The Well-Tempered Ear

Classical music: The experts said his music wouldn’t last. But Rachmaninoff and his fans proved them wrong. Hear for yourself this Wednesday night at this summer’s final Concert on the Square

July 30, 2019
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By Jacob Stockinger

The experts sure got it wrong.

Only 11 years after the death of Russian composer Sergei Rachmaninoff (below, 1873-1943) – also spelled Rachmaninov — the 1954 edition of the prestigious and authoritative “Grove Dictionary of Music” declared Rachmaninoff’s music to be “monotonous in texture … consist[ing] mainly of artificial and gushing tunes” and predicted that his popular success was “not likely to last.”

That opinion probably came from the same academicians who favored the atonal and serial composers at the time.

But Rachmaninoff’s music is so emotional, so beautiful and so easy for audiences to connect with that it can be a challenge to remember its serious backstory.

For example, much personal turmoil and anguish went into his Piano Concerto No. 2 in C Minor, Op. 18, which headlines this Wednesday night’s final summer Concert on the Square by the Wisconsin Chamber Orchestra.

(Other works on the program, to be performed at 7 p.m. on the King Street corner of the Capitol Square, are the Overture to “The Magic Flute” by Mozart, the Firebird” Suite by Igor Stravinsky, the “Cornish Rhapsody” for piano and orchestra by Hubert Bath.)

For more information – including rules, food and etiquette — about the concert, go to: https://wisconsinchamberorchestra.org/performances/concerts-on-the-square-6-4/

The perfectly chosen soloist is the Russia-born and Russia-trained pianist Ilya Yakushev (below), who has appeared several times with Andrew Sewell and the WCO as well as in solo recitals at Farley’s House of Pianos, where he will perform again this coming season as part of the Salon Piano Series.

Rachmaninoff’s Piano Concerto No. 2 (1901) may well be the most popular piano concerto ever written, one that has often been used in many novels, movies and popular songs. Some would argue that Rachmaninoff’s Piano Concerto No. 3 (1910) has surpassed it in the popularity and frequency of performance.

True or not, the second concerto is a triumph of the human spirit and individual creativity. (You can hear the dramatic and lyrical opening movement, played live by Yuja Wang at the Verbier Festival, in the YouTube video at the bottom.)

It was written in 1900-01 after the composer’s first symphony had not succeeded with the critics and when personal problems had overwhelmed him (below, around 1910).

Rachmaninoff fell into a severe depression that lasted four years. During that time he had daily sessions with a psychotherapist whose cure used hypnosis and repeating to the composer that one day soon he would write a piano concerto that prove very good and very popular.

And so it was. The therapist was Dr. Nikolai Dahl (below) — and that is whom the concerto is dedicated to.

Rachmaninoff’s Piano Concerto No. 3 is often considered the Mount Everest of piano concertos for the sheer physicality and stamina required to play it.

Yet the composer himself — who premiered, recorded and often performed both concertos — said he thought the second concerto, although shorter, was more demanding musically, if not technically.

For more information about Rachmaninoff and his Piano Concerto No. 2 as well as its place in popular culture, go to these two Wikipedia websites where you will be surprised and impressed:

For the Piano Concerto No. 2: https://en.wikipedia.org/wiki/Piano_Concerto_No._2_(Rachmaninoff)

For general biographical details about Rachmaninoff: https://en.wikipedia.org/wiki/Sergei_Rachmaninoff


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Classical music: The critically acclaimed and popular Willy Street Chamber Players start their fifth summer series with a FREE community concert this Friday

July 2, 2019
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By Jacob Stockinger

The Ear has received the following announcement for a remarkable and must-hear summer series of chamber music concerts that from its very beginning seems to have found a successful formula that resonated with the public  It relies on informality, affordable tickets, first-rate musicianship, short concerts, eclectic programs that mix classics with sure-fire new music, support for their local community.

Now in their fifth year, the Willy Street Chamber Players (WSCP, below) have become an established part of the Williamson Street neighborhood.

Recently awarded the silver medal in Madison Magazine’s prestigious “Best of Madison” reader poll in the category of “Best Classical Music Group,” WSCP has received numerous accolades for its accessible and exciting performances, intelligent and fun programming, and dedication to community partnerships.

The group has also been named “Musician of the Year”for 2016 by this blog.

