The Well-Tempered Ear

Classical music: Madison Choral Project gives a concert of new music focusing on the social and political theme of “Privilege” this Friday night and Sunday afternoon

April 20, 2017
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ALERT: This week’s FREE Friday Noon Musicale, held at the First Unitarian Society of Madison, 900 University Bay Drive, features David Miller, trumpet; Amy Harr, cello; and Jane Peckham, piano. They will play music by Bach, Schmidt, Piazzolla, Honegger and Cooman. The concert runs from 12:15 to 1 p.m.

By Jacob Stockinger

Call it activist beauty or beautiful activism.

It sure seems that political and social relevance is making a comeback in the arts during an era in which inequality in race, gender, ethnicity, wealth, education, health, employment, immigration status and other issues loom larger and larger.

For the Madison Choral Project (below), for example, singing is about more than making music. It can also be about social justice.

Writes the Project:

“The Madison Choral Project believes that too often the classical music concert is simply a museum of the beautiful. Yet the worlds of theater, art and literature can so brilliantly combine beauty with material that provokes contemplation and understanding.

“Our world is increasingly complicated, and we seek to provide voices exploring important emotional and social concerns of today.”

That means that, in its two concerts this weekend, the Madison Choral Project will explore the concept of privilege in two performances this weekend.

The repertoire is all new music or contemporary music by living composers.

The Madison Choral Project, under the direction of Albert Pinsonneault (below), who formerly taught at Edgewood College and is now at Northwestern University, presents their 10th Project – Privilege – on this Friday night, April 21, at  8:30 p.m. (NOT 7:30, as originally announced, because of noise from a nearby football game); and on Sunday afternoon, April 23, at 3 p.m.

Both performances are at the First Congregational United Church of Christ, 1609 University Avenue, near Camp Randall Stadium.

General admission is $24 in advance and online; $28 at the door; and $10 for students either in advance or at the door. A limited number of preferred seats are offered for $40.

The Privilege concerts feature the work Privilege by Ted Hearne (b. 1982), which Hearne (below) writes “are settings of little texts questioning a contemporary privileged life (mine).”

With texts that range from the inequality of educational experiences, to the unfair playing field brought through race, the work sets thought-provoking texts in a beautiful and musically accessible way. (NOTE: You can hear it in the YouTube video at the bottom.)

The program also includes the world premiere of a new piece of music from Wisconsin composer and UW-Madison graduate D. Jasper Sussman (b. 1989, below), whose piece Work: “What choice?” is a contemplation of society’s confusing and hypocritical demands on women, their bodies and their appearance.

Sussman writes “I have never identified as a feminist. It’d be impossible, however, for me to remain ignorant of the clumsily uneven climate of our world, and certainly of this country. Work: “What Choice?” is an attempt at telling a common story shared by many.”

Included on the concert are two works of Pulitzer Prize-winning composer David Lang (b. 1957, below), whose new minimalism includes sonorities influenced by rock and popular music, but with layered repetition that gives the pieces a meditative and contemplative quality.

Also featured is When David Heard by Eric Whitacre (b. 1970, below), a gorgeous and devastating monologue contemplating the death of one’s child.

For more information and tickets, go to www.themcp.org

You can also go to a fine story in The Capital Times:

http://host.madison.com/ct/entertainment/arts-and-theatre/with-privilege-madison-choral-project-sings-on-social-justice/article_1d4ecf46-3347-5950-a655-eb270449fb96.html

The Madison Choral Project is Wisconsin’s only fully professional choir. All the singers on stage are paid, professional musicians.

