The Well-Tempered Ear

Classical music: What classical music best celebrates the solstice and the arrival of summer?

June 21, 2017
6 Comments

REMINDER: Today is the fifth annual citywide Make Music Madison that celebrates the coming of summer with FREE, PUBLIC and LOCAL performances. For more information, go to: https://welltempered.wordpress.com

By Jacob Stockinger

Summer arrived late last night – at 11:24 p.m. — in the Midwest.

To mark and celebrate the welcome event, here are three pieces of well-known summer-related music:

Wolfgang Amadeus Mozart’s “Eine kleine Nachtmusik” or a “A Short Night Music” (or “A Little Night Music”:

Summer from Astor Piazzolla’s “Four Seasons in Buenos Aires”:

And Samuel Barber’s “Knoxville, Summer of 1914” with soprano Dawn Upshaw.

But there is so much more to choose from.

Here is a link to five other pieces by different composers –- Antonio Vivaldi, Felix Mendelssohn, Frank Bridge, Alexander Glazunov, Frederick Delius and George Gershwin.

http://www.classical-music.com/article/six-best-pieces-classical-music-summer

Which music would you choose to mark the summer solstice and the coming of summer?

Leave word and a YouTube link, if possible, in the COMMENT section.

The Ear wants to hear.

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Classical music: The Middleton Community Orchestra, with solo violinist Paran Amirinazari, closes its seventh season with rousing and intense performances of Prokofiev and Tchaikovsky

June 9, 2017
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By Jacob Stockinger

Here is a special posting, a review written by frequent guest critic and writer for this blog, John W. Barker. Barker (below) is an emeritus professor of Medieval history at the University of Wisconsin-Madison. He also is a well-known classical music critic who writes for Isthmus and the American Record Guide, and who hosts an early music show once a month on Sunday morning on WORT FM 89.9 FM. For years, he served on the Board of Advisors for the Madison Early Music Festival and frequently gives pre-concert lectures in Madison.

By John W. Barker

On Wednesday night, the Middleton Community Orchestra (below) closed its seventh season with a rousing program offering three contrasting Russian works.

The opener was the Overture to Alexander Borodin’s Prince Igor, as realized by Alexander Glazunov. It served to show off the orchestra’s ever-developing string band, solid in tone, if still lacking a little in warmth.

A real gem was the second work, the Violin Concerto No. 2 by Sergei Prokofiev. By contrast with the composer’s first venture in that form — a taut, aggressive affair — this one is more relaxed and jovial, if no less demanding technically.

The soloist was Paran Amirinazari (below), stepping out of her usual concertmaster’s slot into the full spotlight. She handled admirably the great technical demands of her solo role, full of quirky and tricky writing.

But, amid all the spikiness she pointed up handsomely the real and almost neo-Romantic lyrical sweetness that Prokofiev infused into the showiness. (Just listen to the gorgeous second movement in the YouTube video at the bottom.)

This is one of the truly great violin concertos, and Amirinazari — the brilliant artistic director of the fabulous Willy Street Chamber Players — demonstrated that adroitly.

The final work was a grand effort: Tchaikovsky’s Symphony No. 5. This is, of course, one of those “warhorses” about which The Ear has been debating lately. It is thereby the more challenging for an orchestra to present to an audience likely to be familiar with it.

Its calculated lavishness has made it a masterpiece beloved by the public, but it is still fascinating to encounter with close listening. The composer pulled out all his tricks of dazzling orchestration and melodic invention, but in the service of a grand-scaled structure that skillfully manipulates cyclical and cross-referential transformation of themes through the score’s totality.

Maestro Steve Kurr (below) by now has nurtured remarkably solid resources for an orchestra of this kind. The potent brass choir is really well consolidated, backing fine-sounding woodwinds. Kurr made the most of these resources, in a well-rehearsed performance in which the stress on intensity of playing resulted in highly dramatic results, culminating in a truly noble ending.

