The Well-Tempered Ear

Classical music: Bach Dancing and Dynamite Society announces its upcoming summer season of “Alphabet Soup” this June

March 18, 2017
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By Jacob Stockinger

The time for announcing new seasons has arrived.

Pretty soon, over the next several weeks and months, The Ear will hear from larger and smaller presenters and ensembles in the Madison area, and post their new seasons.

First out of the gate is the critically acclaimed and popular summer group, the Madison-based Bach Dancing and Dynamite Society. (You can see a short promo video about BDDS on the YouTube video at the bottom.)

It has just announced its upcoming summer season this June, and sent out brochures with the season’s details.

This will be the 26th annual summer season and it has the theme of “Alphabet Soup.”

The concept is explained online and in a brochure newsletter (also online) in an editorial essay by BDDS co-founder and co-artistic director flutist Stephanie Jutt (seen below with co-founder and co-director pianist Jeffrey Sykes).

By the way, Jutt is retiring from the UW-Madison this spring but will continue to play principal flute with the Madison Symphony Orchestra and to work and perform with BDDS.

In many ways it will be a typical season of the eclectic group. It will feature local and imported artists. Many of both are favorites of The Ear.

His local favorites include UW-Madison pianist Christopher Taylor; violist Sally Chisholm of the UW-Madison’s Pro Arte Quartet; UW violinist Soh-Hyun Park Altino (below top, in a photo by Caroline Bittencourt); and Pro Arte cellist Parry Karp (below bottom).

Among The Ear’s favorite guest artists are violinist Carmit Zori, clarinetist Alan Kay, the San Francisco Piano Trio (below top); UW alumna soprano Emily Birsan; pianist Randall Hodgkinson; and baritone Timothy Jones (below bottom).

As usual, the season features 12 concerts of six programs over three weeks (June 9-25) in three venues – the Playhouse in the Overture Center (below top), the Hillside Theater (below middle) at Frank Lloyd Wright’s Taliesin compound in Spring Green and the Stoughton Opera House (below bottom).

In addition, there is a FREE family concert in the Overture Playhouse on June 10.

What does seem somewhat new is the number of unknown composers and an edgier, more adventurous choice of pieces, including more new music and more neglected composers.

Oh, there will be classics by such composers as Joseph Haydn, Wolfgang Amadeus Mozart, Luigi Boccherini, Franz Schubert, Johannes Brahms, Peter Tchaikovsky, Sergei Prokofiev, Maurice Ravel, Bela Bartok, Arnold Schoenberg, Benjamin Britten and others. These are the ABC’s of the alphabet soup, according to BDDS.

But also represented are composers such as Philippe Gaubert, Czech Holocaust victim Gideon Klein (below), Guillaume Conneson, Carl Czerny, Paul Moravec and Franz Doppler. These are the XYZ’s of the alphabet soup.

In between come others. Contemporary American composer, and Pulitzer Prize winner, Kevin Puts (below) is a BDDS favorite and is well represented. You will also find less performed works by Ned Rorem, Erich Wolfgang Korngold and Gerald Finzi.

For the complete programs and schedules as well as the list of performers, some YouTube videos and ticket prices, both for season tickets ($109.50, $146, $182 and $219) and for individual concerts ($43), and other information, go to:

http://bachdancinganddynamite.org/concerts/festival-concerts/


Classical music: The Willy Street Chamber Players mix classical and contemporary string quartets and again show off their exceptional artistry and adventurousness

January 23, 2017
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By Jacob Stockinger

Here is a special posting, a review written by frequent guest critic and writer for this blog, John W. Barker. Barker (below) is an emeritus professor of Medieval history at the University of Wisconsin-Madison. He also is a well-known classical music critic who writes for Isthmus and the American Record Guide, and who hosts an early music show once a month on Sunday morning on WORT-FM 89.9. For years, he served on the Board of Advisors for the Madison Early Music Festival and frequently gives pre-concert lectures in Madison. Barker also provided the performance photo.

