The Well-Tempered Ear

Today is Day 2 of the online Bach Around the Clock festival. It starts at 8 a.m. and features keyboard, wind, string and vocal music. WPR’s Jonathan Overby will discuss Bridges to Bach tonight at 7

March 18, 2021
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By Jacob Stockinger

Here is the schedule for Day 2 of the 2021 virtual, online Bach Around the Clock festival, which is today — Thursday, March 18:

Today’s program will be available starting at 8 a.m. and then throughout the festival.

Click here to view more.

For an overview and background, go to: https://welltempered.wordpress.com/2021/03/17/todays-just-bach-concert-starts-the-10-day-bach-around-the-clock-festival-that-runs-through-march-26-all-events-are-free-and-online-here-are-the-lineups/

PERFORMERS and PROGRAMS

•  Musette (from Suzuki Book 2); Ossian Rogers, violin; Faolan Rogers, harp; Kara Rogers, piano

•  Sheep May Safely Graze, from Cantata 208; Gift Akere, piano

•  Sonata No. 3, BWV 1005:  Largo; Rebekah May, viola

•  Cello Suite V in C minor, BWV 1011: Prelude,  Gavottes I and II, Gigue; Cindy Cameron-Fix, bassoon

•  Anna Magdalena Bach Notebook: Menuet, BWV anh 114; Tim Farley, clavichord

•  Chorale: Now God be with us; Katie Bultman, soprano, and Kenneth Stancer, organ

Live Evening Keynote  Discussion at 7 p.m. Jonathan Øverby, (below) distinguished Wisconsin Public Radio host of “The Road to Higher Ground,” will discuss building The Bridge To and Through Bach with BATC Artistic Director Marika Fischer Hoyt.

Click here to join the Zoom call, starting at 7 p.m. tonight, Thursday, March 18. Viewers are encouraged to submit questions in the chat for Overby to address.


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This Saturday afternoon, the Wisconsin Chamber Choir presents a free online parking lot concert of “Car Carols” with an emphasis on African-American composers

December 11, 2020
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By Jacob Stockinger

The Ear has received the following announcement to post:

Join the Wisconsin Chamber Choir (below) this Saturday afternoon, Dec. 12, at 2 p.m. for Car Carols, a unique holiday concert featuring live, socially-distanced performances of music by African-American composers and seasonal favorites.

Choir members will sing from their individual cars using wireless microphones (below), listening to the sound of the whole choir via their car radios. The audience is invited to join our Facebook event or listen in live on YouTube.

There is no charge to view the live-stream, but donations would be welcome. 

You can find the concert on this Saturday, Dec. 12, a 2 p.m. via the following links: live on YouTube at  https://youtu.be/ZonVn1cvgb8, or on Facebook at: https://www.facebook.com/events/1561155960751974/

This unusual concert format was necessitated by the Covid-19 pandemic, but the WCC is grateful for the opportunity to continue singing together in safe ways.

Since September, the choir has been rehearsing as a Parking Lot Choir, generating local media coverage from WKOW-TV at https://wkow.com/2020/10/13/wisconsin-chamber-choir-making-adjustments-to-prepare-for-performance/ and Madison Magazine, whose story was headlined “Forget tailgates, parking lots are for choir practice: https://www.channel3000.com/forget-tailgates-parking-lots-are-for-choir-practice/

This past September and October, smaller groups from the WCC assembled on Saturday mornings at the Warner Park Pavilion to rehearse in widely spaced formations. 

They wore specially designed singers masks, and occasionally harmonized with nearby sandhill cranes that seemed unsure what to make of the a cappella music floating through their habitat. 

Recordings by five distinct small ensembles  — minus the cranes — will be aired during the Dec. 12 Car Carols broadcast, in addition to live singing by the Parking Lot choristers. 

The Car Carols repertoire highlights music by African-American composers spanning nearly a century. Idiomatic pieces in the style of spirituals and contemporary gospel alternate with “non-idiomatic” motets and anthems by Nathaniel Dett (below top), William Dawson, Undine Smith Moore (below middle) and Carlos Simon (below bottom, with an oral self-portrait in the YouTube video at the bottom).

 

The remainder of the Parking Lot Choir selections consists of carol arrangements by WCC favorites — the late Stephen Paulus (below) and Peter Blotch — and feature virtual harp and violin accompaniment.

