The Well-Tempered Ear

Classical music: On Saturday night, the UW Wind Ensemble will mark a first by performing a FREE concert that will also be live-streamed

April 6, 2018
3 Comments

By Jacob Stockinger

Something important — even pioneering or groundbreaking — will take place this on Saturday night at the University of Wisconsin-Madison’s Mead Witter School of Music.

At 7:30 p.m. in Mills Hall, the UW Wind Ensemble (below) will give a FREE concert that will also be a LIVE-STREAMED – a first for the UW-Madison.

Live-streaming of concerts by students, faculty members and guest artists is something that many music schools are now doing on a regular basis.

They include big schools like the Yale School of Music and smaller institutions like the Lawrence University Conservatory of Music in Appleton, Wis.

Streaming allows alumni and other listeners all over the world to hear the concert in real time. It can be prestigious form of outreach and a terrific tool for fundraising and recruiting students. Imagine the worldwide audience for, say, the Pro Arte Quartet, which has toured to South America, Europe and Asia.

The Ear has heard several reasons why live-streaming is not yet standard practice at the UW-Madison. Those reasons include the lack of specialized staff, too little equipment, too little money, and difficulty or expense in obtaining the rights from performers and composers or publishing companies.

This time, the live streaming is being done on a paid basis by a local School of Music alumnus who has the expertise and experience. Sources at the school say that more concerts are likely to be live-streamed next season.

The program on Saturday night features the “French Suite” of Francis Poulenc; “Circuits” by Cindy McTee (below top); and the Symphony in Three Movements by the retired UW tuba professor and composer John Stevens (below bottom). You can hear the opening of the work by John Stevens, which was recorded for Naxos Records, in the YouTube video at the bottom.

The performance will be done under the batons of director Scott Teeple (below top) and two graduate student assistants: O’Shae Best (below middle) and Cole Hairston (below bottom).

For the link for streaming and more information, go to: https://www.music.wisc.edu/event/wind-ensemble-3/


Classical music: Get the new UW-Madison brochure for the School of Music concerts, faculty and students. It’s a MUST-HAVE and a MUST-READ, and it is FREE to anyone

September 6, 2017
2 Comments

By Jacob Stockinger

Although the UW-Madison officially opened yesterday, today is the first day of instruction. And this weekend will see the beginning of the new concert season at the Mead Witter School of Music.

On Sunday afternoon at 1:30 p.m. in Morphy Hall, faculty soprano Mimmi Fulmer and alumnus pianist Thomas Kasdorf will kick off the season with a FREE concert of music and songs celebrating the 100th anniversary of the independence of Finland.

But that’s just the beginning to an event-filled school year that includes mostly free solo recitals, chamber music, orchestral music, opera, choral music and more.

And this year, there is a new guide to the concert season and the School of Music itself.

The short and usual glossy brochure of listings has given way to a booklet guide. It is 8-1/2 by 11 inches big and has 24 well-filled pages. It is printed on regular paper and has much more information about the events and the people who make them happen. It takes you behind the scenes as well as in the hall and on the stage.

It is less showy, to be sure, but so much more readable and informative. And it feels great in your hands.

On the right hand margin, you’ll find concerts with performers and programs. To the left and in the center, you will find news, biographies and other information about musicians, donors and an update about the new concert hall building.

The new guide, which you can get for FREE, is the brainchild of Kathy Esposito (below), the music school‘s publicist and concert manager.

Here is what Esposito has to say:

“Our School of Music website, which debuted in 2014, required resources that previously had been devoted to multiple print publications.

“So we dropped back to only one, a printed events calendar.

“I’m happy to say that for the 2017-18 academic year, we finally found time to enlarge the printed concert calendar into a true newsletter as well.

“We certainly have enough news to share. Much of what’s in there had not been, or still is not, placed on the website at http://www.music.wisc.edu.

“My personal favorites are the stories from students, both undergrad and grad. As a mom of two young musicians, I can, to some degree, understand both the challenges and the thrills of their careers. Learning about their lives is the best part of my job. Occasionally I can help them, too.

“A couple of other things to give credit where credit is due.

“My assistant, Brianna Ware, who is a graduate student in piano, caught and corrected many errors.