This was a richly satisfying program, showcasing an ensemble of which Middleton should be button-burstingly proud.


Classical music: Here is an outline of this summer’s Token Creek Chamber Music Festival. More details will follow soon. Plus, Wednesday night is the opening classical program of the FREE Concerts on the Square.

June 23, 2015
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REMINDER: Wednesday night at 7 p.m. is the opening concert of the Wisconsin Chamber Orchestra‘s six FREE Concerts on the Square this summer. The program is classical and features Julian Rhee (below), the amazing 14-year-old violinist who has won several major concerto competitions, including those with the Wisconsin Chamber Orchestra and the Madison Symphony Orchestra. The program includes music by Alexander Glazunov, Piotor Ilyich Tchaikovsky and Johannes Brahms. Members of the Madison Ballet will also be featured.

Here is a link to general information about Concerts on the Square:

http://www.wcoconcerts.org/performance-listing/category/concerts-on-the-square

And here is a link to more information about Wednesday night’s program and soloist:

http://www.wcoconcerts.org/performances/concerts-on-the-square-1/

Julian Rhee with violin

By Jacob Stockinger

A reader recently wrote in and asked if the Token Creek Chamber Music Festival will take place this year.

TokenCreekentrance

TokenCreekbarn interior

The question is understandable. So far, there has been no news.

But the Token Creek Festival will indeed take place this summer.

The Ear just received information about some of the basic events that will happen. More details will follow and fill in the programs.

Here is the official press release:

“With its 2015 season somewhat uncertain after a difficult winter, the Token Creek Festival is pleased to announce this summer’s programs, running August 22-30 this year.

August 22 and 23: “Founders’ Recital — Beginnings Revisited.” 
The concert centers on works by Franz Joseph Haydn and Wolfgang Amadeus Mozart, performed by festival co-founders and co-artistic directors John and Rose Mary Harbison (below, in a photo by Katrin Talbot).

John and Rose Mary Harbison Katrin Talbot

August 25: “Paean to Place: Music and Nature and the Poetry of Wisconsin poet Lorine Niedecker.” The concert will feature
 pianist Ryan McCullough (below top) and soprano Lucy FitzGibbons. The program is done in collaboration with the Friends of Lorine Niedecker, below bottom)

Ryan McCullough with piano

lorine niedecker

August 27: The Lydian String Quartet (below top) in works of Felix Mendelssohn, Lee Hyla (below bottom) and John Harbison.

Lydian String Quartet

Lee Hyla

August 29 and 30: Grand Finale featuring 
orchestral highlights of the high Baroque, including the Brandenburg Concerto No. 1 by Johann Sebastian Bach (below). (You can hear the Brandenburg Concerto No. 1 in a YouTube video at the bottom.)

Bach1

More information about the festival will be forthcoming soon.

 


Classical music: The Pro Arte Quartet in Belgium –- Day 4, Part 2. The quartet performs in the town of Dolhain-Limbourg.

May 29, 2014
9 Comments

By Jacob Stockinger

Editor’s note: The Well-Tempered Ear has asked people on tour with the University of Wisconsin-Madison Pro Arte Quartet (below, in a photo by Rick Langer) to file whatever dispatches. updates and photos are possible — from iPads, computers, cameras and smart phones — so that they can to keep the fans back here at home current with what is happening on the concert stage and off.

By now it has become apparent that the Pro Arte Quartet’s tour of Belgium is as big an event to the Belgians and to local residents there as it is to Madisonians, Wisconsinites and alumni of the University of Wisconsin-Madison.

Pro Arte Quartet new 2 Rick Langer

Just before taking a day’s rest, Sarah Schaffer, who manages the University of Wisconsin-Madison Pro Arte String Quartet, sent this text and this photo essay. They cover the trip from Brussels to Dolhain Limbourg, the hometown of founding violinist Alphonse Onnou, and the official greetings and events that awaited the quartet. (Current members are violinists David Perry and Suzanne Beia; violist Sally Chisholm; and cellist Parry Karp.)

