The Well-Tempered Ear

Classical music: Recorder virtuoso Piers Adams solos in baroque and contemporary concertos this Friday night with the Wisconsin Chamber Orchestra

April 18, 2019
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By Jacob Stockinger

During his long and successful tenure with Wisconsin Chamber Orchestra (below), music director and conductor Andrew Sewell has established a reputation for championing unusual repertoire and booking young or relatively unknown soloists as well as for offering insightful interpretations of classic masterworks.

But Sewell (below) seems to be surpassing himself with the concert he will lead this Friday night, April 19, at 7:30 p.m. in the Capitol Theater of the Overture Center.

For one, the concert features the British recorder virtuoso Piers Adams (below), who established his own reputation as a part of the unusual baroque quartet Red Priest, the nickname for Antonio Vivaldi, who was indeed a priest in Venice with flaming red hair. (In the YouTube at the bottom, you can sample Adams’ virtuosity as he makes bird calls on the recorder while playing a section of “Spring” from Vivaldi’s “Four Seasons.”)

You can also go to the following websites for more information about Piers Adams:

https://piersadams.com

https://en.wikipedia.org/wiki/Piers_Adams

The Ear can’t think of another time any major group in the area offered a soloist on the recorder – a baroque wooden flute-like instrument — except for the Madison Early Music Festival.

True to form, Adams will perform baroque music with the WCO – specifically, the Concerto for Recorder in C Major by Georg Philipp Telemann.

But to add to the more unusual aspects of the concert, Adams will also perform a contemporary work with the WCO – specifically, a 1994 recorder concerto by the English composer David Bedford (1937-2011, below) that was commissioned by Adams and has proven popular both on a recording and in concert.

For more information about Bedford, go to:

https://en.wikipedia.org/wiki/David_Bedford

To round out the program, Sewell has programmed two other rarely heard works: the “Brook Green” Suite by Gustav Holst, best known for “The Planets”; and the Serenade in E-Flat Major, Op. 6, by the Czech composer Josef Suk (below), a very accomplished violinist and composer who studied with Antonin Dvorak and then became his son-in-law.

https://en.wikipedia.org/wiki/Josef_Suk_(composer)

For more information about the concert, including tickets ($12-$80) and notes on the performers and the program, go to:

https://wisconsinchamberorchestra.org/performances/masterworks-iv-4/


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Classical music: Here are some suggestions for summer music festivals from NPR, the BBC and The New York Times that may help you plan your summer vacation.

June 5, 2014
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By Jacob Stockinger

The Ear admits it: He is more of an armchair traveler than a true explorer of the globe and its many cultures and cultural events.

But that approach has its compensations. At least it gives me a certain satisfaction that my carbon footprint is smaller than many “eco-friendly” people and “greens” who say they worry about global warming and climate change but think nothing of hopping on a jet to travel thousands of miles.

Jumbo jet taking off

But if I were to go on big trips, I might well plan some of them around the many wonderful classical music festivals that have sprung up in the area, the regional, the nation and the world.

Here is a link to 10 “can’t miss” classical music festivals. They include the always intriguing Bard Festival (below) that takes place near New York City on the Hudson River and in a concert hall (below) designed by celebrated architect Frank Gehry. Here is a link to the list on the terrific blog “Deceptive Cadence” on NPR:

http://www.npr.org/blogs/deceptivecadence/2014/05/01/307968750/10-cant-miss-classical-music-festivals

Bard Music Festival Frank Gehry Richard B. Fisher Center for the Performing Arts hall

The New York Times has a more international list that includes the Salzburg Festival (below top) in Austria and the self-consciously hip Bach Festival (below bottom and at the bottom in a YouTube video) in Leipzig, Germany:

Salzburg Festival outdoors

Bach Festival in Leipzig 2013

http://www.nytimes.com/2014/05/23/arts/international/a-summer-feast-of-classical-music.html?_r=0

The list of festivals from the BBC Music Magazine is understandably heavy on festivals in the United Kingdom:

http://www.classical-music.com/festival-guide-2014

The Ear also found it helpful to Google “2014 summer classical music festivals.” He found quite a few festivals that were not listed in the other guides.

Of course, you still have to pay attention to the local media for word of local music festivals. This month, for example, the Bach Dancing and Dynamite Society (below) kicks off its annual three-weekend season of chamber music on Friday, June 13.

BDDS Haydn symphony 85 La Reine

In July, to offer another example, the Madison Early Music Festival (MEMF) will take place at the University of Wisconsin-Madison School of Music. This year it is devoted to Italian music from 1300 to 1600, and will take place July 12-19. MEMF (below) made the New York Times listing last year, if I remember correctly, but not this year.

http://continuingstudies.wisc.edu/conferences/madison-early-music-festival/index.html?source=madisonearlymusic.org

MEMF 2012 left stage

And then in late August the annual Token Creek Chamber Music Festival, which takes place in a renovated barn (below), will happen. The 2014 season is the 25th anniversary season. Specific programs of composers and works are not listed, although performers and concert titles or themes are given. The site says to check back soon for details:

http://tokencreekfestival.org

TokenCreekbarn interior

 

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