The Summer Series concerts are on Friday evenings at 6 p.m. in the sanctuary of the beautiful Immanuel Lutheran Church (below) at 1021 Spaight St. The church is right on Lake Monona in the Williamson Street neighborhood. Enjoy 60-90 minutes of inspiring and unforgettable live music, then go explore the neighborhood with the remaining daylight hours.

Following the performance, enjoy a reception provided by one of our Willy Street restaurant partners. (Past contributors have been the Underground Butcher, Let It Ride Cold Brew Coffee, Madison Sourdough, the Willy Street Co-Op, Festival Foods, Roman Candle Pizza and more.)

While you enjoy your snacks, chat with the friendly musicians and ask them about the performance, the pieces and the group. We love interacting with our awesome audience.

A season pass is $40. Admission to individual concerts is $15. For tickets and more infomation, got to: http://www.willystreetchamberplayers.org/2019-summer-series.html

COMMUNITY CONNECT – This is a FREE and family-friendly concert with all ages welcome for music, interactive learning, conversation and connections.

It takes place this Friday, July 5, at 6 p.m. at the Goodman Community Center (149 Waubesa Street on the east side), as is posted on the home website — NOT at the Wil-Mar Neighborhood Center, which is listed in the printed brochure but is undergoing construction.

The program – “Growing Sound: A Sonic Exploration” – features music by Wolfgang Amadeus Mozart, John Corigliano, Antonin Dvorak, Friedrich August Kummer and Alberto Ginastera.

SUMMER SERIES 1

Friday, July 12, at 6 p.m. – Mozart and Mendelssohn

Prize-winning UW-Madison graduate Danny Kim, viola (below)

PROGRAM:

Mendelssohn: String Quintet No. 1 in A major, Op. 18 (1826)

Simon Steen-Andersen: Study for String Instrument No. 1 (2007)

Mozart: String Quintet No. 2 in C minor, K. 406/516b (1787)

SUMMER SERIES 2

Friday, July 19, at 6 p.m. – Bassoon and Strings

UW-Madison Professor Marc Vallon, bassoon (below)

PROGRAM:

Beethoven: Allegretto for Piano Trio in B-flat major, WoO. 39 (1812)

Jennifer Higdon: “Dark Wood” (2001)

Franz Danzi: Bassoon Quartet in D minor, Op. 40, No. 2 (ca. 1820)

Alberto Ginastera: String Quartet No.1, Op. 20 (1948)

SUMMER SERIES 3

Friday, July 26, at 6 p.m. – Christopher Taylor, piano (below)

PROGRAM:

Ernest Bloch: Three Nocturnes (1924)

Jessie Montgomery: “Voodoo Dolls” (2008)

Dvorak: Piano Quintet No. 2 in A major, Op. 81 (1887) with UW-Madison pianist Christopher Taylor. (You can hear the first movement of Dvorak’s beautiful and melodic Piano Quintet in the YouTube video at the bottom.)

For more information, including background, biographies of the musicians, critics’ reviews, photos and how to support the Willy Street Chamber Players, go to:

http://www.willystreetchamberplayers.org


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Classical music: The Bach Dancing and Dynamite Society closes its 28th season this weekend by honoring three guest artists. Plus, here are all the winners of the 16th International Tchaikovsky Competition

June 28, 2019
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ALERT: The Ear has been following two competitors in the 16th International Tchaikovsky Competition in Russia who have local ties. (The only American to win Gold was cellist Zlatomir Fung.) The final results are in: trumpet player Ansel Norris took fifth place and received an artist’s diploma; pianist Kenneth Broberg shared the third prize with two other winners. For a complete list of winners in all the categories — piano, violin, cello, voice, brass and woodwinds — go to this page: https://tch16.com/en/news/

You can also watch and listen to, via live streaming, the two Gala Concerts for the winners today at 11 a.m. and on Saturday at 1 a.m. Valery Gergiev will conduct both. Go to https://tch16.medici.tv

By Jacob Stockinger

This Friday, Saturday and Sunday, the Bach Dancing and Dynamite Society will close out its 28th annual summer chamber music season with concerts in Madison, Stoughton and Spring Green.

Judging by the first two weekends of concerts, The Ear expects it to be a memorable conclusion of the season with the punning theme of “Name Dropping.”

Here is the announcement he received.