John-Barker

By John W. Barker

A Place to Be, at 911 Williamson Street, is a former store converted into a kind of near East Side clubhouse. Amid the chaos and entanglements of this weekend, it has been, indeed, the place to be for lovers of chamber music.

Just as last year, the Willy Street Chamber Players gave a concert in this intimate “chamber” on last Saturday and Sunday afternoons.

The string quartet fielded from the larger group consisted of violinists Paran Amirinazari and Eleanor Bartsch (who alternated recurrently in the first and second chairs), violist Beth Larson and cellist Mark Bridges.

willy-street-chamber-players-at-a-place-to-be-jan-2017-cr-jwb

Their program mixed music of two traditional classical composers with that of two contemporaries.

Opening the program was the String Quartet in D, Op. 20, No. 2 (1772), by Franz Joseph Haydn, which was played with delightful elegance and spirit.

Later came Felix Mendelssohn’s “Four Pieces for String Quartet,” dating from 1843 to 1847 and published as a set designated Op. 81. These called for a richer playing style, which the Willys managed easily, and with strong feeling for the extensive fugal writing in two of the movements.

For more recent material, the group offered a tango tidbit by the Argentinian Astor Piazzolla, and a recent work (2005) by Hawaiian-American, Harlem-based, crossover composer, string player and band leader Daniel Bernard Roumain.

The piece by Piazzolla (below), Four for Tango (1988, presumably scored for him by somebody else), is a kind of anti-quartet venture, requiring defiant employment of unconventional string sounds.

astor piazzolla

Even more unconventional is the three-movement String Quartet No. 5 (2005) by Roumain (below). Given the subtitle of “Rosa Parks,” it pays tribute to the heroic African-American civil rights leader who sparked the desegregation of buses in Montgomery, Alabama.

Roumain is a classically trained musician who draws upon a range of Black music styles in his compositions. He too asks the players to break norms by using hand-clapping and foot-stomping as well as exaggerated bowings.

His musical ideas are interesting but few, and developed only in constant, almost minimalist, repetition. I was impressed, however, by his command of quartet texture, and by how the instruments really could work both together and in oppositions, especially in the long first movement. (You can hear the String Quartet No. 5 “Rosa Parks” by Daniel Bernard Roumain in the YouTube video at the bottom. It is performed by the Lark Quartet, for which it was composed.)

daniel-bernard-roumain

The four Willys dug into this novel repertoire with zest and careful control. In the entire program, indeed, they displayed an utter joy in making music together. Their artistry and their exploratory adventurism mark the group, more than ever, as Madison cultural treasures, richly deserving of their designation by The Ear as “Musicians of the Year for 2016.”

They will be giving FREE and PUBLIC performances at: Edgewood High School’s Fine Arts Fest (Feb. 14); the Northside Community Connect Series at the Warner Park Community Center (Feb. 19); the Marquette Waterfront Fest (June 11); and at Frank Lloyd Wright’s Taliesin compound in Spring Green (June 12). And we await impatiently their announcement of plans for their third series of Friday concerts this July.

For more information about concerts and about the group, go to: http://www.willystreetchamberplayers.org

Then click on concerts or events.


Classical music: Madison Choral Project gives its fourth annual holiday concert, “I Was Glad,” this Friday night and Saturday afternoon. Plus, pianist Bill Lutes gives a FREE recital of Schubert and Schumann this Friday at noon

December 14, 2016
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ALERT: The week’s FREE Friday Noon Musicale at the Frank Lloyd Wright-designed Meeting House of the First Unitarian Society of Madison, 900 University Bay Drive, features pianist Bill Lutes in a solo recital. The program includes the “Papillons” (Butterflies) by Robert Schumann and the final Sonata in B-Fat Major, D. 960, by Franz Schubert. The program runs from 12:15 to 1 p.m.

