The Well-Tempered Ear

The Madison Opera launches its Digital Fall this Sunday afternoon and Sept. 27 with more to come through December. The cost is $50 per household

September 18, 2020
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By Jacob Stockinger

The Ear has received the following announcement from the Madison Opera about its Digital fall season, which will open with an artists’ panel discussion this Sunday afternoon, Sept. 20, and then an original world-premiere production on Sept. 27, a week from this Sunday.

“Although the coronavirus pandemic has closed the Overture Center for the Arts this fall, Madison Opera is not going silent.

“We are creating a fall season that lasts from September through December. It includes both digital content and live performances at the Margaret C. Winston Madison Opera Center, our home in downtown Madison.

“All content will be available to subscribers for at least one month from the “live” date, so you can watch at your leisure, and as often as you wish.”

A Digital Fall subscription is $50 per household. It can be purchased on its own, or as part of a new subscription package. It can be purchased through the link at the bottom.

Here is how it will work: About 48 hours before each event, subscribers will receive an email with the private link to that event.  (You may need to check your spam folder).  If you have not received an email the day before an event, email info@madisonopera.org and we’ll send you the link directly.

The link remains active for one month, so if you cannot watch an event live – or want to re-watch it – you won’t miss out.

Do you miss operatic conversation? Join us online! Opera Up Close is a favorite event for Madison Opera subscribers, usually featuring a discussion of the upcoming opera from a historical context and with cast members.

For our Digital Fall, this conversation is reimagined via technology to discuss broader opera topics, featuring favorite Madison Opera company members, interviewed by Madison Opera’s general director Kathryn Smith (below, in a photo by James Gill).

Opera Up Close Cocktail Hour Discussions take place on Sunday afternoons, 4– 5:30 p.m. Subscribers will have the opportunity to ask questions both in advance and during the talk.

UP CLOSE COCKTAIL HOUR DISCUSSION

This Sunday, Sept. 20, 4-5:30 p.m.

Many singers have debuted at Madison Opera (MO) early in their careers, before going on to sing around the world.

Featured in this discussion are: Kyle Ketelsen of Sun Prairie (below top in a photo by Lawrence Brownlee, MO debut 2000); Emily Fons (below middle, MO debut 2012); and Will Liverman (below bottom, MO debut 2015). Join us for a wide-ranging discussion about their careers, training paths, and much more.

WORLD PREMIERE OF  A SONG CYCLE

Jeni Houser and David Blalock, singers

Saturday, Sept. 26, 7:30 p.m.

Featuring the world premiere of “Keep Moving” by Madison composer and UW-Madison graduate Scott Gendel

Married singers Jeni Houser and David Blalock (below) have a long history with Madison Opera. Jeni was one of our first Studio Artists in 2012, and has returned many times, most recently as Anne in Stephen Sondheim’s “A Little Night Music.”

David debuted in Beethoven’s “Fidelio” (2014), and both artists sang at Opera in the Park 2019 (below). This past season, Jeni and David made (separate) Metropolitan Opera debuts, and were slated to sing the leads in Offenbach’s “Orpheus in the Underworld ” in Madison last spring, which was canceled due to the coronavirus pandemic.

The Wisconsin residents will launch our Live from the Opera Center series in a joint recital, accompanied by principal pianist Scott Gendel (below).

Gendel is also an acclaimed composer, and the recital will feature the world premiere of his song cycle “Keep Moving,” set to poetry by Maggie Smith, which he is writing specifically for Jeni and David. (below, in a photo by David Scott, are all three are rehearsing in the Madison Opera’s Winston Center.)

Here is a link to the initial schedule of events, including a cooperative production of Jean Cocteau’s monologue opera “The Human Voice” with the Austin Opera in Texas, and biographies of various singers and participants.

More events will be added and announced in the coming months.

You will also a find a button to click on to subscribe to the Digital Fall: https://www.madisonopera.org/Fall2020


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Classical music: Madison Opera’s virtual Opera in the Park goes online for FREE this Saturday night and stays up until Aug. 25. Listen to it indoors or outdoors

July 23, 2020
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By Jacob Stockinger

Madison Opera’s Opera in the Park isn’t in a park this year — as it has been in past years (below) — but it will be available for people to enjoy for free in their backyards, in their living rooms or anywhere else with an internet connection.