Today’s Part 2 covers the concert at Dolhain-Limbourg.

Here are links to Day 1:

https://welltempered.wordpress.com/2014/05/22/classical-music-the-university-of-wisconsin-pro-arte-quartet-lands-in-belgium-gets-detained-at-customs-and-is-rescued-in-time-for-practicing-and-playing-concerts/

To Day 2:

https://welltempered.wordpress.com/2014/05/24/classical-music-on-day-2-the-university-of-wisconsin-pro-arte-quartet-is-offered-rehearsal-time-in-a-bar-meets-descendants-of-the-original-members-of-the-quartet-and-performs-its-first-concert-to/

To Day 3:

https://welltempered.wordpress.com/2014/05/25/classical-music-on-day-3-in-belgium-the-university-of-wisconsin-pro-arte-quartet-plays-at-the-royal-library-gives-a-gift-to-king-philippe-and-keeps-performing-a-lot-of-hard-and-varied-music/

And to Day 4, Part 1:

https://welltempered.wordpress.com/2014/05/27/classical-music-here-is-a-photo-essay-of-the-pro-arte-quartets-day-long-homage-stop-at-the-belgian-hometown-of-dolhain-linburg-of-the-groups-founding-violinist-alphonse-onnou/

Schaffer’s latest installment once again shows the hard work of undertaking such a concert tour, which involves a lot more than playing and performing music. In this case, it also involves being cultural ambassadors.

Sarah Schaffer mug

After such an already full day, there is still the evening concert!

By evening the Kursaal (below) has warmed up and is now much more welcoming.

PAQ essay 5 Le Kursaal exterior Sarah Schaffer

We learn, as we wait through the sound check/rehearsal that the local television crew is on hand! They hope to interview a quartet member, but are so busy down the street at the Onnou house that they barely make it in time to film the concert.

PAQ essay 6 chekcing our stage at Le Kursaal David, Sally Parry Sarah Schaffer

Anne van Malderen opens the evening with a touching tribute to Onnou, and them outlines the concert program because there are, surprisingly, no printed versions on hand this evening:

Franz Joseph Haydn: Quartet in D Major, Op. 20, N. 4

Wolfgang Amadeus Mozart: Adagio & Fugue, K. 546

Alexander Glazunov: Five Novelettes

Intermission

Igor Stravinsky: Elegy for Solo Viola

Cesar Franck: Quartet

It’s hard to imagine a program more strongly evocative of the original Quatuor Pro Arte (below, in 1928)!

Pro Arte Quartet in 1928 Onnou far left

Haydn represents their recorded legacy. Mozart is included because, well, it’s Mozart. The Glazunov was one of original violinist Alphonse Onnou’s favorite pieces, here in Onnou’s hometown, in the Kursaal, which he likely performed in himself.

Mozart old 1782

The Stravinsky Elegy for Solo Viola (below, Sally Chisholm playing the Stravinsky Elegy at the Wisconsin Union Theater in 2012) was commissioned by founding violist Germaine Prevost as a memorial to Onnou, who died in Madison just months after the quartet was stranded there, before ever playing a first concert with the newly artists-in-residence at the University of Wisconsin-Madison. 

Sally Chisholm solo

And of course the tour-de-force quartet by Cesar Franck (below) is by one of Belgium’s most celebrated composers.

Cesar Franck photo

It’s very touching, this entire program, this small town.

And such an audience — rapt, attentive, knowledgeable, appreciative with the applause long and sustained, much whistling, many “bravos!” shouted out. An incredibly warm reception.

Those of us who have been with David and Suzanne and Sally and Parry this whole long day, coming after the past few days so full and dramatic, can hardly believe the intensity and concentration they’ve brought to this performance.

Once again, we hear a ravishing performance by this amazing quartet. (below, playing the same Haydn String Quartet at the concert on March 2, 2012.)

