By Jacob Stockinger
Has March’s proverbial lion finally yielded to the lamb?
Here is Madison there is still some snow on the ground. But it should all be gone by the end of today, which, like yesterday, will reach into the 50s.
Just in time.
Today is the Vernal Equinox, bringing the first day of spring. It arrives at 5:29 a.m. this morning.
Spring has been an inspiration to many composers. So there is a lot of music to choose from when you want to celebrate season musically.
The Ear is fickle and his choice changes from year to year.
But lately, his favorite has been the “Spring” Sonata in F Major for violin and piano by Ludwig van Beethoven. (You can hear the opening of the famously tuneful and upbeat sonata, performed by violinist Itzhak Perlman and pianist Vladimir Ashkenazy, in the YouTube video at the bottom.)
Of course there are violin concertos by Antonio Vivaldi and Arcangelo Corelli; choral works by Johann Sebastian Bach and Franz Joseph Haydn; chamber music by Wolfgang Amadeus Mozart; orchestral music by Robert Schumann, Peter Tchaikovsky and Igor Stravinsky; piano pieces by Felix Mendelssohn and Edvard Grieg; songs by Franz Schubert and Johannes Brahms. And there is more, so much more.
Yesterday, Wisconsin Public Radio programmed a lot of spring music, and The Ear expects the same for today’s programming.
But you can be your own DJ if you want. Here is a list of almost two hours of spring-related music:
And here is a springtime puzzler, or quiz, about flowers in opera from NPR or National Public Radio:
Plus, there are plenty of other guides and anthologies to music for spring that you can find online.
So here is what The Ear wants to know: What is your favorite piece of music to greet spring with?
Leave words in the COMMENT section along with a link to a YouTube performance if possible.
And a Happy Spring to you!
ALERT: This week’s FREE Friday Noon Musicale at the First Unitarian Society of Madison 900 University Bay Drive, features the ensemble New Muse with Danielle Breisach, flute; Peter Miliczky, violin; Joshua Dieringer, viola; Ben Bauer, cello; and Yana Avedyan, piano, in new music by Nathan Froebe, Benjamin Boyajian, and Jonathan Posthuma. The concert runs from 12:15 to 1 p.m.
By Jacob Stockinger
That where the Pro Arte will perform Sir Edward Elgar’s “Introduction and Allegro” with the Middleton High School Orchestra (below) under conductor Steve Kurr, who also conducts the Middleton Community Orchestra. (You can hear the Elgar piece in the YouTube video at the bottom.)
The FREE and UNTICKETED concert is this Thursday night from 7:30 to 9 p.m. in the Middleton Performing Arts Center that is attached to the high school, 2100 Bristol Street.
Conductor Steve Kurr says this about the program:
“Also on the program are the three winners of this year’s Concerto-Aria competition: Marimbist Alex Warholic plays the first movement of the Violin Concerto in A Minor by Johann Sebastian Bach; soprano Chloe Cole sings “V’adoro pupille” from the opera “Julius Caesar:” by George Frideric Handel; and violinist Rachael Lee performs the “Introduction and Rondo Capriccioso” by Camille Saint-Saens.
“The concert begins with two works performed by the MHS Honors Wind Ensemble.
“The Elgar is such a great work, and underperformed. The Pro Arte musicians are such great inspirations to our high school musicians.”
ALERT: This week’s FREE Friday Noon Musicale at the First Unitarian Society of Madison 900 University Bay Drive, features cellist Leonardo Altino playing Suites Nos. 1, 5 and 6 for unaccompanied cello by Johann Sebastian Bach. The concert runs from 12:15 to 1 p.m.
By Jacob Stockinger
WYSO will kick-off its 51st season with the Evelyn Steenbock Fall Concerts on this Saturday, Nov. 12, and next Saturday, Nov. 19. Nearly 500 young musicians will display their talents to the community during the concerts, which are dedicated to music teachers.
Kenneth will be playing cello and Cynthia will be conducting in the Cello Concerto by British composer Philip Sawyers. (You can hear Kenneth Woods conduct the opening movement of the cello concerto in the YouTube video at the bottom.)
The Youth Orchestra, under the direction of James Smith, will also be playing Symphony No. 2 by Ralph Vaughan Williams and Overture to the opera “Der Freischuetz” by Carl Maria von Weber.