The digital concert will be released on this Saturday, July 25, at 8 p.m. CDT, and can be watched on Madison Opera’s website, www.madisonopera.org/digital, where you can find complete information and, soon, a complete program to download.

The annual free concert has moved online in response to the COVID-19 pandemic, with a newly created program of opera arias and more.

Digital Opera in the Park features: soprano Jasmine Habersham; soprano Karen Slack; tenor Andres Acosta; and baritone Weston Hurt. (The last two will sing the justly famous baritone-tenor duet “Au fond du temple saint” from Bizet’s “The Pearl Fishers,” which you can hear in the YouTube video at the bottom.)

Habersham (below) makes her Madison Opera debut with this unique performance, and will sing Susanna in the company’s production of Mozart’s The Marriage of Figaro next April.

Slack (below) debuted with the company in Jake Heggie’s Dead Man Walking, and will be part of the company’s digital fall season.

Acosta (below) sang Timothy Laughlin in Gregory Spears’ Fellow Travelers with Madison Opera this past February.

Hurt (below) debuted as Germont in Verdi’s La Traviata last season and is part of the company’s digital fall season.

The four singers will be joined by several important local artists. They include violinist Suzanne Beia, the assistant concertmaster of the Madison Symphony Orchestra, the concertmaster of the Wisconsin Chamber Orchestra and the second violin of the UW-Madison’s Pro Arte Quartet.

There will also be a fleet of eight pianists. They include MSO music director and Madison Opera’s artist director John DeMain (below top, in a photo by Prasad) and the UW-Madison graduate and composer Scott Gendel (below bottom). The two will play multiple numbers, including DeMain accompanying Beia on the beautiful “Meditation” from Thaïs.

Each singer recorded their arias with an accompanist in their home cities, and chorusmaster Anthony Cao (below top) both accompanies and conducts the Madison Opera Chorus (below bottom) in a virtual “Anvil Chorus” from Il Trovatore.

The evening will be hosted by Madison Opera’s General Director Kathryn Smith and by WKOW TV’s Channel 27 News co-anchor George Smith.

“Reimagining Opera in the Park in the pandemic era has been a challenge, but one we have happily embraced,” says Smith (below in a photo by James Gill). “Our wonderful artists were game to record themselves in their home towns, to sing duets with each other through headphones, and to share their artistry with our community in a new way. Over 40 choristers joined a Zoom call to get instructions, and then they recorded their parts of the ‘Anvil Chorus.’”

“While in some ways this concert has required more work than our live Opera in the Park in Garner Park, it is always a pleasure to present beautiful music for everyone to enjoy.”

Digital Opera in the Park features music from Verdi’s Il Trovatore, now canceled in live performance but originally slated to open Madison Opera’s 2020-21 season; Jerry Bock’s She Loves Me, which the company performs in January; and Mozart’s The Marriage of Figaro, which will be performed in April.

The program also includes selections from Bizet’s The Pearl Fishers, Richard Strauss’ Arabella, Verdi’s Don Pasquale, Puccini’s Tosca, Massenet’s Hérodiade and Thaïs, Rossini’s William Tell, Pablo Sarozabal’s zarzuela La Tabernera del Puerto, Rodgers and Hammerstein’s South Pacific, and more.

The concert will be available beginning at 8 p.m. CDT on this Saturday night, July 25, and will remain online until Aug. 25, allowing for both repeated viewing and flexibility for people who are unable to watch on the first night.

While Digital Opera in the Park will be free to watch, it would not be possible without the generous support of many foundations, corporations and individuals who believe in the importance of music. Madison Opera is grateful to the sponsors of Opera in the Park 2020:

  • Presenting Sponsor: the Berbeewalsh Foundation
  • Sponsors: the John and Carolyn Peterson Charitable Foundation, Full Compass Systems, the Raymond B. Preston Family Foundation, University Research Park, Colony Brands, Johnson Financial Group, MGE Foundation, National Guardian Life, Wisconsin Arts Board, Dane Arts and the Madison Arts Commission.
  • Media Sponsors: WKOW, Madison Magazine, Wisconsin Public Radio, Magic 98, and La Movida.

