The Well-Tempered Ear

Classical music: Cliburn-winning pianist Kenneth Broberg makes his Madison debut with a FREE master class this evening and a recital Sunday afternoon at Farley’s House of Pianos

November 3, 2018
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By Jacob Stockinger

A 25-year-old Minneapolis native, pianist Kenneth Broberg (below in a photo by Jeremy Enlow for The Cliburn) won the silver medal at the 2017 Van Cliburn International Piano Competition.

His 2017-2018 debut season as a Cliburn medalist included recital engagements in cities across the United States and Europe. His debut solo album was released by Decca Gold in August 2017.

This weekend, Broberg — whose playing The Ear finds impressively beautiful — makes his Madison debut at Farley’s House of Pianos, 6522 Seybold Road, on the far west side near West Towne Mall, as part of the Salon Piano Series.

Broberg will be featured in a master class with local young pianists and a solo recital.

For more about Broberg, go to: https://en.wikipedia.org/wiki/Kenneth_Broberg

And to the pianist’s home web site: https://kennybroberg.com

For more about the Salon Piano Series and the other three concerts this season, along with videos and reviews, go to: https://salonpianoseries.org

You can also hear Broberg play a lyrical and well-known Impromptu by Franz Schubert in the YouTube video at the bottom. He also has many other performances on YouTube, including some from the Cliburn competition.

Here are details about his appearances:

MASTER CLASS

Broberg will give a master class with local piano students THIS EVENING from 5 to 6:30 p.m. at Farley’s House of Pianos.

The literature being played is: Sonata in B-Flat Major, K. 333, by Wolfgang Amadeus Mozart; “Des Abends” (Evening) and “Grillen” (Whims) from “Fantasiestuecke (Fantasy Pieces) Op. 12, by Robert Schumann; and “Evocation” and “El Puerto” for the “Iberia” Suite by Isaac Albéniz

The master class is FREE and OPEN TO THE PUBLIC.  Children must be age 6 and over to attend.

SOLO RECITAL

On Sunday afternoon, Nov. 4, at 4 p.m. Broberg will perform a solo recital at Farley’s House of Pianos in the main showroom.

The program includes: Prelude, Fugue and Variation, Op. 18, by Cesar Franck and Harold Bauer; Sonata in E minor  “Night Wind,” Op. 25, No. 2, by Nikolai Medtner; Toccata on “L’Homme armé” by Marc-André Hamelin; “Children’s Corner” Suite by Claude Debussy (movements are “Doctor Gradus ad Parnassum; Jimbo’s Lullaby;  Serenade for the Doll; The Snow Is Dancing; The Little Shepherd; and Golliwog’s Cakewalk); and Three Preludes by George Gershwin.

Advance and online tickets are $45 for adults and $10 for students, and are available at brownpapertickets.com or at Farley’s House of Pianos (608) 271-2626. Tickets at the door are $50. More details are at SalonPianoSeries.org

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Classical music: The Mendota Consort gives a FREE performance of motets by Johann Schein in Madison this Saturday night. Performances in Eau Claire and Milwaukee are tonight and Friday night

July 19, 2018
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ALERT: The superb Willy Street Chamber Players are back from a week of free and Community Connect concerts. They resume their regular summer series this Friday at 6 p.m. in Immanuel Lutheran Church, 1021 Spaight Street. The guest artist is UW-Madison saxophonist Les Thimmig who will play six arias from the opera “Porgy and Bess” by George Gershwin. A rarely heard String Quintet by Alexander Glazunov ends the program. Tickets are $15.

The last concert is next Friday, July 27, and features flute, clarinet and piano soloists in music by Luigi Boccherini, Sergei Prokofiev, Andrew Norman and Johann Strauss/Arnold Schoenberg. For more information, go to:

http://www.willystreetchamberplayers.org

https://welltempered.wordpress.com/2018/07/05/classical-music-you-know-brahms-but-who-are-caroline-shaw-colin-jacobsen-and-michael-kelley-the-willy-street-chamber-players-will-show-you-this-friday-night/

By Jacob Stockinger

The Ear has been asked to post the following announcement:

The early music vocal ensemble The Mendota Consort (below) invites you to an evening of madrigals from Israelsbrünnlein, a collection by the 17th-century composer Johann Schein. (Editor’s note: You can hear an excerpt in the YouTube video at the bottom.)

Vocalists who are dedicated to Renaissance polyphony, The Mendota Consort will present a story of ancient Israel though dramatic 1623 treatments by Schein (below) of sacred texts.

