The Well-Tempered Ear

Classical music education: The University of Wisconsin-Madison School of Music has lined up its schedule of events for the 2015-16 season. Here it is in two parts. Today is Semester 1.

August 13, 2015
1 Comment

By Jacob Stockinger

Get out your datebooks.

The final schedules for the upcoming season by most major classical music groups in the area are now available.

Last but not least is the biggest of them all: The University of Wisconsin-Madison School of Music, which offers some 300 events in a season, most of them FREE to the public.

UW logos

Some things are new. For example, you will note that the UW Choral Union has gone to just ONE performance instead of two, as in the past for many years.

Concert manager and public relations director Kathy Esposito (below) writes:

Katherine Esposito

The UW-Madison School of Music is jazzed about its upcoming season and we’d like the world to know. Please make plans to attend!

Here is a link to the online calendar, which is now complete except for specific pieces on programs and last-minute changes: http://www.music.wisc.edu/events/

Our events of 2015-2016 range from performances by a vocal dynamo (soprano Brenda Rae, Sept. 27) to a in-demand LA jazz woodwind musician (Bob Sheppard in April) plus an enterprising young brass quintet (Axiom Brass, October) and a dollop of world music in March (duoJalal). In addition, we offer ever-popular opera productions, faculty concerts and student ensembles ranging from classical to jazz to percussion.

Full concert calendar link: http://www.music.wisc.edu/events/

Other social media connections include:

http://www.music.wisc.edu/

https://www.facebook.com/UWMadisonSchoolOfMusic

https://twitter.com/UWSOM

Our Newsletter, A Tempo!

https://uwmadisonschoolofmusic.wordpress.com/

Hear our sound: https://soundcloud.com/uw-madisonsom

Here’s a partial list with highlights (Semester 1 is posted today; Semester 2 will be posted tomorrow):

SEMESTER 1 

August 30: “Performing the Jewish Archive”: Shining a Spotlight on Forgotten Jewish Performance Works. Various venues and times; click link for details.

The U.S. component of an international research project led by the University of Leeds, England, with UW-Madison leadership provided by Teryl Dobbs, chair of music education. Featuring a Sound Salon with Sherry Mayrent and Henry Sapoznik (below) of the Mayrent Institute; Chamber Music with the Bach Dancing and Dynamite Society; and a Cabaret Performance with Mark Nadler. Events continue in May, 2016. All events are free.

Link to event: http://www.music.wisc.edu/event/performing-the-jewish-archive/

BDDS Henry Saposnik

September 7: 37th Annual Karp Family Concert. Mills Hall, 7:30 PM.

Chamber music of the 19th and 20th centuries for piano and strings. Pianist and patriarch Howard Karp (below center) passed away last summer, but the family continues with a long-standing tradition. With Suzanne Beia, Violin; Katrin Talbot, Viola; Parry Karp, Violoncello; Frances Karp, Piano; Christopher Karp, Piano. Free.

http://www.music.wisc.edu/event/37th-annual-karp-family-concert/

karps 2008 - 13

September 26: Soprano Brenda Rae with the UW-Madison Symphony Orchestra. Mills Hall, 7:30 PM.

On the program: Reinhold Gliere’s Concerto for Coloratura Soprano. A benefit for University Opera.

Brenda Rae (below) is a 2004 graduate of the School of Music, and has been impressing audiences and critics all over Europe for many years. Her 2013 U.S. debut as Violetta in Verdi’s “La Traviata” won her praise from James R. Oestreich of The New York Times: “Ms. Rae soared beautifully in the early going, but it was in her pianissimo singing that she really shone.”

Tickets $25.

Master class: Friday, September 25, Music Hall, 5-7 PM.

http://www.music.wisc.edu/event/soprano-brenda-rae-with-the-uw-symphony-orchestra/

Soprano Brenda Rae

October 7: Pro Arte Quartet (below top, in a photo by Rick Langer) with Violist Nobuko Imai (below bottom, in a photo by Marco Borggreve). Mills Hall, 7:30 PM.

Nobuko Imai is considered to be one of the most outstanding viola players of our time. After finishing her studies at the Toho School of Music, Yale University and the Juilliard School, she won the highest prizes at both the Munich and the Geneva international competitions.

http://www.music.wisc.edu/event/pro-arte-quartet-with-violist-nobuko-imai/

Master class: October 6, 7:30 PM, Mills Hall. Both events are free.