Live and virtual performers will also unite to sing Craig Hella Johnson’s moving arrangement of the songs I Love You and What a Wonderful World

Interspersed between the live Car Carols will be a wide variety of pre-recorded selections, including the world premiere of WCC member Linda Palmer’s arrangement of Sussex Carol, plus music by Johannes Brahms, John Rutter, 17th-century female composer Chiara Cozzolani (below), and Tleycantimo choquilia, a carol from colonial-era Mexico, sung in Spanish and Nahuatl. 

Founded in 1998, the Wisconsin Chamber Choir has established a reputation for excellence in the performance of oratorios by Bach, Handel, Mozart and Brahms; a cappella works from various centuries; and world-premieres.

Artistic director Robert Gehrenbeck (below), who heads the choral program at the University of Wisconsin-Whitewater, has been hailed by critics for his vibrant and emotionally compelling interpretations of a wide variety of choral masterworks. WCC members have acknowledged Gehrenbeck for his intrepid conducting in freezing temperatures during Parking Lot Choir rehearsals.

 


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Classical music: The Wisconsin Chamber Orchestra uses a new website and a new brochure to announce its new Masterworks season plus other innovations

May 23, 2020
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By Jacob Stockinger

In many ways, there is much that is familiar or tried-and-true about the Wisconsin Chamber Orchestra (below, in a photo by Mike Gorski) and its new Masterworks season for 2020-21.

But in other ways it seems as if the WCO is reinventing and rebranding itself – perhaps under the direction of its new CEO Joe Loehnis – as the ensemble starts a double anniversary: its 60th season of existence and its 20th year under the baton of music director Andrew Sewell (below in a photo by Alex Cruz).

As in past years, the WCO programs feature a mix of familiar composers and works with new and neglected ones. It also features both new and returning guest soloists.

Start with what’s new.

The new WCO home website – like the new brochure that has been mailed out — has been redesigned, with more visuals and more information about the 34-member orchestra. The Ear finds both the new brochure and the new home page to be more attractive, better organized and easier to use. Take a look for yourself: https://wcoconcerts.org

There also seems to be a heightened emphasis on donations and raising money, including a new organization called “Friends” that brings special benefits for $30 or even more perks at $8 a month.

And the website seems more customer-friendly. There is a section on the website about “What to Expect,” which includes how to choose seats, how to dress, when to applaud and so forth. There is also a portal for streaming events and concerts.

There is more, much more, including the pre-concert dinners for the Masterworks concerts and the culturally diverse programs for the postponed Concerts on the Square (below), to run this summer on Tuesday nights at 6 p.m. (NOT the usual Wednesdays at 7 p.m.) from July 28 to Sept. 1.

There seems to be more emphasis on Sewell, who this year provides extensive first-person notes about each program and the guest artists. (In the YouTube video at the bottom, you can hear Sewell discuss the new Masterworks season with Wisconsin Public Radio host and WCO announcer Norman Gilliland.)

This season will see two performances of Handel’s “Messiah”: one on Saturday, Dec. 19, at the Blackhawk Church in Middleton; and another downtown on Sunday, Dec. 20, at the UW-Madison’s Hamel Music Center.

The Masterworks series of concerts – held on Friday nights at 7:30 p.m. in the Capitol Theater of the Overture Center – will begin in late November rather than in late January. The six concerts include five new ones and the postponed appearance of harpist Yolanda Kondonassis, whose appearance this season was canceled because of the COVID-19 pandemic, on May 14.

Two of the concerts – on two Saturdays, Feb. 20 and April 10 – will also be performed in the Milwaukee suburb of Brookfield at the Sharon Lynn Wilson Center for the Arts (below).

You can read more about the community outreach and music education programs, especially the Youth and Education programs. They include the free Family Series and “Side by Side” concerts (below, in a photo by Mike DeVries for The Capital Times, WCO concertmaster Suzanne Beia, right, tutors a WYSO student); the Super Strings educational program; and the Young Artists Concerto Competition for grades 9-12.

Here are the Masterworks series:

NOV. 20Pianist John O’Conor (below) returns in a program of the Piano Concerto No. 5 “Emperor” by Beethoven; the Septet by Igor Stravinsky; and the Symphony No. 1 in D Major by Luigi Cherubini.

JAN. 15Cellist Amid Peled (below, in a photo by Lisa Mazzucco) returns in a program of Cello Concerto No. 1 by Dmitry Kabalevsky and the Andante by Jacques Offenbach; plus the Wind Serenade in D minor by Antonin Dvorak; and the Symphony No. 34 by Mozart.