Admission is free with donations kindly accepted.

The Madison performance is this Saturday night, July 21, at 7:30 p.m. in Luther Memorial Church (below), 1021 University Ave.

Other performances are:

Tonight, Thursday, July 19, at 7:30 p.m. in Saint Edward’s Montessori School, 1129 Bellevue Ave., in Eau Claire.

Friday night, July 20, at 6:30 p.m. in the Cathedral Church of All Saints, 818 East Juneau Ave., in Milwaukee.

You can learn more and follow the group on Facebook at: https://www.facebook.com/TheMendotaConsort/


Classical music: You probably know Brahms, but who are Caroline Shaw, Colin Jacobsen and Michael Kelley? The Willy Street Chamber Players will show you this Friday night

July 5, 2018
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By Jacob Stockinger

The fourth annual concert series by the Willy Street Chamber Players (below) promises to be one of the high points of the summer season.

For more background about the Willys, go to:

https://welltempered.wordpress.com/2018/06/15/classical-music-the-willy-street-chamber-players-announce-their-five-impressive-july-concerts-three-with-admission-and-two-for-free-as-both-subscription-and-single-tickets-go-on-sale/

Three concerts in July – at 6 p.m. on July 6, 20 and 27 in the Immanuel Lutheran Church (below) at 1021 Spaight Street on the near east side – are all inviting. (A subscription to all three is $40, while admission is $15 for each one separately.)

Each concert lasts about 60 to 90 minutes with no intermission.

That’s something The Ear really likes and would like to see copied by other groups and presenters. Such a format leaves you plenty of time to do other things to start the weekend – including enjoying the post-concert reception (below) with snacks the Willys obtain from east-side providers.

The opening concert seems especially promising to The Ear.

That is because so far the Willys have had a knack for programming new music that The Ear really likes.

This time is no different.

Along with the regular members, who rotate in and out, a guest singer, mezzo-soprano Jazimina MacNeil (below), who sang a new work by John Harbison with the UW-Madison’s Pro Arte String Quartet this past winter, will team up to present new works.

The three contemporary composers and their works are: “Cant voi l’aube (composed in 2015 and heard in the YouTube video at the bottom) by Caroline Shaw (below top), a composer whose work the Willys have performed before with great success; “For Sixty Cents” (2015) by Colin Jacobsen (below middle, in a photo by Erin Baiano); and “Five Animal Stories” for string sextet and “Ashug” (2018) by Michael Kelley (below bottom).

Then to leaven newness with something more classic and familiar, the concert will close with the String Quintet No. 2, Op. 111, by Johannes Brahms. (The Willys have been working their way through the string quintets and sextets of Brahms with terrific performances.)

Other concerts will include:

On July 20, six arias from the opera “Porgy and Bess” by George Gershwin as transcribed and played by UW-Madison soprano saxophonist Les Thimmig (below) and the rarely performed String Quintet in A Major, Op. 39, by the Russian composer Alexander Glazunov ;

And on July 27, a program featuring wind music that includes “Night Music in the Streets of Madrid,” Op. 30, No. 6, by Luigi Boccherini; the Overture on Hebrew Themes by Sergei Prokofiev “Light Screens” (2002) by Andrew Norman (below); and the Kaiser Waltzes of Johann Strauss II, as arranged by Arnold Schoenberg.

The three local soloists for the final concert are: flutist Timothy Hagen (below top) and clarinetist Alicia Lee (below middle), who both teach at the UW-Madison and are members of the Wingra Wind Quintet, and pianist Thomas Kasdorf, who is finishing his doctorate at the UW-Madison and has often soloed with the Middleton Community Orchestra.

For more information about the Willy Street Chamber players—including a FREE community concert at the Goodman Community Center on Friday, July 13, at noon (with an instrument “petting zoo” for children at 11 a.m.) and at the Wisconsin Union Terrace — go to:

http://www.willystreetchamberplayers.org


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Classical music: Today is the summer solstice. Here is information about the solstice plus 20 pieces of classical music to mark the coming of summer

June 21, 2018
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ALERT: Today is the fifth annual Make Music Madison. More than 300 FREE outdoor performances will be featured at some 100 venues. For information about artists, kinds of music, places and times, go to: http://www.makemusicmadison.org 

By Jacob Stockinger

Today is Thursday, June 21, 2018.

The summer solstice arrives in Wisconsin early today at 5:07 a.m. Central Daylight Time.