“The brochure was designed by Bob Marshall of Marshall Design in Middleton. He did a masterful job. Bravo!

“Printing was coordinated by the fabulous Sue Lind at DoIT (Division of Information Technology) Printing and Publishing, who helped me to choose a new paper stock, a lightweight matte.

“Lastly, upon request from our older readers, we increased the font size slightly.

“We mailed the brochure to all alumni, national and international. That also was new. And our feedback has been quite positive.

“I’m happy to send readers a FREE copy of this fall’s brochure – with the somewhat humdrum title “Concerts, News and Events” – to those who email their postal addresses to me. I’ll place you on the list for next year, too. Send your name and postal address to kesposito@wisc.edu

About twice a month, we also publish an e-newsletter in the form of a blog, which I also paste into an email for those on a Wisclist, who don’t get the blog. It is the same information, but I think the blog is prettier.

That’s available via this link: https://uwmadisonschoolofmusic.wordpress.com/


Classical music: Here are this week’s FREE events at the UW-Madison where the spotlight falls on new music

March 27, 2017
3 Comments

By Jacob Stockinger

This will be a busy week at the UW-Madison.

Here are the events, concerts and master classes, at the UW-Madison this week. All events are FREE and OPEN TO THE PUBLIC.

As you can see, a lot of new music will be featured.

TUESDAY

At noon in Morphy Recital Hall, oboist Courtney Miller (below), of the University of Iowa, will give a master class. 

At 7:30 p.m.in Mills Hall, Mike Leckrone (below top) will lead the UW Concert Band (below bottom) in a FREE concert. Sorry, no word on the program.


WEDNESDAY

At 7:30 p.m. in Morphy Recital Hall, pianist Emile Naoumoff (below), from Indiana University, will give a recital.

Sorry, no word about the program. But there is a lot of background about the acclaimed French pianist who once studied at age 10 with the legendary teacher Nadia Boulanger and then later took over for her. (You can see him and Boulanger in the YouTube video at the bottom.) For information, go to http://www.music.wisc.edu/event/guest-artist-emile-naoumoff-pianist/

Naoumoff will also give a master class on Thursday from 10 a.m. to noon in Morphy Recital Hall.

THURSDAY

From 10 a.m. to noon in Morphy Recital Hall, guest pianist Emile Naoumoff will give a master class. See Wednesday’s listings for information about him and his recital.

FRIDAY

At 7 p.m. in Morphy Recital Hall, a concert of new music will be performed by Sound Out Loud (below) in conjunction with a two-day conference. For the complete program and more information, go to:

http://www.music.wisc.edu/event/midwest-graduate-music-consortium-presenting-original-research-and-new-compositions/

At 7:30 in Mills Hall, the UW Wind Ensemble (below top) will give a FREE concert under conductor Scott Teeple (below bottom).

The program includes “The Leaves Are Falling” by Warren Benson as well as two Wisconsin premieres: “Across the Graining Continent” by Jonathan Newman; and Suite in E-Flat by Gustav Holst, edited by Matthews.

SATURDAY

At 1:30 p.m. in Morphy Recital Hall, the UW-Madison Trombone Quartet performs music by Tchaikovsky,Webern, Shostakovich, Tull and Bozza among others. Members of the quartet are Thomas Macaluso, Kevin Schoeller, Matthew Bragstad and Nicolas Lawrence.

At 8 p.m. the wife-and husband piano-percussion duo Sole Nero (below), consisting of Jessica Johnson (piano) and Anthony DiSanza (percussion), will perform a faculty concert of new music.

For the complete program and program notes, plus biographies, go to:

http://www.music.wisc.edu/event/sole-nero-with-jessica-johnson-and-anthony-disanza/

It is also that time of the academic year when there are a lot of student recitals and lecture-recitals, especially ones by graduate students, that might interest the public. This week, The Ear sees at least half a dozen listed including those by a cellist, violinist, hornist, trumpeter and flutist.

For more information, go to: http://www.music.wisc.edu/events/


Classical music education: Here is the latest update on the search for a new director of University Opera.

November 7, 2015
2 Comments

By Jacob Stockinger

Recently, a reader asked The Ear about the status of the nationwide search for a new artistic director of University Opera after two years of having David Ronis (below, in a photo by Luke Delalio) as a popular guest director from New York City after the retirement of William Farlow.

