conversation & Concert” with David Kim, our strings players and pianist Thomas Kasdorf (below), a UW-Madison alumnus and graduate student. Tickets are $15 for adults, $5 for students, except Mead Witter music majors, who receive free admission. Buy tickets here. They will also be sold at the door, starting at 6:30 p.m.

“Additional Events: 
Violin Master Class is TODAY, Monday, Oct. 16, at 7 p.m. in Morphy Hall;
 Strings Orchestral Excerpts Master Class is on Tuesday, Oct. 17, at 11 a.m. in Morphy Hall. Both classes are free and open to the public.

“Learn more here: http://www.music.wisc.edu/event/david-kim-vivaldis-four-seasons/


Classical music: The Oakwood Chamber Players perform an unusual holiday program with a Wisconsin premiere twice this coming Sunday afternoon

November 22, 2016
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By Jacob Stockinger

The Oakwood Chamber Players (below) will perform a concert titled Looking Back and Forward on Sunday, Nov. 27, 2016 at 1 p.m. and 3:30 p.m.

Oakwood Chamber Players 2015-16

The performances will both be held at the Oakwood Village University Woods Center for Arts and Education, 6209 Mineral Point Road, on the far west side of Madison near West Towne Mall.

An innovative recipe for A Christmas Carol is a perfect addition to the Thanksgiving holiday weekend.

Outstanding musical theater actor/singer baritone Bobby Goderich (below, seen on the right in Madison Opera‘s production of Stephen Sondheim‘s “Sweeney Todd”) will give a tour-de-force characterization of the entire cast of personalities for a rendition of Dickens’s tale in The Passion of Scrooge. A dozen musicians will give Goderich’s flair an abundant platform to show off his singing, humor, and dramatic effects.

bobby-goderich-in-madison-operas-sweeney-todd

The Passion of Scrooge by New York composer Jon Deak (below) is performed annually for holiday concerts at the Smithsonian, and the Oakwood Chamber Players are delighted to present the Wisconsin premiere of this memorable work.

Deak is known for weaving a variety of tales into “concert dramas,” turning words into music and giving instrumentalists the power to evoke speech through their sounds.

The Passion of Scrooge is laid out in two acts as the character struggles to come to grips with the past, present and future, to transform a life of avarice to one of human warmth.

jon-deak

Additionally, the Oakwood Chamber Players will perform music mentioned in the text of Charles Dickens’s A Christmas Carol.

When the Ghost of Christmas Past shows Scrooge a celebration hosted by his employer, Mr. Fezziwig, the fiddler plays the tune Sir Roger de Coverley. (You can hear a chamber orchestra version of the work, played by the Academy of St. Martin in the Fields under Sir Neville Marriner, in the YouTube video at the bottom.)

This traditional English country dance, set for string quartet by British composer Frank Bridge (below) in 1922, will provide an energetic introduction to The Passion of Scrooge. The musical pairing illustrates how creative expression can transform historic works to give fresh perspectives.

Frank Bridge

The Oakwood Chamber Players welcome guests Wes Luke, violin; Katrin Talbot, viola; Brad Townsend, bass; Mike Koszewski, percussion; Mary Ann Harr, harp; Bobby Goderich, baritone; and Kyle Knox, conductor (below).

kyle-knox-2016

This is the second of five concerts in the Oakwood Chamber Players 2016-2017 season series entitled Perspective. Remaining concerts will take place on Jan. 21 and 22, March 18 and 19, and May 13 and 14.

The Oakwood Chamber Players are a group of Madison-area professional musicians who have rehearsed and performed at Oakwood Village for over 30 years.

The program lasts about 1 hour and 15 minutes.

Tickets can be purchased with cash or personal checks at the door: $20 for general admission, $15 for seniors and $5 for students.

Also, conductor Kyle Knox will discuss the music on Norman Gilliland’s show, The Midday, on Wisconsin Public Radio, 88.7 FM WERN, on this Friday, Nov. 25, from noon to 1 p.m.

Visit www.oakwoodchamberplayers.com for more information.

The Oakwood Chamber Players are a professional music ensemble proudly supported by Oakwood Lutheran Senior Ministries and the Oakwood Foundation.