Pro Arte 3 Rick Langer copy

Imai Nobuko 018.jpg

October 9-10-11:  BRASS FEST II!

Last year’s Celebrate Brass festival was so much fun, we decided to program another. Three days of exhilarating music from leading brass players and ensembles, including the award-winning Axiom Brass Quintet (below, now in residence at the Tanglewood Music Festival) and trumpeter Adam Rapa. With the Wisconsin Brass Quintet and students from the UW-Madison School of Music. 

October 9: Axiom Brass, Mills Hall, 8 PM. Tickets $15.

October 10: Festival Brass Choir with Axiom Brass, the Wisconsin Brass Quintet and trumpeter Adam Rapa. Tickets $15.

October 11: Trumpeter Adam Rapa and vocalist Elizabeth Vik. Classical and jazz. Free concert.

http://www.music.wisc.edu/event/brass-fest-2/

Buy tickets for both concerts for $25.

Axiom Brass Quintet

October 23-24-25-27: University Opera presents Mozart’s “The Marriage of Figaro.” Mozart and da Ponte’s masterpiece of comedy and intrigue, shows the two geniuses at the height of their powers. Directed by David Ronis (below, in a photo by Luke De Lalio); music conducted by James Smith.

Music Hall. Tickets $25/$20/$10.

http://www.music.wisc.edu/event/university-opera-the-marriage-of-figaro/

David Ronis color CR Luke DeLalio

November 5-6: Celebrating Alumni Composers. UW-Madison prize-winning alumni composers of new music Andrew Rindfleisch (below), Paula Matthusen, Jeffrey Stadelman, Bill Rhoads and Kevin Ernste return for a two-day event featuring their acoustic and electronic music.

November 5, Mills Hall, 7:30 PM: Performances by the Wisconsin Brass Quintet, the Wingra Woodwind Quintet, and smaller ensembles of faculty and students.

November 6, 7:30 PM: Performance with the UW Wind Ensemble, Scott Teeple, conductor.

Both concerts are free.

http://www.music.wisc.edu/event/celebrating-alumni-composers-two-free-concerts/

Andrew Rindfleisch portrait

November 13: Debut Faculty Concert with Violinist Soh-Hyun Park Altino (below in a photo by Caroline Bittencourt). Altino takes the stage as the newest member of the school’s string faculty. With pianist Martha Fischer.

Mills Hall, 8 PM.

Tickets $12. Students free

http://www.music.wisc.edu/event/debut-faculty-concert-soh-hyun-park-altino-violin/

Soh-Hyun Park Altino Carroline Bittencourt

December 10: Wingra Woodwind Quintet (below, in a photo by Michael Anderson). With Stephanie Jutt, flute; Marc Vallon, bassoon; Kostas Tiliakos, oboe; and welcoming new members Wesley Warnhoff, clarinet; and Joanna Schulz, horn. 

Morphy Hall, 7:30 PM. Free.

http://www.music.wisc.edu/event/wingra-woodwind-quintet/

Wingra Woodwind Quintet 2013 Michael Anderson

December 12: UW Choral Union & UW Symphony Orchestra with Beverly Taylor, conductor. Presenting “Gloria” of Francis Poulenc and “Symphony of Psalms” by Igor Stravinsky.

Mills Hall, 8 PM.

Tickets $15/$8.

http://www.music.wisc.edu/event/uw-choral-union1/

UW Choral Union and Symphony Nov. 2014

Tomorrow: Highlights of Semester 2

 

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Classical music: Famed Japanese violist Nobuko Imai joins the UW-Madison’s Pro Arte String Quartet this Wednesday night in a MUST-HEAR and FREE concert of Mozart, Brahms and Britten. Plus, the Wisconsin Chamber Orchestra ends its winter “Masterworks” season Friday night with Haydn, Mozart, Beethoven and Canteloube. And pianist Jeremy Denk gives a public master class on Wednesday night at 8 p.m. (NOT 7) in Morphy Hall.