FEB. 19Violinist Alexander Sitkovetsky (below) in returns in Antonio Vivaldi’s “Four Seasons” and Astor Piazzolla’s “Four Seasons in Buenos Aires”; plus the Suite for Strings by Leos Janacek.

MARCH 19Grammy-winning Spanish guitarist Mabel Millán (below) making her U.S, debut in an all-Spanish program that features the Concierto del Sur (Concerto of the South) by Manuel Ponce; the Sinfonietta in D major by Ernesto Halffter; and the overture “Los Esclavos Felices” (The Happy Slaves) by Juan Crisóstomo Arriaga.

APRIL 9Pianist Michael Mizrahi (below), who teaches at the Lawrence University Conservatory of Music in Appleton, Wis., on the Piano Concerto No. 1 by Beethoven plus the Serenade No. 1 by Johannes Brahms.

MAY 14Harpist Yolanda Kondonassis (below) in the Harp Concerto by Alberto Ginastera; plus the Sinfonietta by Sergei Prokofiev and the Symphony no. 88 by Franz Joseph Haydn.

Single tickets, which go on sale in July, are $15 to $80. Season subscriptions are available now with seat preference through July 1, bring a discounted price with an extra 10 percent off for first-time subscribers.

For more information, go to the website at https://wcoconcerts.org; call 608 257-0638; or mail a subscription form to the Wisconsin Chamber Orchestra, Attn: Subscriptions; PO Box171, Madison, WI 53701-0171.

 


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Classical music: Here is the music that Wisconsin Public Radio hosts find calming and inspiring during the pandemic. What music would you list?

April 27, 2020
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By Jacob Stockinger

One of the major sources of music during the COVID-19 public health crisis and the coronavirus pandemic is Wisconsin Public Radio.

The Ear finds WPR a reliable source of beauty and companionship during this difficult time of self-isolation and self-quarantining required by the state’s stay-at-home and self-distancing orders.

Each host plans and broadcasts hours of classical music each day. So they hear a lot of classical music.

They also contribute to a blog that offers insights to: new and old recordings; background information about the composers, music and performers; and personal observations about classical music.

Recently, the radio hosts – including Stephanie Elkins (below), Norman Gilliland, Lori Skelton, Ruthanne Bessman, Anders Yocom (at bottom, in a  photo by James Gill) and Peter Bryant — listed the music that they find particularly calming and inspiring during a difficult and anxiety-ridden time.

The names of composers include Bach, Scarlatti, Mendelssohn, Mahler, Ysaye, Vaughan-Williams and film score master John Williams.

The list includes audio-visual performances of the pieces.

Take a look and listen.

Then tell us what you think of the various suggestions and which ones you prefer?

Also leave the composers, pieces and performers that you would add to such a list, with a YouTube link if possible.

Here is a link:

https://www.wpr.org/wpr-music-hosts-share-music-calms-and-inspires


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Classical music: The Wisconsin Chamber Orchestra cancels and postpones its last two Masterworks concerts of the season in April and May. Here is information about ticket exchanges and refunds

April 2, 2020
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By Jacob Stockinger

The Ear has received the following announcement from the Wisconsin Chamber Orchestra (WCO, below in a photo by Mike Gorski) about canceling the rest of its Masterworks season due to the coronavirus pandemic and COVID-19.

Dear Wisconsin Chamber Orchestra Concert Ticket Holders:

We continue to remain committed to serving you and keeping you safe during the current health crisis.

Given the Overture Center’s closing, we have postponed two concerts: Masterworks IV, scheduled for April 24; and Masterworks V, scheduled for May 8.

We thank you for your patience as we work through the details to reschedule these fantastic performances featuring our guest artists, violinist Eric Silberger (Masterworks IV, below) and trumpeter and Madison native Andrew Balio (Masterworks V in Madison and Brookfield, below).

(Editor’s Note: The WCO has also said that the cancelled Masterworks III performance in late March by harpist Yolanda Kondonassis (below) will probably be rescheduled for next season, which will be announced later this month.)

We hope you will consider exchanging or donating the cost of your ticket back to the Wisconsin Chamber Orchestra.

As an arts nonprofit, the WCO sees your support as vital to our organization during this challenging time as we navigate the significant ongoing economic impact of the COVID-19 pandemic. We are deeply grateful for your generosity and continued support.

