Then at 7:30 p.m. in Mills Hall, the UW Wind Ensemble (below top), conducted by Scott Teeple (below bottom), will perform a FREE concert of works by Jim Territo, William Schuman, Charles Ives, Percy Grainger and Paul Hindemith.
The Well-Tempered Ear
Classical music education: The 18th annual family-friendly and FREE Concert in the Park by the Wisconsin Youth Symphony Orchestras, with two student soloists, is this Wednesday night on the far west wide of Madison
August 5, 2019
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By Jacob Stockinger
The Wisconsin Youth Symphony Orchestras will perform its 18th annual FREE summer Concert in the Park (below) on this coming Wednesday, Aug. 7, at 1200 John Q. Hammons Drive in the Old Sauk Trails Business Park. (The rain date is this Thursday.)
Hosted by The Gialamas Company, the Concert in the Park is designed to be fun for all ages and is FREE to the public. The Ear can attest to the excellent quality of the musical performances.
Led by WYSO’s music director and Youth Orchestra conductor Kyle Knox (below), who is a graduate of the UW-Madison and the associate conductor of the Madison Symphony Orchestra, WYSO’s Youth Orchestra will perform works by Antonin Dvorak, Peter Ilyich Tchaikovsky, Modest Mussorgsky, Felix Mendelssohn, Camille Saint-Saens, John Philip Sousa and Dmitri Shostakovich.
The program includes concerto performances by two WYSO student soloists: violinist Ellen Zhou; and cellist Grace Kim.
The grounds will open at 5 p.m. for setting up lawn chairs and blankets for picnics and socializing, and for engaging in pre-concert activities, including an ice cream social (below top) and a WYSO instrument petting zoo. Also scheduled are a visit by The Big Red Reading Bus (below bottom) from the Madison Reading Project and activities by the Madison Children’s Museum.
The concert begins at 7 p.m., followed by a fireworks display.
Here is the concert program:
Slavonic Dances Nos. 1, 3, 4, 6, 8 by Antonin Dvorak
Violin Concerto by Felix Mendelssohn
- Allegro molto appassionato
Ellen Zhou, violin (below)
Cello Concerto No. 1 in A minor, Op. 33, by Camille Saint-Saens
III. Tempo primo
Grace Kim, cello (below)
Symphony No. 4 in F minor, Op. 36, by Peter Ilyich Tchaikovsky
- Finale: Allegro con fuoco
Intermission
“Tahiti Trot” (Tea for Two) by Dmitri Shostakovich (orchestrated by Dave Brubeck and heard in the YouTube video at the bottom)
“Stars and Stripes Forever” March by John Philip Sousa (orchestrated by Leopold Stokowski)
“Pictures at an Exhibition” by Modest Mussorgsky (orchestrated by Maurice Ravel)
1st Promenade
Gnomus
2nd Promenade
4th Promenade
Ballet of Unhatched Chicks
The Hut on Hen’s Legs (Baba Yaga)
The Great Gate of Kiev
For more information, food and beverage menus, and information about how to reserve tables, call (608) 836-8000 or visit www.Gialamas.com (click on Events) or email office@Gialamas.com
For more information about WYSO, including how to join it, support it, learn about its background and attend future events, go to https://www.wysomusic.org
Posted in Classical music
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Classical music: This Friday night, the UW Symphony Orchestra depicts visual art in sound. Plus, two all-student string orchestras perform Saturday afternoon and the UW Wind Ensemble performs Saturday night
April 25, 2019
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CORRECTION: The concert by Sonata à Quattro TONIGHT at Oakwood Village West is at 7 p.m. — NOT 8 p.m. as mistakenly stated in Tuesday’s blog posting.
By Jacob Stockinger
This weekend, two student orchestras will give FREE concerts at the University of Wisconsin-Madison’s Mead Witter School of Music.
On Friday night, April 26, at 8 p.m. in Mills Hall, the UW Symphony Orchestra (below top) under conductor Chad Hutchinson (below bottom), who has won prizes and acclaim for his programming, will give a FREE “gallery tour” concert exploring how visual art is depicted in sound.