Cynthia Woods (below) is currently the Music Director of the Cambridge Symphony Orchestra and the conductor for the Youth Preparatory Orchestra at the New England Conservatory, where she serves on the violin, chamber and conducting faculty.
Along with her conducting activities, Ms. Woods is also a frequent speaker and writer. She has been a guest lecturer at institutions such as MIT and the Longy School of Music of Bard College, a panelist for radio shows such as WGBH’s Callie Crossley, and a frequent contributor to The Boston Herald’s State of the Arts blog. Cynthia was a member of WYSO from 1984–1989 in Concert, Philharmonia and Youth Orchestra.
For more background about Cynthia Woods, go to:
Kenneth Woods (below) is currently the Artistic Director and Principal Conductor of the English Symphony Orchestra. As a cello soloist and chamber musician, Wood’s collaborators have included members of the Toronto, Chicago and Cincinnati symphonies, the Minnesota, Gewandhaus and Concertgebouw orchestras and the La Salle, Pro Arte, Tokyo and Aubudon String Quartets.
He also is currently cellist of the string trio Ensemble Epomeo, with whom he performs regularly in the UK, Europe, and the USA. He writes a popular blog, “A View From the Podium.” Kenneth was a member of WYSO from 1980–1986 in Concert, Philharmonia and Youth Orchestra. He also studied cello at the University of Wisconsin-Madison School of Music with Parry Karp, of the Pro Arte Quartet.
For more background and an interview with Kenneth Woods, go to:
Schedule and Programs
November 12, 2016 – 1:30 P.M., Mills Hall
November 12, 2016 – 4 P.M., Mills Hall
CONCERT ORCHESTRA (below)
November 19, 2016 – 7 P.M., River Arts Center
YOUTH ORCHESTRA (below)
The Evelyn Steenbock Fall Concerts will be held in Mills Concert Hall in the UW Humanities Building, 455 N. Park Street, Madison, and at the River Arts Center, 105 Ninth St. Prairie du Sac, Wisconsin.
WYSO concerts generally run about an hour and a half in length, providing a great orchestral concert opportunity for families.
Tickets are available at the door, $10 for adults and $5 for youth 18 and under.
This project is supported by Dane Arts with additional funds from the Evjue Foundation, Inc., the charitable arm of The Capital Times. This project is also supported in part by a grant from the Wisconsin Arts Board with funds from the State of Wisconsin and the National Endowment for the Arts.
By Jacob Stockinger
He played in a string quartet and a symphony orchestra before founding and directing a chamber orchestra that rose to the top ranks of the music world. Then he became a world-famous conductor of larger ensembles, including the Minnesota Orchestra.
He was Sir Neville Marriner (below, in old age), and he died at 92 on Oct. 2.
Perhaps because Marriner, who pioneered period practices on modern instruments when playing music of the Baroque and Classical eras, was famous for recording the soundtrack to the Academy Award-winning film “Amadeus,” his death was announced the same day on radio news programs – something that doesn’t happen often and speaks to his popularity and influence.
By all accounts, in the world of many egotistical maestros, Marriner remained modest. For this friendly titan, music mattered most and he was busy conducting right up until the end. Apparently, Marriner was a wonderful man to know and to work with.
Chances are good that by now you have already heard about Marriner’s death. So The Ear is offering some homages that repeat the details of his career and his passing. (Below is a photo of the young Neville Marriner.)
First are two moving testimonies from Marriner’s friend, the British critic Norman Lebrecht, published on Lebrecht’s blog Slipped Disc:
Here is the announcement of his death from the Academy of St. Martin in the Fields (heard playing the Adagio by Tomaso Albinoni in the YouTube video at the bottom), which Marriner founded and led for many years:
Here is an exhaustive obituary from The New York Times:
And here is another obituary from The Washington Post:
Here is a good overview with some audio-visual samples, from the Deceptive Cadence blog on NPR or National Public Radio:
And here is a good summary from famed radio station WQXR-FM in New York City:
Sir Neville Marriner was a prolific recording artist, with more than 500 recordings to his credit. The Ear fondly remembers an LP that had the Serenades for Strings by the Czech composer Antonin Dvorak and the “Holberg” Suite by Norwegian composer Edvard Grieg, which has been reissued as a “Legends” CD by Decca. The playing was warmly heart-felt and superb.
