The Well-Tempered Ear

Classical music: Here is how the Wisconsin Youth Symphony Orchestras (WYSO) plan to continue lessons and performances this fall despite the coronavirus pandemic

August 29, 2020
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By Jacob Stockinger

The Ear has just received the following updates from an email newsletter about the upcoming season of the Wisconsin Youth Symphony Orchestras (WYSO). Over more than 50 years, WYSO has served tens of thousands of middle school and high school students in southcentral Wisconsin and northern Illinois. (In the YouTube video at the bottom, you can hear the WYSO Youth Orchestra play a virtual performance from the past season of the famous finale from Rossini’s “William Tell” Overture.)

After many weeks of planning, and in consultation with Public Health Madison and Dane County (PHMDC) and the McFarland School District, WYSO is excited to announce a fall semester plan that will mark a safe return to in-person music-making—and our first season at the McFarland Performing Arts Center (below) https://www.wysomusic.org/the-wyso-weekly-tune-up-april-17-2020-wysos-new-home/

We had a brief delay last Friday when PHMDC released Emergency Statement #9 delaying in-person start dates for all schools in Dane County. We checked in with the Public Health agency and they re-affirmed that WYSO is not a school —and the 15 students maximum-sized groups outlined in this plan are absolutely perfect. It is time to set up the tents!

The WYSO season will begin on the weekend of Sept. 5, when the winds and brass students from all three full orchestras (Youth, Philharmonia and Concert) will begin their fall rehearsals outside under two enormous tents in the McFarland High School parking lot (below). The 60 winds and brass students will be divided into approximately nine or 10 cohorts, who will meet in two-hour blocks on Saturdays and Sundays.

With a single cohort of masked and socially distanced students spread out within the 40′ x 60′ tent, with “bell covers and bags” for their instruments, the season will not look like any previous WYSO Fall.

If you’ve not been involved in the new science of aerosol transmission, this whole scenario might seem very curious. The reasoning is simple: The winds and brass instruments have been singled out as more problematic since you have to blow into them to make music. The blowing releases more “aerosols,” the tiny droplets that can transmit the coronavirus.

However, researchers at the University of Colorado at Boulder have recently released the first results from a five-month study and have found that the following actions bring down the transmission risk considerably:

  1. Social distancing 9 to 15 feet apart.
  2. Adding bell covers and bags (below) for the instruments (essentially the instruments have to wear masks as well as the students).
  3. Playing outside, which reduces risks due to the increased air circulation.

Because we are in Wisconsin, the “outdoor” location shortens the season for the winds and brass players so by beginning the season on Sept. 5 and ending on the weekend of Oct. 24, they can just squeeze in an 8-week cycle.

Meanwhile, the WYSO string and percussion players, approximately 300 in number and representing all five orchestras, will begin their fall season indoors on Oct. 17, after McFarland moves to a hybrid model for the school year.

The string players will be divided into 15-student cohorts by orchestra, with a wonderful mix of violins, violas, cellos and basses in each group, and with the groups spread throughout one wing of the high school in large music rooms and atriums.

The percussionists have been scheduled into the new Black Box Theater and they are excited to begin playing on the brand new marimbas and timpani so recently acquired by WYSO through a gift from an incredibly generous anonymous donor.

Everything has been carefully scheduled so that at any given time there will not be more than 125 students, conductors and staff in the building.

Start and end times have been staggered. The large beautiful spaces at McFarland will easily hold the socially distanced and mask-wearing players. And the orchestras will again be scheduled into Saturday and Sunday mornings and afternoons. Even the WYSO Chamber Music Program (below) has been scheduled into the intricate puzzle.

The rest of this exciting fall story has to do with adding incredibly talented professional musicians to lead some of the cohorts and the amazing repertoire available for groups of 15 musicians, whether they play winds, brass, strings or percussion.

From Mozart’s “Gran Partita” to Beethoven’s Symphonies No. 2 and 6; from Stravinsky’s “Pulcinella Suite” to Bartok’s Divertimento, and Tchaikovsky’s Serenade for Strings — there is almost an “embarrassment of riches” of exciting, seldom-played repertoire, to quote WYSO Music Director Kyle Knox (below). And this fall, that repertoire will be right in WYSO’s wheelhouse.

WYSO will video-capture this year’s Fall Concerts of students playing in the beautiful McFarland Performing Arts Center to 800 empty seats and let you know the exact Fall Concert dates as we get closer. Click here for additional information.

While WYSO is incredibly excited about our in-person plan for rehearsals and playing music together, we have also drawn up two alternate plans, and know that not everyone will be able to participate in-person.

WYSO Registration is underway, and we are asking those who cannot participate in the McFarland experience to let us know their needs through the registration process, so that we can create the best virtual experience possible for those involved. Tuition payment is not due at registration.

To register, go to: https://www.wysomusic.org/members/wyso-registration-form/

 


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Classical music: This year’s LunART Festival in late June has been canceled and indefinitely postponed. Here are tastes of what is to come in new music commissions

April 21, 2020
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PLEASE HELP THE EAR. IF YOU LIKE A CERTAIN BLOG POST, SPREAD THE WORD. FORWARD A LINK TO IT OR, SHARE IT or TAG IT (not just “Like” it) ON FACEBOOK. Performers can use the extra exposure to draw potential audience members to an event. And you might even attract new readers and subscribers to the blog.

By Jacob Stockinger

The Ear has received the following announcement to post from flutist Iva Ugrcic, the founder and executive director of the national award-winning LunART Festival (below), originally slated to take place in late June in various venues around Madison.

The event promotes and advocates for women in the arts including local artists and guest artists in music, poetry, dance, visual art and stand-up comedy. (You can see aerial choreography from last year’s festival in the YouTube video at the bottom.)

Each year, the annual event also issues an international call for women composers to submit new works to be premiered during the festival.

“Like many others, we have been closely monitoring the impact that the COVID-19 pandemic is having on the world,” says Ugrcic (below), a doctoral graduate of the UW-Madison’s Mead Witter School of Music.

“In order to protect the wellbeing of our guests, artists and team members, we have made the heartbreaking but necessary decision to postpone LunART Festival 2020 until further notice.” (Below is a past performance at the First Unitarian Society of Madison.)

“Once we establish a timeline to resume our celebration, you will be the first to know. In the meantime, our incredible third season is already being planned. It will feature works by over 40 women artists and composers from across the globe.

“These are exceptionally difficult times, but this too will pass, and we will all emerge from this more united than ever. Stay safe and healthy. We cannot wait to share the love and joy of the arts with you in person again. (Below is the festival in Promenade Hall of the Overture Center.)

“Warmest regards,
“The LunART Team” (Yana Avedyan, Leslie Damaso, Satoko Hayami, Allison Jerzak, Marie Pauls and Iva Ugrcic)

Ugrcic also provided additional information:

“I am still hoping that we would be able to hold the festival this summer. However, it is really hard to say right now.

“In the meantime, I have been in contact with all four of our Call for Scores winners: Alexis Bacon (USA, below top), Patricia Lopes (Brazil), Nicole Murphy (Australia) and Rosita Piritore (Italy, below bottom).

“We are finding ways to still promote their music and excite our audience about what they are going to hear and who they are going to meet when we get back together. So here are links to YouTube and some of the interviews we did with them:

  1. Patricia  Lopes (below): https://www.youtube.com/watch?v=oAaZfD0Licc

  1. Nicole Murphy (below): https://www.youtube.com/watch?v=QoT4hg9hQSo

 


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