The Well-Tempered Ear
Classical music: University Opera announces a new season that is politically and socially relevant to today. The two shows are a virtual revue of Marc Blitzstein and a live operatic version of “The Crucible.”
4 Comments
PLEASE HELP THE EAR. IF YOU LIKE A CERTAIN BLOG POST, SPREAD THE WORD. FORWARD A LINK TO IT OR, SHARE IT or TAG IT (not just “Like” it) ON FACEBOOK. Performers can use the extra exposure to draw potential audience members to an event. And you might even attract new readers and subscribers to the blog.
By Jacob Stockinger
David Ronis (below), the director of the University Opera at the UW-Madison Mead Witter School of Music, has posted the following notice about its upcoming season on social media.
The award-winning Ronis is known for being creative both in programming and staging. The new season is yet another example of that. It features one virtual original production about an American composer to see and hear online, and two live performances of a mid-20th century American opera.
Both works seem especially pertinent and cautionary, given the times we currently live in in the U.S.
Here are the details:
FINALLY!!!
Things have fallen into place for the University Opera 2020-21 season and we are happy to announce our productions:
“I Wish It So: Marc Blitzstein — the Man in His Music”
“A biographical pastiche featuring songs and ensembles from Marc Blitzstein’s shows, spoken excerpts from his letters and working notes, and a narration.
“Oct. 23, 2020
8 p.m. Video Release
____________________________________________________________________________________
“The Crucible” (1961)
Music by Robert Ward
Libretto by Bernard Stambler
Based on the 1953 play by Arthur Miller
March 19 and 21, 2021
Shannon Hall, Wisconsin Union Theater
_____________________________________________________________________________________
We will post more information as we get it. For now, we are very excited about both projects! Stay tuned.”
(Editor’s note: To stay tuned, go to: https://www.facebook.com/UniversityOpera/)
_____________________________________________________________________________________
And what does The Ear think?
The revue of Marc Blitzstein seems a perfect choice for Madison since his papers and manuscripts are located at the Wisconsin Historical Society. For details, go to: http://digicoll.library.wisc.edu/cgi/f/findaid/findaid-idx?c=wiarchives;view=reslist;subview=standard;didno=uw-whs-us0035an
Focusing on Blitzstein (1905-1964) also seems an especially politically relevant choice since he was a pro-labor union activist whose “The Cradle Will Rock, directed by Orson Welles,” was shut down by the Works Progress Administration of the federal government.
For more about Blitzstein (below in 1938) and his career, go to: https://en.wikipedia.org/wiki/Marc_Blitzstein
“The Crucible” also seems an especially timely choice. In its day the original play about the Salem witch trials was seen as a historical parable and parallel of McCarthyism and the Republican witch hunt for Communists.
Read about the Salem witch trials here: https://en.wikipedia.org/wiki/Salem_witch_trials
Now that we are seeing a time when Democrats and others with progressive ideas are accused of being radical leftists, socialists and destructive revolutionaries, its relevance has come round again. Like McCarthy, President Donald Trump relies on winning elections by generating fear and denigrating opponents.
For more about the operatic version of “The Crucible” (below, in a production at the University of Northern Iowa) — which was commissioned by the New York City Opera and won both a Pulitzer Prize and the New York Music Critics Circle Award in 1962 — go to this Wikipedia entry: https://en.wikipedia.org/wiki/The_Crucible_(opera)
You can hear the musically accessible opening and John’s aria, from Act II, in the YouTube video at the bottom. For more about composer Robert Ward (1917-2013, below), go to: https://en.wikipedia.org/wiki/Robert_Ward_(composer)
What do you think of the new University Opera season?
The Ear wants to hear.