The following ticket options are available for you:

  • Exchange your ticket(s) for a future Wisconsin Chamber Orchestra performance. All exchange fees will be waived in this situation. You can also apply the value of the cancelled ticket to a subscription ticket for next season.
  • Donate your ticket(s) and receive a tax deduction for the total ticket value.
  • Receive a refund for the value of the ticket(s).

Please respond by email, letting us know your ticket decision, along with your full name, to wco@wcoconcerts.org.

If you have any questions, please don’t hesitate to call us at (608) 257-0638 or email us at wco@wcoconcerts.org.

We will continue to keep you informed of the status of all our upcoming performances as we continue to monitor the situation closely over the coming days and weeks.

We look forward to continuing to enrich your life through music.

Thank you,

Joe Loehnis, CEO


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Classical music: Spring arrives today. Here is music to lift your spirits. What music do you like to greet spring?

March 19, 2020
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ALERT: All events, including worship, are canceled at Luther Memorial Church “until further notice,” and that includes the monthly free Just Bach concert scheduled for noon on next Wednesday, March 25. Organizers say they hope the church reopens in time for the Just Bach concert scheduled for April 15.

By Jacob Stockinger

Spring arrives today – Thursday, March 19 – at last!

The Vernal Equinox will occur at 10:49 p.m. CDT.

Given all the fear and anxiety, isolation and discomfort caused by both the coronavirus and self-quarantining at home, maybe some music inspired by spring will lift your spirits.

At the bottom is a two-hour compilation – with more than a million hits – from YouTube with bright and upbeat, tuneful and melodic spring-like music.

The composers are Baroque, Classical and Romantic and include Bach, Corelli and Vivaldi; Mozart, Beethoven and Tchaikovsky; waltzes by Strauss; and songs without words by Mendelssohn and Grieg.

But the choice of spring music is endless, as you can no doubt also hear by listening to Wisconsin Public Radio today.

Is there a special piece you like to hear when you greet the arrival of spring?

Please leave the composer, title, performer and, if possible, a YouTube link, in the Comment section.

 


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Classical music: The Madison Opera, Wisconsin Chamber Orchestra, Middleton Community Orchestra, Festival Choir, Oakwood Chamber Players and First Unitarian Society cancel concerts because of the coronavirus

March 14, 2020
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By Jacob Stockinger

The state health emergency declared by Gov. Tony Evers has now become a national emergency declared by President Trump.

Six more local groups have cancelled concerts as the pandemic of the coronavirus that causes COVID-19 spreads exponentially and threatens the health of both the public and the performers:

The Festival Choir of Madison (below) has cancelled its concert TONIGHT of Yiddish music at the First Unitarian Society of Madison.

The Wisconsin Chamber Orchestra (below, in a photo by Mike Gorski) has cancelled and postponed all concerts through March. They include the “Beethoven Lives Next Door” Family Series concerts THIS MORNING at the Goodman Community Center and on March 29 in Brookfield; and the third Masterworks Concert in Madison with harpist Yolanda Kondonassis on March 27 in the Capitol Theater of the Overture Center.

Says Joe Loehnis, CEO of the WCO: “We ask for your patience as we work to determine all of the options we will be able to offer to ticket holders. We are deeply grateful for your understanding.

“We’ll also keep you informed of the status of all our upcoming performances as we continue to monitor the situation closely over the coming days and weeks.

“To learn more about our contingency planning, please visit our website at http://bit.ly/2wSMCbe.

“If you have any questions, please don’t hesitate to call us at (608) 257-0638, or email, wco@wcoconcerts.org.

“Thank you for your patronage and support.”

The Oakwood Chamber Players (below) have cancelled their concerts on Saturday and Sunday, March 21 and 22, at Oakwood Village University Woods on the far west side.

The Middleton Community Orchestra (below, below in a photo by Brian Ruppert) has cancelled its upcoming concert of teenage concerto winners with guest conductor Kyle Knox on Wednesday, April 8, and postponed it until large gatherings become safe again.

The FREE Friday Noon Musicale series at the First Unitarian Society of Madison will be live-streamed without an audience. Says music director Drew Collins:

“Due to the COVID-19 pandemic, the First Unitarian Society of Madison will alter the schedule for its Friday Noon Musicale recital series.

Beginning March 20, 2020…

* No audience members will be permitted.

* Outside doors will be locked.

