The Well-Tempered Ear

Classical music: We said goodbye to the late University of Wisconsin-Madison pianist Howard Karp by speaking love to loss. Here in photos is how it went.

September 2, 2014
Leave a Comment

By Jacob Stockinger

On Sunday afternoon we gathered to say goodbye to the late University of Wisconsin-Madison pianist Howard Karp, who died suddenly in June of cardiac arrest at 84 while he was on summer vacation in Colorado.

I don’t think you can have a better send-off.

The day started out sunny and then looked like it would cloud over.

But the sunlight stayed.

Howard Karp (below, in a 2000 photo by Katrin Talbot) would have liked that. There never seemed anything morose about Howard, even when he played music that was introspective and melancholic. And he was such a natural: The piano just seemed to grow out of his long arms and fingers.

Howard Karp ca. 2000 by Katrin Talbot

Sure, like all people he had his share of sorrows and worries. But on his own scale, the joys always outweighed the sorrows.

I found myself thinking of Howard and recalling philosopher Friedrich Nietzsche’s dictum that “Without music, life would be a mistake.” And I found myself adding: “Without Howard Karp, music in Madison might not have been a mistake, but it certainly would have been severely diminished.”

But I do not want to use this post for me to talk about Howard Karp and what a wonderful man and musician, family member and teacher, he was.

His own family and friends did that so well — and so eloquently — that all I can do today is to use photos and quick descriptions to tell you what you missed if you weren’t there.

The welcome speaker and comforting guide through the celebration was Bill Lutes (below), a longtime friend and former student of Howard Karp. Bill did an outstanding and dry-eyed job of speaking love to loss, as did the entire family.

Karp Memorial Bill Lutes

The event opened with Howard Karp playing the opening movement of the heroic, life-affirming “Hammerklavier” Sonata by Ludwig van Beethoven, from a newly released 6-CD recording on Albany Records of Howard’s concert recordings.

That was repeated through the event with music of Robert Schumann, Igor Stravinsky, Sergei Rachmaninoff and Frédéric Chopin. And it was moving to hear the audience of maybe a two-thirds house in Mills Hall applaud loudly, as if Howard were playing right there, on stage and in person in front of us.

One of the most moving moments came when Howard’s wife, Frances Karp – whose diminutive and even fragile look hides a tremendous strength of character and forceful pianism — was joined by cellist son Parry Karp, violist daughter-in-law Katrin Talbot and guest violinist Leanne League, who plays with the Madison Symphony Orchestra and the Wisconsin Chamber Orchestra, in the slow movement from the Piano Quartet in E-flat major, Op. 47, by Robert Schumann. A photo is below.

It is a heart-wrenching piece by the composer who, more than any other, captures love and longing in sound, as you can hear from the opening cello melody in a YouTube video of the Beaux Arts Trio at the bottom.

Karp Memorial Schumann PIano Quartet

Granddaughters Isabel Karp (below left) and Natasha Karp (below right), both accomplished actresses, then read passages from William Shakespeare, beautifully appropriate lines from the tragedy “King Lear,” from the Sonnets, from the romance “The Tempest,” from the comedy “A Midsummer Night’s Dream.”

Karp Memorial Isabel, Natasha smiling better

More recorded Schumann followed, the first movement of the fabulous Fantasy in C Major.

Then came words of friendship and admiration from the renowned keyboard artist Malcolm Bilson (below), who taught with Howard at the University of Illinois at Champaign-Urbana. Now a semi-retired professor at Cornell University, Bilson also played a superbly rendered version of his own reconstruction of the first movement of the Sonata in F-sharp minor by Franz Schubert. (Bilson didn’t announce his reconstruction because, as he later told The Ear, “It bothers and distracts audiences. They keep listening for where Schubert ends and Bilson begins.”)

Karp Memorial Malcolm Bilson plays Schubert

Fellow Chicagoan and piano student-turned-businessman, Ira Goodkin (below) spoke impressively and engagingly about the lasting effect of having Howard Karp as a lifelong friend and as a personal and professional role model.

Karp Memorial Ira Goodkin

Then came more recordings: impressive duo-piano performances by Frances and Howard Karp of music by Igor Stravinsky and Sergei Rachmaninoff.

During the Rachmaninoff “Barcarolle,” from his Suite No. 1 for Two Pianos, there was also an extended slide show that featured photos of Howard at various stages of his life, from infancy and childhood (below) through marriage and maturity, many images with his wife, children and grandchildren.

Karp Memorial slideshow Young Howard

Granddaughter and actress Ariana Karp (below) appeared via video from London and also read Shakespeare and offered moving personal recollections of “grand-père.”

Karp memorial Ariana

Sons Christopher Karp on piano and Parry Karp on cello (below) teamed up to play Max Bruch’s “Kol Nidre,” in a moving and brotherly demonstration of the family music-making that marked the Karps’ family life, and brought beauty to the rest of us, making us all feel like extended family.

Karp Memorial Christopher and Parry

Then came a miraculously humorous and moving eulogy for Howard by cellist son Parry (below), who offered a stirring summing up of his dad’s gifts as a pianist and chamber music partner, as a husband and father, as a baseball fan and an avid amateur expert on trees and plants.

Karp Memorial Parry Karp speaks

After Parry remark’s about the richness of his father’s life and career, I found myself recalling a saying by the great composer-pianist Sergei Rachmaninoff: “Music is enough for a lifetime, but a lifetime is not enough for music.” Still, I think Howard Karp came closer to that impossible goal than anyone I know.