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Classical music: Madison Youth Choirs will perform immigrant music in “Sounds Like Home: Music in Diaspora” this Saturday and Sunday

May 3, 2016
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A REMINDER: Subscribers to the Madison Symphony Orchestra‘s current season that just ended have until May 5 — this Thursday — to renew and save their current seats. New subscribers can receive up to 50 percent off and other discounts are available. For more about the programs of the 2016-17 season and about subscribing, visit:

http://www.madisonsymphony.org/16-17

By Jacob Stockinger

The Ear has received the following notice from the Madison Youth Choirs about three concerts this coming weekend:

On this Saturday, May 7, and Sunday, May 8, 2016, in the Capitol Theater of the Overture Center for the Arts, the young singers of Madison Youth Choirs (below, at the winter concert in 2014) will bring to life the musical creations of several groups who have left their homelands throughout history, under a variety of circumstances.

Madison Youth Choirs Winter Concert 2014

How do we keep our traditions in a place where they may not be tolerated? How do we maintain our identities in the face of great change? How do we preserve our stories and our history for future generations?

We invite you to ponder these questions with us as we explore the rich choral work of the African-American, Indian, Cuban, Arabic, Irish, Jewish and additional musical traditions as well as several works based on the biblical diaspora as told in Psalm 137.

At the Saturday evening performance, MYC will also present the Carrel Pray Music Educator of the Year Award to Dan Krunnfusz (below), former artistic director and conductor of the Madison Boychoir and a longtime choral and general music teacher in Madison and Baraboo public schools.

Dan Kronnfusz

MYC Spring Concert Series: “Sounds Like Home: Music in Diaspora.” Capitol Theater, Overture Center for the Arts201 State Street, Madison, Wisconsin

Saturday, May 7, 2016, 7 p.m.: Boychoirs

Sunday, May 8, 2016, 3:30 p.m. Girl choirs; 7:30 p.m. High School Ensembles

Tickets are $15 for adults, $10 for students ages 8-18. Children 7 and under receive free admission but a physical ticket is required for entry. AUDIENCE MEMBERS WILL NEED A SEPARATE TICKET FOR EACH CONCERT.

Tickets are available through Overture Center Box Office, and may be acquired in person at 201 State Street, Madison; via phone at (608) 258 – 4141; or online at http://www.overturecenter.org/events/sounds-like-home-music-in-diaspora

This project is generously supported by American Girl’s Fund for Children, BMO Harris Bank, the Green Bay Packers Foundation, the Kenneth A. Lattman Foundation, the Madison Community Foundation, the Madison Gas and Electric Foundation, the Pleasant T. Rowland Foundation, and Dane Arts with additional funding from the Endres Mfg. Company Foundation. This project is also supported in part by a grant from the Wisconsin Arts Board with funds from the State of Wisconsin and the National Endowment for the Arts.

About the Madison Youth Choirs (MYC, see below in a photo by Jon Harlow on its tour to an international festival in Scotland in 2014): Recognized as an innovator in youth choral music education, Madison Youth Choirs (MYC) welcomes singers of all ability levels, annually serving more than 1,000 young people, ages 7-18, through a wide variety of choral programs in our community.

Cultivating a comprehensive music education philosophy that inspires self-confidence, personal responsibility, and a spirit of inquiry leading students to become “expert noticers,” MYC creates accessible, meaningful opportunities for youth to thrive in the arts and beyond.

Madison Youth Choirs Scotland Tour CR Jon Harlow

Here is the repertoire of the MYC 2016 Spring Concert Series “Sounds Like Home: Music in Diaspora”

Saturday, May 7, 2016, Capitol Theater, Overture Center for the Arts

7 p.m. Concert (Featuring MYC Boychoirs)

Purcell

Sometimes I Feel Like a Motherless Child…Traditional spiritual, arr. Burleigh

Hashivenu…Traditional Hebrew, arr. Rao

Rolling Down to Rio…Edward German

Britten

The Minstrel Boy…Traditional Irish, arr. Benjamin Britten

Super Flumina Babylonis…Giacomo Carissimi

Duke’s Place…Duke Ellington, arr. Swiggum/Ross

Holst

As by the Streams of Babylon…Thomas Campion

A Miner’s Life…Traditional Irish, arr. Houston

Combined Boychoirs (below, in a photo by Joanie Crump)