Classical music: Here is an entertaining story about the American GI rifleman who fiddled for Josef Stalin, Harry Truman and Winston Churchill at Potsdam.

September 6, 2015
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By Jacob Stockinger

Nothing big today.

Or important.

Just a good old entertaining story about Stuart Canin (below), the American GI rifleman who suddenly got called on to play his violin for Josef Stalin, Harry Truman and Winston Churchill (below bottom) at the Potsdam conference right after the Allies’ defeat of Hitler‘s Nazi Germany during World War II.

stuart canin violin

More proof that you just never know when playing an instrument — or singing, for that matter — will come in handy.

Potsdam L to R British Prime Minister Winston Churchill President Harry S. Truman and Soviet leader Josef Stalin

This is the story as it was reported on NPR or National Public Radio:

http://www.npr.org/sections/deceptivecadence/2015/07/17/423548728/the-rifleman-who-fiddled-for-truman-churchill-and-stalin

 


Classical music: The Madison-based Bach Dancing and Dynamite Society gets its 24th three-week summer season underway this coming weekend. This year’s theme is “Guilty as Charged.” Here is part 2 of 2 with weeks 2 and 3.

June 9, 2015
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By Jacob Stockinger

Our friends at the Bach Dancing and Dynamite Society – which The Ear named Musician of the Year two seasons ago – will begin their new summer season this weekend.

The season features six concert programs performed over three weekends in three different venues and cities.

Here is the second part of two postings based on the BDDS press release. Part 1 ran yesterday. Here is a link:

https://welltempered.wordpress.com/2015/06/08/classical-music-the-madison-based-bach-dancing-and-dynamite-society-gets-its-24th-three-week-summer-season-the-theme-is-guilty-as-charged-underway-this-coming-weekend/

The second week of “Guilty as Charged” features “Honor Among Thieves” and “Breaking and Entering.”

In “Honor Among Thieves,” we feature composers who stole from others or themselves, but always in an effort to elevate what they stole and bring it to wider circulation.

John Harbison (below) “stole” familiar American songs in “Songs America Loves to Sing,” arranging them to show what incredible beauty lies in these everyday tunes and honoring the folk traditions of America.

JohnHarbisonatpiano

Ludwig van Beethoven stole from himself to create his Piano Trio, Op. 38. Beethoven’s Septet was a wildly popular work, and many dishonorable publishers created bad arrangements of the work to capitalize on that popularity. Beethoven stopped them short by creating his own masterful arrangement of the Septet; giving the work the honor it was due.

Both programs feature the incredible clarinetist Alan Kay (below top), familiar to our audiences from his stunning performances last year, and the San Francisco Piano Trio (below bottom), with violinist Axel Strauss, cellist Jean-Michel Fonteneau and pianist Jeffrey Sykes.

“Honor Among Thieves” will be performed at the Stoughton Opera House on Friday, June 19, at 7:30 p.m.; and in Spring Green at the Hillside Theater, on Sunday, June 21, at 2:30 p.m.

Alan Kay 1 BDDS 2014

BDDS 2014 San Francisco Trio

Composers often have to break the rules in order to achieve their expressive ends. “Breaking and Entering” features composers who did precisely that: breaking with tradition and entering a new world of expression.

“Country Fiddle Pieces” by Paul Schoenfield were among the very first classical “crossover” works. Combining traditional fiddling, jazz, Latin, and pop influences together with a strong classical sense of phrasing and structure, Schoenfield (below) almost single-handedly created a whole new musical style.

Paul Schoenfield

The great Piano Trio in B Major, Op. 8, was the first masterpiece by Johannes Brahms (below), a work that boldly broke with the past and ushered in an era of chamber music of symphonic scope.

“Honor Among Thieves” concerts will be performed at The Playhouse, Overture Center for the Arts on Saturday, June 20, at 7:30 p.m.; and in Spring Green at the Hillside Theater on Sunday, June 21, at 6:30 p.m.

brahmsBW

Our biggest and final week includes Crooked Business and “Highway Robbery.”