RELATED EVENTS include:

OPERA ON THE WALL | JULY 25, 2020 | ONLINE

Madison artists Liubov Swazko (known as Triangulador) and Mike Lroy have created artwork around our community, including beautiful murals on State Street storefronts.

In an act of artistic cross-pollination, they will create an artwork that comes from their personal response to Digital Opera in the Park, offering a rare glimpse of visual artists responding to musical artists. Their creative process will be filmed in the Madison Opera Center, and shared online starting on July 25.

The finished artwork will be displayed in the Madison Opera Center. Go to Swazko’s website at triangulador.com (one work is below) and Lroy’s website at mikelroy.com to see their past work.

POST-SHOW Q&A | JULY 25, 2020, IMMEDIATELY FOLLOWING THE INITIAL STREAM

Join Kathryn Smith and the Digital Opera in the Park artists for a post-concert discussion, including an opportunity to ask questions. Details on format and platform will be available closer to the date.

 


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Classical music: This summer, Madison Opera’s “Opera in the Park” will go virtual and be held online due to the coronavirus pandemic. Details will follow in early July

May 7, 2020
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By Jacob Stockinger

The Ear has received the following announcement from the Madison Opera about this summer’s annual Opera in the Park (below, in a photo by James Gill.)

“Madison Opera’s Opera in the Park will be moving online this summer in response to the COVID-19 pandemic.

“Since the first Opera in the Park concert in 2002, it has become a Madison summer tradition, a free concert that draws over 10,000 people to Garner Park for selections from opera, Broadway, operetta and zarzuela. The 19th anniversary of this concert had been scheduled for July 25.”

(Editor’s note: As you can see in the YouTube video at the bottom, the traditional encore has the audience and soloists singing “It’s a Grand Night for Singing” from the musical “Carousel” by Rodgers and Hammerstein.)

Opera in the Park is by far our most important performance,” says Kathryn Smith (below, in a photo by James Gill), general director of the Madison Opera. “Sharing music under the stars is a highlight of every summer, but the health and safety of our community is our first priority. After careful discussion with local officials and stakeholders, we have decided to take the necessary step of moving from an in-person performance this summer to a digital one.

“Details on the digital performance will be solidified in the coming months and announced in early July.

“Soloists to perform with the Madison Symphony Orchestra include: soprano Karen Slack (below top), who returns to Madison Opera as Leonora in Verdi’s Il Trovatore (The Troubadour) this fall; soprano Jasmine Habersham (below middle), who makes her Madison Opera debut in Mozart’s The Marriage of Figaro next April; and baritone Weston Hurt (below bottom), who sang Germont in Verdi’s La Traviata last season and returns as Count di Luna in Il Trovatore next fall.

“While nothing will ever equal the magic of Opera in the Park when the hillside is full of people,” Smith says, “I know we can create something special to share, using the power of music to connect us even when we cannot gather in person.

“We look forward to returning to Garner Park next summer, and seeing a full display of everyone’s light-stick conducting skills (below).”

 


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Classical music: Background discussions, lectures and documentaries lead up to Madison Opera’s production of the LGBTQ-themed, McCarthy-era opera “Fellow Travelers” on Feb. 7 and 9

January 14, 2020
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By Jacob Stockinger

The Madison Opera continues its foray into 21st-century operas with Gregory Spears’ Fellow Travelers on Friday night, Feb. 7, at 8 p.m. and Sunday afternoon, Feb. 9, at 2:30 p.m. in the Capitol Theater at the Overture Center.

(Production photos below are by Dan Norman of the Minnesota Opera production, which is being encored in Madison. You can see and hear a preview of the Minnesota Opera production in the YouTube video at the bottom.)

The acclaimed 2016 opera is set in 1950s Washington, D.C. The “Lavender Scare,” in which suspected homosexuals saw their livelihoods and lives destroyed, has enveloped the U.S. government. (Below are Andres Acosta as Timothy Laughlin and Sidney Outlaw as Tommy McIntyre.) 

