The Well-Tempered Ear

Classical music: Guest pianist Leon Fleisher and the Pro Arte Quartet will give a FREE performance of the Piano Quintet by Brahms at noon on Oct. 6.

September 7, 2016
1 Comment

By Jacob Stockinger

You heard it here first.

Here is a date to save  and then spread the word:

The Ear hears that famed pianist and teacher Leon Fleisher (below top in a photo by Chris Hartlove) will perform a FREE concert with the University of Wisconsin-Madison’s Pro Arte Quartet (below bottom in a photo by Rick Langer) at noon on Thursday, Oct. 6, in Mills Hall.

Intl_Piano_LF1120.pdf

Pro Arte Quartet new 2 Rick Langer

The program features a dramatic and lyrical masterpiece, the Piano Quintet in F Minor by Johannes Brahms. (You can hear Leon Fleisher perform the third movement, the lively Scherzo with a lovely Trio, of the Brahms Piano Quintet with the Emerson String Quartet in the YouTube video at the bottom.)

More details are forthcoming.

The Ear has been told that Fleisher, 88 and retired from the Peabody Institute of Music at Johns Hopkins University in Baltimore, and the Pro Arte are doing this as a gesture of thanks to all supporters of the quartet, which several years ago celebrated its centennial and is the longest-lived string quartet in history.

Fleisher was an acclaimed and prize-winning pianist whose career was thwarted by focal dystonia in his right hand, which made him play and perform only with his left hand.

For a decade now, he has recovered and been performing with two hands and often with his pianist wife. They performed several seasons ago at the Wisconsin Union Theater.

The Pro Arte Quartet holds a special place in his affection.

About a decade ago, Fleisher performed the same Brahms work with the Pro Arte. Fleisher’s main teacher, the legendary Artur Schnabel, performed and recorded works by Wolfgang Amadeus Mozart, Robert Schumann, Antonin Dvorak and others with the Pro Arte Quartet back in the 1930s.


Classical music: Here are two dramas behind the scenes in this weekend’s production of Mark Adamo’s “Little Women” by the Madison Opera

February 2, 2016
2 Comments

By Jacob Stockinger

The Madison Opera will present its production of Mark Adamo’s popular contemporary chamber opera “Little Women” this weekend.

Performances are in the Capitol Theater of the Overture Center on this Friday at 8 p.m. and on this Sunday at 2:30 p.m.

Tickets to the opera, based on Louisa May Alcott’s famous novel of the same name, run $21-$101. You can call the Overture Center box office at 608 258-4141.

For more information about the opera, tickets, the cast and the production, and the pre-performance lecture and post-performance Q&A, visit:

http://www.madisonopera.org/performances-2015-2016/little_women/

But not all the drama involved with this production is visible on the stage.

One drama is the creative process of writing both the libretto and the music for the opera, which was Adamo’s first opera and which has seen some 65 productions around the world.

Longtime music critic and freelance writer Mike Muckian covers that quiet drama quite insightfully in the Wisconsin Gazette, where he published an interview with Mark Adamo (below). And Muckian even broke some news about Adamo co-writing a new opera with his spouse, acclaimed composer John Corigliano.

Here is a link:

http://www.wisconsingazette.com/on-stage/adamos-landmark-little-women-comes-to-madison-opera.html

Mark Adamo

The other drama concerns the conductor of the opera, Kyle Knox. Knox (below), who is a very experienced graduate student at the University of Wisconsin-Madison School of Music, has gone into conducting after physical problems forced him to give up his career as a clarinetist with the Milwaukee Symphony Orchestra.

That story is covered exceptionally well in the UW-Madison music blog A Tempo by veteran journalist Katherine Esposito, who is also the concert manager and director of public relations for the UW-Madison School of Music.

Here is a link to that story:

https://uwmadisonschoolofmusic.wordpress.com/2016/01/29/kyle-knox-the-accidental-conductor/

Kyle Knox

Kyle Knox 2

The Ear will also post a Q&A with Mark Adamo. In the meantime, perhaps these behind-the-scenes dramas will whet your appetite for both the Q&A and the actual production.

Here is a YouTube video with an excerpt from “Little Women,” with acclaimed mezzo-soprano Joyce DiDonato singing the aria “Things Change, Jo”:


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