The Riflemen of Bennington…Traditional, arr. Swiggum

Babylon…Don McLean

Madison Youth Choirs Boychoir Spring Concert - Joanie Crump

Sunday, May 8, 2016, Capitol Theater, Overture Center for the Arts

3:30 p.m. Concert (Featuring MYC Girlchoirs, below in a photo by Karen Brown)

Choraliers

Babylon…Don McClean

Beidh Aonach Amarach…Traditional Irish, arr. Dwyer

Ani Ma’amin…Traditional Hebrew, arr. Caldwell/Ivory

Gospel Train…Traditional spiritual, arr. Shirley McRae

Alhamdoulillah…Traditional Arabic, arr. Laura Hawley

Con Gioia

Folksong arrangements (2, 3, 4)…Gideon Klein

Hope is the Thing with Feathers…Marye Helms

Wild Mountain Thyme…Traditional Irish, arr. Jay Broeker

Stadt und Land in stille Ruh…Traditional German canon

Capriccio

Mi’kmaq Honor Song….arr. Lydia Adams

Thou Shalt Bring Them In…..G.F. Handel

Iraqi Peace Song…..Lori Tennenhouse

Bring Me Little Water, Silvy…..credited to Leadbelly, arr. Moira Smiley

Capriccio, Cantilena, and Cantabile

Across the Water (world premiere)…  UW-Madison alumnus Scott Gendel (below)

Scott Gendel color headshot

7:30 p.m. Concert (Featuring High School Ensembles)

Cantilena

We Are…Ysaye Barnwell

Sometimes I Feel Like a Motherless Child…Traditional spiritual

Jai Bhavani…arr. Ethan Sperry

Hej, Igazitsad…Lajos Bardos

Ragazzi

An Wasserflüssen Babylon…Michael Praetorius

Uz mne kone vyvadeji (from folksong arrangements)…Gideon Klein

Son de Camaguey…Traditional Cuban, arr. Stephen Hatfield

Loch Lomond…Traditional Scottish air, arr. Ralph Vaughan Williams

Cantabile

In a Neighborhood in Los Angeles (from Alarcón Madrigals)…Roger Bourland

Riawanna…Stephen Leek

Barchuri Le’an Tisa…Gideon Klein

Kafal Sviri…Traditional Bulgarian, arr. Liondev

Cantabile and Ragazzi

O, What a Beautiful City…Traditional spiritual, arr. Shawn Kirchner

Madison Youth Choirs Combined Girlchoirs Spring Concert 15 CR Karen Brown


Classical music: This Friday night and Sunday afternoon, the Wisconsin Chamber Choir performs music composed by immigrants to the U.S.

April 14, 2016
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By Jacob Stockinger

Robert Gehrenbeck (below), the talented and energetic director of the Wisconsin Chamber Choir who also directs choral activities at the University of Wisconsin-Whitewater, writes:

Robert Gehrenbeck new headshot 2013 USE

The Wisconsin Chamber Choir (below) will present “Songs In a New Land” on this Friday, April 15, at 7:30 p.m. in Bethel Lutheran Church, 312 Wisconsin Ave., in Madison and on Sunday, April 17 at 3 p.m. at Cargill United Methodist Church, 2000 Wesley Ave., in Janesville.

Admission is $15 for adults and $10 for students.

Advance tickets are available from www.wisconsinchamberchoir.org. They are also available at the door.

Wisconsin Chamber Choir 1

The WCC’s concert will celebrate composers who were immigrants from the 15th century to the present, including emigres to the United States from China, Russia, Syria, Germany, Mexico, Argentina, Venezuela and the Dominican Republic.

At a time when immigration has become a burning issue in national politics, the WCC’s program highlights composers who emigrated from the country of their birth to make new homes elsewhere. They imported traditions from their homelands and enriched the cultural life of their adopted countries in innumerable ways.