The program opens with “Finding Rothko” (2006), by American composer Adam Schoenberg (below).
The musical work depicts four Abstract Expressionist paintings by the Russian-American master Mark Rothko (below top, above his 1956 painting in Orange. You can hear the “Orange” section of the musical work in the YouTube video at the bottom.)
To read the composer’s notes, go to: https://adamschoenberg.com/works/finding-rothko/
To find out more about the composer, go to: https://en.wikipedia.org/wiki/Adam_Schoenberg
The concert concludes with the dramatic, dark and moody “Pictures at an Exhibition” — in the classic orchestration by Maurice Ravel – by Russian composer Modest Mussorgsky (below).
The musical work is a set of vignettes evoking drawings and watercolors by Viktor Hartmann (below top), including the famous ending with “The Great Gate of Kiev” (below bottom).
SATURDAY
On Saturday afternoon, April 27, at 2 p.m. in Mills Hall, the All-University Strings (below, in a photo by Jeff Miller for University Communications) – made up of non-music majors – will perform a FREE concert.
All-University Strings is comprised of two non-major string orchestras — named Orchestra One and Orchestra Two – that are open to all interested string players who are not music majors. Director Pedro Oviedo will conduct.
No word on the program, which is unfortunate. The Ear suspects that if the public knew the program, the concert might draw a bigger audience.
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Classical music: Canadian violinist James Ehnes and American composer John Harbison are spotlighted this coming weekend by the Madison Symphony Orchestra
February 11, 2019
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By Jacob Stockinger
Internationally recognized and Grammy Award-winning Canadian violinist James Ehnes returns to Overture Hall this weekend to perform the Brahms Violin Concerto with the Madison Symphony Orchestra (MSO, below in a photo by Greg Anderson).
The program opens with a performance of American composer John Harbison’s The Most Often Used Chords, and closes with Modest Mussorgsky’s Pictures at an Exhibition.
This program is a continuation of MSO music director John DeMain’s 25th anniversary season.
Performances will be held in Overture Hall, 201 State Street, on Friday, Feb. 15, at 7:30 p.m.; Saturday, Feb. 16, at 8 p.m.; and Sunday, Feb. 17, at 2:30 p.m.
Tickets information is below.
“Mussorgsky’s masterpiece explores the colors of the orchestra — the correlation of an artist’s visual medium through the colors of sound and music. And its finale The Great Gate of Kiev (heard in the YouTube video at the bottom), is one of classical music’s greatest hits,” says DeMain (below, in a photo by Greg Anderson).
DeMain adds: “James Ehnes (below, in a photo by Benjamin Ealovega) is a violinist who is completely to my taste. With an absolutely gorgeous sound and consummate technique, he goes to the heart of the music. He will approach the Brahms violin concerto as a violinist’s violinist, adored by the public, by his colleagues and by me for the integrity in his playing.”
On this Friday afternoon, Feb. 15, from 2:30 to 4 p.m. in Mills Hall, Ehnes will give a free and public master class at the University of Wisconsin-Madison’s Mead Witter School of Music.
DeMain continues: “We celebrate the 80th birthday of the internationally renowned — and Madison resident — composer John Harbison (below) with the first performance by the MSO of his delightful composition, The Most Often Used Chords.”
Harbison’s The Most Often Used Chords is a satirical piece of “anti-art art,” or “found object,” art. According to the composer, the found object that inspired this symphony (originally titled Fli Accordi Piu Usati) were the pre-printed “Fundamentals of Music” pages that he noticed in an Italian music-writing notebook. The work was originally composed in 1992 for the Los Angeles Chamber Orchestra.
Written in 1878, the Brahms Violin Concerto was dedicated to his friend Joseph Joachim and premiered in 1879 in Leipzig, with Joachim soloing and Brahms (below) conducting.
An equal partnership between soloist and ensemble is on full display in this concerto; it is not a piece in which the orchestra serves as mere backdrop. Rather, the violinist and orchestra are a team, collaborating and interacting to recount an elegant and nuanced musical drama.