For more information about Bill Lutes and his series of recitals, go to:

https://welltempered.wordpress.com/2016/11/15/classical-music-pianist-and-piano-teacher-bill-lutes-to-perform-three-free-recitals-bach-haydn-schubert-and-schumann-to-say-thank-you-to-madison/

By Jacob Stockinger

This weekend, the Madison Choral Project (below top), Madison’s professional choir under the direction of Albert Pinnsoneault (below bottom), a former Edgewood College professor who now teaches at Northwestern University, will present two performances of its fourth annual Holiday-themed program “I Was Glad.”

madison-choral-project-in-church

albert pinsonneault conducting BW

The performances are on Friday, Dec. 16, at 7:30 p.m. and Saturday Dec. 17, at 3 p.m. Both performances will be held at First Congregational United Church of Christ, 1609 University Avenue, near Camp Randall Stadium in Madison.

i-was-glad-poster

Tickets are available in advance at www.themcp.org, or at the door.

(Preferred Seating is $40, General Admission is $24/$28 and Students are $10)

The concerts feature a carefully curated selection of vocal music and readings, with the intent to lead the listener along a sublime journey of music and text.

Madison Choral Project is will partner again with Wisconsin Public Radio’s news editor Noah Ovshinsky (below), who will perform readings from works of Tim O’Brien, Billy Collins, William Wordsworth and others.

noah-ovshinsky-reading-mcp

The Madison Choral Project will sing an eclectic mix of holiday-themed music in four sets, ranging from the 17th century to brand new compositions.

The program features two exciting world premieres by Eric Barnum (below top), the choral director at UW-Oshkosh, and MCP’s Composer in Residence, Jasper Alice Kaye (below bottom).

eric-barnum-uw-oshkosh

jasper-alice-kaye

The first set of pieces, “Welcome to the Holy Space,” includes A Child’s Prayer by James MacMillan, Sanctus from Mass in G by Francis Poulenc and Our Father by Alexandre Gretchaninoff.

The second set, “Winter Comforts,” features two new commissions written for Madison Choral Project. Winter by Eric William Barnum will be followed by The Invitation by Jasper Alice Kaye. Lux Aurumque by Eric Whitacre will finish the set.

The third set, “Glad Tidings,” includes the concert’s titular piece, I Was Glad by C.H.H. Parry (heard in the YouTube video at the bottom), as well as beautiful works by Matthew Culloton, William Dawson and Jan Sandstrøm.

The final set, “Gathering and Blessing,” contains joyous settings of familiar texts set by Francis Poulenc, Ludwig van Beethoven, and arranger John Ferguson.

For more information or tickets, go to www.themcp.org.


Classical music: Percussion quartet Clocks in Motion gives world premieres of two works by UW-Madison composers Laura Schwendinger and Joseph Koykkar this Friday night

November 10, 2016
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By Jacob Stockinger

Performing world premieres of new compositions by Laura Schwendinger and Joseph Koykkar, Madison’s premiere percussion quartet, Clocks in Motion (below, in a photo by Strom Strandell) will present an evening of experimental new music at the First Unitarian Society of Madison on this Friday, Nov. 11, at 7:30 p.m.

Clocks in Motion 2016 BW CR Strom Strandell

The Atrium Auditorium at 900 University Bay Drive is a stunning piece of architecture (below in a photo by Zane Williams) attached to the historic Meeting House designed by the great architect Frank Lloyd Wright and will provide a wonderful setting for this concert.

FUS Atrium, Auditorium Zane Williams

Included in this program is the first-ever performance of a new composition, Aviary, by UW-Madison composer Laura Schwendinger (below). Schwendinger’s composition, written for the members of Clocks in Motion plus piano, is a sound tapestry of imaginary bird songs.

Laura Schwendinger 2

Clocks in Motion will also premiere a new composition by composer Joseph Koykkar (below, in a photo by Katrin Talbot) entitled Time in Transcendence. Written specifically for Clocks in Motion, Koykkar makes use of the group’s hand-made microtonal percussion instruments and a myriad of drums and keyboard instruments.

joseph-koykkar-use-cr-katrin-talbot

Clocks in Motion will also perform “Workers Union” by Louis Andriessen, Mallet Quartet by Steve Reich and “Gravity” by Marc Mellitus. (You can hear Clocks in Motion perform “Gravity” in the YouTube video at the bottom.)