Tags: #20thCentury, #AmericanComposer, #ArthurMiller, #BernardStambler, #BlogPost, #BlogPosting, #ChoralMusic, #CityofMadison, #CommissionedMusic, #DavidRonis, #DonaldTrump, #FacebookPost, #FacebookPosting, #FederalGovernment, #JacobStockinger, #LaborUnion, #LivePerformance, #MadisonWisconsin, #MarcBlitzstein, #MeadWitterSchoolofMusic, #NewYorkCityOpera, #NewYorkMusicCriticsCircle, #NorthernIllinoisUniversity, #OperaLibretto, #OrsonWelles, #PoliticallyRelevant, #PresidentTrump, #PulitzerPrize, #RobertWard, #SalemWitchTrials, #Sen.JosephMcCarthy, #ShannonHall, #SocialActivist, #SociallyRelevant, #SocialMedia, #SpokenWord, #staytuned, #TheCradleWillRock, #TheCrucible, #TheEar, #TheUW, #UniversityofWisconsin-Madison, #UniversityOpera, #VocalMusic, #Wikipediabiography, #Wikipediaentry, #WisconsinHistoricalSociety, #WisconsinUnionTheater, #WitchHunt, #WorkingNotes, #WorksProgressAdministration, #YouTubevideo, 2020-21, 20th-century, 20th-century music, accessible, act, activist, American, archive, archives, aria, Arthur Miller, Arts, audience, award, award-winning, Bernard Stambler, biographical, blog, career, choice, choral music, citstion, Classical music, commission, Communism, Communist, composer, creative, cuationary, current, current events, David Ronis, Democrat, Democratic, denigrate, denigration, destructive, details, digital, direct, director, Donald Trump, drama, Election, ensemble, era, excerpts, excited, Facebook, fear, federal, federal government, finally, forward, government, hear, historical, hunt, ideas, insult, Jacob Stockinger, labor union, left, leftist, letter, libretto, like, link, live, located, Madison, man, manuscript, manuscripts, Marc Blitzstein, McCarthyism, Mead Witter School of Music, Music, narration, narrator, new, New York City Opera, New York Music Critics Circle, Northern Illinois University, notes, notice, online, opera, Orchestra, original, Orson Welles, paper, papers, parable, parallel, pastiche, perfect, performance, performer, pertinent, play, political, post, posting, President, President Donald Trump, President Trump, pro, production, programming, progressive, project, Pulitzer Prize, radical, release, relevant, Republican, revoltuion, revolutionaries, revolutionary, revue, Robert Ward, Salem, Salem Witch Trials, Season, see, Sen. Joseph McCarthy, senator, Shannon Hall, share, show, shows, shut down, shutdown, sing, singer, Singing, social, social media, socialism, socialist, song, spoken, stage, staging, stay, stay tuned, tag, The Cradle Will Rock, The Crucible, The Ear, theater, theatre, things, time, timely, Trump, Trumpism, tuned, U.S. Senator, United States, university, University of Wisconsin-Madison School of Music, University of Wisconsin–Madison, University Opera, upcoming, UW, UW-Madison, video, virtual, vocal music, we, Wikipedia, win, winning, Wisconsin, Wisconsin Historical Society, Wisconsin Union Theater, wish, witch, witch hunt, working, working notes, Works Progress Administration, WPA, YouTube
Classical music: The coronavirus pandemic sparks a surge in piano sales
1 Comment
PLEASE HELP THE EAR. IF YOU LIKE A CERTAIN BLOG POST, SPREAD THE WORD. FORWARD A LINK TO IT OR, SHARE IT or TAG IT (not just “Like” it) ON FACEBOOK. Performers can use the extra exposure to draw potential audience members to an event. And you might even attract new readers and subscribers to the blog.
By Jacob Stockinger
Have you or someone in your family used the COVID-19 lockdown and staying at home to practice, play or learn the piano?
You’re not alone.
A year ago, stories in the media tracked how pianos were quickly becoming a thing of the past in American homes. People were giving pianos away for free and for the cost of moving.
But then the coronavirus pandemic arrived, along with lockdowns, online learning and sheltering at home.
National news media discovered some unexpected good news, especially since public concerts have been canceled: The pandemic has brought a renewed interest in playing the piano at home – and in buying them.
The Ear wanted to find out if that same trend holds true in Madison.
“It does,” says Tim Farley, who — with his wife Renee — owns and operates Farley’s House of Pianos on the far west side near West Towne Mall. (The top photo from the store is from the Better Business Bureau. The two owners are seen below bottom in a photo from Isthmus newspaper).
“It’s weird,” he adds. “We had to close. When we re-opened, we cut back on hours and staff. Like many others, we figured there would be an end to business for a while.”
But just the opposite happened.
“Our sales are up about 34 percent compared to a year ago,” Farley adds. “We’re happy how things are going.”
Most of the sales increase has been in digital pianos, Farley says, although a lot of excellent acoustic pianos have also been sold, including a Hamburg Steinway.
Part of what accounts for the increase, he speculates, is that teachers inspire students to want better instruments.
Farley’s sells new and restored pianos (below), and also has an extensive teaching program, with online lessons during the pandemic. (For isolation practicing ideas and advice, see the YouTube video at the bottom.)