Originally written as a piano composition, Pictures at an Exhibition by Modest Mussorgsky was composed as a memorial to his friend, the Russian artist Viktor Hartmann, who died in 1873. The suite consists of 10 movements — each a musical depiction of one of 10 paintings by Hartmann. These movements are interspersed with a recurring promenade theme that represents a visitor strolling through the exhibition.
The arrangement by Maurice Ravel (below), produced in 1922, represents a virtuoso effort by a master composer. His instrumental colors — a trumpet solo for the opening Promenade, dark woodwind tones, the piccolo and high strings for the children’s “chicks in shells” — are widely admired. The influence of Ravel’s version may often be discerned in subsequent versions of the suite.
CONCERT AND TICKET DETAILS
The lobby opens 90 minutes prior to each concert. One hour before each performance, Randal Swiggum (below) will lead a 30-minute Prelude Discussion in Overture Hall to enhance concertgoers’ understanding and listening experience. It is free to ticket holders.
The symphony recommends concert attendees arrive early for each performance to make sure they have time to pass through Overture Center’s security stations, and so they can experience the Prelude Discussion.
Program notes for the concerts, written retired MSO trombonist J. Michael Allsen, are available online: http://bit.ly/feb2019programnotes
- Single Tickets are $18-$93 each and are on sale now at: https://madisonsymphony.org/ehnesthrough the Overture Center Box Office at 201 State Street, or by calling the Box Office at (608) 258-4141. Fees apply to online/phone sales.
- Groups of 10 or more can save 25% by calling the MSO office at (608) 257-3734. For more information, visit, https://www.madisonsymphony.org/groups.
- Student rush tickets can be purchased in person on the day of the concert at the Overture Center Box Office at 201 State Street. Students must show a valid student ID and can receive up to two $15 or $20 tickets. More information is at: https://www.madisonsymphony.org/studentrush
- Seniors age 62 and up receive 20% savings on advance and day-of-concert ticket purchases in select areas of the hall.
- Flex-ticket booklets of 10 vouchers for 18-19 symphony subscription concerts are available. Learn more at: https://madisonsymphony.org/flex
Discounted seats are subject to availability, and discounts may not be combined.
Major funding for the February concerts is provided by: The Madison Concourse Hotel and Governor’s Club, BMO Harris Bank, Boardman and Clark LLP, Capitol Lakes, Dr. Robert and Linda Graebner, Marvin J. Levy, and Cyrena and Lee Pondrom.
Additional funding is provided by Martha and Charles Casey, and by the Wisconsin Arts Board, with funds from the State of Wisconsin and the National Endowment for the Arts.
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Classical music: This weekend also brings holiday brass music, string music and new chamber music with voice to the UW. Plus, live radio broadcasts from the Metropolitan Opera start this Saturday on Wisconsin Public Radio
November 30, 2018
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ALERT: This Saturday, Dec. 1, sees the start of the “Live From the Met” opera broadcasts on Wisconsin Public Radio with Arrigo Boito’s opera “Mefistofole.” The weekly series, now in its 88th year, will continue through May 11. Starting time is usually noon. Here is a link to the radio broadcast season: https://www.wpr.org/metropolitan-opera-begins-its-88th-season
By Jacob Stockinger
As usually happens towards the end of the semester, concerts are backing up, especially on the weekends.
Yesterday, information about the two performances of the annual UW-Madison Winter Choral Concert on Sunday afternoon was posted. Here is a link: https://welltempered.wordpress.com/2018/11/29/classical-music-two-performances-of-the-uw-madisons-popular-winter-choral-concert-takes-place-this-sunday-afternoon/
But much more is going on.
Take a look and listen:
SATURDAY
Non-music majors, take heart. If you attend the University of Wisconsin-Madison, you can still play and perform while pursuing other studies.
At 4 p.m. in Mills Hall, the All-University Strings (AUS) will perform a FREE concert that is open to the public.
