The Well-Tempered Ear

Classical music: TONIGHT one longtime, generous classical music patron honors another with a FREE public, all-Schubert memorial concert at Oakwood Village West

October 19, 2019
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By Jacob Stockinger

Think of it as a well-deserved, heart-felt homage that one longtime and generous patron of classical music is paying to another patron who also happened to be a close personal friend and a professional colleague.

The public is invited to join in the one-hour, FREE all-Schubert memorial concert at Oakwood Village West (University Woods), at 6205 Mineral Point Road, on Madison’s far west side near West Towne Mall, at 7 p.m. TONIGHT, Oct. 19.

Here is an invitation from retired University of Wisconsin-Madison chemist Kato Perlman (below) about the concert she is sponsoring and funding in memory of her close friends:

“Join flutist Iva Ugrcic (below top) and pianist Thomas J. Kasdorf (below middle) for a FREE All-Schubert Evening and enjoy the music from one of the greatest composers of the 19th century, Franz Schubert (1797-1828, below bottom).

“This concert is in memory of the late Irving and Millie Shain. Irv Shain (below) was a chemistry professor and then a long-serving Chancellor of the University of Wisconsin, and a great supporter of the University of Wisconsin-Madison Mead Witter School of Music.

“He played the flute himself and these Schubert pieces belonged to some of his favorites for the flute.

“He also established, in addition to his long-running annual Beethoven piano sonata competition, a woodwind and piano competition. Both Iva Ugrcic and Thomas Kasdorf are previous winners.”

The program is:

Sonata in A Minor, D. 821 (“Arpeggione”)

Introduction and Variations on “Trockne Blumen” (Withered Flowers) from “Die Schöne Müllerin” (The Beautiful Miller’s Daughter), D. 802 (Op. 160)

Ständchen (“Serenade”) from Schubert’s final song cycle Schwanengesang (Swan Song), D. 957 (heard in the YouTube video below)


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Classical music: On Saturday night and Sunday afternoon, the Madison Bach Musicians explore the miracle of Mozart across his lifetime and across different genres

April 1, 2019
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By Jacob Stockinger

The Madison Bach Musicians concludes its 15th season on this coming Saturday night, April 6, at 8 p.m. and Sunday afternoon, April 7, at 3:30 p.m. with  The Mozart Miracle .

The program features performances of beloved music by Wolfgang Amadeus Mozart (1756-1791, below) with an all period-instrument chamber orchestra in the magnificent acoustic setting of the First Congregational United Church of Christ (below), 1609 University Avenue, near Camp Randall Stadium.

Period-instrument specialists hailing from Madison, Milwaukee, Chicago, Omaha, Seattle, Philadelphia and New York City will perform on natural or valveless horns, classical oboes, gut-strung violins, violas, cellos and a double bass played with 18th-century transitional bows.

Early music specialist and bassoon professor Marc Vallon (below to, in a photo by James Gill) of UW-Madison Mead Witter School of Music will lead the orchestra (below bottom, in a performance last year at the First Unitarian Society of Madison).

Internationally acclaimed soprano Ariadne Lih (below), from Montreal, Canada, will join the ensemble for  Exsultate Jubilate — a ringing example of how Mozart could seamlessly fuse religious zeal with vocal pyrotechnics. (You can hear Renée Fleming sing “Exsultate Jubilate” in the YouTube video at the bottom.)

The program also features dance sequences, choreographed by Karen McShane Hellenbrand (below) of the UW-Madison, from Mozart’s ballet Les Petits Riens  (The Little Nothings).

Also included are pre-concert lectures: On Saturday, April 6, at 7:15 p.m.  there is a lecture by MBM artistic director Trevor Stephenson with an 8 p.m. concert . On Sunday, April 7, his lecture is at 2:45 p.m.  with the concert at 3:30 p.m.

Advance-sale discounted  tickets are $35 for general admission.

Tickets are available at  Orange Tree Imports and Willy Street Coop (East and West). You can also buy advance tickets online at www.madisonbachmusicians.org

Tickets at the door are:  $38 general for adults, $35 for seniors 65-plus, and student rush for $10, on sale 30 minutes before lecture.

MBM artistic director Stephenson (below) sent the following remarks to The Ear:

Here are two fantastic quotations about Mozart:

“Together with the puzzle he gives you the solution.” Ferrucio Busoni on Mozart

“It may be that when the angels go about their task of praising God, they play only Bach. I am sure, however, that when they are together as a family, they play Mozart…” Karl Barth

Both quotes underline, I believe, Mozart’s charismatic generosity of spirit, his sense of play and camaraderie. We’re all in this together! Mozart’s music is a perfect fusion of melodic inspiration — tunes so good they can stay in your head for joyous weeks at a time, or even a lifetime — and structural clarity.