Against this backdrop, Timothy Laughlin, a recent college graduate and an ardent supporter of Wisconsin’s anti-Communist Republican Senator Joseph McCarthy, meets Hawkins Fuller, a State Department official.

The two men (below, Acosta on the right) embark on a relationship, tangled in a web of fear and necessary deceit. Their friends and colleagues fill out a story of individuals grappling with their beliefs and emotions.

With a libretto by Greg Pierce that is based on Thomas Mallon’s 2007 novel, Fellow Travelers was praised as “a near-perfect example of fast-flowing musical drama” by The New York Times and tells of the very human consequences of prejudice and fear, with compassion, nuance and incredible beauty.

The opera will be sung in English with projected text.

The performance will last approximately 2 hours 25 minutes, including one intermission.

For more information, go to: www.madisonopera.org/FellowTravelers

Tickets are $26 to $118 with discounts available for students and groups. Go to the Overture Center box office at 201 State Street or call it at (608) 258-4141 or go online to www.MadisonOpera.org/Tickets

“When I saw Fellow Travelers, I knew before it was over that I would be producing it in Madison,” says Madison’s Opera’s General Director Kathryn Smith (below in a photo by James Gill). “I fell in love with the haunting music and the well-drawn characters, and the emotional impact at the end was even more powerful than I had anticipated. I am truly looking forward to sharing this modern masterpiece with our community.”

Peter Rothstein (below) directs this production in his Madison Opera debut. Rothstein, who received his MFA from the UW-Madison, directed Fellow Travelers for Minnesota Opera in 2018.

The Twin City Arts Reader called his production “equal parts sweeping love affair and tragic circumstance. To some, the events will feel comfortably distant for this doomed period romance. For others, they will seem all too real and possible in this day and age. It’s a powerful combination.”

Making his Madison Opera debut as Timothy Laughlin is Andres Acosta (below), who performed this role to acclaim at the Minnesota Opera.

Ben Edquist (below), who debuted at Opera in the Park this past summer, sings Hawkins Fuller.

Adriana Zabala (below, of Florencia en el Amazonas) returns as Mary Johnson, who works with Hawkins and is a friend and voice of conscience for him and Timothy.

Returning to Madison Opera are Sidney Outlaw (below top, of Gounod’s Romeo and Juliet) as Tommy McIntyre, a political insider, and Alan Dunbar (below bottom, in a photo by Roy Hellman, of Mozart’s The Magic Flute) in multiple roles, including Senator Joseph McCarthy and a government interrogator who puts Hawkins through a lie detector test.

Andrew Wilkowske (below) debuts in several roles, including Senator Potter and General Arlie.

Filling out the cast is Madison Opera Studio Artist Emily Secor (below top) as Miss Lightfoot, who works in Hawkins’ office; soprano Cassandra Vasta (below bottom) as Lucy, whomHawkins marries; and Madison Opera Studio Artist Stephen Hobe in five different roles.

John DeMain (below, in a photo by Greg Anderson) conducts, with the Madison Symphony Orchestra in the pit.

Madison Opera’s production of “Fellow Travelers” is sponsored by: Fran Klos; Sally and Mike Miley; David Flanders and Susan Ecroyd; John Lemke and Pamela Oliver; Sharyn and Carl Stumpf; and Dane Arts. Community events are sponsored by The Capital Times.

RELATED EVENTS

In addition to the two performances, Madison Opera offers several events to allow deeper exploration of the opera and its historical background.

They include a free discussion of the “Wisconsin Dimension” of this period in history at the Madison Central Library and a free showing of The Lavender Scare documentary at PBS Wisconsin (formerly Wisconsin Public Television).

OPERA NOVICE: WELCOME TO THE 21st CENTURY

This Friday, Jan. 17, 6-7 p.m. FREE and open to the public at the Madison Opera Center (below), 335 West Mifflin Street

New to opera? Not sure how you feel about modern opera? Come to the Madison Opera Center for a short, fun and informative evening, led by General Director Kathryn Smith.

Learn about some of the new American operas that are shaping the operatic landscape in the 21st century, including Fellow Travelers. Studio Artist Stephen Hobe (below) will sing an aria from Fellow Travelers, and there will be plenty of time for questions. It’s the perfect jump-start for the opera-curious.