The group (below, in a photo by Jeff Miller for the UW-Madison) is comprised of two non-major string orchestras (named Orchestra One and Orchestra Too), and is open to all interested string players. No audition is required, seating order is voluntary, and there is no ranking within the sections.
The AUS program endeavors to be a true learning community, serving students from virtually every department and major with the goal of nurturing lifelong engagement in music and the arts.
Pedro Oviedo is the conductor, and the guest artists are The Hunt Quartet. (The string quartet is made up of graduate students at the UW-Madison’s Mead Witter School of Music: Chang En Lu and Ava Shadmani, violins; Fabio Saggin, viola; and Alex Chambers-Ozasky, cello. They will be joined by Max Herteen, double bass.)
The appealing program includes:
Norman Leyden: Serenade for Strings
Karl Jenkins: Allegretto from “Palladio” (A neo-Baroque piece you might recognize from a De Beers “Diamonds Are Forever” ad. Listen to it in the YouTube video at the bottom.)
Eric Whitacre: October
Modest Mussorgsky, orchestrated by Maurice Ravel: “The Hut on Fowl’s Legs (Baba Yaga)” and “The Great Gate of Kiev” from Pictures at an Exhibition
Astor Piazzolla: La muerte del angel (The Death of the Angel)
Ralph Vaughan Williams: Concerto Grosso
SUNDAY
At 12:30 p.m. the UW Horn Choir (below) will present its annual holiday concert at the Chazen Music of Art as part of the Sunday Afternoon Live at the Chazen series.
The FREE and public concert, directed and conducted by horn Professor Daniel Grabois, takes place in Brittingham Gallery No. 3.
The event will also be streamed live. Here is a link to the streaming portal as well as information about the program, which includes Bach and Mahler, the players and how to reserve seats:
https://www.chazen.wisc.edu/about/news/in-the-news/sunday-afternoon-live-with-the-uw-horn-choir/
At 8 p.m. in Morphy Hall, a FREE concert of chamber music by distinguished guest artists will be held.
The Brooklyn-based soprano-violin duo Cipher Duo (below top, Justine Aronson and Sarah Goldfeather) will team up with cellist Nicholas Photinos(below bottom), a member of the Grammy-winning chamber music ensemble eighth blackbird, for an evening-length performance of both new and reimagined music.
The program will include works by Sarah Goldfeather, Amy Beth Kirsten, David T Little, Dolly Parton and more.
On Monday, the performers will also give public master classes:
The Cello Master Class is Monday, Dec. 3, 12:15-2:15 p.m. in Morphy Hall.
The Violin-Voice Master Class: Monday, Dec. 3, 1:15-3:15 p.m. in Music Hall.
For more information about the program and performers, go to: https://www.music.wisc.edu/event/guest-artists-nicholas-photinos-cello-and-cipher-duo-voice-and-violin/
Posted in Classical music
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Tags: #All-UniversityStrings, #AmyBethKirsten, #ArrigoBoito, #AstorPiazzolla, #BaroqueMusic, #BlogPost, #BlogPosting, #CelloMusic, #ChamberMusic, #ChazenMuseumofArt, #ChristmasHoliday, #CipherDuo, #ConcertoGrosso, #DanielGrabois, #DavidTLittle, #DeBeers, #DiamondsAreForever, #DollyParton, #DoubleBass, #EighthBlackbird, #EricWhitacre, #FacebookPost, #FacebookPosting, #GraduateStudent, #GrammyAward, #GreatGateofKIev, #GuestArtist, #GustavMahler, #HolidayConcert, #HornChoir, #HuntQuartet, #JohannSebastianBach, #JustineAronson, #KarlJenkins, #LiveFromtheMet, #LiveStreaming, #MauriceRavel, #MetropolitanOpera, #MillsHall, #ModestMussorgsky, #MorphyHall, #MusicEducation, #MusicHall, #NeoBaroque, #NewMusic, #NewTango, #NicholasPhotinos, #NormanLeyden, #NuevoTango, #OpentothePublic, #OperaMusic, #PedroOviedo, #PicturesatanExhibition, #RalphVaughanWilliams, #SarahGoldfeather, #StringMusic, #StringOrchestra, #StringQuartet, #SundayAfternoonLiveattheChazen, #UniversityofWisconsin, #UniversityofWisconsin-Madison, #ViolaMusic, #ViolinMusic, #WinterConcert, #WisconsinPublicRadio, #YouTubevideo, ad, All-University