This event is supported by Dane Arts.

Admission is $15 for the general public, $5 for Students with valid ID. Cash or credit cards are accepted.

BACKGROUND

Hailed as “nothing short of remarkable” (ClevelandClassical.com) and “the most exciting addition to Madison’s classical music scene” (Isthmus), Clocks in Motion is a percussion quartet that performs new music, builds many of its own instruments, and breaks down the boundaries of the traditional concert program.

clocks_ID_assets

Formed in 2011, Clocks in Motion is quickly becoming a major artistic force in today’s contemporary music scene. Among its many recent and upcoming engagements, the group served as performers at the Interlochen Arts Academy (Michigan), The Stone (New York), The Overture Center for the Arts, Casper College (Wyoming), University of Michigan, Baldwin-Wallace University (Ohio), The University of North Carolina-Pembroke and The Ewell Concert Series (Virginia).

Clocks in Motion members are Matthew Coley, Kyle Flens, Sean Kleve and Andrew Veit.

Find out more at www.clocksinmotionpercussion.com


Classical music: UW-Madison opera students are on display at a concert this Sunday afternoon along with guest professional and UW opera graduate Lindsay Metzger

September 15, 2016
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By Jacob Stockinger

The Ear has received the following announcement from UW Opera Props, the support organization for University Opera at the University of Wisconsin-Madison School of Music.

We invite you to attend a benefit concert showcasing the University of Wisconsin-Madison opera program’s talented students, along with special guest artist, distinguished alumna and mezzo-soprano, Lindsay Metzger (below top) who will be accompanied by pianist Daniel Fung (below bottom).

lindsay-metzger-1

daniel-fung

Please join us for a program of songs and arias, followed by a reception. Enjoy conversation with the singers, faculty and other musical friends, along with light refreshments including artisanal cheeses, fruit, wine, juices and chocolatier Gail Ambrosius’s delicious creations.

The concert is this Sunday, Sept. 18, at 3 p.m. followed by light refreshments and conversation. Sorry, no word about the composers or works to be sung.

The concert will take place in the Landmark Auditorium at the Frank Lloyd Wright-designed First Unitarian Society of Madison Meeting House, 900 University Bay Drive, Madison

Admission is a contribution of $25 in advance ($30 at the door), and $10 for students. All proceeds go to UW Opera student scholarships.

For more information, visit:

https://www.facebook.com/events/1838139499750385

http://www.uwoperaprops.org/uw-opera-props-student-showcase-concert/

Lindsay Metzger (below) hails from Mundelein, Illinois. She spent two summers as an apprentice artist with Des Moines Metro Opera and was a studio artist in 2014-15 with Milwaukee’s Florentine Opera (Gannett in Donizetti’s L’elisir d’amore).

lindsay-metzger-2

Among her other recent portrayals have been Daphne/Marc-Antoine Charpentier’s La descente d’Orphée aux enfers (Chicago’s Haymarket Opera Company), Cherubino in Mozart’s Le nozze di Figaro (La Musica Lirica in Novafeltria, Italy), Nella in Puccini’s Gianni Schicchi (DuPage Opera Theatre), the title role in Handel’s Ariodante, Béatrice in Berlioz’ Béatrice et Bénédict, and Beppe in Mascagni’s L’amico Fritz (all at the University of Wisconsin-Madison).

With Lyric Unlimited’s community-engagement program “Opera in the Neighborhoods,” Metzger was heard in the title role in Rossini’s La Cenerentola.

A soloist featured frequently in numerous Chicago-area venues, Metzger debuted with the Grant Park Symphony singing the soprano solo in Gabriel Fauré’s Requiem.

She was awarded the Paul Collins Fellowship from University of Wisconsin-Madison, the Virginia Cooper Meier Award from the Musicians’ Club of Women, and an Encouragement Award from the Metropolitan Opera National Council District Auditions.

Metzger is an alumna of the University of Wisconsin-Madison and DePaul University. Last season at Lyric she was featured in Mozart’s Le nozze di Figaro (debut) and Richard Strauss’ Der Rosenkavalier. In the 2016-17 season the mezzo-soprano will perform in Massenet’s Don Quichotte and Bizet’s Carmen.


