The Well-Tempered Ear
YOU MUST HEAR THIS: No piece captures the mixed emotions of Memorial Day better than Charles Ives’ “Decoration Day”
3 Comments
PLEASE HELP THE EAR. IF YOU LIKE A CERTAIN BLOG POST, SPREAD THE WORD. FORWARD A LINK TO IT OR, SHARE IT or TAG IT (not just “Like” it) ON FACEBOOK. Performers can use the extra exposure to draw potential audience members to an event. And you might even attract new readers and subscribers to the blog.
By Jacob Stockinger
Today is Memorial Day, 2022.
It is the annual holiday to remember those who died in military service to the country. (Below are flags placed each year at the tombstones in Arlington National Cemetery in Virginia.)
If you want to honor survivors and current service members, that would be Veterans Day on Nov. 11.
All weekend long the radio has been playing music and the television has been showing war movies.
A lot of the music is familiar and repeated every year: Sousa marches and Morton Gould suites, elegies by Gustav Mahler, Samuel Barber, Aaron Copland and Leonard Bernstein; requiems by Mozart and Fauré; a hymn by John Williams and other movie scores. This year has also seen the playlist include rediscovered works of homage by African-American composers such as William Grant Still.
But only this year did The Ear finally hear — thanks to Wisconsin Public Radio — the one piece that, to his mind, best captures Memorial Day with its blending of consonance and dissonance, its mix of major and major keys, of familiar or “found” music and original music.
It is called, simply, “Decoration Day” and it was composed in 1912 — but not published until 1989 — by the 20th-century iconoclastic and early modernist American composer Charles Ives (below, 1874-1954). It ended up as part of a work the composer called “A Symphony: New England Hollidays.”
See if you agree with The Ear.
Listen to the 8-minute performance by “The President’s Own” United States Marine Band in the YouTube video at the bottom.
Listen to the deep anguish and and sense of loss conveyed in the opening, when a solemn remembrance procession goes to a cemetery to plant flags and lay flowers and wreaths to “decorate” the graves of the fallen.
Listen carefully and you will hear a faint version of “Taps” and ringing church bells in the atmospheric music.
Then as so often happens in reality, life suddenly intrudes in the form of a celebration by a loud marching brass band as it leaves the cemetery for the celebratory marches, picnics and fireworks.
But at the end, the darkness briefly returns. The sense of loss lingers long after the actual death and long after the holiday has been celebrated.
There is no closure.
Just resignation.
Just living with loss.
Here is the background from Wikipedia about how the holiday started as Decoration Day after the Civil War and when it evolved into Memorial Day in 1970: https://en.wikipedia.org/wiki/Memorial_Day
And here is biographical background, with the actual sources and depictions of “Decoration Day” — just go down the page to compositions and click — about Charles Ives: https://en.wikipedia.org/wiki/Charles_Ives
Did you know and like Charles Ives’ music?
Does “Decoration Day” impress or move you?
What music most embodies Memorial Day for you?
The Ear wants to hear.
Tags: #AaronCopland, #African-AmericanComposer, #ArlingtonNationalCemetery, #BandMusic, #BlackAmericans, #BlogPost, #BlogPosting, #BrassBand, #BrassMusic, #CharlesIves, #ChurchBells, #CivilWar, #DecorationDay, #FacebookPosting, #GabrielFaure, #GustavMahler, #JacobStockinger, #JohnPhilipSousa, #JohnWilliams, #LeonardBernstein, #MajorKey, #MemorialDay, #MilitaryService, #MinorKey, #MixedEmotions, #MortonGould, #NationalPublicRadio, #NewEngland, #OrchestralMusic, #OriginalWork, #SamuelBarber, #TheEar, #ThePresident, #TheU.S., #UnitedStates, #UnitedStatesMarineBand, #USMarines, #VeteransDay, #WarMovies, #Wikipediaentry, #WilliamGrantStill, #WisconsinPublicRadio, #WolfgangAmadeusMozart, #YouTubevideo, 20th-century, 20th-century music, Aaron Copland, actual, African American, American, American Civil War, Ameriuca, anguish, annual, Arlington, Arlington National Cemetery, Arts, atmosphere, atmospheric, audience, background, band, band music, Barber, Bernstein, biographical, black, blog, bottom, brass band, brass music, celebration, celebratory, cemetery, Charles Ives, church, church bells, Civil War, Classical music, Classical Revolution, closure, compose, composer, Composition, Concert, consonance, Copland, darkness, dead, death, Decoration Day, deep, depiction, dissonance, early, Early music, Elegy, embody, emotion, evolution, evolve, Facebook, fallen, familiar, Fascebook, Faure, film, Fireworks, flag, flower, found, Gabriel Fauré, Gould, grave, Gustav