Their reasons for leaving home were varied-some moved voluntarily but many were forced to emigrate for political, economic or religious reasons or, often, a combination of all of these.

While the experience of leaving behind all that is familiar and making a new life in a foreign country was rarely easy, the interaction of old and new influences resulted in some of the most lasting and unique artistic creations in history.

Most of the featured composers were or are immigrants to the United States, but the program opens with a set of Renaissance motets—“Stabat Mater” by Josquin des Prez (below top) and “Domine, Convertere” by Orlando di Lasso (below bottom) — demonstrating that migrant composers have played a major role throughout history.

Josquin Des Prez

Orlando Gibbons

Some of the more recent composers represented are: Kurt Weill, whose Kiddush was composed for Park Avenue Synagogue in New York City; Chen Yi (below top), represented by “A Set of Chinese Folksongs”; Osvaldo Golijov (below bottom), with an excerpt from his “Pasion segun San Marcos” (Passion According to St. Mark); and 20th-century giants Arnold Schoenberg and Igor Stravinsky.

Chen Yi

Osvaldo Golijov 2

Although Schoenberg and Stravinsky were known for their dissonant, modernist works, much of the music they composed in the U.S. was tempered by an effort to communicate with audiences here. During the 1940s, both men ended up settling in Hollywood, along with countless other exiled European artists fleeing totalitarian regimes and persecution at home.

In the case of Schoenberg (below), even though he is known as “the father of atonality,” and the originator of “12-tone” music, he continued to compose tonal music throughout his life, and often wrote in a more accessible style for amateur musicians. The WCC will present two such tonal works by Schoenberg: “Verbundenheit” (Solidarity) for male chorus, and the folksong arrangement, “Mein Herz in steten treuen” (My Heart, Forever Faithful).

Arnold Schoenberg 1936

In the American works of Stravinsky (below), the Credo movement of his 1947 Mass was subtly influenced by American Jazz.

Igor Stravinsky old 2

Joining the WCC will be Madison organist Mark Brampton Smith, who will accompany several pieces at the organ as well as perform solo organ works by Paul Hindemith and Joaquin Nin-Culmell (two additional mid-century immigrants to the U.S.).

Mark Brampton Smith

The movements from Stravinsky’s Mass will be performed with Brampton Smith at organ and guest trombonist Michael Dugan (below), who will also enhance Josquin des Prez’s “Stabat Mater” by playing sackbut, the Renaissance ancestor of the trombone.

Michael Dugan

Guest percussionist Stephen Cherek will enliven several of the Latin American selections, playing a variety of instruments.

Here are some YouTube links to sample performances:

Josquin des Prez, “Stabat Mater”

https://www.youtube.com/watch?v=TsayDDRl3kI

Orlando di Lasso, “Domine Convertere”

https://www.youtube.com/watch?v=ufP3S_M4mog

Kurt Weill, “Kiddush”

https://www.youtube.com/watch?v=7RI2jTYqso0

Chen Yi, “Mo Li Hwa” (“Jasmine Flower” from A Set of Chinese Folksongs)

https://www.youtube.com/watch?v=HtlsW2ZjSHA

Osvaldo Golijov, “Demos Gracias” (from La Pasion segun San Marcos)

https://www.youtube.com/watch?v=vldVEk29s3Y

Arnold Schoenberg, “Verbundenheit” (from Six Pieces for Male Chorus)

https://www.youtube.com/watch?v=CPAeA3sIoc8

Arnold Schoenberg, “Mein Herz in steten Treuen”

https://www.youtube.com/watch?v=EPsE1LBMHrs&index=5&list=PLdXviD-nr2a7RIabEqL5XrXLi4G7V71tP

Igor Stravinsky, Credo (from Mass)

https://www.youtube.com/watch?v=nBpfSfq9v0A


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