“Our third week of concerts celebrates three great musicians, all of whom are audience favorites: cellist couple Anthony (“Tony”) Ross and Beth Rapier; and firebrand violinist Carmit Zori.

“And the Tony Award for Rapier Wit goes to…” is a program centered around cello duets. Rapier and Ross (below), principal and co-principal cellists with the Minnesota Orchestra, start the program with George Frideric Handel’s gorgeous Sonata in G minor for two cellos and piano. (You can hear the Handel sonata, payed by Amit Peled in the YouTube video at the bottom.)

They both display crazy virtuosity in Luigi Boccherini’s Quintet in B-flat Major for flute, violin, viola and two cellos.

The first half ends with Gian Carlo Menotti’s Suite for two cellos and piano, a work that they have performed to acclaim around the world.

The second half of the program is given over to one of Brahms’ greatest works, the Sextet in G Major, Op. 36, for two violins, two violas and two cellos.

Ross and Rapier are joined by violinists Carmit Zori and Leanne League (assistant concertmaster of the Wisconsin Chamber Orchestra) and violists Toby Appel (below, a faculty member at the Juilliard School who plays in the Chamber Music Society of Lincoln Center) and Katrin Talbot (a Madisonian who performs with the Madison Symphony Orchestra and Wisconsin Chamber Orchestra) in this spectacular piece.

“And the Tony Award for Rapier Wit goes to…” will be performed at the Stoughton Opera House on Friday, June 28, at 7:30 p.m.; and in Spring Green at the Hillside Theater at Taliesin on Sunday, June 30, at 2:30 p.m.

Firebrand violinist Carmit Zori (below), founder and artistic director of the Brooklyn Chamber Music Society in New York City, will sizzle her way through the second program, entitled “The Legend of Zori.”

The program will open with Johannes Brahms’ Sonata in G Major for violin and piano. Viaje, by living Chinese composer Zhou Tian, is a fun and exciting new piece featuring flute and string quartet.

Zori will bring the program home with the torridly passionate Piano Quintet in F minor by Cesar Franck (below), a work written while Franck was in the throes of a love affair with one of his young students.

“The Legend of Zori” will be performed at The Playhouse at the Overture Center for the Arts on Saturday, June 29, at 7:30 p.m.; and in Spring Green at the Hillside Theater at Taliesin, on Sunday, June 30, at 6:30 p.m.

Venue Locations: the Stoughton Opera House is at 381 East Main Street; the Overture Center in Madison is at 201 State Street; Frank Lloyd Wright’s Taliesin Hillside Theater in on County Highway 23 in Spring Green.

Single admission tickets start are $43 and $49. Student tickets are always $10. All single tickets must now be purchased from Overture Center for the Arts, www.overturecenter.org or (608) 258-4141 (additional fees apply) or at the box office. Tickets are available at the door at all locations.

You can also enjoy a pre-ordered picnic at the Hillside Theater made with love from Pasture and Plenty, using ingredients from local farmers and producers. They are available for pick up at the Hillside Theater after the 2:30 p.m. concert or before the 6:30 p.m. concert, for $18.

Spread a blanket on the beautiful Hillside Theater grounds or eat in the Taliesin Architecture School Dining Room, which will be open exclusively to BDDS concert-goers.

Choose from Green Goddess Chicken Salad, Market Veggie Quiche with Greens, or Hearty Greens and Grains with Seasonal Veggie Bowl (gluten-free/vegan). Seasonal sweet treat and beverage included. See the BDDS order form or call BDDS at 608 255-9866.


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Classical music: Concerts on the Square begin this Wednesday night – and half of the six concerts feature classical music

June 25, 2019
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By Jacob Stockinger

The 36th annual FREE summer series of six Concerts on the Square, performed by the Wisconsin Chamber Orchestra (below) and guest soloists, will begin this Wednesday night, June 26, at 7 p.m. on the King Street Corner of the Capitol Square in downtown Madison.

Each concert draws an average of 30,000 people.

But if you think it is largely a pops concert event, think again.

One of the many outstanding achievements that WCO music director Andrew Sewell (below) has brought to the event – billed as “the Biggest Picnic of Summer” — over the past 20 years is an increased emphasis on classical music, perhaps to help build new audiences for the WCO’s winter Masterworks concerts.

The opening concert, for example, has become a tradition, a chance to introduce to the public the latest winner of the WCO’s young people’s concerto competition – and this year is no different.