If you want to know more about the summer solstice, here are two stories from NBC and The Washington Post with some interesting information you might not know:

https://www.nbcnews.com/mach/science/what-summer-solstice-ncna884991

https://www.washingtonpost.com/news/capital-weather-gang/wp/2018/06/20/summer-solstice-is-thursday-5-things-to-know-about-the-longest-day-of-the-year/?utm_term=.049d0675f182

Quite a few composers and works of classical music celebrate the coming of summer.

Twenty of the best-known are featured on a blog at the famous classical radio station WQXR FM in New York City. Here is a link:

https://www.wqxr.org/story/20-summertime-classical-pieces-maximum-chill/

The blog posting features many terrific sound samples, including such well-known works as “Summer” section from “The Four Seasons” violin concertos by Antonio Vivaldi.

Still, some of the titles – including the famous Overture to “A Mid-Summer Night’s Dream” by Felix Mendelssohn – are not accompanied by sound.

That includes one of The Ear’s favorites, “Knoxville, Summer 1915” by the American composer Samuel Barber with words by the journalist and documentarian James Agee.

Here it is, in a much-praised recording by soprano Dawn Upshaw, in the YouTube video at the bottom.

Here’s hoping summer is better in this part of the country than spring was, what with record cold in April and record rainfall in May that seems to be continuing with disastrous flooding in June.

Happy Summer, all.


Classical music: The first-rate and listener-friendly Willy Street Chamber Players announce their five impressive July concerts – three with admission and two for FREE — as both subscription and single tickets go on sale

June 15, 2018
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By Jacob Stockinger

The Willy Street Chamber Players (below) remains one of The Ear’s favorite chamber music ensembles, which his why he named it “Musicians of the Year” in 2016.

Here is a link to that posting:

https://welltempered.wordpress.com/2016/12/30/classical-music-the-ear-names-the-willy-street-chamber-players-as-musicians-of-the-year-for-2016/

Nothing has changed, although some programs hold more appeal than others, as you would expect for anyone.

What’s not to like about the Willys?

The Willys emphasize friendliness and informality, putting a premium on accessible communication with the audience. You never get that snobby or exclusive feeling that some classical music concerts exude.

The price is right — $15 for each concert, $40 for the series of three — plus a FREE community concerts at the Goodman Center (below) and another FREE community concert at the Union Terrace.

The playing is always first-rate by both group members and guest artists. Many of both groups are local and come from the UW-Madison’s Mead Witter School of Music or play with the Madison Symphony Orchestra, the Wisconsin Chamber Orchestra, the Middleton Community Orchestra and other groups.

The programming is always inventive and eclectic. The music the Willys play includes both old and new works, familiar and unfamiliar composers, classic and contemporary music.

The Friday night concerts start at 6 p.m. and  last 60 to 90 minutes, giving you plenty of time to do something else to kick off the weekend. (See the YouTube video by Paul Baker at there bottom.) 

True to their name, at the post-concert receptions the Willys serve snacks that promote businesses on the east side. And trust The Ear, the food is very good. 

Here is a link to the new season, the group’s third:

http://www.willystreetchamberplayers.org/calendar.html

And here is a link to the Willys’ outstanding, informative and well organized website where you can find much more, including the full programs; the names of the core players; how to order tickets; how to donate and support The Willys; the names and location of the food providers; the rave reviews by several critics; favorite east side restaurants; frequently asked questions; and more (don’t ignore the heading FAQ on the home page).

http://www.willystreetchamberplayers.org

You can order season tickets and, if you go to the home page and look at each concert under Summer Series, individual tickets. You can also click on the box “Tickets Available.”

It all starts Friday, July 6, at 6 p.m. in the usually well attended Immanuel Lutheran Church (below), 1021 Spaight Street.

The Ear can hardly wait.


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Classical music news: Con Vivo plays music by The Four G’s – NOT the more famous Three B’s – to end its 10th anniversary season this Saturday night

June 7, 2012
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By Jacob Stockinger

Con Vivo! (below) – or “Music With Life” — will conclude its 10th anniversary season with a chamber music concert called “Gee, Isn’t That Grand!” The concert will be this Saturday night (June 9) at 7:30 p.m. in the First Congregational United Church of Christ, 1609 University Ave., across from Camp Randall.

Tickets can be purchased at the door for $12 for adults and $10 for seniors and students.  (Please note the date was changed from May 31.)

You probably know The Three B’s – Bach, Beethoven and Brahms. But when it comes to composers, can you name four G’s that don’t include Grieg?