Mahler, hear, Holiday, homage, honor, hymn, iconoclast, iconoclastic, impress, information, intrude, Ives, Jacob Stockinger, John Philip Sousa, John Williams, Leonard Bernstein, life, like, linger, listen, living, loss, loud, Mahler, major key, march, Marines, mark, Memorial Day, military, minor key, minute, mixed, modern, modernist, morph, Morton Gould, move, Movies, Mozart, nation, national, National Public Radio, New England, NPR, opening, orchestral, original, performance, picnic, piece, plant, playlist, post, posting, President, procession, psalm, publish, Radio, reality, rediscover, remembrance, repeat, Samuel Barber, score, sense, service, show, solemn, soundtrack, source, sources, Sousa, Still, suddenly, Suite, symphony, Taps, Television, thanks, The Ear, TV, U.S., United State Marine Band, United States, veterans, Veterans Day, video, war, war movies, weekend, Wikipedia, William Grant Still, Williams, wisconsin public radio, Wolfgang Amadeus Mozart, work, wreaty, year, you, YouTube
Classical music: Longtime NPR host Robert Siegel brought his love of classical music to “All Things Considered.” Here are 10 interviews and some background to mark his recent retirement
Leave a Comment
By Jacob Stockinger
If you are a fan of “All Things Considered” on National Public Radio – and The Ear certainly is – you probably already know not to listen for veteran host Robert Siegel (below) on this afternoon’s broadcast.
Or any other ATC broadcast in the future.
That is because last Friday afternoon Siegel had his last sign-off. He retired after spending 41 years with NPR – the first 10 as a reporter, including as a London correspondent, and the last 31 as a host of the prize-winning afternoon news and features magazine “All Things Considered,” which, by the way, was created by Jack Mitchell, who later came to teach Mass Communications at the UW-Madison.
There will be much to miss about Siegel. His qualities included a calming voice, a ready laugh, fairness and objectivity, a convivial studio presence and sharp but respectful interviewing skills.
One of the things that The Ear hopes will survive Siegel’s departure is the much-needed public attention he brought to classical music, which he loved and which the other media today so often ignore.
The mark his retirement, NPR classical music blogger Tom Huizenga compiled a list of 10 important interviews that Siegel conducted over the years. Then he put links to those interviews on an NPR blog.
Huizenga also got Siegel to open up about the formative influences that sparked his love for classical music. They included his young love for the Piano Concerto No. 5 in E-flat Major, Op. 73, by Ludwig van Beethoven — the so-called “Emperor” Concerto, which you can hear played by Alfred Brendel in the YouTube video at the bottom.
Siegel went on to cover big stars like superstar soprano Renee Fleming; medium stars like violinist Gil Shaham (below), who performs with the Madison Symphony Orchestra this month; and smaller and new stars like the iconoclast harpsichord virtuoso Mahan Esfahani.
He also covered a U.S. Army rifleman who performed a violin recital for Churchill and Truman, and the role that music by Beethoven played in Communist China.
And there are many, many more, for which classical music and we listeners owe a debt to Siegel.
Check it out and enjoy! Here is a link to that posting on the Deceptive Cadence blog:
Tags: afternoon, Alfred Brendel, All Things Considered, America, Americans, Army, Arts, attention, Bach, balance, Baroque, Beethoven, big, blog, blogger, Broadcast, calm, calming, Cello, China, choral music, Churchill, Classical music, Communism, Communist, Compact Disc, composer, concerto, convivial, correspondent, D.C., Deceptive Cadence, departure, Early music, Emperor Concerto, fairness, fan, features, Franz Schubert, future, George Frideric Handel, Gil Shaham, guns, harpsichord, host, iconoclast, ignore, important, interview, Jack Mitchell, Jacob Stockinger, Johann Sebastian Bach, Johannes Brahms, list, listener, listeners, London, Love, Ludwig van Beethoven, Madison, Madison Symphony Orchestra, magazine, mass communications, media, minimalism, Mozart, Music, new, news, NPR, objectivity, opera, Orchestra, Piano, presence, prize, public, Radio, recital, Renée Fleming, reporter, respect, retire, Retirement, rifle, rifleman, Robert Siegel, sign-off, skill, Sonata, soprano, star, studio, superstar, survive, symphony, today, Tom Huizenga, Truman, U.S., United States, University of Wisconsin-Madison School of Music, University of Wisconsin–Madison, US, Veteran, Viola, Violin, vocal music, voice, Washington, win, Wisconsin, wisconsin public radio, Wolfgang Amadeus Mozart, YouTube
Recent Comments
The Well-Tempered Ear 