Three of the six concerts will be also all-classical – and that’s not counting Tchaikovsky’s “1812 Overture” that will be featured on the Fourth of July program on July 3.

There will also be pops music of course, including a tribute to the 50th anniversary of The Beatles’ iconic album “Abbey Road”; patriotic fare for Independence Day; and an evening of movie scores, most composed by John Williams, with concertmaster Suzanne Beia as violin soloist in the theme from “Schindler’s List.”

All concerts are on six consecutive Wednesday nights from June 28 through July 31. Performances begin at 7 p.m. on the King Street corner of the Capitol Square. They usually last about two hours.

To find out more, including the programs and biographies of performers for each program, go to: https://wisconsinchamberorchestra.org/performance-listing/category/concerts-on-the-square

Once there, if you click on a specific date, on the right hand side you will also find information about concert etiquette, seating on the Capitol lawn, weather cancellations, catering menus, food vendor sales and other information, including details about volunteering and donating. Here is a link to general guidelines:

https://wisconsinchamberorchestra.org/performances/concerts-on-the-square/attending-the-concert/ 

Here are the three classical concerts:

JUNE 26

“East Meets West” features the WCO’s concerto competition winner pianist Sakurako Eriksen (below) – a Madison native now living in Milwaukee — in the popular and virtuosic Piano Concerto No. 3 by Sergei Prokofiev.

Also on the program are “Francesca da Rimini” by Russian composer Peter Ilyich Tchaikovsky; “Noble and Sentimental Waltzes” by French composer by Maurice Ravel; and an unnamed work by Spanish composer Isaac Albeniz.

JULY 10

“Finlandia” features the Russian-born and Moscow Conservatory-trained accordion virtuoso Sergei Belkin (below).

On the program are unnamed works by Czech composer Antonin Dvorak and Alexander Glazunov; “Oblivion” by Argentinian composer Astor Piazzolla; the “Sabre Dance” by Russian composer Aram Khachaturian; and “Finlandia” by Finnish composer Jean Sibelius.

JULY 31

“Rockin’ Rachmaninov” features Russian pianist Ilya Yakushev (below), a frequent WCO guest artist who teaches at the Mannes College of Music in New York City.

The program includes the Piano Concerto No. 2 in C minor, Op. 18, by Sergei Rachmaninov; the Overture to the opera “The Magic Flute” by Wolfgang Amadeus Mozart; the 1944 “Cornish Rhapsody” piano concerto score, composed by English composer Hubert Bath for the World War II film “Love Story”; and a Suite from “The Firebird” by Igor Stravinsky.


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Classical music: Looking for serious fun? The thoroughly successful opening concerts by the Bach Dancing and Dynamite Society bode well for the upcoming second weekend

June 19, 2019
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By Jacob Stockinger

After 28 summers, going to a concert by the Bach Dancing and Dynamite Society still feels like attending a family reunion – the best kind of family reunion where everyone is familiar and friendly, where everything is fun, and where you always leave glad that you went.

That’s not by chance.

The first thing that co-founders and co-artistic directors Stephanie Jutt and Jeffrey Sykes did last Friday and Saturday nights was to thank the loyal audience. And the audience, full of longtime fans, returned the favor by being attentive to and appreciative of the first-rate music-making as well as responsive to the horseplay and antics – such as the surreal scene of virtuoso Axel Strauss playing “The Skater’s Waltz” on his violin while rollerblading around the stage (below).

BDDS players really mean it when they say that their audiences are in for something different, something they won’t find elsewhere and won’t forget.

Last weekend that meant the return of two longtime guest performers: San Francisco cellist Jean-Michael Fonteneau and Montreal violinist Axel Strauss (below, with pianist Jeffrey Sykes). Neither disappointed as they performed very varied music by Franz Joseph Haydn, C.P.E. Bach, Johannes Brahms, Gabriel Faure, Lili Boulanger, Maurice Ravel and Ned Rorem. And as always, the amazing  pianist Jeffrey Sykes proved a chameleon who blended masterfully into the style of each period and each composer.

But for The Ear, the unexpected standout last weekend was guest accordion player Stas Venglevski from Milwaukee. Born in Russia and trained at the Moscow Conservatory, he is a virtuoso player, a sensitive arranger and a convincing composer – all done with good humor and a charismatic stage presence.

