The Well-Tempered Ear

Classical music: FREE percussion, brass and wind concerts are featured this week at the UW-Madison

March 9, 2020
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By Jacob Stockinger

In the week before Spring Break, the Mead Witter School of music at the UW-Madison will feature FREE concerts of percussion, brass and wind music.

TUESDAY, MARCH 10

At 7:30 p.m. in the Collins Recital Hall of the new Hamel Music Center, 740 University Ave., the percussion department will give a FREE recital. No program is listed.

WEDNESDAY, MARCH 11

At 7:30 p.m. in Collins Recital Hall, guest percussionist-composer Mark Stone (below) will give a FREE solo recital of original compositions for mbira and gyil.

The program will include music for the newly invented array mbira, an American-made 120 key lamellaphone. Stone will also share music composed for the Dagara gyil, a xylophone from Ghana as well as mbira traditions of South Africa and Uganda.

Also on Wednesday night at 8 p.m. in the Mead Witter Foundation Concert Hall, the acclaimed Wisconsin Brass Quintet will give a FREE faculty recital.

The program is:

Johann Sebastian Bach – Contrapunctus IV from “Die Kunst Der Fuge” (The Art of Fugue). You can hear Canadian Brass perform it in the YouTube video at the bottom.

Andre Lafosse – “Suite Impromptu”

Werner Pirchner – “L’Homme au marteau dans la poche” (Man With a Hammer in His Pocket)

Rich Shemaria – “Pandora’s Magic Castle”

Per Nørgård – “Vision”

The 2019-2020 Wisconsin Brass Quintet (below) is: Jean Laurenz and Gilson Silva, trumpets; Daniel Grabois, horn; Mark Hetzler, trombone; and Tom Curry, tuba.

Please note: In spring 2020, Mark Hetzler will be on sabbatical. His replacement will be Will Porter (below), instructor of trombone at Eastern Illinois University . Read about Porter here

THURSDAY MARCH 12

At 7:30 p.m. in the Mead Witter Foundation Concert Hall, the UW Wind Ensemble will give a FREE concert.

The ensemble will perform under the batons of director Scott Teeple (below) and guest conductor Ross Wolf.

The program is:

Frank Ticheli: “Apollo Unleashed” from Symphony No. 2

Ching–chu Hu: In Memory Of…*

With special guest The Hunt Quartet
*World Premiere Performance/UW Band Commissioning Member

Morten Larudisen/Reynolds: “Contre Qui, Rose”
Beverly Taylor, guest conductor.

Jodie Blackshaw: Symphony, “Leunig’s Prayer Book”*
*Wisconsin Premiere

 


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Classical music: A busy week at the UW spotlights choral and vocal music with some wind, brass and guitar music included

November 12, 2017
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By Jacob Stockinger

It’s going to be a busy week at the University of Wisconsin-Madison’s Mead Witter School of Music.

And especially if you are a fan of choral music, there is much to attract you.

Here is run-down by the day:

TODAY

At 3 p.m. in Mills Hall is a FREE concert of Combined Choirs that features the Women’s Chorus (below), the University Chorus and the Masters Singers.

Sorry, no word about the program, but the groups’ past record suggests excellent programs are in store.

TUESDAY

From noon to 1:30 p.m. in Morphy Recital Hall, William Buchman (below), who is assistant principal bassoon of the Chicago Symphony Orchestra and a faculty member at DePaul University in Chicago, will give a master class that is FREE and OPEN TO THE PUBLIC.

At 7:30 p.m. in Music Hall on Bascom Hill, University Opera a FREE Fall Opera Scenes program with UW student singers (below form last year).

Featured are excerpts from four operas and one Broadway musical: “The Marriage of Figaro” by Wolfgang Amadeus Mozart; “Orpheus in the Underworld” by Jacques Offenbach; “Der Freischuetz” (The Marksman or Freeshooter) by Carl Maria von Weber; and “Carousel” by Rodgers and Hammerstein,

WEDNESDAY

At 7:30 p.m. in Mills Hall, the Wisconsin Brass Quintet (below, in a photo by Michael R. Anderson) will give a FREE concert.

Members of the faculty ensemble are Alex Noppe and Matthew Onstad, trumpets; Mark Hetzler, trombone; Tom Curry, tuba; and Daniel Grabois, horn.

The program includes: Johann Schein: Three Psalm Settings; Peter Maxwell Davies, arr. Matthew Onstad: “Farewell to Stromness” (1980), from The Yellow Cake Review; Jan Radzynski: Take Five (1984); Gunther Schuller’s Music for Brass Quintet (1961); and Alvin Etler’s Quintet for Brass Instruments (1966).

For more information, go to http://www.wisconsinbrassquintet.com

THURSDAY

From 10 a.m. until noon in Morphy Recital Hall, the acclaimed Grammy Award-winning guitarist Sharon Isbin (below), who will perform with the Madison Symphony Orchestra this coming weekend, will give a FREE master class that is OPEN TO THE PUBLIC.