The Ear wonders if the same trend is happening in Europe and especially Asia — particularly China, Taiwan, South Korea and Japan — where so many great young pianists are coming from and winning international competitions.
For more about the national picture in the U.S., including background history, information about prices, increases in online sales and the demographics of buyers, you should read this oustanding story by music critic Corinna da Fonseca-Wollheim in The New York Times:
Here is a link: https://www.nytimes.com/2020/06/29/arts/music/piano-sales-coronavirus.html
Have you bought a piano or another instrument during the pandemic?
Are you using the down time to return to practicing and playing a piano or another instrument?
What would you like to say about making music during the pandemic?
Has making music helped you weather this odd period of time?
The Ear wants to hear.
Tags: #AsianPianist, #BetterBusinessBureau, #BlogPost, #BlogPosting, #ChineseMusicians, #ChinesePianist, #CityofMadison, #CorinnadaFonseca-Wollheim, #CoronavirusPandemic, #COVID-19, #CutBack, #FacebookPost, #FacebookPosting, #Farley'sHouseofPianos, #GiveAway, #GoodNews, #HamburgSteinway, #InstrumentalMusic, #IsthmusNewspaper, #JacobStockinger, #MadisonWisconsin, #MakingMusic, #MusicEducation, #PianoLessons, #PianoMusic, #PluckedInstruments, #ReneeFarley, #Self-Isolation, #shelter-at-home, #SouthKorea, #SouthKorean, #Stayathome, #TheEar, #TheNewYorkTImes, #TheU.S., #TimFarley, #WestSide, #WestTowneMall, #YouTubevideo, account, acoustic, adult learners, advice, ago, alone, America, American, another, Arts, Asia, background, better, Better Business Bureau, blog, bought, Business, buy, buyer, buying, cancel, canceled, China, Chinese, Classical music, close, come, compare, Competition, Concert, Corinna da Fonseca-Wollheim, coronavirus, cost, cut back, demographics, digital, digital piano, discover, down, Europe, excellent, explain, Facebook, Family, Farley's House of Pianos, forward, free, give, give away, going, good news, great, Hamburg Steinway, happy', hear, History, Home, hours, idea, ideas, increase, inspire, instrument, instruments, interest, international, isolation, Isthmus, it, Jacob Stockinger, Japan, Japanese, Korean, learning, lessons, like, link, lockdown, Madison, make, making music, mall, media'track, moving, Music, Music education, national, New York City, news, Newspaper, odd, online, open, operate, outstanding, own, pandemic, part, past, People, percent, period, photo, Pianist, Piano, piano lessons, piano music, Picture, play, post, posting, practice, practicing, program, public, quality, re-open, Renee Farley, renewed, restored, sales, share, someone, South Korea, South Korean, speculate, staff\, stay at home, Steinway, stories, story, students, tag, Taiwan, teachers, teaching, The Ear, The New York Times, thing, things, Tim Farley, time, track, transportation, true, unexpected, United States, weather, weird, west side, West Towne Mall, what, win, Wisconsin, year, you, young, YouTube
Classical music: The second LunART Festival will spotlight women in the performing and creative arts. Here is Part 2 of 2 with more about new music, comedy and a full schedule
Leave a Comment
IF YOU LIKE A CERTAIN BLOG POST, PLEASE SPREAD THE WORD. FORWARD A LINK TO IT, SHARE IT or TAG IT (not just “Like” it) ON FACEBOOK. Performers can use the extra exposure to draw potential audience members to an event.
ALERT: The second Van Cliburn Junior Piano Competition resumes today — Monday, June 3 — in Dallas at 2:20 p.m. CDT. The young players range from 13 to 17 and come from around the world, and they are terrific. Plus the quality of the live streaming is outstanding, especially for the camera work of the keyboard. It’s all FREE. If you want to see it, here is a link: https://www.cliburn.org. You might also be interested to know that among the jurors are Alessio Bax, who has performed in Madison at Farley’s House of Pianos, and Philippe Bianconi, who has soloed several times with the Madison Symphony Orchestra. All that and you get to vote for the Audience Award too!
By Jacob Stockinger
The Ear has received a long and detailed announcement about the upcoming second LunART Festival. Here is Part 2 of two parts with more information about new music, comedy and a schedule of events. Yesterday was Part 1 — a link is below — with background and participants.