Con Vivo’s concert will feature an eclectic selection with music by Gershwin, Gould, Glinka and Gigout.

The program includes eight jazzy Duets for Clarinet and Strings Bass written for Benny Goodman’s 70th birthday by Morton Gould (below), and “Three Preludes” for clarinet and piano by George Gershwin.

The early Romantic era is featured with the rarely performed Septet by Russian composer Mikhail Glinka.

And the “Grand Choeur Dialogue” in G major for solo organ by Eugène Gigout (below) will be played on the impressive organ at First Congregational Church.

Audience members are invited to join Con Vivo! musicians after the concert for a free reception to discuss this chamber music literature and to celebrate our 10th season.

The ensemble’s artistic director Robert Taylor (below), in remarking about the concert said, “We have always strived to present chamber music in an enjoyable and enlightening manner.  This program shows how varied the chamber music canon can be.  With our 10th season, we continue the tradition of bringing to our audience works that are familiar and some that are perhaps new, as well as the occasional surprise piece!”

Con Vivo! (below) is a professional chamber music ensemble composed of Madison area musicians assembled from the ranks of the Madison Symphony Orchestra, the Wisconsin Chamber Orchestra, and various other performing groups familiar to Madison audiences. 

For more information including background, here is a link:

http://convivomusicwithlife.org/


Classical music datebook: An all-Gershwin concert closes out the Madison Symphony Orchestra season this weekend. Plus, early vocal music by Eliza’s Toyes and “revolutionary” vocal music by the Madison Youth Choirs will be performed.

May 9, 2012
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By Jacob Stockinger

After the last three weeks, which were super busy with concerts, it is refreshing to have a relative breather leading into Mother’s Day this Sunday.

It’s happening later than usual, but the big MUST-HEAR event this week is that the Madison Symphony Orchestra is closing out is current season this coming weekend.

The program is an appealing all-Gershwin program – a natural fit for MSO music director and conductor John DeMain (below, in photo by James Gill), who won a Grammy for his authentic production of the opera “Porgy and Bess.” He has since conducted it over 400 times, including a one show that was broadcast nationwide on PBS’ “Great Performances.”

Excerpts of “Porgy and Bess’ with will performed with singers soprano Laquita Mitchell (below) and baritone Michael Redding in solo roles. Also included are “An American in Paris,” the “Cuban” Overture and the evergreen “Rhapsody in Blue” with pianist Martina Filjak. The Madison Symphony Chorus, under Beverly Taylor, will also perform.

Always popular, the music of George Gershwin (below) is undergoing a major revival, it seems to The Ear. The Wisconsin Chamber Orchestra opened this past season with the “Rhapsody in Blue.” Gustavo Dudamel and the Los Angeles Philharmonic did a Gershwin concert for HD satellite broadcast.  Michael Tilson Thomas and the San Francisco Symphony also did a Gershwin concert.

Some of the best commentary and analysis I’ve ever heard about the music of Gershwin came on Wisconsin Public Radio on Monday. That is when DeMain appeared with host Norman Gilliland on The Midday (noon to 1 p.m.).

DeMain sat at the studio keyboard and played snippets and sang – not a voice to win the Met auditions but quite serviceable — as he demonstrated all sorts of things. He showed how carefully Gershwin structured “Porgy and Bess.” He demonstrated why Gershwin (below) is as much a classical composer as he is a jazz, popular or crossover composer. He explained how an orchestra “swings” a rhythm. He talked about various piano soloists, including Leonard Bernstein, who wrongly think they can “improve” the “Rhapsody in Blue” by taking liberties with the notes, rhythm and tempi. He showed how Gershwin loved and incorporated the music of J.S. Bach. And his wit and good humor matched his deep knowledge and extensive first-hand experience.

It was a brilliant and accessible, amiable and witty discussion that all Gershwin fans, and especially non-Gershwin fans, would be smart to listen to. Hands down, it was the best introduction to Gershwin that The Ear has ever heard.

When I last looked for  the interview-demonstration, it was not yet posted in WPR’s Audio Archives. But I suspect it will be shortly. So here it s a link:

http://www.wpr.org/midday/

In the meantime, the all-Gershwin concerts will be held in Overture Hall on Friday at 7:30 p.m.; Saturday at 8 p.m.; and on Sunday at 2:30 p.m. Tickets are $13.50 to $78.50. Call the Overture Center box office at (608) 258-4141.