* In cases where the performers are not able or willing to play, notification will be made via https://nam11.safelinks.protection.outlook.com/?url=www.fusmadison.org%2Fmusicale&data=02%7C01%7C%7Cce899e33b3124e28489608d7c70cdac6%7C84df9e7fe9f640afb435aaaaaaaaaaaa%7C1%7C0%7C637196730328671160&sdata=069CmBdvgPRWjGi%2BiCEUdeD%2Fth2zVBJlzJowWcnH%2BFc%3D&reserved=0and no live-stream will be broadcast.

“Stay tuned for the upcoming launch of our SoundCloud channel, curated by Rich Samuels, where you will be able to listen to highlights from the Musicales.

In related news, the Madison Symphony Orchestra announced Friday that it will make a decision about upcoming concerts next week. But since the Overture Center later announced it is closing its doors until April 13 and cancelling all performances, it would seem that the MSO performances of the Dvorak Requiem on April 3, 4 and 5 will be cancelled. But that has not yet been officially confirmed by the MSO.

In addition, the Madison Opera has cancelled its production of Offenbach’s “Orpheus in the Underworld” on April 17 and 19.


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Classical music: Four Madison Opera singers will collaborate with the Wisconsin Youth Symphony Orchestras (WYSO) to perform Winterfest Concerts this Friday night and Saturday afternoon

March 10, 2020
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By Jacob Stockinger

Each year, over a weekend, the Wisconsin Youth Symphony Orchestras (WYSO) perform the Diane Ballweg Winterfest Concerts.

But this year a new collaboration will take place.

On this Friday night, March 13, at 7 p.m. in the Mead Witter Foundation Concert Hall of the new Hamel Music Center, 740 University Avenue, the senior WYSO Youth Orchestra (below) will accompany four singers from the Madison Opera’s Studio Artist program in which they transition to a professional career by singing minor roles and being understudies for leading roles.

Tickets are $10 for adults, and $5 for youth under 19, and are available in advance through the Campus Ticket Office, and at the venue 30 minutes before the concert.

WYSO says the Friday night concert is close to selling out.

Here are some details: “Now in its eighth year, the Studio Artist Program is an important part of Madison Opera’s artistic and educational mission. The 2019-20 Studio Artists are four singers (below) in the transition between their education and their professional careers.

They are (from left, clockwise): baritone Stephen Hobe; mezzo-soprano Kirsten Larson; tenor Benjamin Hopkins; and soprano Emily Secor. They will sing duets, trios and quartets. There will also be an orchestral overture and a prelude.

WYSO music director Kyle Knox, who is also the associate music director of the Madison Symphony Orchestra, will conduct both singers and instrumentalists. (You can hear WYSO members talking about playing and performing in the YouTube video at the bottom.)

Says Knox (below): “Young instrumentalists rarely get to accompany soloists and singers. Playing opera in particular is something that tends to come much later in their careers, and for many of them, never at all.”

The program includes excerpts from favorite operas, including: arias by “Nabucco” and “Rigoletto” by Verdi; “La Clemenza di Tito” by Mozart; “The Barber of Seville” and “William Tell” by Rossini; “Lohengrin” by Wagner; “The Elixir of Love” by Donizetti; “Carmen” by Bizet; and “La Boheme” by Puccini. For a complete program with specific titles plus ticket information, go to:

https://www.wysomusic.org/diane-ballweg-winterfest-concerts/

For more detailed information about the Madison Opera Studio Atrists program and its WYSO collaboration, go to:

https://www.wysomusic.org/in-collaboration-with-madison-operas-studio-artists/

SATURDAY

On this Saturday, March 14, in Mills Hall in the Mosse Humanities Building, 455 North Park Street, the following groups will perform. No programs have been posted.

11:30 a.m. — Opus One and Sinfonietta (below)

1:30 p.m. — Harp Ensemble (below) and Concert Orchestra

4:00 p.m. — Percussion Ensemble (below) and Philharmonia Orchestra

The WYSO Winterfest Concert series is funded by: Diane Ballweg, with additional funding from the Wisconsin Arts Board; Dane Arts; Madison Arts Commission; American Girl’s Fund for Children; Eric D. Batterman Memorial Fund; and the Coe and Paul Williams Fund for New Musicians.

The performance in the Mead Witter Foundation Concert Hall was made possible by an additional gift from Martha and Charles Casey. The appearance of the Studio Artists in this program has been underwritten by the Charles and Mary Anderson Charitable Fund, Charles and Martha Casey, and David Flanders and Susan Ecroyd.