The LunART Festival, co-founded and co-directed by Iva Ugrcic and Laura Medisky, is back for its second season from this Wednesday, June 5, through Sunday, June 9, and will continue its mission of supporting, inspiring, promoting and celebrating women in the arts.
The 2019 season brings 10 events to eight venues in the Madison area, providing accessible, high-quality, engaging concerts and events with diverse programming from various arts fields.
The festival will showcase over 100 artists this season, including many familiar local artists and performers as well as guest artists hailing from Missouri to Texas, Minnesota to Florida and as far away as Peru.
LunART’s 2019 call for scores was open to women composers of all ages and nationalities, and received an impressive 98 applicants from around the globe. Scores were evaluated by a committee of 17 LunART Festival musicians and directors, and three works were selected to be performed at each of the Gala concerts.
The winning composers are Eunike Tanzil (below top), Edna Alejandra Longoria (below middle) and Kirsten Volness (below bottom). All three will be in attendance at the festival. (In the YouTube video at the bottom, you can hear a piece for cello and piano, with the composer playing the piano, by Eunike Tanzil.)
The “From Page to Stage: Emerging Composers” educational program also returns, bringing six composers to Madison to work with flutist and composer-in-residence Valerie Coleman (below).
During the festival she will mentor participants in developing practical skills to express their creative ideas, cultivate relationships with performers and master the art of collaboration. The program culminates with a free public concert featuring their music on Saturday, June 8, at 2 p.m. in the Capitol Lakes Grand Hall, 333 West Main street, downtown and two blocks from the Capitol Square.
On Friday, June 7 at Overture Center in Promenade Hall, Meaghan Heinrich (below) presents her pre-concert lecture, “Portrait of the Artist as a Young Woman,” which explores what it means to be a woman artist in the 21st century, and how women’s experiences shape their artistic expressions.
Following the Friday gala concert is “Holding Court,” this season’s Starry Night event at Robinia Courtyard. This all-women comedy show features Midwestern comics Vanessa Tortolano (below top), Chastity Washington (below bottom), Vickie Lynn, Samara Suomi and Cynthia Marie who are blazing a trail of funny that will leave you gasping in their wake.
“The Multi-faceted Artist” panel discussion is for anyone interested in the ongoing trend and need for artists to wear multiple hats to succeed and thrive.
Coleman (composer and flutist) and Dr. Linda DiRaimondo (psychiatrist and aerial dancer, below top on top) serve as panelists along with Katrin Talbot (violist, poet and photographer, below bottom in a photo by Isabel Karp), and will lead the discussion on Saturday, June 8, at the downtown Madison Public Library’s Bubbler Room.
The festival wraps up on Sunday, June 9, from 10 a.m. to noon at Common Ground, 2644 Branch Street in Middleton, with “Mooning Around” poetry reading and artist mixer, featuring a performance of “One for Mileva Maric (Einstein)” by Andrea Musher, with special guests Sarah Whelan and Jackie Bradley, and poetry readings by The Line-Breakers: Andrea Potos (below), Eve Robillard, Rosemary Zurlo-Cuva and Katrin Talbot.
Everyone is welcome to come enjoy their morning coffee and pastries while making creative connections with other artists.
LunART Festival is supported by Dane Arts, the Madison Arts Commission, the Wisconsin Arts Board and the Open Meadows Foundation; it also won first place at the 2018 National Flute Association C.R.E.A.T.E. Project Competition and second prize at the 2018 UW Arts Business Competition.