Strings, Amy Beth Kirsten, angel, Arts, audition, Ástor Piazzolla, Bach, Baroque, blog, Blog post, blog posting, Broadcast, Cello, Chamber music, Chazen Museum of Art, choral music, Cipher Duo, Classical music, community, composer, Concert, Concerto Grosso, conductor, Daniel Grabois, David T Little, De Beers, death, department, diamond, Diamonds Are Forever, Dolly Parton, double bass, Early music, eighth blackbird, engagement, Eric Whitacre, evening, evil, Facebook, fowl, free, graduate student, Grammy, Great Gate of Kiev, guest artist, Gustav Mahler, hiut, Holiday, horn choir, Hunt Quartet, Jacob Stockinger, Johann Sebastian Bach, Justine Aronson, Karl Jenkins, learning, leg, like, link, listen, Live From the Met, live streaming, live-stream, livestream, look, major, master class, masterclass, Maurice Ravel, Mefistofole, Mephistopheles, Metropolitan Opera, Mills Hall, Modest Mussorgsky, Morphy Hall, Music education, Music Hall, New Music, new tango, Nicholas Photinos, Norman Leyden, nuevo tango, October, open, Orchestra, orchestrated, Palladio, Pedro Oviedo, perform, Pictures at an Exhibition, play, portal, program, public, Radio, Ralph Vaughan Williams, ranking, reimagined, Sarah Goldfeather, Satan, Saturday, Season, seating, section, series, share, soprano, string music, String Orchestra, String quartet, studies, Sunday, Sunday Afternoon Live at the Chazen, tag, tango, the Met, UW-Madison, Viola, Violin, voluntary, weekend, weekly, winter, Winter Concert, wisconsin public radio
Classical music: The Middleton Community Orchestra will perform music by Barber, Mendelssohn and Mussorgsky this Wednesday night.
February 23, 2015
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By Jacob Stockinger
The Ear has received the following invitation from his good friends over at the Middleton Community Orchestra:
Dear friends,
We invite you to step out of the cold to enjoy the winter concert of the Middleton Community Orchestra (below top) under the baton of guest conductor Kyle Knox (below), who is a graduate student in conducting at the University of Wisconsin-Madison School of Music.
The program includes the short but hauntingly beautiful Canzonetta for Oboe and Strings by the 20th-century neo-Romantic American composer Samuel Barber (below top), with oboe soloist Andy Olson (below bottom), who was educated at Lawrence University in Appleton, Wisconsin and who now works at Epic Systems digital health care records near Madison.
Also included on the program are the popular, playful and tuneful “Incidental Music to a Midsummer Night’s Dream” by Felix Mendelssohn (below top); and the darkly dramatic “Pictures at an Exhibition” by Modest Mussorgsky (below bottom), a work famous for the familiar and regal “The Great Gate of Kiev” finale, which you can hear at the bottom in a YouTube video as performed by Sir George Solti and the Chicago Symphony Orchestra.
The concert will begin at 7:30 p.m. this coming Wednesday evening, Feb. 25, at the comfortable Middleton Performing Arts Center (below) that is attached to Middleton High School.
Tickets are $10, and are available at Willy St. Coop West and at the door on the night of the show. Students are admitted free of charge.
The box office opens at 6:30 p.m. and doors open at 7 p.m.
There will be a meet-and-greet reception for the musicians and the audience following the performance.
For more information, please call 608-212-8690. You can also visit www.middletoncommunityorchestra.org for information about upcoming concerts and how to join or support the ensemble.
