The Well-Tempered Ear
Classical music: Cellist Amit Peled and pianist Daniel del Pino open the Salon Piano Series this Friday and Saturday nights. TODAY the Edgewood College Chamber Orchestra opens its new season in a new hall
1 Comment
IF YOU LIKE A CERTAIN BLOG POST, PLEASE SPREAD THE WORD. FORWARD A LINK TO IT OR, SHARE IT or TAG IT (not just “Like” it) ON FACEBOOK. Performers can use the extra exposure to draw potential audience members to an event. And you might even attract new readers and subscribers to the blog.
ALERT: The Edgewood Chamber Orchestra opens its new season TODAY at 2:30 p.m. in the new McKinley Performing Arts Center at Edgewood High School, 2219 Monroe Street. Blake Walter will conduct the program that features Beethoven’s “King Stephen” Overture, composed to celebrate the opening of a new theater ; Handel’s “Water Music”; and Mozart’s Symphony No. 36 in C Major “Linz,” K. 425. Admission is $5 for the general public, FREE with an ID for Edgewood College or Edgewood High School.
By Jacob Stockinger
The Salon Piano Series will open its new and expanded season with a recital by cellist Amit Peled (below top, in a photo by Lisa Mazzucco) and pianist Daniel del Pino (below bottom) on this coming Friday and Saturday nights, Oct. 4 and 5, at 7:30 p.m.
The concerts, which are being dedicated to retired critic John W. Barker, will be held at Farley’s House of Pianos, 6522 Seybold Road, on Madison’s far west side near West Towne Mall.
Each artist has performed individually at Farley’s before, but this will be their first joint recital in Madison.
The program is:
John Eccles – Sonata in G Minor (1720)
Ludwig van Beethoven – Sonata No. 2 in G Minor, Op. 5, No. 2 (1796)
Gaspar Cassadó – Sonata in Old Spanish Style, G Minor, (1925)
Richard Strauss – Sonata in F Major, Op. 6 (1883)
A reception will follow the performances.
Tickets are $45 in advance and $50 at the door. Student tickets are $10 and can only be purchased online and are not available the day of the event.
You can buy tickets online, where service fees may apply, at: https://www.brownpapertickets.com/producer/706809
You can also call Farley’s at (608) 271-2626 to purchase tickets.
After hearing the Israeli-American Peled, The New York Times reported that he has “a glowing tone, a seductive timbre and an emotionally pointed approach to phrasing that made you want to hear him again.”
Daniel del Pino is a leading Spanish concert pianist on the international scene. He has performed in prestigious venues on five continents.
In the YouTube video at the bottom, you can watch a special concert preview and an enthusiastic message about specifically performing in Madison from Amit Peled.
You can also hear and see past performances from Peled and del Pino at the Salon Piano Series on YouTube:
From February 2016, Amit Peled performs on Pablo Casals’ cello: https://www.youtube.com/watch?v=3Yb-SE80eDg
From November 2015, Daniel del Pino performs Chopin: https://www.youtube.com/watch?v=-tnvbk_v2Xk
For more information about this concert and the full season of six concerts, including subscription tickets, go to: https://salonpianoseries.org
This concert is supported in part by a grant from the Wisconsin Arts Board with funds from the State of Wisconsin and the National Endowment for the Arts.
Tags: #AmitPeled, #BaroqueMusic, #BlakeWalter, #BlogPost, #BlogPosting, #BritishComposer, #BrownPaperTickets, #CatalanComposer, #CelloMusic, #CelloSonata, #ChamberMusic, #ConcertHall, #DanieldelPino, #EdgewoodChamberOrchestra, #EdgewoodCollege, #EdgewoodHighSchool, #FacebookPost, #FacebookPosting, #Farley'sHouseofPianos, #FredericChopin, #FreeAdmission, #Fridaynight, #GasparCassado, #GeneralAdmission, #GeorgeFridericHandel, #InstrumentalMusic, #IsraeliMusician, #JohnEccles, #JohnW.Barker, #KingStephenOverture, #LinzSymphony, #LudwigVanBeethoven, #MadisonWisconsin, #McKinleyPerformingArtsCenter, #MusicalStyle, #MusicCritic, #NationalEndowmentfortheArts, #OldStyle, #PabloCasals, #PerformingArts, #PianoAccompaniment, #PianoAccompanist, #RichardStrauss, #RomanCatholicism, #SalonPIanoSeries, #SaturdayNight, #ServiceFee, #SpanishComposer, #StateOfWisconsin, #TheNewYorkTImes, #WestSide, #WestTowneMall, #WineReception, #WisconsinArtsBoard, #WolfgangAmadeusMozart, admission, alert, American, Amit Peled, approach, Arts, audience, Baroque, Beethoven, Blake Walter, blog, British, Brown Paper Tickets, buy, Catalan, cellist, Cello, Chamber music, Chopin, Christianity, Classical music, classicalmusic, college, composer, Concert, concert hall, continent, critic, Daniel del Pino, Early music, Edgewood Chamber Orchestra, Edgewood College, Edgewood High School, emotion, English, event, expanded, Facebook, Farley's House of Pianos, fee, forward, Frédéric Chopin, Friday night, funding, funds, Gaspar Cassado, George Frideric Handel, glowing, grant, hall, Handel, hear, high school, ID, identification, individual, information, instrumental, international, Israeli, Israeli-American, Jacob Stockinger, John Eccles, John W. Barker, joint, King, King Stephen, King Stephen Overture, Kochel, like, link, Linz Symphony, Ludwig van Beethoven, Madison, McKinley Performing Arts Center, message, Mozart, Music, National Endowment for the Arts, new, New York City, old, old style, online, open, opening, Orchestra, Overture, Pablo Casals, past, performer, Performing arts, phrasing, Pianist, Piano, pointed, post, posting, prestigious, program, public, purchase, reception, recital, retired, Retirement, Richard Strauss, Roman Catholicism, Salon Piano Series, Saturday night, scene, Season, seductive, see, service, service fee, share, Sonata, Spanish, specific, State of Wisconsin, Student, style, subscriber, subscription, support, symphony, tag, The New York Times, theater, theatre, ticket, timbre, tone, United States, venue, water, west side, West Towne Mall, Wisconsin, Wisconsin Arts Board, Wolfgang Amadeus Mozart, YouTube, YouTube video