Schedule of 2019 Festival events:
Wednesday, June 5
- 6-8 p.m.: “Women Against Hate United by Love” exhibition opening reception @ Rotunda Stage, Overture Center for the Arts (free event)
Thursday, June 6
- 9 a.m.-Noon From Page to Stage composition master class with Valerie Coleman @ First United Methodist Church (free event)
- 7 p.m.: Opening Gala Concert @ Maiahaus (402 E. Mifflin St.) (Tickets: $20 general/$10 students)
Friday, June 7
- 6 p.m.: “Portrait of the Artist as a Young Woman” pre-concert lecture by Meaghan Heinrich (free event)
- 7 p.m.: “Portraits of Josephine” Gala Concert @ Promenade Hall, Overture Center for the Arts (Tickets: $20 general/$10 students)
- 9 p.m.: Starry Night: “Holding Court” All-Women Comedy Show @ Robinia Courtyard (Tickets: $7 in advance/$10 at the door)
Saturday, June 8
- 10 a.m.-Noon: “The Multi-faceted Artist” Panel Discussion @ Madison Public Library Bubbler Room (free event)
- 2 p.m.: From Page To Stage: Emerging Composers Concert @ Capitol Lakes Grand Hall (free event)
- 7 p.m.: “Gaia” Closing Gala Concert @ First Unitarian Society of Madison Atrium Auditorium (Tickets: $20 general/$10 students)
Sunday, June 9
- 10 a.m.-Noon: “Mooning Around” poetry reading and artist mixer @ Common Ground, 2644 Branch St., Middleton (free event)
More information can be found at lunartfestival.org
video
Tags: #21stCentury, #AlbertEinstein, #AlessioBax, #AndreaMusher, #AndreaPotos, #AtriumAuditorium, #AudienceAward, #BlogPost, #BlogPosting, #CameraWork, #CapitolLakes, #CapitolSquare, #CelebratingWomen, #ChastityWashington, #ChoralMusic, #ChristianChurch, #ComedyShow, #CommonGround, #Composer-in-Residence, #CulturalDiversity, #CynthiaMarie, #DallasTexas, #DaneArts, #EdnaAlejandraLongoria, #EmergingComposers, #EthnicDiversity, #EunikeTanzil, #EveRobillard, #FacebookPost, #FacebookPosting, #Farley'sHouseofPianos, #FirstPlace, #FirstUnitarianSocietyofMadison, #FirstUnitedMethodistChurch, #GenderDiversity, #High-Quality, #IsabelKarp, #IvaUgrcic, #JackieBradley, #KatrinTalbot, #KirstenVolness, #LauraMedisky, #LindaDiRaimondo, #Line-Breakers, #LIveSteaming, #LunARTFestival, #MadisonArtsCommission, #MadisonPublicLibrary, #MadisonSymphonyOrchestra, #MeaghanHeinrich, #MiddletonWisconsin, #MifflinStreet, #MilevaMaric, #MusicalDiversity, #MusicEducation, #NationalFluteAssociation, #NewMusic, #OpenMeadowsFoundation, #OvertureCenter, #PanelDiscussion, #PersonalRelationship, #PhilippeBIanconi, #PoetryReading, #Pre-concertLecture, #Prize-Winning, #PromenadeHall, #RacialDiversity, #RosemaryZurlo-Cuva, #RotundaStage, #SamaraSuomi, #SarahWhelan, #SaturdayAfternoon, #SecondPrize, #SpecialGuest, #StarryNight, #TheCliburn, #UniversityofWisconsin, #UniversityofWisconsin-Madison, #ValerieColeman, #VanCliburn, #VanessaTortolano, #VickieLynn, #WisconsinArtsBoard, #WisconsinChamberOrchestra, #WomanArtist, #WomanConductor, #WomenComposers, #YouTubevideo, 21st century, accessible, aerial, afternoon, age, alert, Alessio Bax, all-women, Andrea Musher, Andrea Potos, applicants, area, artists, Arts, Atrium Auditorium, attend, attendance, audience, award, background, blazing, blog, Business, camera, Capitol, Capitol Lakes, Capitol Square, celebration, Cello, Chamber music, Chastity Washington, choral music, Christian, church, Classical music, coffee, collaboration, comedian, comedy, comedy show, comic, comics, Common Ground, Competition, composer, Concert, creative, cultivate, Cynthia Marie, Dallas, dance, Dane Arts, directors, discussion, diverse, diversity, downtown, Edna Alejandra Longoria, Education, educational, Einstein, emerging, engaging, Eunike Tanzil, Eve Robillard, events, exhibition, experiences, explore, express, expressions, Facebook, Farley's House of Pianos, festival, first, first place, First Unitarian Society of Madison, First United Methodist Church, FloridaParu, flute, flutist, forward, foundation, free, funding, funny, gala, gasp, gasping, general, guest, hate, idea, ideas, impressive, information, inspiring, Isabel Karp, Iva Ugrcic, Jackie Bradley, Jacob Stockinger, June, juror, Katrin Talbot, Keyboard, Kirsten Volness, Laura Medisky, lecture, like, lin, Linda DiRaimondo, link, live streaming, local, Love, LunART Festival, Madison, Madison Arts Commission, Madison Public Library, Madison Symphony Orchestra, Maiahaus, Master, Meaghan