The Well-Tempered Ear

Classical music: The amateur Middleton Community Orchestra performs a non-traditional “holiday” concert of Mahler and Kodaly this Wednesday night

December 17, 2018
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By Jacob Stockinger

During the holiday season, many — maybe even most — classical music groups program music that goes with the theme of the holidays from Christmas and Hanukkah to Kwanzaa and the New Year.

But some groups wisely give listeners a respite from holiday fare.

That happened one week ago when the University of Wisconsin-Madison Choral Union and the UW Symphony Orchestra, under the baton of Beverly Taylor, performed a memorable program that featured the brassy “Te Deum” by Zoltan Kodaly and especially the calming Requiem by Maurice Duruflé.

Something similar will happen again this Wednesday night, Dec. 19, at 7:30 p.m. in the comfortable Middleton Performing Arts Center, attached to Middleton High School, 2100 Bristol St.

That is when the mostly amateur but critically acclaimed Middleton Community Orchestra (below, in a photo by Brian Ruppert) will perform its “holiday” concert that is holiday-ish more as a matter of timing than of content or theme, since you won’t hear any carols or sing-alongs or the usual or traditional holiday fare. The Ear thinks it’s a smart approach and a welcome break.

The non-holiday “holiday” program includes “Songs of a Wayfarer” by Gustav Mahler, sung by UW-Madison baritone Paul Rowe (below).

Also on the program is “Le Boeuf sur le Toit” (The Steer on the Roof) by Darius Milhaud with violinist soloist Naha Greenholtz (below, in a photo by Greg Anderson), who is the concertmaster of the Madison Symphony Orchestra.

Matthew Coley (below top), a member of the acclaimed Madison-based percussion group “Clocks in Motion,” will perform two pieces of Hungarian music that use the rarely heard cimbalom (below bottom): the “Czardas” by Vittorio Monti and the “Hary Janos Suite” by Kodaly. (You can hear Monti’s familiar “Czardas” in a version for violin and piano in the YouTube video at the bottom.)

Kyle Knox (below), who is the new music director of the Wisconsin Youth Symphony Orchestras and the new associate conductor of the Madison Symphony Orchestra, and who is also the husband of Naha Greenholtz, will once again be the guest conductor.

Admission is $15 for the general public with students and young people getting in for free. Tickets can be bought at the Willy Street Co-op West and at the door. The box office opens at 6:30 p.m. and doors to the hall open at 7 p.m.

As usual, there will be a meet-and-greet reception (below) – complete with Christmas cookies, you can be sure – at the end of the concert.

For more information about future MCO concerts, reviews of past concerts and details about how to join the orchestra or support it, go to: http://middletoncommunityorchestra.org/home


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Classical music: The Madison Choral Project will sing and celebrate young people’s “Hope for the Future” at its concerts this Saturday night and Sunday afternoon

December 13, 2018
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By Jacob Stockinger

Christmas is for the children, goes the old saying — and in more than one way such as gift-giving. The birth of Jesus represents the birth of hope and salvation in Christianity.

Other holiday traditions can claim the same — the extra light theme of Hanukkah in Judaism and the harvest theme of the African celebration of Kwanzaa, for example — and of course the New Year will soon be here with its promise of hope and change.

Now the critically acclaimed and professional Madison Choral Project (below top, in a photo by Ilana Natasha) and its founder, artistic director and conductor Albert Pinsonneault – who used to teach at Edgewood College and now works at Northwestern University near Chicago while living in Madison – has taken that saying to a new level and given it new meaning.

You can hear the results for yourself this Saturday night, Dec. 15, at 7:30 p.m. and Sunday afternoon, Dec, 16, at 3 p.m. in Madison, and at 7:30 p.m. on Tuesday night, Dec. 18, in Milwaukee.

The Madison performances are at Christ Presbyterian Church, 944 East Gorham Street. The Milwaukee performance is at the Cathedral of St. John the Evangelist, 812 Jackson St.

Tickets are $24 in advance online; $28 at the door. Students with ID are $10. Preferred seating is $40.