Pro Arte Quartet in Haydn at Mernier

Sunday is Election Day in Belgium -– and will bring a well-deserved day off for everyone.

Then on Monday, we go to the Conservatoire Royale, where the Quatuor Pro Arte originated — just students who, like music students everywhere, formed a pick-up group.

Sometimes they last a semester or two, sometimes they make a real go of it during and beyond school, and in one extraordinary case they made it to . . . 100! (Below is the Pro Arte Quartet in 1940.)

Pro Arte Quartet 1940 Brosa-Halleux-Prevost-Evans 1940

AN INTERMEZZO AND A PRELUDE

Pro Arte Quartet violist Sally Chisholm (below) writes of her latest adventure that occurred when there group arrived back in Brussels. It has no pictures but, trust me, it is well worth the read:

Sally Chisholm

“Last night a few steps from our hotel, in the center of the square, or rather Place, is the area normally occupied by touring jazz/rock groups during the multi-week jazz festival here in Brussels.

It was 8:30 p.m., and I was strolling for the last time of the day.

Mozart. “Eine Kleine Nacht Musik.” (The familiar opening movement is at the bottom in a popular YouTube video that has over 8 million hits.)

Hmm … and there they were: 3 young musicians, 2 violinists and a cellist, playing beautifully in front of a rapt audience of locals and tourists from many countries.

The open violin case was filling up with euros as listeners quickly tiptoed up to lay in their offering, then tiptoe away all smiles.

One violinist saw me, and the “fiddlers rose” (that red discoloration that comes from years of gripping the instrument) on my neck, immediately elbowing her partner.

When they finished, and started packing up, I went over to congratulate them.  

You play?

Yes, I said. Alto.

(That’s French for the viola.)

Are you students here?

Yes, at the Conservatoire.

Oh, I will be there tomorrow!

Pro Arte, Pro Arte! Yes, we are coming to hear you!

So I will see my new friends again tomorrow.

Mozart is very alive here in Brussels, with beautifully trained young musicians representing him well to an enthusiastic and grateful audience.

 

 

 

 

 

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Classical music: Day 4 — the UW Pro Arte Quartet goes to Dolhain-Limbourg, Part 1 of 2: Prelude to the concert. Here is a photo essay of the Pro Arte Quartet’s day-long homage stop at the Belgian hometown of the group’s founding violinist Alphonse Onnou.

May 27, 2014
9 Comments

By Jacob Stockinger

Editor’s note: The Well-Tempered Ear has asked people on tour with the University of Wisconsin-Madison Pro Arte Quartet (below, in a photo by Rick Langer) to file whatever dispatches. updates and photos are possible — from iPads, computers, cameras and smart phones — so that they can to keep the fans back here at home current with what is happening on the concert stage and off.

By now it has become apparent that the Pro Arte Quartet’s tour of Belgium is as big an event to the Belgians and to local residents there as it is to Madisonians, Wisconsinites and alumni of the University of Wisconsin-Madison.

Just before taking a day’s rest, Sarah Schaffer, who manages the University of Wisconsin-Madison Pro Arte String Quartet, sent this text and this photo essay. They cover the trip from Brussels to Dolhain Limbourg, the hometown of founding violinist Alphonse Onnou, and the official greetings and events that awaited the quartet. (Current members are violinists David Perry and Suzanne Beia; violist Sally Chisholm; and cellist Parry Karp.) Part 2 will cover the concert at Dolhain-Limbourg.

Here are links to Day 1:

https://welltempered.wordpress.com/2014/05/22/classical-music-the-university-of-wisconsin-pro-arte-quartet-lands-in-belgium-gets-detained-at-customs-and-is-rescued-in-time-for-practicing-and-playing-concerts/

To Day 2:

https://welltempered.wordpress.com/2014/05/24/classical-music-on-day-2-the-university-of-wisconsin-pro-arte-quartet-is-offered-rehearsal-time-in-a-bar-meets-descendants-of-the-original-members-of-the-quartet-and-performs-its-first-concert-to/

And to Day 3:

https://welltempered.wordpress.com/2014/05/25/classical-music-on-day-3-in-belgium-the-university-of-wisconsin-pro-arte-quartet-plays-at-the-royal-library-gives-a-gift-to-king-philippe-and-keeps-performing-a-lot-of-hard-and-varied-music/

Schaffer’s latest installment also shows the hard work of undertaking such a concert tour, which involves a lot more than playing and performing music. In this case, it also involves being cultural ambassadors.