Heinrich, mentor, Methodist, Middleton, Midwestern, Midwestern United States, Milena Maric, Minnesota, mission, Missouri, Monday, Music, Music education, National Flute Association, nationalities, nationality, New Music, Open Meadows Foundation, outstandng, Overture Center, page, panel discussion, panelist, participants, pastries, pastry, performer, Philippe Bianconi, photo, photographer, Piano, place, poet, Poetry, poetry reading, portrait, practical, pre-concert, prize, programming, Promenade Hall, promoting, psychiatrist, public, race, racial diversity, reading, reception, relationship, resume, Rosemary Zurlo-Cuva, Rotunda Stage, Samara Suomi, Sarah Whelan, Saturday, schedule, score, Season, second, second prize, select, shape, share, show, showcase, skills, solo, special, special guest, stage, Starry Night, Student, succeed, support, supporting, tag, terrific, Texas, The Cliburn, thrive, ticket, today, trail, trend, unite, United States, University of Wisconsin-Madison School of Music, University of Wisconsin–Madison, UW, VALERIE COLEMAN, Van Cliburn, Vanessa Tortolono, venues, Vickie Lynn, video, Viola, Violin, violist, vocal music, wake, winning, Wisconsin, Wisconsin Arts Board, Wisconsin Chamber Orchestra, woman, woman artist, women, women composers, work, yesterday, young, YouTube
Classical music: The fall concert series by the Wisconsin Youth Symphony Orchestras starts this Saturday and includes the Wisconsin premiere of Martinu’s Symphony No. 3
1 Comment
By Jacob Stockinger
The Wisconsin Youth Symphony Orchestras have sent information about their upcoming fall concert this coming Saturday and the following Saturday:
The Wisconsin Youth Symphony Orchestras (WYSO) opens their fall concert series on Saturday, Nov. 11, and Saturday, Nov. 18, with the WYSO Youth Orchestra performing Czech composer Bohuslav Martinu’s Symphony No. 3. (You can hear the opening movement in the YouTube video at the bottom.)
“All our orchestras and ensembles have been digging deep into some amazing repertoire this fall,” said Interim Artistic Director Randal Swiggum (below). “WYSO fans will love these concerts—a great mix of beloved classics like Rimsky-Korsakov’s “Capriccio Espagnol” and the Brahms’ Academic Festival Overture, and some compelling new works. The students are super-excited to share it.”
Martinu’s fiercely energetic Symphony No. 3 was originally premiered by the Boston Symphony in 1945 while the composer (below) was a refugee from the Nazis; but the piece has not been performed by any orchestra in Wisconsin in 72 years.
“This is a remarkable piece,” Swiggum said, “Always rhythmic and exciting, it has really challenged the kids with its unusual colors and ideas.”
Tickets for the fall concert series are available at the door, and are $10 for adults and $5 for youth 18 and under.
The full concert repertoire is available at www.wysomusic.org/fall-2017-repertoire/.
Evelyn Steenbock Fall Concert Dates
- Saturday, November 11:
1:30 pm – Percussion Ensemble (below), Harp Ensemble, Philharmonia Orchestra
4:00 pm – Concert Orchestra, Opus One, Sinfonietta
Mills Concert Hall, 455 N. Park St., Madison, WI - Saturday, November 18
7:00 pm – Youth Orchestra
Middleton Performing Arts Center, 2100 Bristol St., Middleton, WI
Tags: Academic Festival Overture, Artistic director, Arts, Bach, Baroque, Berlioz, Bohuslav Martinu, Boston, Boston Symphony, Brahms, Capriccio Espagnol, Cello, classic, Classical music, color, Concert, Czech, Delibes, ensemble, fall, fan, George Frideric Handel, Grainger, harp, idea, ideas, interim, Jacob Stockinger, Johann Sebastian Bach, Johannes Brahms, Leonard Cohen, Madison, Music, Nazi, Nikolai Rimsky-Korsakov, Orchestra, percussion, premiere, Randal Swiggum, refugee, repertoire, Saint-Saens, Saturday, Season, series, Student, symphony, United States, University of Wisconsin-Madison School of Music, University of Wisconsin–Madison, Viola, Violin, Vivaldi, Wisconsin, Wisconsin Youth Symphony Orchestras, World War II, WYSO, Youth, YouTube
Recent Comments
 | David Spies on A jazz-pop composer is the new… |
 | welltemperedear on A jazz-pop composer is the new… |
 | Kathy O on A jazz-pop composer is the new… |
 | Ann Boyer on A jazz-pop composer is the new… |
| welltemperedear on Today is World Piano Day. Deut… |
The Well-Tempered Ear 