 


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Classical music: The UW-Madison’s Pro Arte Quartet performs the second of its free, MUST-HEAR, six-concert Beethoven string quartet cycle this Friday night. Here is a revised schedule.

February 25, 2020
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By Jacob Stockinger

This Friday night at 8 p.m. in the Mead Witter Foundation Concert Hall of the new Hamel Music Center, 740 University Ave., the UW-Madison’s Pro Arte Quartet (below, during the first concert of the cycle) plays the second concert in its FREE year-long, six-concert Beethoven cycle to mark the Beethoven Year that celebrates the 250th anniversary of the composer’s birth.

The Ear heard the first concert in the cycle and found it superb. He recommends the performances highly enough to call them MUST-HEARs.

But a couple of things have changed in the cycle.

Since the last listing was published, the last concert of the cycle has been pushed back one day.

Also, UW-Madison Professor of Musicology Charles Dill (below) will be giving a pre-concert lecture one hour before each of the remaining five concerts in the series. This Friday night,  Dill speaks at 7 p.m. in the Lee/Kaufman Rehearsal Hall.

Members of the Pro Arte Quartet (below, from left in a photo by Rick Langer) are David Perry and Suzanne Beia, violins; Sally Chisholm, viola; Parry Karp, cello.

Here is the revised schedule:

PROGRAM I  (completed)

Friday, Nov. 22, 2019, 8 p.m. in Collins Recital Hall

String Quartet in G Major, Op. 18, No. 2 (1798-1800)

String Quartet in F Minor, Op. 95, “Serioso” (1810)

String Quartet in B-flat Major, Op. 130 (1825-6)

PROGRAM II

This Friday, Feb. 28, 2020, at 8 p.m., in Mead Witter Foundation Concert Hall

String Quartet in F Major, Op. 18, No. 1 (1798-1800). You can hear the opening of this first quartet by the young Beethoven, played the Alban Berg Quartet, in the YouTube video at the bottom.)

String Quartet in E-Flat Major, Op. 74, “Harp” (1809).

String Quartet in C-Sharp Minor, Op. 131 (1826)

Pre-Concert lecture by Professor Charles Dill, 7 p.m. in  Lee/Kaufman Rehearsal Hall

PROGRAM III

Thursday, April 16, 2020, 7:30 p.m. in Mead Witter Foundation Concert Hall

String Quartet in D Major, Op. 18, No. 3 (1798-1800)

String Quartet in E Minor, Op. 59, No. 2 (1806)

String Quartet in E-flat Major, Op. 127 (1825)

Pre-Concert lecture by Professor Charles Dill, 6:30 p.m. in Collins Recital Hall

PROGRAM IV

Friday, Oct. 2, 2020, at 8 p.m. in Mead Witter Foundation Concert Hall

String Quartet in A Major, Op. 18, No. 5 (1798-1800)

String Quartet in C Minor, Op. 18, No. 4 (1798-1800)

String Quartet in A Minor, Op. 132 (1825)

Pre-Concert lecture by Professor Charles Dill at 7 p.m. in Collins Recital Hall

PROGRAM V

Friday, Nov. 20, 2020, at 8 p.m. in Mead Witter Foundation Concert Hall

String Quartet in B-flat Major, Op. 18, No. 6 (1798-1800)

String Quartet in F Major, Op. 135 (1826)

String Quartet in C Major, Op. 59, No. 3 (1806)

Pre-Concert lecture by Professor Charles Dill at 7 p.m. in Collins Recital Hall

PROGRAM VI

Sunday, Jan. 31, 2021, at 7:30 p.m. in Mead Witter Foundation Concert Hall

String Quartet in F Major, Op. 59, No. 1 (1806)

String Quartet in B-flat Major, Op. 130, with the Great Fugue finale (Grosse Fuge), Op. 133 (1825)

Pre-Concert lecture by Professor Charles Dill at 6:30 p.m. in Collins Recital Hall

 


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Classical music: The Madison Symphony Orchestra performs its annual gala Christmas concert this weekend and also offers a FREE community carol sing this Saturday morning

December 12, 2019
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By Jacob Stockinger

As Charles Dickens might say, the Madison Symphony Orchestra knows how to keep Christmas well.

Over many years, “A Madison Symphony Christmas” has become a  popular and major annual kickoff to the holiday season in the Madison area by embracing the season with Christmas classics and new music.