PAQ-8BIT03

 SATURDAY, MAY 24

We have to catch to train to Verviers to get to Dolhain Limbourg, the hometown of the quartet’s original founding violinist Alphonse Onnou. (Below, from left, are Parry Karp, John Schaffer, Sally Chisholm and David Perry. Below, hometown fans Linda and Bob Graebner of Madison come along.) 

So the day began with a peaceful, dozy train trip through verdant farm country southwest out of Brussels, gradually giving way to steep lush hillsides crisscrossed by many streams.

Trains passed more and more frequently, passing through the long tunnels the closer we got to Verviers, where we were advised not to take the connection to Dolhain but were instead met by a large and eager delegation, jabbering excitedly in, to us, yet another dialect of specifically Belgian French.

PAQ essay 1 Train to Vervier Parry, John Schaffer, Sally David CR Sarah Schaffer

PAQ essay 2 Linda and Bob Graebner on train platform Sarah Schaffer

PAQ essay 3 train platform Sally, David, Parry.

PAQ essay 4 train ticket to Verviers Sarah SchafferJPG

As we find out, the town is charming and the residents go out of their way to host and honor the quartet, which they clearly welcome with open arms.

They divvied us up into waiting cars and off we sped the 10K or so to Dolhain, birthplace of the quartet’s founding violinist Alphonse Onnou. Our hosts, it turned out, were all members of a local historical society club and were very excited about our visit.

First stop: Le Kursaal, the concert hall, which on initial glimpse appeared somewhat disheartening and unpromising. Much negotiating over the placement — high stage off flat floor, or on the floor, and lighting. A poster announces our appearance.

No notes were tried. We hoped on this cool damp day that it might be warmer when we returned, and that lighting and seating questions would be solved then.

PAQ essay 5 Le Kursaal exterior Sarah Schaffer

PAQ essay 6 chekcing our stage at Le Kursaal David, Sally Parry Sarah Schaffer

PAQ essay 7 audience seats at Le Kursaal Sarah Schaffer

PAQ essay 8 poster for Le Kursssal concert

Next stop: Old Dolhain Limbourg (not the cheese!), the ancient town with castle and military lookouts on top of the hill. Very charming!

PAQ essay 9 old dolhain 1 SS

PAQ essay 10 old Dolhain 2 SS

PAQ essay 11 old Dolhain 3 SS

PAQ essay 12 Old Dolhain 4 SS

PAQ essay 13 Old Dolhain 5 SS

PAQ essay 14 Old Dolhain 6 SS

Here we were joined by more club members and treated to a  “typical” lunch at the cafe. About 18 of us in all by now. (From left are Sally Chisholm, Parry Karp, Linda Graebner, David Perry and Suzanne Beia.)

PAQ essay 15 Lunch in Dolhain 1 SS

PAQ essay 16 Lunch in Dolhain 2 SS

We take part in a municipal ceremony at 4 p.m.

Genealogical charts of the Onnou family were shared, as well as a thick sheaf of papers describing — mostly in French, a few things translated to English — the historical sites of the village, which we experienced in person on the guided walking your after the meal.

The Mayor of Dolhain Limbourg is the woman on the left dressed in white. The interpreter-translator Alain Boucart is in red. The bald head belongs to the head of the Historical Society of Dolhain Limbourg. Then comes the head of the Alphonse Onnou celebration and exhibit, with tour organizer and quartet documentarian Anne van Malderen dressed in the turquoise sleeveless top and wearing eyeglasses.