The Ear never thought of the accordion – the Russian bayan, to be specific – as an instrument for chamber music. But he does now, after hearing Venglevski play serious Russian, French and Latin American music that ran the gamut from a graceful waltz and a sprightly polka to torchy tangos. And then there were his flying fingers punching out “The Flight of the Bumblebee,” a real crowd-pleaser.

The large audience responded on both nights with wild applause and a standing ovation every time that Venglevski (below) played, and Jutt promised the audience that he will be back.

“As you can see, we have fun here,” Jutt deadpanned.

She is not exaggerating.

Which bodes well for the second weekend of three that will happen this coming weekend.

The second weekend — two programs in three venues — celebrates Jutt and Sykes, plus two of BDDS’ favorite guest artists: violinist Stephanie Sant’Ambrogio and Madison pianist Thomas Kasdorf.

Kasdorf (below) and Sykes are both featured in a program called “Rock the Sykes-o-delic Kas-bah.” Kasdorf is featured in Brahms’ Horn Trio with guest horn player Karl Kramer Johansen, and in the appealing and accessible Café Concertino by the contemporary Australian composer Carl Vine.

Sykes will perform another chamber transcription of a Classical-era symphonic work, which over the years has become a welcome specialty of BDDS. In this case it is Wolfgang Amadeus Mozart’s snappy and appealing Piano Concerto No. 9 in E-flat Major, K. 271, the “Jeunehomme” concerto. (You can hear the irresistible last movement of the piano concerto, used in the film “Amadeus,” in the YouTube video at the bottom.) Sykes will also perform in Robert Schumann’s “Fairy Tales” for clarinet and viola.

A Madison native, cellist Alison Rowe (below) — an artist from the Dynamite Factory, which is BDDS’ program for emerging talent — will be featured in the Sonata for Cello and Piano in D Major by Johann Sebastian Bach.

“Rock the Sykes-o-delic Kas-bah” will be performed at the Stoughton Opera House on Friday, June 21, at 7:30 p.m. Braisin’ Hussies Food Cart will be parked outside the Opera House prior to the performance. The program will also be performed in Spring Green at the Hillside Theater, Sunday, June 23, at 2:30 p.m.

Jutt (below top) and Sant’Ambrogio (below bottom, in a photo by Stephanie Ann Boyd) worm their musical way into the most unexpected places in the other program, “Steph Infection.” The Nocturne for flute, violin, horn and piano of Franz Doppler opens the program, which continues with Jutt’s own arrangement of Antonin Dvorak’s popular “American” String Quartet, with a flute substituting for one of the two violins.

Dmitri Shostakovich’s Five Pieces for flute, clarinet and piano add spice to the program, and the evening concludes with Ernst von Dohnanyi’s epic Sextet for clarinet, horn, violin, viola, cello and piano. A work that ranges from stormy and turbulent to tender and funny, it features an all-star cast including audience favorite clarinetist Alan Kay, horn player Karl Kramer Johansen, violist Carol Cook (principal at the Lyric Opera of Chicago), and Madison’s own cellist of the UW-Madison’s Pro Arte Quartet, Parry Karp (below).

“Steph Infection” will be performed at The Playhouse, Overture Center for the Arts, Saturday, June 22, at 7:30 p.m.; and in Spring Green at the Hillside Theater, Sunday, June 23, at 6:30 p.m.

And of course there could also be some unannounced surprises – more door prizes, perhaps a mystery guest, or more shenanigans and antics that correspond to the “Name Dropping” pun theme of the programs.

For tickets ($43-$49) and more information, go to: https://bachdancing.org


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Classical music: The Bach Dancing and Dynamite Society again brings its surefire summery approach to serious classical chamber music when it starts its 28th annual series this weekend

June 11, 2019
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By Jacob Stockinger

It’s not just the calendar that makes the Bach Dancing and Dynamite Society the official start of the increasingly busy summer classical musical season in Madison.

The real reason is that the summer chamber music series, about to start its 28th annual summer this Friday night, June 14, is downright summery in its approach.

Say “summer,” and you think of lightness, of fun, of playfulness. And those are the very same qualities – along with serious, first-rate performances of great music by outstanding musicians – that BDDS brings to its six programs spread out in 12 concerts over three weekends and three venues during the month of June.