Classical music: UW’s Pro Arte Quartet and new UW clarinet professor Alicia Lee perform a sublime all-Mozart program
2 Comments
By Jacob Stockinger
Here is a special posting, a review written by frequent guest critic and writer for this blog, John W. Barker. Barker (below) is an emeritus professor of Medieval history at the University of Wisconsin-Madison. He also is a well-known classical music critic who writes for Isthmus and the American Record Guide, and who hosts an early music show once a month on Sunday morning on WORT–FM 89.9 FM. For years, he served on the Board of Advisors for the Madison Early Music Festival and frequently gives pre-concert lectures in Madison.
By John W. Barker
The University of Wisconsin-Madison’s acclaimed Pro Arte Quartet has begun its 2017-18 season amid uncertainties.
The most notable one is the current indisposition of cellist Parry Karp, whose injury to two fingers of his left hand has prevented him from playing for the immediate future.
Quartet members (below in a photo by Rick Langer) are, from left, David Perry and Suzanne Beia, first and second violins; Sally Chisholm, viola: and Parry Karp, cello.
But the group has pressed on bravely, offering an all-Mozart concert last Sunday night in Mills Hall.
The first of two works was the buoyant but challenging String Quartet in G Major, K. 387. Replacing Karp was a guest cellist, Jean-Michel Fonteneau (below right and bottom), who is familiar to Madison audiences from his many appearances with the San Francisco Trio for the Bach Dancing and Dynamite Society’s summer concerts.
Fonteneau played elegantly and fitted into the ensemble quite smoothly. And the other three players performed with their accustomed precision and style.
But just one personnel change makes a difference. Clearly missing was the robust tone and firm foundation that Karp has imparted to the ensemble’s playing for so long.
If the G major Quartet is a Mozartean model of its kind, we move to Olympian heights with the Quintet in A for Clarinet and Strings, K. 581 — a chamber work (below) with only the tiniest number of peers in this scoring.
Joining the quartet this time was a new UW-Madison faculty member, clarinetist Alicia Lee (below).
Petite but totally confident, Lee brought to the string ensemble not the edgy aggressiveness so often heard from clarinetists but rather a glowing mellowness that balanced neatly with the string sounds.
The loveliest moments seemed to me to be the slower passages, and the exquisite slow movement was truly ethereal. (You can hear the Larghetto slow movement, played by clarinetist Anthony McGill and the Pacifica Quartet, in the YouTube video at the bottom.)
Preceding the concert was an announcement by Linda Graebner of the consolidation of the Pro Arte Quartet Forward Fund, which is seeking to raise an major endowment for the quartet.
Bolstered by that effort, then, the PAQ is some five years into its second century, determined from many sides to cope with its uncertainties.
NOTE: The Pro Arte Quartet’s next performance is this coming Thursday: a FREE performance at NOON in Mills Hall of the String Quintet No. 1 in G Major, Op. 111, by Johannes Brahms. Jean-Michel Fonteneau will again be the cellist and the guest artist is the internationally renowned violist Nobuko Imai (below). Imai will also give a FREE and PUBLIC master class in strings and chamber music on Wednesday night at 7:30 p.m. in Morphy Recital Hall.
Tags: aggressive, Alicia Lee, American Record Guide, Anthony McGill, Arts, blog, Brahms, Campus, Cello, Chamber music, clarinet, Clarinet Quintet, Classical music, Concert, critic, Early music, edgy, elegance, endowment, exquisite, festival, fund, Fundraising, future, glowing, guest artist, height, History, host, injury, Isthmus, Jacob Stockinger, Jean-Michel Fonteneau, John W. Barker, larghetto, lecture, Madison, Madison Early Music Festival, master class, Medieval, mellow, Mozart, Mozartean, Music, New York City, night, noon, Olympian, Pacifica Quartet, Parry Karp, peer, precision, Pro Arte Quartet, professor, quintet, Radio, recital, robust, San Francisco, San Francisco Trio, scoring, Slow movement, strings, style, sublime, Sunday, Thursday, tone, uncertainty, United States, University of Wisconsin-Madison School of Music, University of Wisconsin–Madison, Viola, viola quintet, Violin, Wisconsin, Wolfgang Amadeus Mozart, WORT-FM 89.9, Writer, YouTube
Recent Comments
The Well-Tempered Ear 