The theme of the sixth holiday concert by MCP is “Hope in the Future,” which is relevant at any time but seems particularly so this year. So it includes specially commissioned writings by young people, middle school and high school students from grades 6 through 12. Their work will be read by Noah Ovshinsky (below), the news director at Wisconsin Public Radio.

There’s no need to reinvent the wheel, so The Ear wants instead to direct you to a fine story about the MCP concert by reporter Gayle Worland for The Wisconsin State Journal.

There you will find out much more about the identities of the young writers, with a couple of examples of their work, and the inspiration or background of the theme that Pinsonneault (below) came up with.

Here is a link:

https://madison.com/wsj/entertainment/music/madison-choral-project-offers-young-vision-of-hope/article_9aff921e-2446-51d7-9c8c-5195e41f4b32.html

Unfortunately, what you will not find in that story or at the MCP’s home web page is the music program. No composers or specific works are mentioned.

But judging from past performances, you can count on outstanding repertoire of both classics and new music.

For more information about the MCP and its past concerts as well as it personnel and singers, go to: http://themcp.org

Here is a sample of the outstanding work by the Madison Choral Project:


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Classical music: The UW-Madison Choral Union and UW Symphony Orchestra perform the Duruflé Requiem and Kodaly “Te Deum” this coming Saturday and Sunday nights

December 5, 2018
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By Jacob Stockinger

In Mills Hall this coming Saturday night, Dec. 8, at 8 p.m. and Sunday night, Dec. 9, at 7:30 p.m., the University of Wisconsin-Madison Choral Union (below, in a  photo by John W. Barker) and the UW Symphony Orchestra will perform two works: the Requiem by Maurice Duruflé; and the “Te Deum” by Zoltan Kodaly.

The Choral Union is a campus and community choral group that performs once each semester. This spring, it will take part in three performances of the Symphony No. 8, “The Symphony of a Thousand,” by Gustav Mahler with the Madison Symphony Orchestra, where conductor Beverly Taylor is the choral director.

In addition to the chorus and the orchestra there are student soloists.

In the Duruflé Requiem, the student soloists are: Michael Johnson, baritone; and Chloe Flesch, mezzo-soprano (below).

In the Kodaly “Te Deum,” the student soloists are:  Jing Liu, soprano; Chloe Flesch, mezzo-soprano; Benjamin Hopkins, tenor; and bass Ben Galvin.

Tickets cost $17 for the public, $8 for students.

For more information about the works as well as a YouTube video preview of the Kodaly and information about how to obtain tickets in advance or at the door, go to: https://www.music.wisc.edu/event/choral-union-the-durufle-requiem/

Beverly Taylor (below), the longtime director of Choral Activities at the University of Wisconsin-Madison Mead Witter School of Music who will lead the performances, recently spoke to The Ear about the concert:

“I plan to retire in May 2020, so I’m picking some great music for my last few Choral Union concerts!

“I’ve always wanted to do the Duruflé Requiem, which Bruce Gladstone performed in Luther Memorial Church a few years ago in the organ version. But I knew we couldn’t get a good organ on stage in Mills Hall and still have room for the orchestra.

“I hadn’t realized that Duruflé (below) had written a full orchestra version without the organ, which is replaced by the woodwinds. So it seemed a wonderful piece to do. (You can hear the Kyrie movement from the Durufle Requiem in the YouTube video at the bottom.) 

“Since I have the symphony orchestra only one semester, I ignore holiday music when it comes to programming for the Choral Union, and try to assemble a wonderful evening.

“The Duruflé piece sounds like music by Gabriel Fauré and other late French church works, with its less dramatic text choices and its warmth, lush color and tide-like swells and diminuendos.

“I’ve done the “Te Deum” by Kolday (below) twice before over my 24 years here. It continues to be a favorite, and I use it because I like it, because it’s about 20 minutes long and a good companion piece, and because it shows off the Choral Union so beautifully.

“It’s a work of great contrasts, from a thrilling opening to a quiet middle based on a Hungarian folksong, to a next-to-final fugato and to a very quiet ending.

“The only problem with this program?  Both pieces end quietly!  Can we still get a burst of applause?”


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Classical music: The Oakwood Chamber Players celebrate the holidays this weekend with two performances of seasonal music

November 20, 2018
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By Jacob Stockinger

This weekend the Oakwood Chamber Players (below) continue their 2018-2019 season series “Vignettes” with a holiday concert on this Saturday night, Nov. 24, at 7 p.m. and Sunday afternoon, Nov. 25, at 2 p.m.

On the program is a range of musical styles and a charming story set for chamber ensemble and narrator.

The cheery holiday-themed program will include familiar seasonal music, treasured classical composers, entertaining arrangements, and some delightful musical storytelling.

Both concerts will be held at the Oakwood Center for Arts and Education, 6209 Mineral Point Road, on Madison’s far west side near West Towne Mall.

Tickets can be purchased with cash or personal checks at the door: the cost is $25 for general admission, $20 for seniors, and $5 for students. For more information, go to: www.oakwoodchamberplayers.com or call (608) 230-4316.

The program includes music from two beloved classical composers: “Joseph, dearest, Joseph mine” from “Geistliches Wiegenlied” by Johannes Brahms; and Suite of Christmas Songs, Op. 72, by Felix Mendelssohn.

In 1927, “The Adoration of the Magi” (below) by Renaissance painter Sandro Botticelli, who did many scenes of that subject, inspired Italian composer Ottorino Respighi to create an evocative composition that weaves traditional carols into his musical response to the famous painting. This version has been arranged for chamber ensemble of flute, harp and cello. (You can hear the orchestral version in the YouTube video at the bottom.)

The group will be joined by special guest artist baritone Robert “Bobby” Goderich, who has appeared with the Madison Opera and the Four Seasons Theatre. He will sing an upbeat version of the traditional Welsh Gower Wassail as well as performing Silent Night set for the intimate combination of voice, clarinet and harp.

Central to the program, Goderich (below) will narrate Sweep Dreams, an enchanting tale about a lonely man who falls in love with an enchanted broom that dances in the moonlight.

The story by the late and prize-winning author Nancy Willard (below top) was set to music by the late and renowned American choral composer Stephen Paulus (below bottom), who lived in Minneapolis and created the piece while he was composer-in-residence for the Minnesota Orchestra.

Additional works on the concert are “A Winter’s Night” by American composer Kevin McKee (below) for flugelhorn and harp, Australian composer Percy Grainger’s warm-hearted setting of “Sussex Mummers’ Carol,” and two sunny woodwind quintet settings of beloved holiday songs.

The Oakwood Chamber Players will be joined by a significant array of guest artists: Margaret Mackenzie, harp; Wes Luke, violin; Ariel Garcia, viola; Brad Townsend, bass; Jennifer Morgan, oboe; John Aley trumpet and flugelhorn; Robert “Bobby” Goderich, singer/narrator; Nicholas Bonacio, percussion; and Carrie Backman, conductor.

Regular members, who play with the Madison Symphony Orchestra, the Wisconsin Chamber Orchestra and other local groups, include: Maggie Darby Townsend, cello; Marilyn Chohaney, flute; Nancy Mackenzie, clarinet; Anne Aley, horn; and Amanda Szczys, bassoon.

This is the second of five concerts in the Oakwood Chamber Players’ 2018-2019 season series entitled Vignettes. Remaining concerts will take place in 2019 on Jan. 12 and 13; March 2 and 3; and May 18 and 19.

The Oakwood Chamber Players are a group of Madison-area professional musicians who have rehearsed and performed at Oakwood Village for over 30 years.

The Oakwood Chamber Players are a professional music ensemble proudly supported by Oakwood Lutheran Senior Ministries and the Oakwood Foundation.


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Classical music education: Wisconsin Youth Symphony Orchestras performs “Sounds of the Season” with area high school choirs on TV once again on Christmas Eve and Christmas Day. Plus, WYSO names Randal Swiggum as its new interim music director

December 23, 2016
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By Jacob Stockinger

The Wisconsin Youth Symphony Orchestras has two pieces of news to report:

As in past years, WYSO will perform its popular one-hour, commercial-free “Sounds of the Season” concerts on TV on NBC 15 this weekend. 

Three WYSO groups will be featured: the Youth Orchestra (below top), the Youth Brass Choir (below middle) and the Percussion Ensemble (below bottom).

WYSO Youth Orchestra James Smith conducting 2015

WYSO Brass Choir

WYSO Percussion Ensemble 2012

There will be one performance on Christmas Eve at 10 p.m., and then two performances on Christmas Day at 8 a.m. and 12:30 p.m.

The orchestra and ensembles will also be joined by choirs from area high schools. Sorry, but The Ear can’t find word of which ones.

You can hear part of Leroy Anderson’s “Sleigh Ride” as performed by WYSO on “Sounds of the Season” in the YouTube video at the bottom.

For more information, photos and audiovisual clips from a last year’s “Sounds of the Season,” go to:

http://www.nbc15.com/content/misc/NBC15-Sounds-Of-The-Season-2016-406076915.html

wyso-sounds-of-the-season-logo

In addition WYSO has named an interim replacement for outgoing music director James Smith (below), who is retiring from WYSO as well as from the University of Wisconsin-Madison at the end of this season.

james smith Jack Burns

Here are details from WYSO’s executive director Bridget Fraser:

“WYSO is very pleased to announce that Randal Swiggum (below) has been appointed WYSO Interim Artistic Director and Youth Orchestra Conductor for the 2017-2018 season.

“Randy is well-known to many WYSO students already, whether through Summer Music Clinic, the recent Wisconsin Middle Level Honors orchestra, or Suzuki Strings of Madison. He prepared the WYSO Youth Orchestra for its 2012 Overture Center performance of “To Be Certain of the Dawn,” and has subbed in with Philharmonia Orchestra and chamber music rehearsals.

Randall Swiggum

“Randy is in his 19th season as Artistic Director of the award-winning Elgin Youth Symphony Orchestra, a large program similar to WYSO, which draws students from 70 different communities in suburban Chicago.

“Under his direction, the EYSO has collaborated with renowned artists like Midori, Yo-Yo Ma and Rachel Barton Pine, as well as Grammy-winning chamber ensemble eighth blackbird. The EYSO has appeared on NPR’s “From the Top” and at the Ravinia Festival, where they will return to perform again in 2018.

“The Illinois Council of Orchestras has twice named him Conductor of the Year and awarded its prestigious Programming of the Year Award to the EYSO.

“A frequent guest conductor of orchestral and choral festivals, Randy recently conducted the Scottish National Youth Symphony in Glasgow, All-State Orchestras in Georgia and Illinois, the American Mennonite Schools Orchestra Festival, Northern Arizona Honors Orchestra, the APAC Orchestra Festival in Seoul, and both the Wisconsin Middle Level Honors Choir and Orchestra, among many others.

“Randy also works with a number of professional orchestras, designing and conducting concerts for young people. Last year, he led the Madison Symphony in his original “Symphony Safari: What Nature Teaches Us About the Orchestra,” attended by several thousand middle school students in Overture Hall.

“Next February, he returns for a fourth season with the Milwaukee Symphony Orchestra in its acclaimed “Teen Partner” series, conducting the Gloria by Francis Poulenc.

“He also appears next spring with the Chippewa Valley Symphony, conducting his “Beethoven Superhero” concert, which has been popular with teachers, students and parents alike, with the Elgin Symphony and The Florida Orchestra (Tampa).

“As an author and lecturer, Randy works with teachers around the country and internationally, most recently with international school teachers in Hong Kong and at Carnegie Hall, where last summer he returned for a fourth season teaching its Music Educator Workshops, and leading members of the National Youth Orchestra of the USA.

“Randy is a proud UW-Madison graduate and lives in Madison, where you can find him on Monday nights working with the Madison Boychoir (in the Madison Youth Choirs) alongside colleague Margaret Jenks.

“WYSO is truly fortunate to have such a dedicated and tireless educator guiding its artistic vision next season.”


Classical music: The Wisconsin Baroque Ensemble will perform a Thanksgiving concert on this coming Sunday afternoon.

November 24, 2015
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By Jacob Stockinger

The Ear’s friends at the Wisconsin Baroque Ensemble have sent the following word:

The Wisconsin Baroque Ensemble will perform a Thanksgiving concert on this coming Sunday afternoon, Nov. 29, at 3 p.m. in Saint Andrew‘s Episcopal Church, 1833 Regent Street, on Madison’s near west side. (Below are photos of the church’s exterior and interior.)

St. Andrew's Episcopal Madison Front

St. Andrew's Church interior

Performers include Brett Lipshutz, traverse; Eric Miller, viola da gamba; Consuelo Sañudo, mezzo-soprano; Monica Steger, traverso, recorder, harpsichord; Anton TenWolde, baroque cello; and Max Yount, harpsichord.

Wisconsin Baroque Ensemble composite

Tickets at the door are $20, $10 for students.

For more information: Call (608) 238-5126; or email info@wisconsinbaroque.org; or visit www.wisconsinbaroque.org

The program features: “Ricercata X sopra il violoncello” (1687) by Giovanni Battista Degli Antonii; “Nel dolce dell’ oblio,” HWV 134, by George Fridrich Handel; Sonata 5 for traverse and basso continuo by Johann Kirnberger;  the Second Concert, from Concerts Royaux (1722) by François Couperin; Pièces de Violle, Suite 4 (1685) by Monsieur de Machy; “Mi palpita il cor,” HWV 132c, by George Friderich Handel: Suite No. 6 in E-flat Major by Georg Boehm (1661-1733): and Quartet in E Minor by Georg Philipp Telemann (heard in the YouTube video at the bottom as played on Baroque period instruments and historically informed performance practices by members of the Freiburger Barockorchester.) 

PLEASE NOTE: There will be a reception at our studio at nearby 2422 Kendall Ave, second floor, immediately following the concert.

 


Classical music: The Oakwood Chamber Players will give two performances of “Holiday Fun” this coming Sunday afternoon.

November 23, 2015
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By Jacob Stockinger

The Ear’s friends at The Oakwood Chamber Players write:

Join the Oakwood Chamber Players as they present two performances of Holiday Fun, their annual Christmas Lights concert on this coming Sunday, Nov. 29.

Oakwood Chamber Players 2015-16

Holiday Fun, which will mix in the sweet appeal of pieces such as Home for the Holidays, the upbeat It’s the Most Wonderful Time of the Year, and Vaughan-Williams’ gentle and lulling Withers Rocking Song.

Also on the program is Old World Wisconsin Christmas arranged for the group by Wisconsin composer and arranger Pierre LaPlante.

Pierre LaPlante

An array of holiday songs and carols, interspersed with stories, will fill out the concert programming. The group will offer a range of combinations from solo piano to keyboard plus a variety of winds and strings.

The ensemble is pleased to feature the talents of soprano Heather Thorpe (below) who will collaborate with the Oakwood Chamber Players on “The Oxen,” which brings to life the poetry of Thomas Hardy in a setting by Paul Brantley, as well as Pietro Yon’s “Gesu Bambino.” (You can it sung by Kathleen Battle and Frederica von Stade in a popular YouTube video at the bottom.)

Heather Thorpe

Both performances are on Sunday afternoon and will be held at the Oakwood Center for Arts and Education, 6209 Mineral Point Road, on Madison far west wide. The first performance will be 1 p.m. with a second performance at 3:30 p.m.

Tickets are available at the door. Prices are $20 for general admission, $15 for seniors and $5 for students. Visit www.oakwoodchamberplayers.com for more information.

This is the second of five concerts in the Oakwood Chamber Players’ 2015-2016 season series titled “Play.” Remaining concerts include Fairy Tales and Other Stories on Jan. 16 and 17, Children’s Games on March 5 and 6; and Summer Splash on May 14 and 15.

The Oakwood Chamber Players is a group of Madison-area professional musicians who have rehearsed and performed at Oakwood Village for over 30 years.

The Oakwood Chamber Players is a professional music ensemble proudly supported by Oakwood Lutheran Senior Ministries and the Oakwood Foundation.


Classical music: Don’t overlook the many FREE and varied student recitals at the UW-Madison School of Music as the semester comes to an end. Plus, this week’s concert of new music is POSTPONED and the Fall Opera Scenes Workshop takes place on Thursday night.

November 17, 2015
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ALERTS: The concert by the UW-Madison Contemporary Chamber Ensemble that was scheduled for this Wednesday night has been POSTPONED. No word yet about the new date.

The fall edition of University Opera’s Opera Scenes will offer its latest production on this Thursday night at 7:30 p.m. in Music Hall. The FREE event features work by students in the Fall Opera Workshop class at the UW-Madison. Students direct, stage and sing the scenes. Piano accompaniment is again the norm,  but this time a small Baroque orchestra of strings and winds will also be there.

The program will include scenes from “Der Freischütz” by Carl Maria von Weber; “Arabella” by Richard Strauss; “La Clemenza di Tito” by Wolfgang Amadeus Mozart; and “Orlando” by George Frideric Handel. Also, violist, conductor, singer and critic-blogger Mikko Rankin Utevsky will make his opera conducting debut in the half-hour excerpt of Handel, which includes a mad scene. For more information, including a list of the singers, here is a link: http://www.music.wisc.edu/event/opera-workshop-fall/

By Jacob Stockinger

There are still quite a few big, important and appealing concerts left as the semester and the year wind down, with just over six weeks remaining until 2016.

At the UW-Madison, there are several major choral concerts, several of them with holiday music and holiday themes, just as many other music organizations — including the Madison Symphony Orchestra, the Wisconsin Chamber Orchestra, the Wisconsin Union Theater, the Madison Bach Musicians  among them — do as the holidays approach.

There are probably some noteworthy student recitals at Edgewood College too, but The Ear generally doesn’t hear about those.

So The Ear wants to direct your attention to the many student degree recitals – both undergraduate and graduate – that begin to pile up as the semester comes to a close.

All are free and usually take place at 6:30 or 8:30 p.m. in Morphy Hall.

Morphy Hall 2

The variety is stupendous. There are piano and chamber music recitals of all sorts. There are voice recitals. You can hear music for the flute, horn, violin, viola, saxophone, clarinet and percussion. (Below is student Sara Giusti in a recent piano recital.)

Sara Giusti playing

Here is a link to the University of Wisconsin-Madison School of Music online calendar of events and concerts for November and December (click forward to advance the schedule of events):

http://www.music.wisc.edu/events/

Click on the event you are interested in for details. Some of the listings have specific programs; others don’t. But almost all are good bets, given the caliber of the teaching and performing at the UW-Madison music school.

Happy Listening!

And please use the COMMENT section to let The Ear and his readers know about outstanding results when you hear them.

Let us now praise students too!

 


Classical music: Can you sing? Famed diva Jessye Norman thinks you can -– and should try. She says it is good for your physical health and mental health.

December 26, 2014
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By Jacob Stockinger

We have just come through Christmas and the holiday season where the instrument of choice – quite appropriately – is the human voice, both solo and in choruses.

Do you sing?

Can you sing?

The famous Grammy Award-winning soprano diva Jessye Norman (below) thinks you can -– and should, or at least try to.

In an interview with the Deceptive Cadence blog for NPR (National Public Radio), Norman explains why all  people can sing.

She also explains why you should: Singing, she says, is healthy for your body and mind.

Jessye Norman

She may be 69, but Norman, who was born in Georgia but now lives in France, is not retiring from singing, even if she is cutting down on professional appearances. She is following her own advice and so continues to sing, as she recently did on The David Letterman Show in New York City.

The interview traces her career from her earliest years in Augusta, Georgia, through training at the famed Peabody Conservatory in Baltimore and the University of Michigan in Ann Arbor. It has samples of her fabulous voice, and also her remembrances of great voices she has admired in others, such as the great history-making African American contralto Marian Anderson (below, during her historic concert at the Lincoln Memorial).

anderson

She also names some favorite orchestral music and instrumental music, including a prelude from the opera “Lohengrin” by Richard Wagner, as conducted by James Levine (below top) of the Metropolitan Opera; a cello sonata by Johann Sebastian Bach performed by cellist Yo-Yo Ma (below middle); and a Beethoven piano concertos performed by pianist Alfred Brendel (below bottom) and the conductor Simon Rattle along with the Berlin Philharmonic.

James Levine conducting

yo-yo ma

Brendel playing BIG

Norman also singles out American jazz composer Duke Ellington (below) for praise.

Duke Ellington at piano

And the NPR interview includes some fine music audio samples.

Here is a link:

http://www.npr.org/blogs/deceptivecadence/2014/11/25/364758676/guest-dj-jessye-norman-from-augusta-to-valhalla

And here is one of my favorite and landmark or legendary performances by Jessye Norman: “Im Abendrot.” It is one of the “Four Last Songs” by Richard Strauss that was recently used in the movie “The Trip to Italy” to such great and repeated effect:


Classical music: On Monday night, the Middleton Community Orchestra, with Madison Symphony Orchestra clarinetist Joe Morris as soloist, offers a holiday break from holiday music with works by Brahms, Gerald Finzi and Beethoven.

December 19, 2014
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By Jacob Stockinger

Thank you, Middleton Community Orchestra.

Surely The Ear can’t be the only person who is starting to feel unpleasantly overwhelmed with holiday music — to say nothing of holiday shopping and holiday cards, with holiday this and holiday that.

Holiday music seems ever-present this time of the year. It  is in stores and malls, on the radio and TV, in the churches and even in the many concert halls. And it has been going on for weeks, if not months.

So coming into the home stretch of Christmas Week, The Ear is feeling particularly grateful to the Middleton Community Orchestra (below), a largely amateur group that also includes some very accomplished professionals.

Middleton Community Orchestra by William Ballhorn

The MCO rarely, if ever, disappoints me. But this upcoming concert, which is NOT billed as a “holiday” concert, seems especially inviting since it promises to offer the gift of music –- not just holiday music, but real music.

Coming into Christmas Week, I find this to be a very welcome offering, a pitch perfect program.

The concert not only features terrific music but also the right length at the right cost, and includes some post-concert meet-and-greet socializing so you can meet the musicians and other audience members.

Here is the announcement from MCO co-founders Mindy Taranto and Larry Bevic:

The Middleton Community Orchestra’s December concert is this coming Monday, Dec. 22, at 7:30 p.m. at the Middleton Performing Arts Center, which is attached to Middleton High School, at 2100 Bristol Street, a simple right turn off University Avenue going west towards the Beltline a few blocks before Parmenter Street.

Middleton PAC2

Middleton PAC1

The MCO is excited to be sharing the stage with Madison Symphony Orchestra principal clarinetist Joe Morris (below top) who will be performing the Concerto for Clarinet and Strings by the 20th-century English composer Gerald Finzi.

Jennifer Morgan MSO oboe by Joe Morris

You’d be counting down the days if you have heard Joe play (below top, in a photo by Cheryl Savan), and the work by Gerald Finzi (below bottom) is a beautiful piece through which Joe’s amazing clarinet playing soars.

joe morris playing CR Cheryl Savan

Gerald Finzi 1

Don’t miss the chance to hear Joe, the MCO and this beautiful concerto. How many 24-year-olds do you know who have won an audition from among 60 other clarinettists vying for the job? Come hear one of our local treasures.

The concert will be conducted by Middleton High School music teacher Steve Kurr (below).

Steve Kurr conducting

The program starts with the popular and rousing “Academic Festival Overture” by Johannes Brahms (below), which uses tunes from German drinking songs and which Brahms composed to celebrate an honorary degree he received.

brahms3

Then, after the lovely Finzi concerto, please stay so you can experience the irresistible energy and drive of Symphony No. 7 by Ludwig van Beethoven (below), which concludes the program. It is many people’s favorite Beethoven symphony and was highly thought of by the composer and other famous composers including Richard Wagner who famously called it “the apotheosis of the dance” because of its lively rhythms.

(By the way, the well-known and haunting slow movement featured prominently in the Oscar-winning film “The King’s Speech” several years ago. You can hear it at the bottom in a popular YouTube video.)

Beethoven big

We hope to see you Monday. Tickets are $10, with students admitted free of charge. Advance tickets are available at Willy Street Coop West or at the door on the night of the show starting at 7 p.m. You can also call (608) 212-8690 to reserve tickets in advance.

There will be a reception (below) for the audience and musicians after the concert.

MCO June 2014 reception

 

For information about the Middleton Community Orchestra, including how to support it and how to join it, here is a link to its website:

http://middletoncommunityorchestra.org

 

 


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