April 9, 2013
3 Comments

AN ALERT and  A REMINDER: Pianist Jeremy Denk’s masterclass is Wednesday night at 8 p.m. (NOT 7 p.m., as erroneously stated yesterday in a reader comment, in Morphy Hall. Also, the Wisconsin Chamber Orchestra closes out its current Masterworks season this Friday night at 8 p.m. in the Capitol Theater of the Overture Center. The conductor is WCO music director Andrew Sewell, and the emphasis in on the Classical era composers — Haydn (Symphony No. 83, “The Hen”), Mozart (love songs from the opera “Don Giovanni” with Metropolitan Opera soprano Susanna Phillips, below) and Beethoven (Symphony No. 2) — that Sewell performs so brilliantly and so convincingly. Joseph Canteloube’s popular and more Romantic “Songs of the Auvergne” are also featured. For more information and tickets, here is a link: http://wcoconcerts.org/performances/masterworks/51/event-info/

susanna phillips

By Jacob Stockinger

The music schedule for April is crazy busy, and it just keeps getting crazier and busier.

Take the University of Wisconsin’s Pro Arte String Quartet (below in a photo by Rick Langer), which has a fine reputation when it plays by itself.

PAQ-8BIT03

But it also brings in some respected guests fairly often, especially guests cellist, violists and pianists. That is what makes the PAQ’s FREE concert this Wednesday night at 7:30 p.m. in Mills Hall so special.

The guest this time will be the acclaimed Japanese violist Nobuko Imai (below), who once played with the esteemed Vermeer String Quartet and who rarely plays in America.

Nobuko Imai CR Marco Borggreve

The program includes: the masterful Viola Quintet in C major, K. 515, by Mozart (substituted for the Quintet, Op. 11, No. 5 by Luigi Boccherini); Benjamin Britten’s Solo Cello Suite No. 2 transcribed for solo viola; and the great String Quintet No. 2 in G major, Op. 111, by Johannes Brahms.

Violist Elias Goldstein (below) – who did his doctorate here at UW-Madison and now teaches at Louisiana State University in Baton Rouge –will also perform with members of the Pro Arte Quartet.

elias goldstein 2

Here is some background about Noboku Imai, provided by the UW-Madison School of Music: s

“With her exceptional talent, musical integrity and charisma, Nobuko Imai is considered to be one of the most outstanding violists of our time. She has excelled as a soloist, recitalist, chamber musician, and pedagogue, and performs often with world-renowned artists.

“In 2003, Nobuko Imai, Mihaela Martin, Stephan Picard and Frans Helmerson formed the Michelangelo Quartet (below), which gained an international reputation has become one of the finest quartets in the world.

michelangelo quartet

“Imai currently teaches at the Geneva and Amsterdam Conservatories, Kronberg International Academy and Ueno Gakuen University in Tokyo.”

Here are words of tribute from the regular Pro Arte Quartet violist Sally Chisholm (below) about Imai and about the role of the viola, which often goes understated in the shadow on violins and cellos:

Sally Chisholm

“Nobuko Imai is coming to Madison from Curtis where she is giving a master class just before arriving here, and will also appear in the Chamber Music Society of Minnesota on April 14. We are very lucky to bring her to Madison, both because she is so renowned a musician and violist, but also because she makes very few appearances in the US. Nobuko teaches in Geneva, Switzerland, and in Germany and Japan. Busy lady. She will be in residence at the Marlboro Festival this summer.

“We are honored and thrilled to have Nobuko Imai, one of the world’s most famed violists, include Madison for a rare U.S. appearance. She is a star in the solo world of string playing, and a person of humility and vision. Though she is one of the most influential performers and teachers in Europe and Asia, she seldom performs in the United States.

Nobuko Imai

“On this coming trip she will be performing only at the Curtis Institute of Music in Philadelphia, St. Paul, Minn., and in Madison. Her master classes are renowned for her ability to show a student how to transform from good to superb, all in a public setting.”

As for the role of the viola (below), Chisholm adds: “Brahms loved the sound of contralto, which is one reason he is so generous to the viola in his chamber music. With so many roles to fulfill, as an inner voice, a leader of harmonic motion, a primary texture, and a solo voice, the sound of the viola is often turned to as the soul of the quartet.

viola

Whether contralto or mezzo-soprano, the voice of the viola is used when a composer has something very important to say. For performers, the luxury of living inside the quartet sound, yet having many occasions to soar above, is so rewarding that it lasts a lifetime.”


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