Classical music: The Ancora String Quartet opens its new season this Saturday night with a new first violinist and works by Beethoven, Turina and Tchaikovsky

September 13, 2016
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By Jacob Stockinger

The critically acclaimed, Madison-based Ancora String Quartet welcomes its new first violinist Wes Luke – who replaces Leanne Kelso League — for the  launch of the string quartet’s 16th season.

The concert is this coming Saturday night at 7:30 p.m. in the Landmark Auditorium of the Frank Lloyd Wright-designed First Unitarian Society of Madison, 900 University Bay Drive.

The program includes the String Quartet No. 2 in G Major, Op. 18, No. 2, by Ludwig van Beethoven; “The Bullfighter’s Prayer” by the Spanish composer Joaquin Turina; and the String Quartet No. 1 in D Major, Op. 11, by Russian composer Peter Tchaikovsky.

Tickets at the door are $15 for general admission; $12 for seniors and students; and $6 for children under 12.

ancora-2016-group-1

Members of the Ancora (above from left) are: first violinist Wes Luke — who filled in for the past two seasons — plays with the Madison Symphony Orchestra, the Wisconsin Chamber Orchestra, the LaCrosse Symphony Orchestra, the Dubuque Symphony Orchestra and the Mosaic Chamber Players; second violinist Robin Ryan, who plays with the Madison Symphony Orchestra; violist Marika Fischer Hoyt (she performs on both modern and early instruments) who plays with the Madison Bach Musicians, the Madison Symphony Orchestra and the Wisconsin Baroque Ensemble; and the Wisconsin Chamber Orchestra; and cellist Benjamin Whitcomb, who teaches at the University of Wisconsin-Whitewater and frequently performs chamber music.

According to program notes: “Beethoven’s charming and lyrical early quartet shows him bridging the divide between the Classical and Romantic eras; Turina’s dramatic tone poem fuses French Impressionism with musical elements from his native Seville; and Tchaikovsky’s first quartet includes the poignant Andante Cantabile, which moved writer Leo Tolstoy to tears. (You can hear it in the YouTube video at the bottom.)

A champagne reception will close the evening.


Classical music: The wind quintet Black Marigold performs a FREE concert of “Beer Music” on Monday night at Taliesin in Spring Green

August 3, 2016
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By Jacob Stockinger

The Ear has received the following news:

The Rural Musicians Forum welcomes the Madison-based wind quintet Black Marigold to the Hillside Theater at Taliesin, south of Spring Green, on this coming Monday evening, Aug. 8.

The concert is at 7:30 p.m. in the Hillside Theater, which is part of Frank Lloyd Wright’s Taliesin compound and is located at 6604 Hwy 23, Spring Green.

taliesin_hillside2

The concert is not ticketed and is open to the public. A free-will offering will be taken to support the concert series.

For additional information and driving directions, see www.ruralmusiciansforum.org.

Black Marigold is a dynamic wind quintet that has dazzled audiences throughout Wisconsin since 2012. As advocates of new music and living composers, they present captivating concerts introducing new music, while also highlighting the classic woodwind quintet repertoire. 

Members of Black Marigold are (below left to right, in a photo by Vincent Fuh) Carl Wilder, Elizabeth Marshall, Bethany Schultz, Laura Medisky and Kia Karlen.

Black Marigold 2016 CR Vincent Fuh

Black Marigold fosters fresh perceptions of new music by showcasing pieces that are equally enjoyable for performers and audiences alike. (You can hear a sample of Black Marigold  performing in the YouTube video at the bottom.)

The ensemble is comprised of five members who play the flute, clarinet, oboe, bassoon and horn. They present thoughtful verbal program notes to engage the audience and enliven the concert experience.

In addition to an exciting program of American music, for the August concert Black Marigold will introduce a composition by the acclaimed composer Brian DuFord (below).