By now both the performers (below, in a photo by Dick Ainsworth for BDDS) and the audiences know that the formula works, however finely tuned or slightly changed it is from one summer to the next.

WHAT’S THE SAME

This year much remains.

There are still door prizes, spoken introductions and stories, mystery guests and a colorful art installation by UW-Madison designer Carolyn Kallenborn.

The titles of the six programs for 12 concerts over three weekends still have groan-inducing puns — “Name Dropping” in the theme for this summer — that are based on the musicians’ names like “Founteneau of Youth” after the San Francisco cellist Jean-Michel Fonteneau (below top) and “Quadruple Axel” after the Montreal-based violin virtuoso Axel Strauss (below bottom).

There are still the usual venues: the Playhouse in the Overture Center (below top); the Stoughton Opera House (below middle); and the Hillside Theater at Taliesin, the Frank Lloyd Wright compound in Spring Green.

There are still the many distinguished and accomplished musicians among the many imported guest artists and the many local musicians, including the co-founders and co-artistic directors flutist Stephanie Jutt and pianist Jeffrey Sykes (below). The Ear can’t recall ever hearing a bad BDDS performance, even of music he didn’t like.

And there is a mix of older well-known and classic repertoire along with newer and neglected composers and works.

WHAT’S NEW

But some things are different too.

The first concert this Friday will have a post-concert reception with free champagne and dessert to celebrate the 28th season.

This summer, unlike recent ones, there is no vocal music. All music is instrumental.

At both Stoughton and Spring Green, you can get food. Go to the home website for details.

Especially new and noteworthy is that the Russian virtuoso accordion player Stas Venglevski (below), from Milwaukee, will also perform on programs. Venglevski performs on the bayan, a Russian-style accordion noted for its deep bass sound and range and purity of tone.

Venglevski will be featured in works that range from polkas and heart-on-the-sleeve tangos by Argentinian composer Astor Piazzolla, Cuban composer Ernesto Lecuona and Russian composer Igor Stravinsky; down-and-dirty original works by Russian master Tatyana Sergeyeva and arrangements of favorite pieces by Johann Sebastian Bach and others.

This Wednesday night, June 12, from 7 to 9 p.m., Venglevski and Jutt will perform “Bayan-o-rama” at the Arts and Literature Lab, 2021 Winnebago Street. Tickets are $10 at the door. Refreshments will be served.

Here is a summary of the first weekend:

WEEK ONE

The elegance, charm, and finesse of French cellist Jean-Michel Fonteneau is displayed in a program called “Fonteneau of Youth.”

It includes music written by great composers in their youth, including the ravishing Elegy for cello and piano of French composer Gabriel Fauré; the rhythmically exciting Trio for flute, cello and piano of living American composer Ned Rorem; and the astonishing D’un soir triste (One Sad Evening) and D’un matin de printemps (One Spring Morning), both for piano trio, of 21-year old Lili Boulanger (below), who was the Prix de Rome-winning composer sister of famed teacher Nadia Boulanger and who died very young. (You can hear both pieces by Lili Boulanger in the YouTube video at the bottom.)

The great Franz Joseph Haydn—always the most youthful of composers, even into his late years—is represented by the masterful Piano Trio no. 28 in E major, in honor of BDDS’ 28th season.

“Fonteneau of Youth” will be performed at The Playhouse in the Overture Center for the Arts on this Friday, June 14, at 7:30 p.m. A free champagne and dessert reception will be held following the performance to celebrate the 28th season opener. It will also be performed in Spring Green at the Hillside Theater on Sunday, June 16, at 2:30 p.m.

Audience favorite Axel Strauss—not just a virtuoso violinist, but a virtuoso musician and artist of the highest distinction—will brave gravity-defying musical heights in “Quadruple Axel.” Carl Philipp Emanuel Bach’s Trio Sonata in D minor for violin, flute, cello and piano starts the program on an elegant note. Johannes Brahms’ fiery Piano Trio No. 3 in C minor, Op. 101, raises the temperature significantly. And all sorts of hijinks are on display in Maurice Ravel’s extraordinary and ravishing Sonata for Violin and Piano.

“Quadruple Axel” will be performed at The Playhouse in the Overture Center for the Arts on Saturday, June 15, at 7:30 p.m. and in Spring Green at the Hillside Theater, Sunday, June 16, at 6:30 p.m.

