ALERT: This week’s FREE Friday Noon Musicale at the First Unitarian Society of Madison 900 University Bay Drive, features the ensemble New Muse with Danielle Breisach, flute; Peter Miliczky, violin; Joshua Dieringer, viola; Ben Bauer, cello; and Yana Avedyan, piano, in new music by Nathan Froebe, Benjamin Boyajian, and Jonathan Posthuma. The concert runs from 12:15 to 1 p.m.
By Jacob Stockinger
That where the Pro Arte will perform Sir Edward Elgar’s “Introduction and Allegro” with the Middleton High School Orchestra (below) under conductor Steve Kurr, who also conducts the Middleton Community Orchestra. (You can hear the Elgar piece in the YouTube video at the bottom.)
The FREE and UNTICKETED concert is this Thursday night from 7:30 to 9 p.m. in the Middleton Performing Arts Center that is attached to the high school, 2100 Bristol Street.
Conductor Steve Kurr says this about the program:
“Also on the program are the three winners of this year’s Concerto-Aria competition: Marimbist Alex Warholic plays the first movement of the Violin Concerto in A Minor by Johann Sebastian Bach; soprano Chloe Cole sings “V’adoro pupille” from the opera “Julius Caesar:” by George Frideric Handel; and violinist Rachael Lee performs the “Introduction and Rondo Capriccioso” by Camille Saint-Saens.
“The concert begins with two works performed by the MHS Honors Wind Ensemble.
“The Elgar is such a great work, and underperformed. The Pro Arte musicians are such great inspirations to our high school musicians.”
By Jacob Stockinger
It will be a busy week in Madison and especially at the University of Wisconsin-Madison School of Music. Here is a list to help you decide what you want to attend.
At 7:30 p.m. in Mills Hall, the UW-Madison Chamber Orchestra will give a FREE concert under its music director James Smith.
The program is: Rumanian Folk Dances by Béla Bartók; the “Holberg” Suite by Edvard Grieg; and Symphony for Strings, Opus 118a, by Dmitri Shostakovich (arranged by Russian violist Rudolf Barshai and based on Shostakovich’s well known String Quartet No. 8.)
UW-Madison professor of chamber music and cellist Parry Karp, who performs in the Pro Arte Quartet, is a newly elected member of the Wisconsin Academy of Sciences, Arts and Letters.
On Friday night at 8 p.m. he will give a FREE recital in Mills Hall.
The program features: the Partita in A Minor for Solo Flute, BWV 1013 (1723?) by Johann Sebastian Bach, as transcribed for solo cello in C Minor by Parry Karp.
Sonata No. 1 in D Major Piano and Violin, Op. 12 No. 1 (1798) by Ludwig van Beethoven, as transcribed for piano and cello by Parry Karp. He will perform with pianist mother Frances Karp.
“Märchenbilder” (Fairy Tales) for Piano and Viola, Op. 113 (1851) by Robert Schumann, as transcribed for piano and cello by Robert Hausmann. With pianist Frances Karp.
Sonata in A Minor for Piano and Cello, D. 821, “Arpeggione,” (1824) by Franz Schubert. Pianist Bill Lutes will perform with Karp.
SATURDAY AFTERNOON AND NIGHT
Attention all pianists and especially those with smaller hands!
UW pianist and pedagogue Jessica Johnson (below) will give an afternoon workshop and evening concert on “The Joy of Downsizing.”
All events are FREE and OPEN TO THE PUBLIC and take place in Morphy Recital Hall.
WORKSHOP — 2:30-3:45: “All Hands on Keys: Strategies for Teaching Students with Small Hands”
MASTERCLASS — 4:15-5:45 p.m.
TRY THE PIANO — 5:45-6:45 p.m.
FACULTY CONCERT — 8 p.m. Performed on a Steinbuhler DS 5.5™ (“7/8”) Size Piano; Tentative program includes: Thee Piano Pieces, D. 946, by Franz Schubert (played by Alfred Brendel in a YouTube video at the bottom); Ballad, Op. 6, by Amy Beach; Concert sans Orchestre in f minor, Op. 14, by Robert Schumann.
Here is a statement about the workshops and concert from Jessica Johnson:
“The hands of great pianists come in all shapes and sizes. Spending literally thousands of hours at the piano, we develop time-tested, proven strategies for learning repertoire in a way that suits our unique physiology. We know best that which we have experienced within our own bodies.
“How does this impact our ability to work with students with different hand sizes than our own?
“As a small-handed pianist, I have spent my entire professional career seeking creative strategies to adapt to playing conventional-sized piano keyboards.
“I have become a guru of innovative fingerings and have learned how to employ ergonomic movements and compensatory gestures in order to perform technically challenging repertoire on the conventional piano.
“Since the life-changing moment when I started practicing on an alternatively sized keyboard, I have experienced a whole new level of artistic and technical freedom.
“Research related to the use of Ergonomically-Scaled Piano Keyboards (ESPKs) suggests similar benefits for small-handed pianists, including less pain and injury, greater technical facility and accuracy, and ease of learning.
“Using a Steinbuhler DS 5.5TM (7/8) Size Piano Keyboard insert, manufactured by Steinbuhler & Company, that was custom-made for a Steinway B piano, this workshop will demonstrate effective strategies for teaching students with small hands and ways to exploit musical and technical choices that maximize artistry and biomechanical ease.”
“I’ve spent most of my life thinking that I could not play with a big sound and that I was never going to be comfortable with large chords and octaves. Now I simply believe that I’ve been playing the wrong size piano keyboard.”
The University of Wisconsin-Madison clarinet studio will host a Clarinet Day on Saturday, Feb. 20, starting at 1:30 p.m. and running to 6 p.m. in Mills Hall at the School of Music.
Wesley Warnhoff (below), visiting assistant professor of clarinet, and the UW-Madison Clarinet studio have invited all high school clarinetists to attend.
The day includes concerts, master classes, chamber music, student performances and dinner with the UW-Madison clarinetists. It must be a popular idea because registration is now CLOSED.
But at 7:30 P.M. the group will end the day by attending a FREE concert – which is OPEN TO THE PUBLIC — by the UW Wind Ensemble (below top), conducted by Professor Scott Teeple (below bottom).
The program includes: “Spin Cycle” by Scott Lindroth; “Colonial Song” by Percy Grainger/Rogers; “Heavy Weather” by Jess Turner, featuring Tom Curry, adjunct professor of tuba; the Symphonies of Wind Instruments by Igor Stravinsky; and “Apollo Unleashed” by Frank Ticheli.
The UW-Madison Concert Band will give two FREE concerts in Mills Hall at 2 p.m. and 7 p.m. under band director Mike Leckrone (below), best known for leading the acclaimed UW Marching Band. Sorry, no word about program.