PAQ essay 17 Municipal Ceremony 1 SS

PAQ essay 18 Municipal ceremony 2 SS

PAQ essay 19 Municipal essay 3 SS

Elections being on everyone’s minds — political posters everywhere, no concerts scheduled for Sunday because of elections in Belgium, the same reason the royals are sequestered — perhaps this explains Bob Graebner’s enthusiastic comment on meeting the Mayor of Dolhain: “I’d vote for her!”

Many speeches followed: the mayor, president of the historical society, and Onnou and Quatuor Pro Arte expert Anne Von Malderen (below left), all presented in French and then in translation (for our sakes) by an increasingly fatigued interpretor Alain Boucart (below right), who gave briefer and briefer summaries as the proceedings wore on, finally promising a written translation by email after the event.

Pro Arte in Belgium Anne vcan Malderen, translator Alain Boucart

At the reception that followed we were treated to excellent performances by the municipal band, made all the more enjoyable accompanied by chocolates and local cognac! (Below top and, below bottom in photo by Sally Chisholm of the band’s youngest member.) They sounded terrific and in our honor played “The Star-Spangled Banner.”

PAQ in Belgium Dolhain city band 1 SS

PAQ Belgium city band 2 youngest member Sally

And after another glass of wine, the grandniece of Alphonse Onnou autographed the first violin part of the score to composer Alexander Glazunov’s “Five Novelettes,” a favorite of Onnou that the quartet is to perform there, for violinist David Perry.

PAQ essay 20 Onnou grandniece with David SS

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Classical music: It’s final and official — the University of Wisconsin Pro Arte Quartet will tour to Belgium this week.

May 19, 2014
2 Comments

By Jacob Stockinger

Madison, Wis. -– After much worrying, nail-biting and hectic phone calls, the final and official word is in: The Pro Arte Quartet tour to Belgium is on!

And not a minute too soon, since the tour concerts start at the end of this week and the musicians leave for Belgium on Tuesday.

Here is an update from Sarah Schaffer (below), who manages the Pro Arte String Quartet for the University of Wisconsin-Madison School of Music:

Sarah Schaffer mug

The University of Wisconsin Pro Arte Quartet will be returning to its roots this week with a concert tour of Belgium, where the group was first formed in 1912. Current musicians in the Pro Arte Quartet (below, in a photo by Rick Langer) include violinist David Perry, violinist Suzanne Beia, violist Sally Chisholm and cellist Parry Karp. (The current Pro Arte Quartet can be heard at the bottom in a YouTube video playing the Prelude for String Quartet by Ernest Bloch at one of its centennial concerts.)

Pro Arte Quartet new 2 Rick Langer

The trip is occurring thanks largely to efforts by Wisconsin’s Democratic U.S. Senator Tammy Baldwin who helped the UW-Madison ensemble-in-residence overcome government restrictions that prohibit traveling across international borders with anything containing elephant ivory and other endangered flora and fauna.

The Brussels concert series — the capstone of the Pro Arte’s centennial year as the world’s oldest continuously performing string quartet — returns the ensemble to its roots for the first time since World War II.

The concert series highlight will be the European premiere of the quartet’s latest commission, the String Quartet No. 3 by contemporary Belgian composer Benoît Mernier (below, in a photo by Lise Mernier). The composition had its world premiere March 1, at Mills Concert Hall in the George Mosse Humanities Building on the UW-Madison campus.

Benoit Mernier by Lise Mernier

The Quatuor Pro Arte of Brussels, first formed in 1911-1912, was performing at the Wisconsin Union Theater on the UW campus on May 10, 1940, when Belgium was overrun and occupied by Adolf Hitler’s Nazi forces, turning three of its original four musicians into war orphans. By October of that year, the group had officially become the UW Pro Arte Quartet, making it the first artist ensemble-in-residence at any university in the world.