The Ear also loved his complete set of piano concertos by Wolfgang Amadeus Mozart, done with pianist Alfred Brendel.
What are your favorite Marriner recordings?
The Ear wants to hear.
By Jacob Stockinger
The Wisconsin Youth Symphony Orchestras (WYSO) will wind up their 50th anniversary season when they present the final concert series of the season — the Eugenie Mayer Bolz Family Spring Concerts — on this Saturday, May 21, and Sunday, May 22.
The concert series will be held in Mills Concert Hall in the University of Wisconsin-Madison campus in the George Mosse Humanities Building, 455 North Park Street, in Madison.
WYSO concerts generally run about an hour and a half in length, providing a great orchestral concert opportunity for families.
Tickets are available at the door, $10 for adults and $5 for young people 18 and under.
Almost 400 young musicians will display their talents to the community during four concerts.
The concert series will drop its downbeat at 1:30 p.m. on Saturday, May 21, when Sinfonietta (below), under the baton of Mark Leiser, takes the stage. The group will perform the Poet and Peasant Overture by Franz von Suppe; the Suite for String Orchestra on Old English Songs by Ritter George; the Adagio from Symphony No. 2 by Sergei Rachmaninoff; As Summer Was Just Beginning (Song for James Dean) by Daehn; and Final Quest composed by Chisam.
Following Sinfonietta, Christine Mata-Eckel will lead the Concert Orchestra (below) on stage to perform Kallalanta by William Harbinson, Peter Tchaikovsky’s Romeo and Juliet and finally Jacob’s Fantasia on the Alleluia Hymn.
The Harp Ensemble (below), under the direction of Karen Beth Atz, will also perform at this concert. It will be performing Courante CLXXXIII by Michael Praetorius and Toward the Sun by Izmaylov.
For the 4 p.m. concert on Saturday, May 21, Vicki Jenks will direct the Percussion Ensemble (below) as it gets the concert started. It will perform Dark Flight by Campbell and their annual performance of Londonderry Air (“Danny Boy”) in honor of graduating seniors.
Following Percussion Ensemble, the Philharmonia Orchestra (bel0w), under the direction of Michelle Kaebisch, will take the stage. It will perform the final movement of Jean Sibelius’ Symphony No. 2 and Espana by Emmanuel Chabrier.
The orchestra will also perform two concertos featuring the Philharmonia Orchestra Concerto Competition Winners. Pianist Antonio Wu (below top) will perform Felix Mendelssohn’s Piano Concerto and violinist Monona Suzuki (below bottom) will perform the Carmen Fantasy for Solo Violin by Pablo de Sarasate.
On Sunday, May 22, at 2 p.m. WYSO’s Brass Choirs (below) under the direction of Brett Keating will start the show performing works by George Frideric Handel, Olson, Heinrich Schutz and more.
Following Brass Choirs, Youth Orchestra (below) with WYSO music director James Smith will perform four concertos along with Franz Liszt’s Hungarian Rhapsody No. 2.
Violinist Thea Valmadrid (below top) will perform Tzigane for Solo Violin by Maurice Ravel; violinist Aurora Greane (below second) will play the first movement of the Violin Concerto by Tchaikovsky; pianist Audrianna Wu (below third) will perform the final movement of the Piano Concerto by Edvard Greig; and cellist Tatiana Tandias (below bottom) will perform the first movement of the Cello Concerto by Sir Edward Elgar.
These concerts are generously supported by the Eugenie Mayer Bolz Family, along with funds from Dane County, the Endres Mfg. Company Foundation, The Evjue Foundation, Inc., charitable arm of The Capital Times, W. Jerome Frautschi Foundation and Pleasant T. Rowland Foundation. This project is also supported in part by additional funds from the Wisconsin Arts Board, the State of Wisconsin, and the National Endowment for the Arts.
By Jacob Stockinger
Loyal readers know that The Ear is a big supporter of music education and amateur music-making.
All the more reason to honor Janet Jensen (below), then, who is retiring as the string pedagogue at the University of Wisconsin-Madison School of Music.
Jensen has spent almost 50 years teaching strings not only to specialists but also to music educators and amateur student musicians.
Her final concert with the All-University Strings (below) is this Saturday afternoon at 4 p.m. in Mills Hall. It will also feature the Sonora Strings from the Suzuki Strings of Madison plus soloists John Povolny and Lili Kim as well as guest conductors Mikko Rankin Utevsky and Brandi Pease.
The FREE concert will feature string music by Johann Sebastian Bach (the Brandenburg Concerto No. 3, which you can hear in a YouTube video at the bottom); Antonio Vivaldi; John Rutter; Ernest Bloch; Edvard Grieg; Leonard Bernstein; and others.
In a prepared statement, Jensen (below, in a photo by Katrin Talbot) said:
“This concert marks the 25th anniversary of my leadership. It also marks my retirement from the School of Music, where I’ve been a student, staff member and faculty member – an association spanning nearly 50 years.
“In my dual faculty roles of Professor of String Pedagogy and Associate Director I have had the opportunity to serve many populations – colleagues, music majors and non-majors – but I’ve found particular authenticity in the All-University String Orchestras and in bringing majors and non-majors together.
“That sense of authenticity derives from several sources. A former, and maybe future, public school music teacher, I realized that musical groups for non-music majors in fact serve the teachers, mentors and programs that produced them.
“I’m a product of public education and the beneficiary of tenets of the Wisconsin Idea and University Extension programs, so it also became clear to me that such musical groups extend UW’s impact beyond the campus to the state borders and beyond.
“Deeply influenced by the values inherent in community music programs and life-long learning in music, I realized that providing a musical setting that could be balanced with multiple degrees and academic loads would better ensure that non-majors would opt to keep music in their lives — and, as they themselves become voters, parents and advocates, in the lives of others.”
Here is a link to a website posting with the compete program plus a very informative and even moving set of remarks by Jensen who discusses the program, her personal background and her commitment to a broad music education:
By Jacob Stockinger
The Ear has received word about an intriguing and appealing performance this weekend:
On this Saturday night at 7:30 p.m., Cantus (below top, in a photo by Curtis Johnson), the critically acclaimed, nine-voice men’s vocal ensemble based in the Twin Cities, will perform at the Stoughton Opera House (below middle and bottom), known for its historical restoration and its fine acoustics.
Love has been the inspiration for artistic expression since the dawn of time. It is such a complex idea that the ancient Greeks broke it down into four different kinds: romantic, familial, friendly and unconditional or spiritual love.
Weaving together repertoire and interstitial remarks, Cantus regards this unquantifiable emotion from all sides.
The program spans multiple historical eras and cultural traditions.
Each of those works is paired with newly commissioned works exploring each of the four loves (romantic, familial, friendly and spiritual) by Pulitzer Prize-winner David Lang (below top, in a photo by Peter Serling) as well as Roger Treece (second below), Joseph Gregorio (third below) and Ysaye Barnwell (below bottom).
The program brims with Cantus’s trademark programming juxtaposition, including pairing the Beach Boys’ “Their Hearts were Full of Spring” with “Wedding Qawwali” by the Grammy Award- and Academy Award-winning Indian composer A. R. Rahman (below) and Michael McGlynn’s setting of the traditional Gaelic “Ceann Dubh Dilis (Her Sweet Dark Head)” in a set about romantic love.
While seemingly disjointed on its face, the variety of repertoire throughout blends seamlessly and highlights the universality of Love – our greatest and most fragile gift.
For more information about Cantus, including biographies, photos, videos and audio samples, visit this link:
Here is a YouTube video about the program, with musical samples, to be performed in Stoughton:
By Jacob Stockinger
You might remember that at holiday time, The Ear offered a series of roundups of the best recordings and classical music gifts of the past year. The idea is to use them as holiday gift guides.
One of those days was Grammy Day.
This past Monday night, the winners of the 58th annual Grammy were announced.
The Ear notes that there were a few items of special local and regional interest.
The late Twin Cities composer Stephen Paulus, whose works were often commissioned and premiered in Madison by the Festival Choir of Madison, the Wisconsin Chamber Choir and groups at the University of Wisconsin-Madison School of Music, was nominated for several works. And he won in two categories.
In addition, producer Judith Sherman, who already has several Grammys to her credit, was nominated again and won again. She is also the producer to the two recordings of the six centennial commissions by the Pro Arte Quartet at the University of Wisconsin-Madison. The last one – with the String Quartet No. 3 by Belgian composer Benoit Mernier and a Clarinet Quintet by Canadian composer Pierre Jalbert – will be released this spring.
In addition, violinist Augustin Hadelich (below), who has turned in outstanding and memorable performances with the Madison Symphony Orchestra, received his first Grammy for a recording of the late French composer Henri Dutilleux.
Plus, the critically acclaimed Chicago-based record company Çedille (below top), which has celebrated its 25th anniversary and which specializes in Midwest artists as well as unusual repertoire of both old and new music, had several nominations and won a Grammy for a recording of the new music group Eighth Blackbird. Two other superb artists who record for Çedille and have performed in Madison with the Wisconsin Chamber Orchestra are violinists Rachel Barton Pine and Jennifer Koh.
Here are all the winners in classical music for the 2016 Grammys. All the nominees are listed and the winners are noted with three asterisks (***):
***Ask Your Mama (below): Leslie Ann Jones, John Kilgore, Nora Kroll-Rosenbaum & Justin Merrill, engineers; Patricia Sullivan, mastering engineer (George Manahan & San Francisco Ballet Orchestra) Label: Avie Records
Dutilleux: Métaboles; L’Arbre Des Songes (Tree of Dreams); Symphony No. 2, ‘Le Double’: Dmitriy Lipay, engineer; Alexander Lipay, mastering engineer (Ludovic Morlot, Augustin Hadelich & Seattle Symphony) Label: Seattle Symphony Media
Rachmaninoff: All-Night Vigil: Beyong Joon Hwang & John Newton, engineers; Mark Donahue, mastering engineer (Charles Bruffy, Phoenix Chorale and Kansas City Chorale) Label: Chandos
Saint-Saëns: Symphony No. 3, ‘Organ’: Keith O. Johnson and Sean Royce Martin, engineers; Keith O. Johnson, mastering engineer (Michael Stern and Kansas City Symphony) Label: Reference Recordings
73. PRODUCER OF THE YEAR, CLASSICAL
Blanton Alspaugh: • Hill: Symphony No. 4; Concertino Nos. 1 & 2; Divertimento (Peter Bay, Anton Nel & Austin Symphony Orchestra) • Rachmaninoff: All-Night Vigil (Charles Bruffy, Phoenix Chorale & Kansas City Chorale) • Sacred Songs Of Life & Love (Brian A. Schmidt & South Dakota Chorale) • Spirit Of The American Range (Carlos Kalmar & The Oregon Symphony) • Tower: Violin Concerto; Stroke; Chamber Dance (Giancarlo Guerrero, Cho-Liang Lin & Nashville Symphony)
Manfred Eicher: • Franz Schubert (András Schiff) • Galina Ustvolskaya (Patricia Kopatchinskaja, Markus Hinterhäuser & Reto Bieri) • Moore: Dances & Canons (Saskia Lankhoorn) • Rihm: Et Lux (Paul Van Nevel, Minguet Quartet & Huelgas Ensemble) • Visions Fugitives (Anna Gourari)
Marina A. Ledin, Victor Ledin: • Dances For Piano & Orchestra (Joel Fan, Christophe Chagnard & Northwest Sinfonietta) • Tempo Do Brasil (Marc Regnier) • Woman At The New Piano (Nadia Shpachenko)
Dan Merceruio: • Chapí: String Quartets 1 & 2 (Cuarteto Latinoamericano) • From Whence We Came (Ensemble Galilei) • Gregson: Touch (Peter Gregson) • In The Light Of Air – ICE Performs Anna Thorvaldsdottir (International Contemporary Ensemble) • Schumann (Ying Quartet) • Scrapyard Exotica (Del Sol String Quartet) • Stravinsky: Petrushka (Richard Scerbo & Inscape Chamber Orchestra) • What Artemisia Heard (El Mundo) • ZOFO Plays Terry Riley (ZOFO)