Then, with a stirring performance by Howard Karp of the ferocious and relentless finale from Chopin’s Sonata in B minor, it was over — and we moved outdoors to a packed reception in the courtyard of the UW-Madison’s George Mosse Humanities Building.

Karp Memorial Reception

The food was ideal and the audience was in the mood to greet each other and reminisce with the kind of good-natured enthusiasm that would have pleased Howard Karp because it made all of us feel like we belonged to one immense family that will long miss a central and irreplaceable figure.


Classical music: The delightful and impressive 36th annual Karp Family Labor Day Concert offers a glimpse into music history in the home and a wondrously talented family. Plus, duo-pianists Varshavski and Shapiro perform Saturday night at Farley’s.

September 4, 2013
Leave a Comment

REMINDER: Duo-pianists Stanislava Varshavski and Diana Shapiro (below) will perform a program of Mozart, Schubert, Rachmaninoff and Stravinsky this Saturday night at 7:30 p.m at Farley’s House of Pianos with a pre-concert lecture at 7 p.m. Tickets are $30 in advance and $35 the day of the performance. For more information visit:

http://farleyspianos.com/concerts.html

Stanislava Varshavski-Diana Shapiro

By Jacob Stockinger

Here is a special posting, a review written by frequent guest critic and writer for this blog, John W. Barker. Barker (below) is an emeritus professor of Medieval history at the University of Wisconsin-Madison. He also is a well-known classical music critic who writes for Isthmus and the American Record Guide, and who hosts an early music show every other Sunday morning on WORT 88.9 FM. He serves on the Board of Advisors for the Madison Early Music Festival and frequently gives pre-concert lectures in Madison.

John-Barker

By John W. Barker

For 36 years, pianists Howard and Frances Karp (below)  have been opening the autumn season at the UW School of Music with a concert on the night of Labor Day.  Over the course of time, the Karp’s family circle has grown, and has been incorporated into these annual events.

howard and frances karp

I am ashamed to say that, for whatever reasons (forgivable or otherwise), this year’s has been the first one I have managed to catch up with.  That I have been missing a lot of remarkable music-making was made clear with the Karps’ program at Mills Hall on the evening of September 2.

What I recognized, too, was that these Karp concerts have come to be a window into a long-lost practice — that of music-making as a central activity of family life.  For past generations, long before the proverbial distractions of phonograph, radio, television, the Internet and Facebook, families would find satisfying entertainment together by gathering around the piano for evenings of music, both vocal and instrumental, and literature readings.  In effect, the Karps were inviting me, and the several hundred others of the audience, into their parlor for a feast of familial cultural fun.  To be sure, by a family of gifted musicians –mostly, but by no means exclusively, professional ones.

The program opened with music by Handel.  It began life as one of his Op. 2 Trio Sonatas for Two Violins and Continuo, here given as a Sonata for Two Cellos and Piano.  But any puristic protest would be irrelevant in this case, for what the Karps offered was what generations of players might do with music published for a consuming public that was bound to play it with whatever resources were around at the moment.  And so we heard three generations of Karps – – pianist Howard, his son, the brilliant cellist Parry, and the latter’s daughter Ariana (all below) — enjoy making this music their own.

Parry and Ariana with Howard Karp 2013

Parry Karp joined his brother, Christopher, a most effective pianist (also a violinist, but a doctor by profession and a distinguished medical scientist), in Beethoven’s Sonata No 5  in D Major for Cello and Piano, Op. 102, No. 2, one of the portal works into the composer’s Late Period, music of probing power.

Christopher and Parry Karp 2013

Perhaps the most fascinating material on the program was embodied in two other undertakings.  One was a work of 1988 by John Harbison, entitled “Novermber 19, 1828”.  The title is the date of Franz Schubert’s death, and the work, for piano quartet, is  a vision of that composer’s mind at the moment of his passing.

In its four movements, Harbison (below) has created snatches of could-be-by-Schubert music, including one actual fragment, to re-imagine the earlier master’s style in latter-day terms.  It culminates in Harbison’s fulfilment of the contrapuntal exercise, a projected fugue based on the letter-to-note coding of Schubert’s name, that the latter never carried out himself.  Music, in all, of clever but very moving homage from one master to another.

JohnHarbisonatpiano

For that work Frances and Parry were joined by Parry’s wife, violist Katrin Talbot, and the family friend Suzanne Beia (all below), who is Parry’s colleague in the Pro Arte Quartet.

Suzanne Beia, Katrin Talbot, Frances and Parry Karp 2013

The first half was noteworthy also for the variety of styles that composers used to compose fugues — from the transparency of Handel to the thorniness of Beethoven.

After the Harbison, the other fascinating novelty occupied the second half of the program.  Howard and Francis merged in playing the four-hand piano arrangements, made by Mendelssohn himself, of nine of the 12 orchestral pieces of incidental music (Op. 61) that he wrote for Shakespeare’s “A Midsummer Night’s Dream.”

Interspersed among these movements were passages from the play itself, read by the granddaughters Ariana (below right) and Isabel Karp (below left) —  Parry’s and Katrin’s daughters —  both of whom are budding young actresses.  They even sang the parts for two choral numbers, the Fairies’ lullaby to Titania (omitted in the printed program listing) and the finale.

It was just what a talented family might put together for an evening’s romp, generations back, and delightful fun for the audience.

Howard, Frances, Isabel and Ariana Karp 2013

The artistic durability of Howard and Frances Karp is remarkable, but so also is the family tree of talent they have been generating.

All we can say is: Keep those Karps Koming!


    Enter your email address to subscribe to this blog and receive notifications of new posts by email.

    Join 1,188 other followers

    Blog Stats

    • 2,033,883 hits
%d bloggers like this: