The Well-Tempered Ear

Music con Brio starts an annual Black Composers project with a FREE virtual concert

July 1, 2021
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By Jacob Stockinger

The Ear has received the following announcement from Carol Carlson, the co-founder and Executive Director of the Madison-based Music con Brio (below), who is a violinist and holds a doctorate in music from the UW-Madison:

Hello friends,

Happy summer! I hope you are able to enjoy some rest, relaxation and fun in the sun.

I am emailing you because Music con Brio embarked on an exciting new project this year, and I want to share it with you.

In an effort to diversify our repertoire and guest artists, we have launched our new “Music by Black Composers” project. Last winter, our staff chose four pieces of music by Black composers and made student-accessible arrangements of them. 

We then taught these new pieces during our online lessons this spring. On May 8, we gathered together outside at the Goodman Community Center, with four phenomenal local Black guest artists, to professionally record all four pieces.

And now, in lieu of our regular Community Concert Series this year, we are thrilled to present our first-ever Virtual Community Concert!

Click on the link to YouTube video at the bottom to watch and hear the 12-minute performance. Once there, click on Show More to see the composers, pieces and performers.

We are incredibly proud of our students and staff for all their hard work making this so successful. I’m sure you will enjoy their performance!

Please do feel free to pass the video along to anyone else you think might be interested in watching it.

And if you feel so inclined, we would really appreciate a donation in support of this work, which we plan to do every year from now on. To support Music con Brio and our Black Composers project by making a secure, tax-deductible donation, go to: https://www.musicconbrio.org/donate/ 

Thank you so much for your support! We hope to see you at a live concert again sometime soon!

If you wish to know more about Music con Brio, go to: https://www.musicconbrio.org


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To celebrate Pride month, here are lists of LGBTQ+ composers, performers and musical ensembles 

June 27, 2021
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By Jacob Stockinger

June is Pride month.

And this weekend will see Pride marches and celebrations in some major cities including New York City, Chicago, Paris and Rome.

As time passes, scholars are finding out more about the LGBTQ+ composers, performers and musical groups that have been hidden by history.

And some ironies emerge. One can only imagine the response of conservative, right-wing Evangelical Christians who find out that the composer of “Messiah” – George Frideric Handel (below) — was queer, at least according to some researchers.

For most listeners, surprises abound.

Here is a good place to start. It is the very large Wikipedia entry of LGBTQ+ composers and performers, both contemporary and historical. The Ear finds it very informative. It is organized by the kind of musicians they are and the category of their sexual identity. https://en.wikipedia.org/wiki/Category:LGBT_musicians

If you want to be more selective, try these: https://www.classicfm.com/discover-music/greatest-lgbtq-conductors-you-should-know/. They include Marin Alsop (below top) and her teacher and mentor Leonard Bernstein (below bottom).

Here is longer essay that focuses on lesbian conductors as well as gay men and reaches back to the Middle Ages: http://www.glbtqarchive.com/arts/conductors_A.pdf

And here is one with some great photos or pictures of the individuals: https://www.classicfm.com/discover-music/great-classical-composers-who-were-gay/

Finally, here are some of the international music ensembles – with audio samples of their performances — made up of LGBTQ+ singers and instrumentalists, including the Rainbow Symphony of Paris (in the YouTube video at the bottom, performing the beautiful Gloria by the gay French composer Francis Poulenc in a benefit Concert Against Homophobia for UNESCO): https://www.classicfm.com/discover-music/best-lgbtq-classical-music-ensembles/

Inevitably, some readers will react by asking: What difference does the sexual identity of composer or performer make? All that matters, they argue, is the music.

Here is a reply to that specious argument that focuses on Yannick Nézet-Séguin (below), the music director of the Metropolitan Opera, the Philadelphia Orchestra and the City Symphony of Montreal. It appeared in The New York Times: https://www.nytimes.com/2019/01/15/arts/music/yannick-nezet-seguin-met-opera-gay.html

Happy Pride – this month and every day of the year!

Do you have questions, additions or comments?

Leave them below.

The Ear wants to hear.


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Live music continues its comeback from the pandemic. Today is Make Music Madison with free concerts citywide of many kinds of music. Here are guides with details

June 21, 2021
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By Jacob Stockinger

Live music continues to make its comeback from the restrictions of the COVID-19 pandemic. 

The past week saw live outdoor concerts by Con Vivo, the Bach Dancing and Dynamite Society and the Middleton Community Orchestra.

Today – Monday, June 21 –is Make Music Madison 2021.

It is part of an annual worldwide phenomenon that started in France in 1982. It has since spread globally and is now celebrated in more than 1,000 cities in 120 countries.

Yet in the U.S., Wisconsin is one of only five states that celebrate Make Music Day statewide. The other states are Connecticut, Hawaii, New Mexico and Vermont. In there U.S., more than 100 cities will take part in presenting free outdoor concerts. Globally, the audience will be in the millions.

The day is intended to be a way to celebrate the annual Summer Solstice, the longest day of the year. Technically, the solstice occurred in Wisconsin last night, on Father’s Day, at 10:32 p.m. CDT.

But The Ear is a forgiving kind. This will be the first full day of summer, so the spirit of the celebration lives on despite the calendar.

You can see – the composer Igor Stravinsky advised listening with your eyes open – and hear 38 different kinds of music. The choices include blues, bluegrass, Celtic, roots music, gospel, rock, jazz, classical, folk, African music, Asian music, world music, children’s music (see the YouTube video at the bottom) and much more. It will be performed by students and teachers,  amateurs and professionals, individuals and groups.

Here is a link to a press release about the overall event: https://www.prnewswire.com/news-releases/make-music-day-2021-announces-updated-schedule-of-events-301304107.html

And here is a link to the global home website — with more background information and a live-stream video of a gong tribute to the who died of COVID — about the festival: https://www.makemusicday.org

The local events will take place from 5 a.m. to midnight. All are open to the public without admission, and safety protocols will be observed.

Here is a guide to local events that allow you to search particulars of the celebration by area of the city, genre of music, performers, venues and times. If you are a classical fan, in The Ear’s experience you might want to pay special attention to Metcalfe’s market in the Hilldale mall.

Here is a link to the home webpage of Make Music Madison: https://www.makemusicmadison.org

Here is a link to the event calendar with maps and schedules as well as alternative plans in case of rain and various menus for searching: https://www.makemusicmadison.org/listings/

Happy listening!

In the Comment section, please leave your observations and suggestions or advice about the quality and success of the festival and the specific events you attended.

The Ear wants to hear.


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The Ear is back

June 10, 2021
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By Jacob Stockinger

The Ear is back!

For the first time since the May 18 posting about the season’s last concert by Just Bach, The Ear can post a new entry.

For three weeks, The Ear struggled to correct the situation, but to no avail. But then yesterday everything suddenly seemed to fall into place and new postings became possible.

Some readers and subscribers have contacted The Ear to ask if he was ill or something disabling had happened. Thank you for your concern.

But let me reassure you. The absence and silence were due simply to the technological glitch on the WordPress.com platform.

In some ways, though, the involuntary sabbatical was welcome. It provided The Ear with an opportunity to consider whether he wanted to continue the blog after the past 13 years.

After much consideration, The Ear has decided to continue, at least for the time being.

But the blog will see some changes.

Stay tuned and The Ear will explain more in detail.

In the mean time, thank you for continuing to subscribe and read the blog. It has been gratifying to see both the loyalty of the readers, many of whom used the hiatus to explore the archives. 

And if you have any comments or suggestions to make about the blog, please leave them in the Comment section.

The Ear wants to hear.


This Saturday night the Wisconsin Chamber Choir and Grammy winner Sarah Brailey perform a free live-streamed concert of music by women

May 13, 2021
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By Jacob Stockinger

The Ear has received the following announcement to post:

The Wisconsin Chamber Choir (WCC, below) with a special guest — Grammy Award-winning soprano and UW-Madison graduate Sarah Brailey – will perform this Saturday, May 15, at 7 p.m.

“Music She Wrote” is a celebration of music composed by a highly diverse group of women from many ages.

Choir members will sing from their individual cars using wireless microphones, listening to the sound of the whole choir via their car radios.

The audience is invited to listen in live on YouTube and to let us know they are interested by sending an RSVP to our Facebook event.

There is no charge to view the livestream, but donations will be welcome. 

Here are the links to hear the performance LIVE on YouTube or Facebook:

https://youtu.be/Iaz0wZhuG18 or: 

https://www.facebook.com/events/1561155960751974/

The WCC had scheduled a regular concert with an all-female cast of composers for May 2020, which fell victim to Covid-19. As it became obvious that the pandemic would last longer, the WCC started exploring new ways of making and disseminating music.

From September 2020, we resumed activity in the shape of the Parking Lot Choir, generating local media coverage from WKOW-TV and Madison Magazine, whose story was headlined “Forget tailgates, parking lots are for choir practice.”

The result of this first rehearsal run was the widely acclaimed “Car Carols” concert in December 2020, whose format is the model for “Music She Wrote.”

In addition to the Parking Lot Choir, three smaller groups from the WCC assembled at the Edgewood College Amphitheater on Saturday mornings to rehearse (below) in widely spaced formations, wearing specially designed singer masks.

Another such group, made up of our members from southeastern Wisconsin, met in Whitewater on Sunday afternoons. Recordings by those four small groups will be aired during the May 15 broadcast in addition to live singing by the Parking Lot choristers.

The program includes: the Garden Songs by Fanny Hensel, née Mendelssohn (Felix’s sister, below), which were intended for outdoor performance; and Ethel Smyth’s March of the Women, the anthem of the women’s suffrage movement in the English-speaking world.

In addition to works by African American composers Ysaÿe M. Barnwell (below top) and Rosephanye Powell and by Cuban composer Beatriz Corona (below second), the program includes samples from outside the Western tradition — Lamma Badaa Yatathannaa, sung in Arabic, by Shireen Abu-Shader (below third), who hails from Jordan but received her academic education in the U.S. and Canada; and two pieces by Japanese composer Makiko Kinoshita (below bottom).

Western early music is represented by Italian composers Raffaella Aleotti (below top) and Chiara Cozzolani (below bottom), who lived in the 16th and 17th centuries.

Finally, there is singer-songwriter Judy Collins with her Song for Sarajevo, composed for the children of the war in Bosnia in 1994 and arranged by her longtime collaborator, Russell Walden. (You can hear it in the YouTube video at the bottom.)

For more details, visit: https://www.wisconsinchamberchoir.org/music-she-wrote.

Sarah Brailey (below, in a photo by Miranda Loud), a native of Wisconsin, studied at the Eastman School of Music and the University of Wisconsin–Madison, where she has just completed her doctorate. A consummate musician and internationally acclaimed soloist, she recently won a Grammy Award in the Best Classical Vocal Solo Album category for her role as The Soul in the world premiere recording of Ethel Smyth’s The Prison. 

She is familiar to Madison audiences not only as a performer and co-founder of Just Bach but also as the co-host of WORT’s Musica Antiqua show on FM 89.9 and the director of Grace Presents. 

As a graduate student, she joined the WCC for two seasons from 2004 to 2006. We are thrilled to welcome her back! For more information on Sarah, see her website at https://sarahbrailey.com


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Wisconsin Ensemble Project’s string quartet program to benefit the United Way of Dane County debuts online this Friday night

May 11, 2021
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By Jacob Stockinger

This Friday night, May 14, the Wisconsin Ensemble Project will present a recorded concert (below, in an image by Katrin Talbot) in partnership with United Way of Dane County (UWDC). 

This is their second in a series of performances to benefit local and international organizations.  

This production offers viewers a meaningful program that leads to direct impact with a focus on housing stability and family well-being.  You will hear the story and see the face of UWDC woven throughout a chamber music performance. 

The program of works for string quartet includes “Park”  by Daniel Bernard Roumain (below top); the “Heiliger Dankgesang” (Sacred Hymn of Thanksgiving, which you can hear played by the Alban Berg Quartet in the YouTube video at the bottom) from Beethoven’s Opus 132; and selections from Five Folksongs in Counterpoint by Florence Price (below bottom).

WE Project members and performers are local, professional musicians who work together in the Madison Symphony Orchestra and the Wisconsin Chamber Orchestra: violinists Leanne League and Mary Theodore; violist Jen Paulson; and cellist Karl Lavine.

“The WE Project is rooted in the quartet’s desire not only to delve deeply into chamber music repertoire, but also to address some of the many pressing social justice issues of our time,” says member Mary Theodore.

When exploring organizations to partner with for their second project, the quartet was inspired by the work of United Way of Dane County. The WE Project approached United Way out of their concern over housing security, with the understanding that one of UWDC’s key goals is to help more individuals and families find pathways out of poverty through housing and employment initiatives.

The recorded production will be available by registering at https://www.eventbrite.com/e/wisconsin-ensemble-project-spring-benefit-concert-registration-151923670789 from 6 p.m. this Friday, May 14, for 72 hours. Admission is free and contributions are strongly encouraged.

Contributions can be made through the website and will help to cover basic production costs and get funds directly into the hands of this very worthy organization which, most importantly, brings aid to the people they serve.


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The Wisconsin Union Theater closes its 2020-21 season with only one online concert this weekend. Sō Percussion on Saturday night has been CANCELED. The Wisconsin Sound all-Beethoven concert with the Pro Arte Quartet will take place at noon on Sunday.

April 30, 2021
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By Jacob Stockinger

Two online concerts this weekend were supposed to close the 2020-21 season at the Wisconsin Union Theater.

On Saturday night at 7:30 p.m., the usual subscriber season was supposed to wind up with an online concert by the Sō Percussion Ensemble with the contemporary Pulitzer Prize-winning American composer Caroline Shaw.

That concert has been CANCELED. No reason is listed.

On this Sunday, May 2, at noon CDT, however, the University of Wisconsin-Madison’s acclaimed string quartet, the Pro Arte Quartet (below top), will by joined by pianist and UW-Madison graduate Thomas Kasdorf (below bottom) in an all-Beethoven concert.

This will be the last concert of the WUT’s innovative Wisconsin Sounds – they feature local performers– this season.

Here are more details: 

PROGRAM and PERFORMERS

The “Beethoven in C Minor” program will feature two works:

String Trio in C minor, Op. 9, No. 3 (1797-98). Performers are Sally Chisholm, viola; Parry Karp, cello; and David Perry, violin.

Piano Trio in C Minor, Op. 1, No. 3 (1793-4). Performers are: Suzanne Beia, violin; Parry Karp, cello; and Thomas Kasdorf, piano. You can hear the opening movement in the YouTube video at the bottom.

The Pro Arte Quartet’s performance of early works by the young Beethoven (below) is part of the Wisconsin Sound Series, which showcases and supports local musicians and artists during the coronavirus pandemic.

Learn more about the series.

To learn more about the Pro Arte Quartet, go to the group’s Website or page on Facebook

TICKETS

Tickets cost $15 and are available at the Wisconsin Union Theater box office. You can purchase tickets and also see more information about the program and performers here: https://union.wisc.edu/events-and-activities/event-calendar/event/pro-arte-quartet/

For ticket buyers who purchase a ticket less than two hours before the event start time, the link to view the concert will be in the confirmation email you will receive immediately following your purchase. This link will be accessible for seven days following the initial broadcast.

For all other purchases, all emails will come from https://union.wisc.edu/visit/wisconsin-union-theater/theater-tickets/

If you do not receive your email to your inbox, please check your junk or spam folder in case it was filtered there. If you have questions or problems, the box offices phone number is (608) 265-ARTS (2787).


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This Sunday at 4 p.m., the Salon Piano Series debuts an online recital by pianist Kangwoo Jin. He plays music by Scarlatti, Beethoven, Liszt and Schumann. It is up until May 9

April 22, 2021
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By Jacob Stockinger

This Sunday afternoon at 4 p.m. CDT, the Salon Piano Series, hosted by Farley’s House of Pianos, will debut an online concert by pianist Kangwoo Jin (below, in a photo by Andy Manis).

The concert, which was recorded at Luther Memorial Church, costs $10 and will be available online through May 9.

The program is:

Scarlatti – Sonatas in D minor and D Major, K. 213 and 214 (ca. 1756-1757)

Beethoven – Sonata in C-sharp minor, Op. 27, No. 2, “Moonlight” (1801)

Liszt – Transcriptions for solo piano of the songs “Widmung” (Dedication) by Robert Schumann and “Litanei” (Litany) by Franz Schubert

Schumann – Symphonic Etudes, Op.13 (1830)

Bishop – Home, Sweet Home

Tickets are only available online at eventbrite.com. Service fees apply. Complete program and concert information is at salonpianoseries.org

PROGRAM NOTES 

Jin has written the following program notes for The Ear:

“As a musician, I am always eager to share music with the public. I am very excited to be able to reach out to the audience with this unprecedented Salon Piano Series Virtual Concert. 

“I believe music soothes our mental health in difficult times regardless of age, gender or race. I very much hope my performance will contribute to this collective healing we feel through music.

“I wanted to include three different styles, as I usually do for recitals. This time I have Baroque, Classical and Romantic music.

“I chose one of the most famous Beethoven sonatas in order to celebrate his 250th birth year (2020), which I did not have a chance to mark last year.

“This piece is popular with the title of “Moonlight,” which Beethoven (below) never intended. Five years after his death, the German critic Ludwig Rellstab used the word “Moonlight” in order to describe the first movement. But it was really inspired by the funeral march in Mozart’s opera “Don Giovanni.” I try to bring out the tragic color of the first movement. (You can hear Jin play the exciting final movement of the sonata in the YouTube video at the bottom.)

“I also wanted to play the virtuosic masterpiece “Symphonic Etudes,” Op. 13, by Robert Schumann (below), including the beautiful posthumous variations 4 and 5.

I find this piece special in the sense that Schumann intended to make this piece “symphonic.” He created multiple layers of voices in various ways through each etude and created orchestral sounds. This polyphonic writing with multiple layers and a thick texture is what makes this piece difficult to play.

“I also specifically wanted to include one of the piano transcriptions by Franz Liszt (below) of Schubert’s Litanei auf das Fest Aller Seelen (Litany for the Feast of All Souls), D. 343.

“Schubert (below) used the poem “Litany” by Johann Jacobi (1740-1814). It is written for comforting the deceased. Robert Capell, the author of the book “Schubert’s Songs” (1929), said about this lied: There was never a truer or more touching expression of simple devotion and consoled grief … “The music rises from a pure well of affection and humility.” 

“I would like to dedicate this piece to all the people who  suffered from Covid 19.”

BACKGROUND

Here is a link to Kangwoo Jin’s impressive website where you can see many photos, learn about his extensive career as a teacher and hear many samples of his playing: https://www.pianistkangwoojin.com

Praised for his “refined tone quality with powerful energy” (Chosun Daily Newspaper), Jin (below, in a photo by Steve Apps for the Wisconsin State Journal) concertizes nationally and internationally, including performances in Germany, Italy, China, Indonesia and South Korea.

He gave his debut concert at the Sejong Arts Center in Seoul, South Korea, sponsored by the Chosun Daily Newspaper. He has given live performances on Wisconsin Public Radio and WORT 89.9 FM. 

Jin appears frequently as a guest artist at music festivals, universities and various concert series. Recent invitations include UW-River Falls, Texas A&M University-Corpus Christi, and Tongji University in Shanghai. Kawai Pianos USA has also invited him as a guest artist at the annual Piano Technicians Guild Convention and Technical Institute in Florida.

Jin completed the Bachelor of Music degree at Hanyang University in South Korea, then earned his Performer Diploma and Master’s of Music at Indiana University, where he worked as an associate instructor.

He is the recipient of the J. Battista Scholarship for performance excellence at Indiana University and received the Collins Distinguished Fellowship for his doctoral studies, completed last year, at the University of Wisconsin-Madison, where he studied piano with Christopher Taylor and piano pedagogy with Jessica Johnson.


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The UW Symphony strings and Pro Arte Quartet team up Thursday night for a free online MUST-HEAR concert of Shostakovich, Elgar and Caroline Shaw. TONIGHT you can hear free piano and percussion recitals

April 21, 2021
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All times are Central Daylight Time.

ALERTS: Tonight from 6:30 to 8 p.m. in Collins Recital Hall of the Hamel Music Center, the UW-Madison Mead Witter School of Music will present a departmental piano recital with undergraduate and master’s students. There is no listing of performers and pieces yet. One assumes they will be announced during the live-stream. Here is the link to take you to the YouTube video: https://www.youtube.com/watch?v=-7muCH_gupA

Then from 7:30 to 9 p.m., the UW Chamber Percussion Ensemble will live-stream a concert from the Mead Witter Foundation Concert Hall. Here is the YouTube link. If you click on Show More, you will find the details of the program and composers: https://www.youtube.com/watch?v=xWv285nZutI

By Jacob Stockinger

This Thursday night, April 22, you can hear two of the musical groups that The Ear found most impressive and consistently excellent during the Pandemic Year.

At 7:30 p.m., the UW-Madison Symphony Orchestra’s string section (below) and the Pro Arte Quartet will team up to perform a free 90-minute, live-streamed concert online.

It is one of the last major concerts of this school year and will be conducted by the outstanding music director and conductor of the orchestra, Professor Oriol Sans (below).

For The Ear, it is a MUST-HEAR concert.

Here is a link to the YouTube site where you can see and hear it: https://youtu.be/TN2PftBJ4yg. If you click on Show More, you can see the members of the orchestra’s strings along with a list of the graduating seniors.

All the works on the innovative program are closely informed by the string quartet.

The program includes the darkly dramatic five-movement Chamber Symphony, Op. 110a, based on the famous and popular String Quartet No. 8, by Dmitri Shostakovich; the orchestral version of the entrancing and quietly hypnotic “Entr’acte” — heard in the YouTube video at the bottom — that was originally written for string quartet by the Pulitzer Prize-winning contemporary American composer Caroline Shaw (below, in a photo by Kait Moreno); and the Introduction and Allegro for String Quartet and String Orchestra by Sir Edward Elgar.

The UW-Madison’s acclaimed Pro Arte Quartet (below) is the soloist and will join forces with the orchestra for the Elgar work. Quartet members are: David Perry and Suzanne Beia, violins; Sally Chisholm, viola; and Parry Karp, cello.

And here is a link to more information about the program and to more extensive program notes: https://www.music.wisc.edu/event/uw-madison-symphony-orchestra-8/


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As the semester ends, virtual concerts allow UW students to reach many more family members, friends and listeners. Here is how the public can connect to them

April 14, 2021
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PLEASE HELP THE EAR. IF YOU LIKE A CERTAIN BLOG POST, SPREAD THE WORD. FORWARD A LINK TO IT OR, SHARE IT or TAG IT (not just “Like” it) ON FACEBOOK. Performers can use the extra exposure to draw potential audience members to an event. And you might even attract new readers and subscribers to the blog.

By Jacob Stockinger

Starting tonight and over the next two weeks, as the spring semester at the UW-Madison comes to a close, there will be more than two dozen student recitals to listen to. (Below is the YouTube video for the concert this Thursday night, April 15, at 6:30 p.m. of the Marvin Rabin String Quartet that is comprised of graduate students.)

Often two or more concerts a day are scheduled, often at 3:30 p.m. and 6:30 p.m. 

That much is typical.

What is not typical during the pandemic is that technology will allow the recitals to be presented live-streamed and virtual.

The downside is that the students will not experience performing before a live audience.

But there is an upside.

Going virtual also means that the recitals will be available longer to family, friends and interested listeners  here as well as around the country and — especially for international students — the world. (Below, in a photo by Bryce Richter for the UW-Madison, is the Mead Witter Foundation Concert Hall in the Hamel Music Center.)

It also means you can hear them when it is convenient for you and not at the actual scheduled times.

The Ear has heard his share of student recitals and often finds them to be exceptional events.

If you go to the Mead Witter School of Music’s website, you can see the concerts and the lineups.

You will see that there will be student recitals of vocal music, brass music, wind music, string music and piano music. There are solo recitals, chamber music and even a symphony orchestra concert. (Below, in a photo by Bryce Richter for the UW-Madison, is the Collins Recital Hall in the Hamel Music Center.)

There are too many details for each concert to list them all here individually.

But if you go to the Concerts and Events page on the music school’s outstanding website, you can hover the cursor over the event and then click on the event and get everything from the performers and programs to program notes, a performer biography and a photo with a link to the YouTube performance.

On the YouTube site, if you click on “See More” you will see more details and can even set up an alarm for when the concert starts.

Here is a link: https://www.music.wisc.edu/events/

Try it and see for yourself. Below is the YouTube link for pianist Mengwen Zhu, who performs his recital this Saturday, April 17, at 6 p.m.)

Happy listening!

Let us know what you think, especially if it is encouraging for the students.

The Ear wants to hear.


Posted in Classical music
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