***Judith Sherman: • Ask Your Mama (George Manahan & San Francisco Ballet Orchestra) • Fields: Double Cluster; Space Sciences (Jan Kučera, Gloria Chuang & Moravian Philharmonic Orchestra) • Liaisons – Re-Imagining Sondheim From The Piano (Anthony de Mare) • Montage – Great Film Composers & The Piano (Gloria Cheng) • Multitude, Solitude (Momenta Quartet) • Of Color Braided All Desire – Music Of Eric Moe (Christine Brandes, Brentano String Quartet, Dominic Donato, Jessica Meyer, Karen Ouzounian, Manhattan String Quartet & Talujon) • Rzewski: The People United Will Never Be Defeated! (Ursula Oppens) • Sirota: Parting The Veil – Works For Violin & Piano (David Friend, Hyeyung Julie Yoon, Laurie Carney & Soyeon Kate Lee) • Turina: Chamber Music For Strings & Piano (Lincoln Trio)
Bruckner: Symphony No. 4: Manfred Honeck, conductor (Pittsburgh Symphony Orchestra) Label: Reference Recordings
Dutilleux: Métaboles; L’Arbre Des Songes; Symphony No. 2, ‘Le Double’: Ludovic Morlot, conductor (Seattle Symphony) Label: Seattle Symphony Media
***Shostakovich: Under Stalin’s Shadow – Symphony No. 10 (below): Andris Nelsons, conductor (Boston Symphony Orchestra) Label: Deutsche Grammophon
Spirit Of The American Range: Carlos Kalmar, conductor (The Oregon Symphony) Label: Pentatone
Zhou Long and Chen Yi: Symphony ‘Humen 1839’: Darrell Ang, conductor (New Zealand Symphony Orchestra) Label: Naxos
Janáček: Jenůfa: Donald Runnicles, conductor; Will Hartmann, Michaela Kaune & Jennifer Larmore; Magdalena Herbst, producer (Orchestra Of The Deutsche Oper Berlin; Chorus Of The Deutsche Oper Berlin) Label: Arthaus
Monteverdi: Il Ritorno D’Ulisse In Patria: Martin Pearlman, conductor; Fernando Guimarães & Jennifer Rivera; Thomas C. Moore, producer (Boston Baroque) Label: Linn Records
Mozart: Die Entführung Aus Dem Serail: Yannick Nézet-Séguin, conductor; Diana Damrau, Paul Schweinester & Rolando Villazón; Sid McLauchlan, producer (Chamber Orchestra Of Europe) Label: Deutsche Grammophon
***Ravel: L’Enfant Et Les Sortilèges; Shéhérazade (belw): Seiji Ozawa, conductor; Isabel Leonard; Dominic Fyfe, producer (Saito Kinen Orchestra; SKF Matsumoto Chorus & SKF Matsumoto Children’s Chorus) Label: Decca
Steffani: Niobe, Regina Di Tebe: Paul O’Dette & Stephen Stubbs, conductors; Karina Gauvin & Philippe Jaroussky; Renate Wolter-Seevers, producer (Boston Early Music Festival Orchestra) Label: Erato
Beethoven: Missa Solemnis: Bernard Haitink, conductor; Peter Dijkstra, chorus master (Anton Barachovsky, Genia Kühmeier, Elisabeth Kulman, Hanno Müller-Brachmann & Mark Padmore; Symphonieorchester Des Bayerischen Rundfunks; Chor Des Bayerischen Rundfunks) Label: BR Klassik
Monteverdi: Vespers Of 1610: Harry Christophers, conductor (Jeremy Budd, Grace Davidson, Ben Davies, Mark Dobell, Eamonn Dougan & Charlotte Mobbs; The Sixteen) Label: Coro
Pablo Neruda – The Poet Sings: Craig Hella Johnson, conductor (James K. Bass, Laura Mercado-Wright, Eric Neuville & Lauren Snouffer; Faith DeBow & Stephen Redfield; Conspirare) Label: Harmonia Mundi
Paulus: Far In The Heavens: Eric Holtan, conductor (Sara Fraker, Matthew Goinz, Thea Lobo, Owen McIntosh, Kathryn Mueller & Christine Vivona; True Concord Orchestra; True Concord Voices) Label: Reference Recordings