The current tour to Belgium, which occurs May 20-28, almost didn’t happen thanks to renewed efforts by the U.S Fish & Wildlife Service’s International Affairs division, which since February has been actively enforcing a 1976 law prohibiting the importation of any items or materials containing elephant ivory, tortoise-shell, Brazilian rosewood and other materials.

Three of Pro Arte’s four musicians have ivory on the tips of their bows. The fourth, Sally Chisholm, has an antique viola heavily inlaid with either ivory or bone on the face of the instrument.

ivory on 2 bows

Chisholm’s viola was manufactured in Cremona, Italy, in 1680. It is her primary instrument and has a unique voice that has become central to the Pro Arte’s sound. “Violas have not been standardized, and to find a replacement instrument for the trip would have been difficult and have changed the sound of the entire group,” said Chisholm (below).

Sally Chisholm

The U.S. Fish & Wildlife Service does issue permits enabling musicians with instruments containing prohibited products to travel with them, but it was unlikely that the permits would have been issued in time for the Pro Arte’s May 20 departure.

The UW-Madison Chancellor’s office worked with U.S. Senator Tammy Baldwin (below), who helped facilitate more rapid processing of the permits, which arrived just prior to the ensemble’s departure.

Tammy Baldwin official portrait

The trip to Belgium will feature a variety of concerts in Brussels and elsewhere.

The Pro Arte will kick off the week-long tour on Thursday, May 22, with a performance in Studio 1 of the Flagey Building (below top with its handsome concert hall studio at below bottom), home to Belgium’s broadcast industry.

Flagey Building Brussels

Flagey building concert hall, studio

The program includes compositions by the “Dissonant” Quartet in C Major, K. 465, by Wolfgang Amadeus Mozart (below top), the Quartet in D Major by Belgian composer César Franck (below bottom), “The Wind in the Willows” by American composer Randall Thompson and the “Elegy” for solo viola by Russian composer Igor Stravinsky, who wrote it for a member of the Pro Arte Quartet. Studio 1 has historic significance for the Pro Arte. An earlier iteration of the quartet recorded a complete cycle of the 16 Quartets by Ludwig van Beethoven there in 1938.

Mozart old 1782

Cesar Franck photo

On Friday, May 23, the Pro Arte will perform in the Arthur de Greef Auditorium of the Royal Library of Belgium (below top) in Brussels with a program featuring works by String Quartet No. 1 by Bela Bartok (below middle) and Quartet in D Major, Op. 20, No, 4 by Franz Joseph Haydn (below bottom).

Royal Library of Belgium

bartok

Haydn

On Saturday, May 24, the Pro Arte travels to Dolhain Limburg, birthplace of the quartet’s founding violinist Alphonse Onnou for a reception, dinner and performance at Kursaal Dolhain. The evening program will include previously listed compositions by Mozart, Franck and Haydn plus “Waltz from Five Novelettes” by Alexander Glazunov (below).

glazunov

The Mernier European premiere at the Royal Brussels Conservatory (its exterior is below top, the grand concert hall is below bottom) follows on Monday, May 26.

Royal Conservatory Brussels exterior

Royal Conservatory Grand Hall Brussells

The program features the Adagio and Fugue, K. 546, by Mozart, the work by Randall Thompson (below top) and the slow movement or “Adagio for Strings” (premiered in Rome in 1938 by the Pro Arte) from the  String Quartet No. 1, Op. 11, by American composer Samuel Barber (below bottom).

Randall Thompson

barber 1

The final performance of the tour on Tuesday, May 27, will take place at the Catholic University of Louvain-la-Neuve (below).

Catholic University of Lovain

In addition to the Mernier work, the performance will include works by Mozart and Barber. In addition, the audience will view a 1975 documentary film about the Pro Arte by Pierre Bartholomée that includes interviews with composers Darius Milhaud, Igor Stravinsky and others. Denise Bauer (below), the U.S. Ambassador to Belgium will be present.

Denise Bauer

 

 

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