For more information, visit: http://madisonsymphony.org/gershwin

For program notes by J. Michael Allsen, visit:

http://facstaff.uww.edu/allsenj/MSO/NOTES/1112/8.May12.html

FRIDAY

Friday’s FREE Noon Musicale, from 12:15 to 1 p.m. in the Landmark Auditorium of the First Unitarian Society Meeting House, 900 University Bay Drive, features pianists Sonya Clark and Leo Van Asten who will perform music for piano-four hands by Dvorak, Ginastera, Schubert, Brahms and Van Asten. For information, call 608 233-9774 or visit www.fusmadison.org

SATURDAY

At 7:30 p.m. in the downtown historic Gates of Heaven Synagogue (below) in James Madison Park, 302 East Gorham Street, the local early music, period instrument and vocal ensemble Eliza’s Toyes and guests will be performing rarely heard music composed by Heinrich Schütz, Johann Schein, and Samuel Scheidt.

The concert, titled “The three Sch’s: Music By Schütz, Schein, and Scheidt,” includes a pre-concert lecture at 7 p.m. Admission is $10 at the door.

The program by Eliza’s Toyes (below) will showcase some of their best works, both sacred and secular. Highlights include Scheidt’s most somber setting of “Miserere mei Deus” for soprano and 5 low voices, and his uplifting setting of Psalm 148 in German “Lobet, ihr Himmel den Herren”; Schein’s motet “Ach Herr, ach meiner schone”, and a very funny song from his 1626 collection “Studentenschmaus”; and selections of Schütz’s rarely heard Italian madrigals, particularly “Vasto Mar” for 8 voices.

Besides musicians from the regular ensemble, special guests viol player Eric Miller (belowl) and Lawrence Conservatory faculty organist Kathrine Handford will be joining in the music making.

At 7 p.m. in the same venue, there will be a pre-concert lecture titled “Singing the Reformation”, by Erin Lambert, A.W. Mellon/ACLS Dissertation Fellow in History and a Ph.D. candidate in early modern European history at UW-Madison.

Here are some program notes from director and performing member of Eliza’s Toyes, Jerry Hui:

“Schütz, among the three featured composers, received the most household recognition because his career spanned across several countries. However, they all were regarded highly. Singled out by the 17th-century German composer/theorist Wolfgang Caspar Printz as the best German composers in his book “Historische Beschreibung” (1690), they were important in cultivating a distinctly German musical style, and their work would influence generations of composers to come —from J.S. Bach in later Baroque period, to Brahms in the Romantic period, and even to Hugo Distler of the 20th century.”

Adds Hui (below): “Much of these composers’ music, driven strongly by modal counterpoint but also showing influence of Baroque harmonic progression, are not heard as frequently as they should. Perhaps this is because many other Baroque composers — such as Bach and Sweelinck — worked around that time period wrote in a style that is more distinguishable from what is considered the Renaissance period. Also, the vocal range demanded by these composers from the choir often differs from the standard setup of a four-part choir, especially in requiring more low altos or high tenors.”

For more information about the program and Eliza’s Toyes, visit: http://toyes.info

SUNDAY

From 12:30 to 2 p.m. “Sunday Afternoon Live from the Chazen” closes out its current season with pianist Raffi Basalyan (below) in Brittingham Gallery Number III at the Chazen Museum of Art, 759 University Ave. This will be his fourth appearance on “Sunday Afternoon Live.”

The program includes Baghdassarian’s Prelude in B minor; Bach/Busoni: Two Chorale Preludes; Liszt’s Transcendental Etude #10 in F minor and “Mephisto Waltz”; and Rachmaninoff’s “Polka de WR” and Sonata No. 2, Op. 36.

 As usual, the concert will be broadcast live by Wisconsin Public Radio.

Members of the Chazen Museum of Art or Wisconsin Public Radio can call ahead and reserve seats for Sunday Afternoon Live performances. Seating is limited. All reservations must be made Monday through Friday before the concert and claimed by 12:20 p.m. on the day of the performance. For more information or to learn how to become a museum member, contact the Chazen Museum at (608) 263-2246.

A reception will follow the performance with treats, coffee, and tea donated by local businesses. We would like to thank our generous donors, Fresh Madison Market, Steep & Brew, and Coffee Bytes. A free docent-led tour in the Chazen galleries begins every Sunday at 2 p.m.

On Sunday, at 2 p.m. and 7 p.m., in the Middleton-Cross Plains Area Performing Arts Center (below) at 2100 Bristol Street, in Middleton High School, the Madison Youth Choirs will perform their spring concert series, entitled Revolution!