Sincerely,
Mindy Taranto and Larry Bevic, Co-founders, Middleton Community Orchestra
Editor’s note: If you are not familiar with the Middleton Community Orchestra, you might want to read the post from this past December in which The Ear named the four-year-old Middleton group and other amateur musicians the Musician of the Year for 2014
Posted in Classical music
Tags: A Midsummer Night's Dream (Mendelssohn), amateur, Arts, Chicago, Chicago Symphony Orchestra, Classical music, Epic Systems, Felix Mendelssohn, Great Gate of Kiev, Jacob Stockinger, Kyle Knox, Lawrence University, Lawrence University Conservatory of Music, Madison, Middleton Community Orchestra, Modest Mussorgky, Music, neo-Romantic, Oboe, Orchestra, Romantic, Samuel Barber, Sir George Solti, University of Wisconsin-Madison School of Music, University of Wisconsin–Madison, YouTube
Tags: A Midsummer Night's Dream (Mendelssohn), amateur, Arts, Chicago, Chicago Symphony Orchestra, Classical music, Epic Systems, Felix Mendelssohn, Great Gate of Kiev, Jacob Stockinger, Kyle Knox, Lawrence University, Lawrence University Conservatory of Music, Madison, Middleton Community Orchestra, Modest Mussorgky, Music, neo-Romantic, Oboe, Orchestra, Romantic, Samuel Barber, Sir George Solti, University of Wisconsin-Madison School of Music, University of Wisconsin–Madison, YouTube
Classical music education: Trust The Ear — you will be pleased and perhaps even astonished by the annual Winterfest concerts of the Wisconsin Youth Symphony Orchestras on this Saturday and Sunday on the University of Wisconsin-Madison campus.
March 11, 2014
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By Jacob Stockinger
This weekend brings the annual Winterfest concerts given by the Wisconsin Youth Symphony Orchestras.
Once again, The Ear predicts, audiences will see and hear some of the city’s biggest, most enthusiastic and youngest audiences (below) greet equally young, enthusiastic and talented young players who turn in performances of astounding and often unexpected high quality.
The Ear knows that from personal experience. I will never ever forget a remarkable performance of the Symphony No. 8 by Antonin Dvorak that I heard at a spring WYSO performance several years ago. It was serious music-making, not just student music-making.
In retrospect, all that should be no surprise. Young people from all around southcentral Wisconsin become members of WYSO only through a rigorous audition process, and the training is hard and long. But WYSO’s young performers end up making great music greatly, so that when they are invited to go on tour to Europe (two summers ago) and South America (this coming summer) it seems a natural outcome.
The concerts on this Saturday and Sunday are the primary concert fundraisers for the group that holds the most promise of insuring the future of classical music and music education among young people, especially at a time when arts funding is being taken away from many public schools.
The concerts also serve as the run-up to the all-important Art of Note gala fundraiser on Saturday, March 29, from 6 to 10 p.m. at CUNA Mutual. The concerts are guaranteed to whet your appetite for the Art of Note, which will feature fine food, wine, live music by student groups, auctions of items from sports matches and restaurants to vacations and entertainment, and old violins (below bottom) recycled as art.
(In the interest of full disclosure, The Ear has to say that he is a member of the Board of Directors of WYSO — precisely because he considers it such a vital investment in the future of the performing arts and arts education. You should attend the concerts if you can, and also donate what you can to WYSO because I can’t think of a better or more deserving investment you can make.)
On this Saturday and Sunday, March 15 and March 16, more than 350 talented young musicians will perform both classical and contemporary works.
The Winterfest Concerts will be held in Mills Concert Hall in the University of Wisconsin-Madison George L. Mosse Humanities Building, 455 N. Park Street, in Madison.
WYSO concerts generally last about 1-1/2 hours, and provide a great orchestral concert opportunity for families. Dress is casual and the atmosphere is respectful, but informal. These concerts are, in a word, fun.
Tickets are available at the door: $10 for adults and $5 for children under 18 years of age.
WYSO was founded in 1966 and has served nearly 5,000 young musicians from more than 100 communities in southern Wisconsin.