FRIDAY

At 8 p.m. in Mills Hall, the Madrigal Singers (below top), under conductor Bruce Gladstone (below bottom, in a photo by Katrin Talbot), will present Part 2 of “Israelsbrünnlein” (Fountains of Israel) by the Baroque composer Johann Hermann Schein.

According to program notes, “Johann Hermann Schein’s collection of 26 motets from 1623 has long been considered the most important set of motets in the early 17th century. Schein (below), frustrated that there wasn’t a true counterpart of the Italian madrigal to be found in German music, set out to marry the expressiveness of the madrigal to German texts.

“In this case, he chose to set sacred and mostly biblical texts, rather than the secular poetry found in most madrigals. His set of spiritual madrigals display both moments of pure joy and exultation as well as heartbreaking sadness and longing.

“Last fall, the Madrigal Singers presented the first 13 of these motets, and this fall, we finish out the collection with motets 14-26.

“This music is incredibly moving and remarkably fresh, revealing a marked sensitivity to the texts and a mastery of musical expression.” (You can hear a sample in the YouTube video at the bottom.)

SATURDAY

At 8 p.m., in Luther Memorial Church (below), 1021 University Avenue, the Low Brass Ensemble will give a FREE recital. No word on composers or pieces on the program.

At 8 p.m. in Mils Hall, the group Chorale, under conductor Bruce Gladstone will present “Songs to Live By.”

Programs notes read: “Music has always had a way to touch our souls the way other things cannot. When paired with poetry that speaks honestly to the human condition, it can lift us out of the merely abstract, touching our souls and offering insight on how we can be better at being human and humane.

“The Chorale offers a choral song-cycle by composer Gwyneth Walker (below) on autobiographical poems by Virginia Hamilton Adair, as well as three works by Elizabeth Alexander:  “How to Sing Like a Planet”; “If You Can Walk You Can Dance”; and “Finally On My Way To Yes.”

“Also on the program is Joshua Shank’s “Rules To Live By,” a heartfelt and moving piece whose text was written by the commissioning ensemble.

SUNDAY

At 5 p.m., in Mills Hall, the UW-Madison Wind Ensemble (below top) and Winds of Wisconsin will give a FREE joint concert.

Scott Teeple will conduct with guest violinist, Professor Soh-Hyun Altino (below bottom, in a photo by Caroline Bittencourt) soloing.

Here is the program:

UW-Madison Wind Ensemble:

“Fanfare for the Uncommon Woman, #2,” by Joan Tower

Concerto for Violin and Wind Ensemble, by Robert Hutchinson with the violinist Park Altino

Winds of Wisconsin:

“Chester Overture for Band,” by William Schuman

“A Child’s Embrace” by Charles Rochester Young

“Vesuvius,” by Frank Ticheli

Combined UW Wind Ensemble and Winds of Wisconsin:

“Folk Dances,” by Dmitri Shostakovich


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Classical music: The Madison Summer Choir performs a program of music that expresses suffering, oppression and resistance this Wednesday night at UW-Madison

June 25, 2017
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By Jacob Stockinger

The Madison Summer Choir (below) will present its ninth annual concert, “Art: The Timeless Resistance – The Voice of the Oppressed,” on this coming Wednesday night, June 28, 2017 at 7:30 p.m. in Mills Hall of the UW-Madison’s Mosse Humanities Building, 455 N. Park St.

The suggested ticket donation is $15.

The concert brings together a variety of works that have served as an outlet for suffering peoples, works that gave them a voice where they otherwise had none.

The concert will begin with Sometimes I Feel Like a Motherless Child, a traditional Spiritual arranged by Jay Althouse.

This is followed by Miriam’s Song of Triumph, composed by Franz Schubert (1797-1828) very near the end of his short life to a German text (Mirjams Siegesgesang) by Austrian poet Franz Grillparzer. The text and music describe the Exodus and the celebration of Miriam and the Israelites after fleeing Egypt. (You can hear the work in the YouTube video at the bottom.)

The first half ends with two shorter works again in English, There Will be Rest, a setting of a poem by Sara Teasdale by Frank Ticheli (below top), of the University of Southern California,  and How Can I Keep from Singing? by Baptist minister and American literature professor Robert Lowry (1826-1899, below bottom), as arranged in 2010 by Taylor Davis.

The choir will be accompanied by oboist Malia Huntsman and concertmaster Elspeth Stalter-Clouse.

The second half of the program is devoted to the Mass in C (1807) by Ludwig van Beethoven (1770-1827), and will be performed with full orchestra.

The choir was founded by UW-Madison graduate and artistic director Ben Luedcke (below) – who now teaches at Monmouth College — after the UW Summer Choir was eliminated due to budget constraints.

The Madison Summer Choir is an auditioned choir of 60 to 70 voices that performs a cappella works, piano-accompanied works and choral-orchestral works in a short season at the beginning of summer.

This student and community singing opportunity and tradition continue thanks to the extraordinary efforts of our singers and our audience to fund our complete existence in six weeks.

Go to madisonsummerchoir.org to learn more.


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