FELLOW TRAVELERS: THE WISCONSIN DIMENSION

This Sunday, Jan. 19, 3–4:30 p.m.; FREE and open to the public at the Madison Central Library, 201 West Mifflin Street

 Join us for a discussion of how the Lavender Scare and its fallout was felt in Wisconsin, led by R. Richard Wagner (below top), activist and author of We’ve Been Here All Along: Wisconsin’s Early Gay History (below middle), and Susan Zaeske (below bottom), a UW-Madison campus leader in the arts and humanities who has taught an experiential-learning course on LGBTQ history.

THE LAVENDER SCARE– Documentary Screening

Friday, Jan. 24, 7 p.m.; FREE and open to the public at PBS Wisconsin, 821 University Avenue

PBS Wisconsin (formerly Wisconsin Public Television) presents a screening of The Lavender Scare, the first documentary film to tell the little-known story of an unrelenting campaign by the federal government to identify and fire all employees suspected of being homosexual.

Narrated by Glenn Close, the film was praised as “a gripping, nimbly assembled documentary… vivid, disturbing and rousing” by the Los Angeles Times. The screening will be followed by a discussion.

OPERA UP CLOSE: FELLOW TRAVELERS

Sunday, Feb. 2, 1-3 p.m.; FREE for full-season subscribers; $10 for two-show subscribers; and $20 for non-subscribers; at the Madison Opera Center, 335 West Mifflin Street

Join the Madison Opera for a multimedia behind-the-scenes preview of Fellow Travelers. General Director Kathryn Smith will discuss many aspects of the opera, including the historical events that provide the story’s backdrop, the novel on which it is based, and how this 2016 opera swiftly spread across the country.

Principal artists, stage director Peter Rothstein, and conductor John DeMain will participate in a roundtable discussion about Madison’s production and their own takes on this acclaimed 2016 work.

PRE-OPERA TALKS

Friday, February 7, 2020, 7 p.m. and Sunday, February 9, 2020, 1:30 p.m. FREE to ticket holders at the Wisconsin Studio in the Overture Center

Join General Director Kathryn Smith one hour prior to performances for an entertaining and informative talk about Fellow Travelers.

 


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Classical music: The Madison Opera performs Verdi’s popular “La Traviata” this Friday night and Sunday afternoon in Overture Hall

October 28, 2019
1 Comment

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By Jacob Stockinger

This weekend, the Madison Opera opens its 59th season with a traditional production of Verdi’s “La Traviata” (The Lost One), one of the most popular operas in history.

According to the website www.operasense.com — specifically at https://www.operasense.com/most-popular-operas/ — it has been the most performed opera in the world, beating out such perennial favorites as Mozart’s “The Magic Flute,” Puccini’s “La Boheme” and “Madama Butterfly,” and Bizet’s “Carmen.” (Below are photos by Matthew Staver from the production by Opera Colorado in Denver, which features the same sets and costumes that will be used in the production by Madison Opera.)

Performances in Overture Hall are this Friday night, Nov. 1, at 8 p.m. and Sunday afternoon, Nov. 3 at 2:30 p.m. The opera will be sung in Italian with projected supertitles in English. The running time, with two intermissions, is 2 hours and 45 minutes.

PRE-OPERA TALKS are on Friday at 7 p.m. and Sunday at 1:30 p.m. in the Wisconsin Studio of the Overture Center. One hour prior to performances, general director Kathryn Smith will give an entertaining and informative talk about “La Traviata.” The talks are free to ticket holders.

POST-OPERA Q&A’s are on Friday and Sunday and will also take place in the Wisconsin Studio of the Overture Center. Audience members can join general director Kathryn Smith immediately after the performance to ask questions about what they have just seen. The sessions are free to ticket holders.

Tickets are $18-$135 with student and group discounts available. For information about tickets, the production and the cast, go to: https://www.madisonopera.org

Set in mid-19th century Paris, “La Traviata” tells of Violetta, a courtesan who tries to follow her heart. But societal pressures force her to leave the man she loves, and an incurable illness takes care of the rest.