These concerts focus on the connections between music and social change. Featuring music from “revolutionary” composers along with compositions from the Civil Rights movement, Revolutionary War, anti-Apartheid movement in South Africa and the Estonian “singing revolution.”

Selections by Brahms, Billings, Britten, Persichetti, Vittoria, Handel, and more will be featured.

Here is the schedule of performers and programs:

2 p.m.: three boychoirs (Purcell, Britten, Holst) and three girlchoirs (Choraliers, Con Gioia, Capriccio)

7 p.m.: three high school ensembles (Cantilena, Cantabile, Ragazzi)

Tickets are $9 plus a processing fee in advance or $12 at the door. Children 7 and under are free.

About Madison Youth Choirs (MYC): According to the organization, “Madison Youth Choirs strives to create a community of young musicians dedicated to musical excellence through which we inspire enjoyment, enhance education, and nurture personal, musical, and social development, by the study and performance of high-quality and diverse choral literature. To this end, we focus on the process and provide singers a rich rehearsal experience where thoughtful discussion and activities lead to larger connections and a music education that becomes a springboard for understanding the world.”

For more information, visit: www.madisonyouthchoirs.org


Classical music review: Madison Symphony Orchestra’s and Madison Opera’s maestro John DeMain triumphs in Jerome Kern’s “Showboat” at the Lyric Opera of Chicago

February 16, 2012
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By Jacob Stockinger

Some people act as if it is easy to make it big in Madison but then fall flat or fail in a bigger city or on a bigger stage.

But that is certainly not the case for John DeMain (below, in a photo by James Gill), the music director of the Madison Symphony Orchestra and the artistic director of the Madison Opera who is now in his 18th season in Madison.

Currently, DeMain — who guests conducts a lot of opera productions all around the US  — is celebrating his latest success: A triumphant production of Jerome Kern’s “Showboat” at the Lyric Opera of Chicago. (Photos below are by Robert Kusel for the Lyric Opera of Chicago.)

DeMain also did an acclaimed production of “Showboat” in San Francisco.

Now, The Ear – who loves Kern’s tunes (“Ol’ Man River” and “We Could Make Believe”) and other music from the show — tends to think of “Showboat” as a Broadway musical.

But apparently The Ear is wrong.

A lot of other more knowledgeable critics and historians consider “Showboat” a cross between traditional opera and Broadway theater — maybe an American form of operetta? — much like George Gershwin’sPorgy and Bess,” which is coincidentally one of the high points of DeMain’s career.

In 1976 DeMain won Grammy and Grand Prix du Disque awards for his recording of “Porgy and Bess” as well as a Tony award, and then an Emmy award years later when he performed it on PBS’ “Live From Lincoln Center.” He also won Leonard Bernstein’s outspoken admiration for his “Porgy and Bess” production.

And DeMain will close out the Madison Symphony Orchestra’s current season in mid-May with an all-Gershwin concert that includes soprano Laquita Williams (below), one of the stars of “Showboat,” in excerpts from “Porgy and Bess.” For more information, visit:

www.madisonsymphony.org

DeMain’s production of “Showboat” – he is the music director — opened last weekend in Chicago to great reviews, many of which are linked to below.

The show runs through March 17.

Maybe some readers can make it down to Chicago to see and hear it.

But even if you can’t, we can all take pride in the achievement of this now Native Son and his conquest of the Windy City.

And to think we hear him in Madison more often than they do! Are we lucky or what?

Here is one review that is a rave:

http://chicagoclassicalreview.com/

Here is a review of the Chicago Tribune:

http://articles.chicagotribune.com/2012-02-13/entertainment/ct-ent-0214-lyric-showboat-review-20120213_1_lyric-opera-musical-comedy-ardis-krainik-theatre

And another rave from the competing Chicago Sun-Times that talks of the show as a hybrid of opera and Broadway musical that DeMain is long familiar with:

http://www.suntimes.com/entertainment/stage/10432286-452/lyric-operas-show-boat-emerges-out-of-the-past.html

Another review from the site Chicago Theatre Addict:

http://chitheatreaddict.com/2012/02/13/a-grand-show-boat-at-lyric-opera-of-chicago/

And another rave with a lot of photos:

http://chicagocritic.com/show-boat-at-the-lyric-opera-of-chicago/

For some background about the production here is a story:

http://www.chicagotribune.com/entertainment/music/ct-ent-0208-classical-showboat-20120208,0,1139328.column


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