His sense of proportion — when to display 18th-century balance and when to step outside the frame — is uncanny and always a delight. And for me, as a five-year-old-boy, dancing about the living room to the old LP vinyl — dancing lightly, though, so the record wouldn’t skip — it was Mozart’s boundless energy and joy, pouring out of the speakers, that really revved me up.

The Madison Bach Musicians program on this coming Saturday and Sunday will explore several sides of Mozart’s genius: master orchestrator and symphonist; aficionado of fugues; virtuoso keyboard player and mesmerizing improviser; ballet composer; and the greatest fashioner of material for the soprano voice.

MBM has assembled a Classical-period chamber orchestra, replete with gut strings and transitional bows, natural horns, and classical oboes. To this we’ll add: a fortepiano — the type of instrument Mozart toured with; an elegant dancer — for dance was an integral part of 18th-century living; and a magnificent soprano — Mozart was virtually besotted with the magic of the high female voice, and he wrote for it throughout his life with imagination and a sense of thrilling experiment that has never been equaled before or since.

Here is a bit about each selection:

Symphony No. 1 in E-flat majorComposed 1764 when Mozart was just eight years old (below), during an extended stay in London with his father Leopold and sister Nannerl. Strongly influenced by the symphonies of C. F. Abel and J. C. Bach (The London Bach, youngest son of Johann Sebastian).

Symphony No. 29 in A majorComposed 1774 when Mozart was 18 years old (below). It is often considered the pinnacle of his early symphonic writing.

Exsultate Jubilate  for soprano and orchestra – Written 1773 in Milan for the castrato, or male soprano, Venanzio Rauzzini, it is an elegant fusion of rapturous melodies and vocal display.

Adagio & Fugue  in C minor for strings – Composed in 1788, certainly the latest Mozart work on the program when the composer was 32. Mozart had by this time — largely through the Sunday soirees at Baron van Swieten’s—been studying Bach’s fugues closely for several years. This fugue is an arrangement of a work for two fortepianos, K. 426, which Mozart had composed five years earlier in 1783. Mozart added the opening Adagio for the strings version.

Fantasy in D minor for fortepiano – Mozart improvised frequently as part of both private and public performance. This Fantasy, with its dark distinctive opening which explores the fantastical low register of the fortepiano, may give us a good idea of what Mozart might have done one night just sitting down to “jam” for his friends.

Two French Songs for soprano and fortepiano — Birds follow the warm weather, so they never cease their courtship. And in the woods one day the protagonist foolishly rouses a sleeping Cupid — and pays a terrible price.

Ballet excerpts from  Les Petit Riens – literally The Little Nothings. Mozart composed most, but not all, of this ballet in Paris 1778 for Jean-Georges Noverre, ballet master of the Paris Opera. The work served as an interlude to an opera by Niccolo Piccinni that closed after just four performances.

For more information, go to: www.madisonbachmusicians.org


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Classical music: Wisconsin Chamber Orchestra offers FREE concert tickets to furloughed federal workers

January 17, 2019
1 Comment

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By Jacob Stockinger

Restaurants, food banks, retail stores and other organizations have responded with compassion and generosity to victims of the ongoing partial shutdown of the U.S. government.

Here is an announcement of a timely move that The Ear thinks is terrific news for budget-strapped workers who have to cut back on entertainment or discretionary expenses. It should be a model for other local groups as well as statewide, regional and national arts presenters.

The Wisconsin Chamber Orchestra (below) is offering free tickets to furloughed federal workers for the Masterworks performance on Friday, Jan. 25, featuring the young cello prodigy and sensation, Miriam K. Smith.

Fresh from performances with the Cincinnati and Louisville symphonies, Smith (below) will perform the Cello Concerto No. 1 in A minor by Camille Saint-Saëns. (You can hear her perform a violin and cello duet by George Frideric Handel and Johan Halvorsen in the YouTube video at the bottom.)

If you want to know more about Smith, go to her website: https://miriamksmith.com

A forgotten gem by Domenico Cimarosa, Overture to The Secret Marriage, will open the concert, and the performance concludes with Ludwig van Beethoven’s Symphony No. 8, the sunniest of his even-numbered symphonies.

The concert, under the baton of WCO music director Andrew Sewell, will be held at 7:30 p.m. in the Capitol Theater at the Overture Center for the Arts, 201 State St.

If you are a furloughed federal employee, you can call the Wisconsin Chamber Orchestra offices at (608) 257-0638, and mention your place of employment. Best available tickets are on a first-come, first-served basis. Tickets are limited to two per person.

Others who want to attend this concert can find information about the soloist, the program and tickets at: https://wisconsinchamberorchestra.org/performances/masterworks-i-4/


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