Glittering parties contrast with quiet desperation, and ravishing music underscores all-consuming emotions.

“Only a few operas ever achieve a truly beloved status — and “La Traviata” is one of them,” says Kathryn Smith (below, in a photo by James Gill). For being over 150 years old, its story is quite modern: a young woman trying to overcome the limitations that society has placed on her because of her class and gender, searching for happiness yet willing to make sacrifices.

“Plus it is full of very famous music, from the ‘Brindisi’ to ‘Sempre Libera’ and more,” Smith adds. “It’s always a pleasure to have a new generation discover this work, and to share it with opera omnivores who know it well.” (You can hear Renée Fleming sing Violetta’s signature aria “Sempre libera” (Always Free) at the Royal Opera House in the YouTube video at the bottom.)

“La Traviata” is based on the play and novel “La Dame aux Camélias” (The Lady of the Camellias) by Alexandre Dumas the son (below top), which were in turn based on his real-life relationship with the courtesan Marie Duplessis (below bottom), who died in 1847 of consumption.

The play was an instant hit when it premiered in Paris in 1852, and Verdi (below) turned it into an opera the following year.

While the first production of the opera was not a success, due to the poor singing of two cast members and the physical unsuitability of one singer, its second production was acclaimed, and the opera swiftly became one of the most performed operas in the world, a status it has not lost.

Both the opera and the play have inspired countless films, including “Camille” (with Greta Garbo), “Pretty Woman” (with Julia Roberts) and “Moulin Rouge” (with Nicole Kidman).

Madison Opera’s artistic director John DeMain (below, in a photo by Greg Anderson) says: “”La Traviata” has been a part of my artistic life since the very beginning of my career – it’s one of the reasons I so wanted to conduct opera. The heartfelt and tragic story of a love that was cut short by both health and cultural circumstances is still deeply moving today.

“The role of Violetta is a tour-de-force that ranges from high-flying coloratura to dramatic vocalism, with a strongly-etched character. I love this opera so deeply and look forward to conducting it for our audience.”

Returning to Madison Opera as Violetta is Cecilia Violetta Lopez (she played Carmen in Madison), whom The Washington Post reviewer called “as compelling a Violetta as I’ve seen.”

Mackenzie Whitney  (below, who appeared in “Florencia en el Amazonas” for the Madison Opera) returns as Alfredo, the young man for whom she sacrifices everything.

Weston Hurt (below) debuts with Madison Opera as Alfredo’s father Germont, whose disapproval of his son’s relationship with Violetta has tragic consequences.

Madison Opera’s Studio Artists are featured: Kirsten Larson as Flora, Emily Secor as Annina, Benjamin Hopkins as Gastone, and Stephen Hobe as the Marquis d’Obigny.

Rounding out the cast are Benjamin Sieverding (Romeo and Juliet) as Dr. Grenvil and Benjamin Major in his Madison Opera debut as Baron Douphol.

Fenton Lamb (below) directs this traditional production in her Madison Opera debut.

Maestro John DeMain conducts the singers, the Madison Opera Chorus and the Madison Symphony Orchestra.

The Madison Opera’s production of “La Traviata” is sponsored by the Pleasant T. Rowland Foundation, Bert and Diane Adams, Carla and Fernando Alvarado, Chun Lin, Patricia and Stephen Lucas, Millie and Marshall Osborn, Kato and David Perlman, the Wallach Family, Helen Wineke, Capitol Lakes, and the Wisconsin Arts Board.


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Classical music: Madison Opera’s annual FREE Opera in the Park returns this Saturday night, July 20, in Garner Park and celebrates 18 years plus a glimpse of the upcoming season

July 15, 2019
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By Jacob Stockinger

The Ear has received the following announcement to post about one of the most highly anticipated musical events of summer, one that offers lots of family-friendly fun and serious musical enjoyment:

Madison Opera’s Opera in the Park (below, in a photo by James Gill) celebrates its 18th year on this coming Saturday night, July 20, at 8 p.m. in Garner Park, on Madison’s far west side at the intersection of Rosa Road and Mineral Point Road.

The annual free concert of opera and Broadway favorites closes the company’s 2018-19 season and provides a preview of the 2019-20 season. (You can hear a sample of past years in the YouTube video at the bottom.)