Much of the event’s appeal derives from the diversity and range of the performers. This year it again features the full orchestra plus the Madison Symphony Chorus, the Madison Youth Choirs and the Mount Zion Gospel Choir.

In addition, two opera stars who have performed with the Madison Opera — tenor Mackenzie Whitney (below top) and soprano Michelle Johnson (below bottom)– return to the stage for this annual family-friendly tradition. For biographies of the two singers, go to: https://madisonsymphony.org/event/a-madison-symphony-christmas-2019/

MSO principal harpist Johanna Wienholts (below) is a featured soloist in a concerto by George Frideric Handel.

“A Madison Symphony Christmas” takes place in Overture Hall, 201 State Street, on this Friday night, Dec. 13, at 7:30 p.m.; Saturday night, Dec. 14, at 8 p.m.; and Sunday afternoon, Dec. 15, at 2:30 p.m.

Tickets are $19 to $95 with discounts available. See below for details.

NOTE: On this coming Saturday morning, Dec. 14, at 11 a.m., Greg Zelek (below, in a  photo by Peter Rodgers) — the Madison Symphony Orchestra’s Principal Organist and Curator of the Overture Concert Organ — leads a FREE Community Carol Sing in Overture Hall. All ages are welcome, and no tickets or reservations are needed. Learn more at: https://madisonsymphony.org/event/free-community-carol-sing-2019/

Music director and conductor John DeMain (below) offers the following preview of the MSO concert:“This is the biggest celebration of the season in Madison and beyond. It has four different choruses and choirs as well as amazing soloists from the orchestra, the world of opera and Broadway.

“The huge Madison Symphony Orchestra will play your favorite Christmas music, and there is a great carol sing-along featuring the Overture Hall organ playing with the MSO. After this concert, you’ll want to celebrate Christmas all year long.”

The program begins with classical styles in the first half, culminating in Handel’s “Hallelujah” Chorus (heard in the YouTube video at the bottom.) The concert climaxes with a Gospel music finale, and a chance for the audience to sing along.

Works to be performed include John Rutter’s version of “O Come, O Come Emmanuel”; the “Magnificat” by Johann Sebastian Bach; Franz Schubert’s “Wiegenlied” (“Lullaby”); and music by Charles Gounod, J. S. Bach, Felix Mendelssohn, Adolphe Adam, Dan Goeller and Randol Alan Bass.

The older voices of the Madison Youth Choirs (below) are featured in works by composer Stephen Hatfield, including a version of the traditional English “Apple-Tree Wassail.”

The Madison Symphony Chorus (below, in a photo by Greg Anderson) and soloists present of medley of familiar holiday favorites, including “Let It Snow! Let It Snow! Let It Snow!”

Finally, the Mount Zion Gospel Choir (below, in a photo by Bob Rashid) sings arrangements for choir and orchestra by co-director Leotha Stanley, including “The Joy of Christmas,” Stanley’s version of “Silent Night,” and a newly composed song by Stanley, “Christmas Hope.”

CONCERT, TICKET AND EVENT DETAILS

The lobby opens 90 minutes prior to each concert. The MSO recommends concert attendees arrive early for each performance to make sure they have time to pass through Overture Center’s security stations — and participate in singing carols with the Madison Symphony Chorus that take place in the Overture Hall lobby (below) 45 minutes before the concerts.

Program notes are available online for viewing in advance of the concerts: http://bit.ly/msodec19programnotes

  • Single Tickets are $19-$95 each and are on sale now at: https://madisonsymphony.org/event/a-madison-symphony-christmas-2019/through the Overture Center Box Office at 201 State Street, or by calling the Box Office at (608) 258-4141. Fees apply to online/phone sales.
  • Groups of 10 or more can save 25% by calling the MSO office at (608) 257-3734. For more information, visit, https://www.madisonsymphony.org/groups.
  • Student rush tickets can be purchased in person on the day of the concert at the Overture Center Box Office at 201 State Street. Students must show a valid student ID and can receive up to two $15 or $20 tickets. More information is at: https://www.madisonsymphony.org/studentrush
  • Seniors age 62 and up receive 20% savings on advance and day-of-concert ticket purchases in select areas of the hall.
  • Flex-ticket booklets of 8-10 vouchers for 19-20 symphony subscription concerts are available. Learn more at: https://madisonsymphony.org/flex

Discounted seats are subject to availability, and discounts may not be combined. 

 


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