***Rachmaninoff: All-Night Vigil (below): Charles Bruffy, conductor (Paul Davidson, Frank Fleschner, Toby Vaughn Kidd, Bryan Pinkall, Julia Scozzafava, Bryan Taylor & Joseph Warner; Kansas City Chorale & Phoenix Chorale) Label: Chandos
Brahms: The Piano Trios: Tanja Tetzlaff, Christian Tetzlaff & Lars Vogt. Label: Ondine
***Filament (below and in a YouTube video at the bottom): Eighth Blackbird. Label: Cedille Records
Flaherty: Airdancing For Toy Piano, Piano & Electronics: Nadia Shpachenko & Genevieve Feiwen Lee. Track from: Woman At The New Piano. Label: Reference Recordings
Render: Brad Wells & Roomful Of Teeth. Label: New Amsterdam Records
Shostakovich: Piano Quintet & String Quartet No. 2: Takács Quartet & Marc-André Hamelin. Label: Hyperion
***Dutilleux: Violin Concerto, L’Arbre Des Songes (below): Augustin Hadelich; Ludovic Morlot, conductor (Seattle Symphony) Track from: Dutilleux: Métaboles; L’Arbre Des Songes; Symphony No. 2, ‘Le Double’ Label: Seattle Symphony Media
Grieg & Moszkowski: Piano Concertos: Joseph Moog; Nicholas Milton, conductor (Deutsche Radio Philharmonie Saarbrücken Kaiserslautern) Label: Onyx Classics
Mozart: Keyboard Music, Vol. 7: Kristian Bezuidenhout. Label: Harmonia Mundi
Rachmaninov Variations: Daniil Trifonov (The Philadelphia Orchestra) Label: Deutsche Grammophon
Rzewski: The People United Will Never Be Defeated! Ursula Oppens (Jerome Lowenthal). Label: Cedille Records
Beethoven: An Die Ferne Geliebte; Haydn: English Songs; Mozart: Masonic Cantata: Mark Padmore; Kristian Bezuidenhout, accompanist. Label: Harmonia Mundi
***Joyce & Tony – Live From Wigmore Hall: Joyce DiDonato; Antonio Pappano, accompanist. Label: Erato
Nessun Dorma – The Puccini Album. Jonas Kaufmann; Antonio Pappano, conductor (Kristīne Opolais, Antonio Pirozzi & Massimo Simeoli; Coro Dell’Accademia Nazionale Di Santa Cecilia; Orchestra Dell’Accademia Nazionale Di Santa Cecilia) Label: Sony Classical
Rouse: Seeing; Kabir Padavali: Talise Trevigne; David Alan Miller, conductor (Orion Weiss; Albany Symphony) Label: Naxos
St. Petersburg: Cecilia Bartoli; Diego Fasolis, conductor (I Barocchisti) Label: Decca
As Dreams Fall Apart – The Golden Age Of Jewish Stage And Film Music (1925-1955): New Budapest Orpheum Society; Jim Ginsburg, producer. Label: Cedille Records
Ask Your Mama: George Manahan, conductor; Judith Sherman, producer. Label: Avie Records
Handel: L’Allegro, Il Penseroso Ed Il Moderato, 1740: Paul McCreesh, conductor; Nicholas Parker, producer. Label: Signum Classics
***Paulus: Three Places Of Enlightenment; Veil Of Tears & Grand Concerto (below): Giancarlo Guerrero, conductor; Tim Handley, producer. Label: Naxos
Woman At The New Piano: Nadia Shpachenko; Marina A. Ledin & Victor Ledin, producers. Label: Reference Recordings
Barry: The Importance Of Being Earnest: Gerald Barry, composer (Thomas Adès, Barbara Hannigan, Katalin Károlyi, Hilary Summers, Peter Tantsits & Birmingham Contemporary Music Group) Label: NMC Recordings
Norman: Play: Andrew Norman, composer (Gil Rose & Boston Modern Orchestra Project) Track from: Norman: Play. Label: BMOP/Sound
***Paulus: Prayers & Remembrances (below): Stephen Paulus, composer (Eric Holtan, True Concord Voices & Orchestra). Track from: Paulus: Far In The Heavens. Label: Reference Recordings
Tower: Stroke: Joan Tower, composer (Giancarlo Guerrero, Cho-Liang Lin & Nashville Symphony). Track from: Tower: Violin Concerto; Stroke; Chamber Dance. Label: Naxos
Wolfe: Anthracite Fields: Julia Wolfe, composer (Julian Wachner, The Choir Of Trinity Wall Street & Bang On A Can All-Stars) Label: Cantaloupe Music