A Madison summer tradition that often attracts over 14,000 people, Opera in the Park is an enchanting evening of music under the stars, featuring selections from opera and Broadway.

Opera in the Park 2019 features soprano Jeni Houser, soprano Michelle Johnson, tenor David Blalock and baritone Ben Edquist.

Jeni Houser (below) has sung many roles with Madison Opera, most recently in Sondheim’s A Little Night Music, and she returns next season as Eurydice in Offenbach’s Orpheus in the Underworld.

Michelle Johnson (below) scored a major success with Madison Opera as Santuzza in Mascagni’s Cavalleria Rusticana last season.

David Blalock (below) debuted with Madison Opera in 2014 and returns this season as Orpheus in Orpheus in the Underworld.

Ben Edquist (below) is making his debut, and will return to the company as Hawkins Fuller in Gregory Spears’ Fellow Travelers, about the Lavender Scare against LGBTQ peoplein February.

The four soloists are joined by the Madison Opera Chorus and Madison Symphony Orchestra, conducted by John DeMain (below, in a photo by Greg Anderson).

The evening is hosted by Madison Opera’s General Director Kathryn Smith and WKOW TV’s 27 News co-anchor George Smith (below, in a photo by Simon Fowler).

Opera in the Park is the greatest performance in Madison Opera’s season,” says Smith (below, in a photo by James Gill). “It offers a truly magical blend of beautiful voices, music from many centuries, and thousands of members of our community relaxing together under the same night sky. I am grateful to all of our supporters who share our belief in the community-building power of music and help us produce this concert every summer.”

Opera in the Park 2019 features arias and ensembles from Verdi’s La Traviata, which opens the 2019-20 season in November; Spears’ Fellow Travelers, which will be performed in February; and Offenbach’s Orpheus in the Underworld, which will be performed in April.

The program also includes selections from Verdi’s Rigoletto and La Forza del Destino (The Force of Destiny); Donizetti’s The Elixir of Love and Don Pasquale; Korngold’s Die Tote Stadt (The Dead City); Romberg’s The Student Prince; Funny Girl; Rodgers and Hammerstein’s Carousel; and more. As always, this spectacular evening will include one number conducted by the audience with light sticks (below).

Garner Park is located at 333 South Rosa Road. Parking is available in the CUNA Mutual Group and University Research Park lots. Attendees are encouraged to bring picnics, blankets and chairs. Alcohol is permitted but not sold in the park.

On the day of the concert, Garner Park will open at 7 a.m. Audience members may not leave items in the park prior to this time. Lots of porta potties will be provided. Transportation via golf carts is available for those who have limited mobility.

The rain date for Opera in the Park is Sunday, July 21, at 8 p.m.

For more details about attending Opera in the Park and for more extensive biographies of the singers, go to: https://www.madisonopera.org/2018-2019-season/oitp/

While Opera in the Park is free to attend, it would not be possible without the generous support of many foundations, corporations, and individuals who believe in the importance of music in the community.

Madison Opera is grateful to the sponsors of Opera in the Park 2019.The Presenting Sponsor is the BerbeeWalsh Foundation. Other sponsors are the John and Carolyn Peterson Charitable Foundation; Full Compass Systems; the Raymond B. Preston Family Foundation; University Research Park; Colony Brands; the Evjue Foundation; Johnson Financial Group; MGE Foundation; National Guardian Life; the Wisconsin Arts Board; Dane Arts; and the Madison Arts Commission.

WKOW, Madison Magazine, Wisconsin Public Radio, Magic 98, and La Movida are media sponsors for this community event.

RELATED EVENTS

The Prelude Dinner at Opera in the Park 2019 is at 6 p.m.
This annual fundraiser to benefit Opera in the Park helps support Madison Opera’s free gift to the community.

The event includes dinner catered by Upstairs Downstairs, VIP seating at the concert, and a reception with the artists following the performance. Tickets are $150 per person or $1,150 for a table of eight.

More information about Opera in the Park and about the 2019-20 season, including subscriptions, is available at Madison’s Opera’s home website  www.madisonopera.org


Posted in Classical music
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