For more information about the full BDDS season and how to purchase tickets ($43 and $49), go to: https://bachdancing.org


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Classical music: This Wednesday brings a FREE Just Bach concert and the FREE Final Forte concerto competition of the  Madison Symphony Orchestra on Wisconsin Public Radio and Wisconsin Public Television

March 11, 2019
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By Jacob Stockinger

This Wednesday, March 13, brings two noteworthy and FREE events: this month’s midday Just Bach concert; and, at night, the annual Final Forte teenage concerto competition of the Madison Symphony Orchestra.

Here are details about both events:

JUST BACH

This month’s FREE hour-long performance by Just Bach (below, in a photo by John W. Barker) will take place at Luther Memorial Church, 1021 University Avenue, starting at 1 p.m. Food and drink are permitted and free-will donations are accepted.

The program this Wednesday is: the Toccata and Fugue in D Minor “Dorian” for organ, BWV 538, by Johann Sebastian Bach; the cantata “Herr, Ich Warte auf dein Heil” (Lord, I Wait for Your Salvation) by Johann Michael Bach, a cousin of Johann Sebastian; and the famous cantata “Christ lag in Todesbanden” (Christ Lay in the Bonds of Death”), BWV 4, by Johann Sebastian Bach. (You can hear the opening Sinfonia and Chorus to the latter in the YouTube video at the bottom.)

Here is a list of upcoming performances and programs for the second semester:

https://justbach.org/concerts/

And here is a link to the home page and website with links to information about the performers and more.

https://justbach.org

FINAL FORTE

Then on Wednesday night, starting at 6:45 p.m. in Overture Hall of the Overture Center, the four finalists in the annual Final Forte teenage concerto competition, held by the Madison Symphony Orchestra, will compete accompanied by the MSO and conductor John DeMain.

The public is invited to attend the FREE event, but tickets but must be reserved in advance.

The performances will also be broadcast live starting at 7 p.m. by both Wisconsin Public Television (WPT) and Wisconsin Public Radio (WPR).

The four finalists, from dozens of statewide applicants who took part in the two preliminary rounds, are (below, from left): violinist Monona Suzuki of Fitchburg playing Ravel; cellist Grace Kim of Waunakee playing Saint-Saens; flutist Holly Venkitaswaren of Lisbon playing Pierce; and pianist Antonio Wu of Madison playing Rachmaninoff.

For more information about the performers, what they will perform and how to obtain tickets, as well as background on the competition, including impressive radio and television ratings, go to:

https://madisonsymphony.org/education-community/education-programs/young-artist-competitions/the-final-forte/


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Classical music: Two noteworthy concerts of Baroque chamber music, organ music and vocal music take place this Wednesday midday and Saturday night

February 19, 2019
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By Jacob Stockinger

This is another very busy week for classical music in the Madison area. If Baroque music interests you, there are two noteworthy concerts this week that should attract your attention.

JUST BACH

This Wednesday, Feb. 20. at 1 p.m. in Luther Memorial Church, 1021 University Avenue, the February midday concert by Just Bach (below, at its September concert) will take place.

Admission to the all-Johann Sebastian Bach concert is FREE with a goodwill offering accepted.

Because it will be lunchtime, food and drink are allowed.

This month’s concert includes three diverse works.

Organist Mark Brampton Smith (below) will open the program with the first movement of the Concerto in D Minor BWV 596. This is Bach’s arrangement for organ of the popular Concerto for Two Violins by Antonio Vivaldi, and it comes off with dramatic effect when transcribed to the organ.

Violinist Leanne League will take the stage next, with the Sonata for Violin in A Minor, BWV 1003.

The program ends with the hauntingly beautiful Cantata 82 “Ich habe genug”(I have enough), scored for solo bass voice and oboe, strings and continuo. The vocal soloist will be UW-Madison bass-baritone Paul Rowe (below). You can hear the incomparable Dietrich Fischer-Dieskau sing the aria in YouTube video at the bottom.) 

The orchestra of baroque period-instrument specialists will be led by concertmaster Leanne League, and will include oboist Claire Workinger (below), in her Just Bach debut.

Organizers and performers say the goal of this series is to share the immense range of Bach’s vocal and instrumental repertoire with the Madison community at large. The period-instrument orchestra will bring the music to life in the manner and style that Bach would have conceived.

