The Well-Tempered Ear

Classical music: More chamber music should be performed at the Goodman Community Center on the east side. Are there other underused venues?

July 21, 2017
2 Comments

By Jacob Stockinger

Last Saturday morning, The Ear headed off to the Goodman Community Center (below), on the near east side just off Atwood Avenue.

The reason was to hear a noontime concert by one of his favorite chamber music groups: The Willy Street Chamber Players.

The summer concert was part of the new and FREE Community Connect series by The Willys. And the terrific performances of works by Caroline Shaw, Daniel Bernard Roumain, Astor Piazzolla and Johannes Brahms seemed to draw in a good-sized crowd that was younger and even included some children.

Clearly, The Willys have indeed connected to the community in a different part of town than where they usually perform.

But another of the great things about The Willys is that they also explore new venues.

For the past two winters, they have performed a season preview concert in “A Place to Be” on Williamson Street.

What struck The Ear this time, however, was the Evjue Community Room (below) at the Goodman Center.

The handsomely rehabbed room sure seems an ideal venue for chamber music.

Why, The Ear wondered, was it the first time he was there for a concert?

The room seats about 100, making it ideal for intimate music.

It has lots of natural light, which the players (below) said they really like for reading music.

And the acoustics were superb, no doubt the result of the cream-colored brick, the dark wood, the glass windows and the metal ductwork – all hard surfaces that made for clarity and sufficient volume, even in the back rows. It is, as they say in the biz, a “live” space.

Take a look:

The Ear sure hopes the Goodman Center will see the return of The Willys.

More to the point, he also hopes that other chamber music groups will also use the center. It would be a wonderful spot for recitals and small groups of all kinds.

What do you think of the Goodman Center as a venue for classical music and other kinds of music?

Do you know of other underused performance spaces around the Madison area that you would recommend?

The Ear wants to hear.


Classical music: Which contemporary composer is Bach and which one is Handel? And is it peace or a truce? Philip Glass and Steve Reich appear together at the Brooklyn Academy of Music. Which one do you prefer?

September 20, 2014
1 Comment

By Jacob Stockinger

The New York Times referred to them as Johann Sebastian Bach and Georg Frideric Handel getting back together as contemporaries.

The Ear likes that comparison, although the older Baroque composers will doubtlessly remain a lot more influential than either of the newer contemporary ones.

The two “new guys” are the celebrated living American composers Steve Reich (below top) and Philip Glass (below bottom), both of them now 77 years old and considered pioneers of New Music and Minimalism.

Steve Reich

Philip Glass

The have apparently been estranged for quite a few years. But then they appeared last week at the Brooklyn Academy of Music to help mark the 50th anniversary of the founding of Nonesuch Records, a pioneering label that has been home to both of them. (Below is a photo of Philip Glass, left) and Steve Reich, by Betana Sikoria for The New York Times.)

Phlip Glass and Steve Reich CR Betana Sikoria NYT

By all accounts it was a momentous event, with sold-out houses, that stirred audiences to loud cheers when they played, including Steve Reich’s “Four Organs,” which is featured at the bottom in a YouTube video of the original 1970 recording that also featured Philip Glass. (Below, the two are performing the same work in a photo at BAM by Chad Batka for The New York Times.)

Steve Reich (left) and Philip Glass at BAM 2014 CR Chad Batka for NYT

Here is a story from the Deceptive Cadence blog by National Public Radio (NPR):

http://www.npr.org/blogs/deceptivecadence/2014/09/10/347392860/philip-glass-and-steve-reich-at-bam-together-again-yet-still-apart

And here are two stories — one is a preview for background and the other is a review — that compared their friendship to a piece of music by Reich -– from The New York Times:

http://www.nytimes.com/2014/09/11/arts/music/philip-glass-and-steve-reich-reunite-at-bam.html

http://www.nytimes.com/2014/09/15/arts/music/after-decades-steve-reich-and-philip-glass-reunite-at-bam.html

The Ear tends to like the music of Philip Glass more than Steve Reich, but not always.

Still, there is no getting round the influence of both men.

Which composer do you generally prefer and why?

And what is your favorite piece by each?

The Ear wants to hear.

 

 

 


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