The world of classical music is not as pure and pristine as it sometimes seems. From unscrupulous managers falsifying box office receipts to dishonest publishers pirating successful compositions, classical music can be a “Crooked Business.“

Wolfgang Amadeus Mozart exhausted himself arranging performances of his piano concertos—and he watched most of his profits get swallowed up by greedy impresarios.

Johannes Brahms was strongly encouraged to destroy the original chamber version of his Serenade in D Major and rewrite it as an orchestral composition simply because it would bring greater profit to him and his managers. We’re featuring the work in a reconstruction of its original form as a nonet.

“Crooked Business” concerts will be performed at the Stoughton Opera House on Friday, June 26, at 7:30 p.m., and in Spring Green at the Hillside Theater on Sunday, June 28, at 2:30 p.m.

A career in classical music—even a successful one—is not a quick road to power, influence, and wealth. And virtually every musician walking that road has been subject to “Highway Robbery” at one point or another.

Throughout his short life, Franz Schubert (below) was taken advantage of by “friends,” publishers, and promoters. He wrote his great Octet for performance in the home of the Archduke Rudolph (Beethoven’s patron) and received not one cent for his efforts.

Franz Schubert big

And we at BDDS have been guilty of highway robbery of a sort ourselves. In 2010 we commissioned American composer Kevin Puts—an extraordinarily talented, successful, but nonetheless struggling composer—for a work for our 25th season next summer. We agreed to a fee we thought was fair to him and comfortable for us.

In 2012 Kevin Puts (below) won the Pulitzer Prize for music. Thank goodness we signed the contract in 2010, because now it’s likely his talents would be out of our financial reach! It feels like we’re the perps in a highway robbery!

This seasons we’re featuring Kevin Puts’ “Seven Seascapes,” a beautiful piece based on poems about the sea. (You can hear the first one of Kevin Puts’ “Seven Seascapes” in YouTube video at the bottom.)

Kevin Puts pulitzer

Both programs feature extraordinary musicians: powerhouse violinists Carmit Lori (below) and Hye-Jin Kim, violist Ara Gregorian, and newcomers Katja Linfield, cello, and Zachary Cohen, double bass. They are joined by the great young clarinetist Romie de Guise-Langlois and veteran French horn player Richard Todd.

Enjoy a BDDS concert and stay for the fireworks downtown! Free reserved parking will be available for the first 100 cars, with reservations.

“Highway Robbery” concerts will be performed in The Playhouse in the Overture Center, Madison, on Saturday, June 27, at 7:30 p.m.; and in Spring Green at the Hillside Theater on Sunday, June 28, at 6:30 p.m.

Carmit Zori

For the fourth year, BDDS will also perform one free family concert, “What’s So Great About Bach?” an interactive event that will be great for all ages. Together with the audience, BDDS will explore interwoven layers of melody. Everyone will be up on their feet helping to compose for the musicians on stage.

This event takes place 11–11:45 a.m. on this Saturday, June 13, in The Playhouse at the overture Center. This is a performance for families with children of all ages and seating will be first come first served.

CUNA Mutual Group, Pat Powers and Thomas Wolfe, and Overture Center generously underwrite this performance.

Dianne Soffa and Tom Kovacich, artists-in-residence at Safi Studios in Milwaukee, will create a stage setting for each concert in The Playhouse. All concerts at The Playhouse will be followed by a meet-the-artists opportunity.

BDDS Locations are: the Stoughton Opera House (381 East Main Street); the Overture Center in Madison (201 State Street); and Frank Lloyd Wright’s Taliesin Hillside Theater (County Highway 23 in Spring Green).

Single general admission tickets are $40. Student tickets are always $5.

Various ticket packages are also available starting at a series of three for $114. First-time subscriptions are half-off.

For tickets and information visit www.bachdancinganddynamite.org or call (608) 255-9866.

Single tickets for Overture Center concerts can also be purchased at the Overture Center for the Arts box office, (608) 258-4141, or at overturecenter.com. Additional fees apply.

Hillside Theater tickets can be purchased from the Frank Lloyd Wright Visitor’s Center on County Highway C, (608) 588-7900.  Tickets are available at the door at all locations.

 

 


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