The audience will be invited to sing along during the opening hymns and the closing cantata chorales.

The other Just Bach dates, all Wednesdays, this semester are March 13, April 24 and May 29.

WISCONSIN BAROQUE ENSEMBLE

The veteran Wisconsin Baroque Ensemble will perform a varied concert of vocal and instrumental chamber music this coming Saturday night, Feb. 23, at 7:30 p.m. in St. Andrew’s Episcopal Church, 1833 Regent Street.

Tickets can be purchased only at the door. Admission is$20, $10 for students.

Performers are: Nathan Giglierano, baroque violin; Eric Miller; viola da gamba; Sigrun Paust, recorder; Charlie Rasmussen, baroque cello and viola da gamba; Consuelo Sañudo, mezzo-soprano; Daniel Sullivan, harpsichord; and Anton TenWolde, baroque cello.

The program is:

Nicolas Bernier – “Diane” Cantata for voice and basso continuo

Marin Marais – Pièces de violes (Pieces for Viola da Gamba), selections from Book 4

Louis Couperin – Pièces de clavecin (Pieces for harpsichord)

Joseph Bodin de Boismortier – Trio sonata, Op. 37, No. 2

INTERMISSION

Francesco Paolo Supriani – Sinfonia for cello and basso continuo

Georg Fridrich Handel – “Nel dolce dell’ oblio” (In Sweet Forgetfuness)

Tommaso Giordani – Duo for two cellos, opus 18 no 5

Georg Philipp Telemann – Quartet in G minor TWV 43 g4

Following the concert, there will be a reception at 2422 Kendall Ave., Apt. 2.

For more information, go to www.wisconsinbaroque.org


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Classical music: Con Vivo will perform a “Winter Warmth” chamber music concert this Sunday afternoon. Plus, a FREE viola da gamba concert is Friday at noon

January 31, 2019
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ALERT: This week’s FREE Friday Noon Musicale at the First Unitarian Society of Madison, 900 University Bay Drive, features the viola da gamba duo ViolMedium in “Façades and Duplicities,” a multi-dimensional exploration of the rich harmonic, timbral and dramatic potentials offered by violas da gamba.

The viol is the medium through which gambists Eric Miller of Madison and Phillip Serna of Chicago bridge contemporary and historically informed performance. They use experimental and innovative programming as exemplified in masterworks by Carl Friedrich Abel, Bela Bartok, Gottfried Finger, Marin Marais, Christoph Schaffrath and others.

The concert runs from 12:15 to 1 p.m. Food and beverages are allowed.

By Jacob Stockinger

The Madison-based chamber music group Con Vivo (below) will perform a “Winter Warmth” program of chamber music this coming Sunday afternoon, Feb. 3.

 

The concert will include the Finale from Symphony No. 6 for organ by Charles Marie Widor; the Quartet for oboe and strings by Wolfgang Amadeus Mozart; and the Piano Quintet for piano, clarinet and strings, Op. 42, by Czech composer Zdenek Fibich.

The concert takes place this Sunday afternoon, Feb. 3, at 2:30 p.m. in the First Congregational United Church of Christ, 1609 University Ave. across from Camp Randall Stadium.

Tickets can be purchased at the door. Admission is $18 for adults, $15 for seniors and students.

Audience members are invited to join the musicians after the concert for a free reception to discuss the concert.

New to this concert is that Con Vivo will perform in two different spaces. The first half of the concert will be in the sanctuary, and the second half in the chapel at the First Congregational Church. This will provide the audience with different experiences for hearing the chamber music.

In remarking about the concert, Con Vivo’s artistic director Robert Taylor said, “We continue our 17th season with music evocative of warm winter thoughts during these cold, dark winter days that we often have.

“The wonderful lush strains of Charles Marie Widor’s organ music are contrasted by the bright cheerful music of Mozart in his oboe quartet. (You can hear the opening movement of Mozart’s Oboe Quartet in the YouTube video at the bottom.) The afternoon is capped off by the rarely played Piano Quintet by Fibich (below). What better way to spend a cold winter afternoon?”

Con Vivo is a professional chamber music ensemble comprised of Madison area musicians assembled from the ranks of the Madison Symphony Orchestra, the Wisconsin Chamber Orchestra, and various other performing groups familiar to Madison audiences.


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