David Ronis color CR Luke DeLalio

That’s when word came from Martha Fischer  (below), professor of collaborative piano at the University of Wisconsin-Madison School of Music. Fischer is the head of the search committee to find a new director of the opera program.

Martha Fischer color Katrin TalbotHere is what Professor Fischer sent: her official update with the PVL (Professional Vacancy Listing) attached:

Writes Fischer as a prefatory comment: “We are incredibly fortunate, thanks to the Karen K. Bishop fund, to be able to search for a full-time tenure track Assistant Professor of Opera. At a time when the University as a whole is feeling extreme budget pressures, it is indeed something to celebrate.

“We are currently accepting applications from a broad and diverse pool of applicants with a deadline of Dec. 1, 2015.

“We are following the University of Wisconsin‘s strict guidelines about how searches are conducted to ensure a fair and equitable process.

“We are hopeful that we will be able to announce a new opera director sometime in the spring.”

The Ear notes that under Wisconsin’s open record laws, there will be no word about the dozens of individual applicants until the finalist stage of the search. That is designed to help protect the current jobs of applicants who do not make it into the pool of four or five finalists who are invited to visit the campus. (Below is a photo by Michael R. Anderson from the most recent production, “The Marriage of Figaro” by Wolfgang Amadeus Mozart.)

Marriage of Figaro dress rehearsal. Tia Cleveland (Marcellina), Joel Rathmann (Figaro), Anna Whiteway (Susanna), Thomas Weis (Bartolo).

Marriage of Figaro dress rehearsal. Tia Cleveland (Marcellina), Joel Rathmann (Figaro), Anna Whiteway (Susanna), Thomas Weis (Bartolo).

Here is the official notice for the UW-Madison School of Music Position Vacancy Listing for the Karen K. Bishop Director of Opera:

“The School of Music at the University of Wisconsin-Madison invites applications for an Artistic Director of University Opera and teacher of operatic performance, interpretation, and literature.

“This is a full-time, tenure-track appointment at the Assistant Professor level beginning August 2016. Successful candidates will demonstrate evidence of an established or emerging national/international career, along with an ability to enhance the School’s educational mission and overall commitment to teaching.

“Candidates will be expected to pursue creative activities or research interests appropriate to a tenure-track position.

“Candidates will also be expected to help recruit and teach a diverse student body of undergraduate and graduate students, to advise and mentor students, to serve on graduate degree committees, and to carry out leadership and service within the School, College, and University.

Duties:

  • Serve as Artistic Director of University Opera
    • –  Organize, administer and coordinate all facets of the program, recruiting and fundraising as necessary
    • –  Direct and supervise all facets of two major productions each year
  • Coordinate and co-teach the University Opera Workshop Course

– Prepare scenes and productions, including stage movement and character development;

  • Promote and participate in local and state outreach programs
  • Nurture relationships and serve as liaison with community and regional arts organizations
  • Teach related courses as needed and according to the candidate’s expertise
  • Supervise doctoral minors in opera/voice coaching and in opera production
  • Minimum Qualifications:
  • Master’s degree with significant professional experience
  • Proven excellence as an opera director in the professional and/or academic setting
  • Comprehensive knowledge of operatic literature, styles and traditions
  • Ability to pursue research and/or creative activity and service to the profession at the national/international 
level
  • Ability to teach effectively in the classroom and in rehearsal, at both the undergraduate and graduate levels
  • Ability to guide research and advise on the preparation of graduate documents and exams
  • Ability to work effectively and collaborate within the School of Music and with outside groups and 
community arts organizations
  • Ability to serve as advisor for doctoral minors
  • Commitment to recruitment for the School of Music
  • Ability to collaborate with the voice faculty, School of Music, and university in developing and planning for 
the opera program

Preferred Qualifications:

  • PhD/DMA/MFA completed
  • Ability to conduct/lead musical rehearsals
  • Ability to coach singers from the piano
  • Fluency in standard operatic languages (French, German, Italian, English)
  • Experience as an operatic performer
  • Salary: $65,000 (minimum)

(Below is a photo of the University Opera’s 2011 production of Giacomo Puccini‘s “La Bohème.”)

University Opera La Boheme Photo 2


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