Brian DuFord

Commissioned by the ensemble just this year, “Beer Music” in its entirety is a suite of 18 short pieces, each inspired by a local craft brew, plus a finale movement.

“There are so many reasons to make this music about beer,” says DuFord. “Beer has such a long history, especially in Wisconsin and the Madison area in particular. It’s social and music is social. It just makes sense.”

beer

According to Kia Karlen of Black Marigold, “The idea originated from a Facebook message from Brian a couple of years ago, jokingly suggesting he compose a piece about Wisconsin’s beer heritage for us.

“What started as a joke two years ago is now a reality. We will be premiering the piece in full this September, but will include a sneak preview of select movements (a “flight” or a “6-pack”) at the Rural Musicians Forum concert.”

“Beer Music” is the first commission for the group, just four years old. The piece will be like a narrative of the Madison area blended to the sound of music, but it will also incorporate the personalities of each of the musicians.

RMF’s Artistic Director Kent Mayfield promises “Black Marigold breathes new life into the woodwind quintet setting, and you will leave their concert smarter, happier and more inspired than when you arrived.”


Classical music: The percussion ensemble Clocks in Motion performs music by Steve Reich and John Cage in Spring Green on Monday night

July 22, 2016
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By Jacob Stockinger

Performing on a variety of percussion instruments, the experimental quartet Clocks in Motion (below, in 2015) is the featured performer at the next Rural Musicians Forum concert.

Clocks in Motion Group Collage Spring 2015

The concert will be held on this coming Monday night, July 25, at 7:30 p.m. in the Frank Lloyd Wright-designed Hillside Theater (below) on the Taliesin estate, south of Spring Green at 6604 Highway 23.

taliesin_hillside2

The concert is not ticketed and is open to the public. A free-will offering will be taken to support the concert series. For additional information and driving directions, see www.ruralmusiciansforum.org

Clocks in Motion is known for engaging performances of the classic repertoire for percussion quartets presented alongside new compositions and rarely heard works.

Featured in this performance are the great masterworks “Mallet Quartet” and “Drumming, Part I” by Steve Reich (below). In addition to these classic compositions, Clocks in Motion will perform their commissioned work by Marc Mellits, “Gravity.” (You can hear “Mallet Quartet” in the YouTube video at the bottom.)

Steve Reich

The quartet will also perform Moldavian folk music for hammered dulcimer, experimental music by John Cage (below), and a not-to-be-missed theatrical work for wooden spoons on lunch trays.

John Cage and cat

Hailed as “nothing short of remarkable” (ClevelandClassical.com) and “the most exciting addition to Madison’s classical music scene” (Isthmus), Clocks in Motion is a percussion quartet that performs new music, builds many of its own instruments and breaks down the boundaries of the traditional concert program.

The current mebers of Clocks in Motion (below from left, in a photo by Strom Strandell) are Sean Kleve, Kyle Flens, Matt Coley and Garrett Mandelow.

Clocks in Motion 2016 BW CR Strom Strandell

Formed in 2011 at the University of Wisconsin-Madison, Clocks in Motion is quickly becoming a major artistic force in today’s contemporary music scene.

Among its many recent and upcoming engagements, the group served as performers at the Interlochen Arts Academy (Michigan), The Overture Center for the Arts (Wisconsin), Casper College (Wyoming), University of Michigan (Michigan), Baldwin Wallace University (Ohio), The University of North Carolina-Pembroke (North Carolina) and The Ewell Concert Series (Virginia).

The concert is made possible in part through a grant from the Spring Green Art Fair and an anonymous gift to Clocks in Motion.


Classical music: Violinist Alexander Ayers gives a FREE recital on Monday night at Taliesin in Spring Green 

June 25, 2016
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Due to technical difficulties beyond his control at the web site host, The Ear cannot publish a new post today that has many links in the text. He apologizes and will let you know if and when the problems are solved. In the meantime, he will offer what he can.