The concert series kicks off on Saturday at 1:30 p.m. with Sinfonietta (below) performing works by Aaron Copland, Peter Illich Tchaikovsky, Bedrich Smetana, Gazda, and Leyden.
Then on Saturday at 4 p.m. the Concert Orchestra (below) will perform numerous works, including “Three Songs of Chopin” by Frederic Chopin, “In the Bleak Midwinter” by Gustav Holst, “Band of Brothers” by Michael Kamen, and “The Great Gate of Kiev” from “Pictures at an Exhibition” by Modeste Mussorgsky.
On Sunday at 1:30, the Philharmonia Orchestra (below, rehearsing) will perform the irresistible final movement of Ludwig van Beethoven’s famous Symphony No. 5 in C minor, the fourth movement of Dmitri Shostakovich’s searing Symphony No. 5, “Peer Gynt Suite No. 1” by Edvard Grieg, “March and Procession to Bacchus” by Leo Delibes, and finally “Procession to the Cathedral” by Richard Wagner.
Then also on Sunday at 4 p.m., the Youth Orchestra (below, in performance under WYSO’s music director and UW-Madison conducting professor James Smith) will close the concert series with Symphony No. 4 in E-Flat by the 19th-century Romantic Russian composer Peter Illich Tchaikovsky (it is The Ear’s favorite of Tchaikovsky’s six wonderful symphonies); “Liturgical Scenes” by the 20th-century American composer Ellsworth Milburn; and “El sombrero de tres picos” (The Three-Cornered Hat) by the 20th-century Spanish composer Manuel de Falla. (At bottom is a YouTube video of the finale to Jean Sibelius’ Symphony No. 2 as performed at last year’s WYSO Winterfest.)
For more information about the Winterfest concerts and the Art of Note gala fundraiser on Saturday, March 29, as well as for information about auditioning to join WYSO and ways to support WYSO, visit:
WYSO extends special thanks to Diane Endres Ballweg for her generous multi-year support of the Winterfest Concerts. The concerts are also generously supported by Dane Arts, with additional funds from the Endres Mfg. Company Foundation, and the Wisconsin Arts Board with funds from the State of Wisconsin and the National Endowment for the Arts.
Posted in Classical music
Tags: Aaron Copland, Antonín Dvořák, Arts, arts education, Beethoven, Chamber music, Chopin, Classical music, Copland, Delibes, Dvorak, Edvard Grieg, Frédéric Chopin, George Mosse, Great Gate of Kiev, Grieg, Gustav Holst, Holst, Jacob Stockinger, Jean Sibelius, Leo Delibes, Ludwig van Beethoven, Madison, Manuel de Falla, Metropolitan Opera, Music, Music education, Mussorgsky, Orchestra, Peer Gynt, Performing arts, Peter Tchaikovsky, Philharmonia Orchestra, Pictures at an Exhibition, Richard Wagner, Saturday, Shostakovich, Smetana, Sunday, symphony, Tchaikovsky, Three-Cornered Hat, University of Wisconsin-Madison School of Music, University of Wisconsin–Madison, Wagner, Wisconsin, Wisconsin Youth Symphony Orchestra, WYSO, YouTube
Tags: Aaron Copland, Antonín Dvořák, Arts, arts education, Beethoven, Chamber music, Chopin, Classical music, Copland, Delibes, Dvorak, Edvard Grieg, Frédéric Chopin, George Mosse, Great Gate of Kiev, Grieg, Gustav Holst, Holst, Jacob Stockinger, Jean Sibelius, Leo Delibes, Ludwig van Beethoven, Madison, Manuel de Falla, Metropolitan Opera, Music, Music education, Mussorgsky, Orchestra, Peer Gynt, Performing arts, Peter Tchaikovsky, Philharmonia Orchestra, Pictures at an Exhibition, Richard Wagner, Saturday, Shostakovich, Smetana, Sunday, symphony, Tchaikovsky, Three-Cornered Hat, University of Wisconsin-Madison School of Music, University of Wisconsin–Madison, Wagner, Wisconsin, Wisconsin Youth Symphony Orchestra, WYSO, YouTube
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