By Jacob Stockinger

The following announcement has been sent for posting by The Ear by the Rural Musicians Forum:

Widely praised for his shimmering virtuosity and technical precision, violinist Alexander Ayers performs a FREE recital at 7:30 p.m. on this Monday, June 27, in a concert sponsored by the Rural Musicians Forum in Frank Lloyd Wright’s Hillside Theater at Taliesin, south of Spring Green, Wisconsin.

Ayers (below, in a photo by O’Brien Photos of Waukesha), a native of Waukesha, Wisconsin, joined the Milwaukee Symphony in 2013. He was previously a member of the Madison Symphony Orchestra.

After studying nine years at the String Academy of Wisconsin-Milwaukee he studied at Indiana University, and in 2006 he won the grand prize of the Milwaukee Symphony Stars of Tomorrow Competition. This resulted in performances of the Violin Concerto No. 1 by Sergei Prokofiev with the MSO. He has performed collaboratively with Joshua Bell, Alex Kerr, Jaime Laredo, Gilles Apap and Soovin Kim.

Alexander Ayers 1 CR O'Brien Photos

Ayers’ June 27 program is international in scope. It includes works by German-born Ludwig van Beethoven and Parisian Camille Saint-Saens as well as the Belgian violinist and composer Eugene Ysaye and virtuosic Polish violinist Henryk Wieniawski, who was regarded by many as an exciting and flamboyant re-incarnation of Niccolo Paganini.

About the concert RMF Artistic Director Kent Mayfield said, “We are honored to work in close collaboration with Taliesin Preservation Inc. to host much of this year’s series at Taliesin’s Hillside Theater (below). It provides an especially dramatic but intimate setting for Ayers’ performance which will be totally consistent with Frank Lloyd Wright’s vision: imaginative, bold and beautiful.”

taliesin_hillside2

Hillside Theater is located at 6604 Highway 23, Spring Green.

The concert is not ticketed and is open to the public. A free-will offering will be taken to support the concert series.

For additional information and driving directions, see www.ruralmusiciansforum.org

 


Classical music: Technical difficulties prevent a long or complicated new post today. The Ear apologizes but offers an update about concerts this weekend by the Madison Summer Choir and the Bach Dancing and Dynamite Society

June 24, 2016
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Due to technical difficulties beyond his control and at the web site host, The Ear cannot publish a new post today that is long or complicated, or has many links in the text. He apologizes and will let you know if and when the problems are solved. In the meantime, he will offer what he can.

There are several noteworthy concerts taking place this weekend:

BACH DANCING AND DYNAMITE SOCIETY

The Bach Dancing and Dynamite Society finishes up its Silver Jubilee summer season this weekend. The ensemble will perform two programs at the Playhouse in the Overture Center (Friday and Saturday nights) and in the Hillside Theater (Sunday afternoon and evening) at the Frank Lloyd Wright compound at Taliesin in Spring Green.

BDDS 25th poster

The “Quicksilver” program features: the Brandenburg Concerto No. 4 by Johann Sebastian Bach; a reduced chamber version of the Piano Concerto No. 25 in C Major, K. 503, by Wolfgang Amadeus Mozart; and the String Octet in E-flat Major, Op. 20 — a double string quartet — by Felix Mendelssohn.

The second program is “Don’t Cry for Me Argentina.” It features a miniature viola concerto, “Soul Garden,” by the contemporary American composer Derek Bermel; and then the “Four Seasons” by Antonio Vivaldi and the “Four Seasons of Buenos of Aires” by Argentinean composer Astor Piazzolla. Movements from the two will be interspersed.

Here is a link with more information:

http://www.bachdancinganddynamite.org/schedule.php

BDDS 2016 Mozart Flute Quartet Margaret Barker

THE MADISON SUMMER CHOIR

On Saturday night, at 7 p.m. in Mills Hall on the UW-Madison campus, the Madison Summer Choir (below), under the direction of Ben Luedcke, will perform a program called “This Is My Song: Music in the Struggle for Peace and Justice.” It includes music by Johannes Brahms, Felix Mendelssohn, Jean Sibelius and other composers. It features piano and orchestral accompaniments.

Here is a link with more information:

http://madisonsummerchoir.org

Summer Choir 2011 orchestraI


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