The Well-Tempered Ear

Classical music: Acclaimed native son Kenneth Woods returns this weekend to conduct the Madison Symphony Orchestra. He talks to The Ear about what Madison meant to him and his international career

March 2, 2020
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By Jacob Stockinger

This weekend, native Madisonian Kenneth Woods (below) returns from his home in the UK to conduct three performances of the Madison Symphony Orchestra.

The concerts feature two MSO debuts: the prize-winning young Canadian violinist Blake Pouliot performing Mendelssohn’s Violin Concerto in E minor; and the acclaimed guest conductor, Kenneth Woods, leading the orchestra for the MSO premiere of Haydn’s Symphony No. 96, “Miracle” plus Richard Strauss’ tone poem Ein Heldenleben (A Hero’s Life).

Performances will be held in Overture Hall on Friday night, March 6, at 7:30 p.m.; Saturday night, March 7, at 8 p.m.; and Sunday afternoon, March 8, at 2:30 p.m.

Single tickets are $19-$95 each and are on sale now, along with discounted tickets, at: https://madisonsymphony.org/event/the-miracle/; through the Overture Center Box Office at 201 State Street; or by calling the Box Office at (608) 258-4141. Fees apply to online and phone sales.

You can view program notes for this concert online at http://bit.ly/msomar2020programnotes

A Prelude Discussion by Randal Swiggum will take place one hour before each concert.

Guest conductor Kenneth Woods is a busy and versatile musician. He is the Principal Conductor of the English Symphony Orchestra and the artistic director of both the Colorado MahlerFest and the Elgar Festival in England. (You can hear Woods conducting Carl Maria von Weber’s “Oberon” Overture in the YouTube video at the bottom.) 

Woods has won accolades for rediscovering and recording the music of the Austrian-British composer Hans Gàl. Woods, who has played guitar in a rock band, is also a professional cellist who solos with orchestras and plays chamber music. He writes a respected blog. And he currently plays and records in the Briggs Piano Trio for Avie Records.

For much more information about Kenneth Woods, including his blog “A View From the Podium,” go to: https://kennethwoods.net/blog1/

Woods recently spoke via email to The Ear about what Madison has meant to him and to his international career.

How did living in Madison play a role in your decision to become a professional musician?

Madison offered me a chance to hear music at an early age. I was taken to watch a rehearsal of the Wisconsin Youth Symphony Orchestra as a very young kid, maybe three or four years old. That made a huge impression on me, especially seeing the rehearsal process. Later, my parents took us to all the UW Symphony Orchestra concerts for years.

There’s really no reason not to take young kids to concerts! For me, a love of live music led to a love of recorded music, listening to records at home, and from there, to an interest in playing music as a kid.

We were lucky to have a very strong music program in the Madison public schools when I was growing up here. The orchestras at Memorial High School played some really impressive repertoire under Tom Buchhauser (below top, in a photo by Jon Harlow). The UW Summer Music Clinic made being a musician social – it was a great immersion with one’s peers.

Most important, however, was probably the Wisconsin Youth Symphony Orchestras (WYSO). Playing under Jim Smith (below bottom) was the most fantastic education in orchestral playing one could hope for. He and Tom are a big part of why I became a conductor.

Madison in those days wasn’t a super-pressurized scene, like one might encounter around the big pre-college programs in New York or LA. But what I might have missed in terms of conservatory-level instrumentalists in every corridor, one made up in terms of feeling like you could find your own path. By the time I was in high school, I pretty much knew music was that path.

How did your experiences in Madison help prepare you for that career?

I learned so much about rehearsing from Jim Smith. In his first year, we worked on Dvorak’s 8th Symphony pretty much all year. Every week, he opened our ears to new facets of the music. I’ve never forgotten that.

I went off to Indiana University to do my Bachelor’s degree, but returned to Madison for a Master’s, when I studied cello with UW-Madison professor Parry Karp (below top).

Those were wonderful years for me. I learned an enormous amount from Parry as both a cello teacher and chamber music coach (and especially as a person).

I played in fantastic chamber groups, did lots of wacky new music and had solo opportunities. UW Symphony Orchestra conductor David Becker (below bottom) even gave me my first meaningful chance to rehearse an orchestra when he had me take a couple of rehearsals on the Copland Clarinet Concerto.

And I played in both the Madison Symphony Orchestra and the Wisconsin Chamber Orchestra. I came away from that time with both new skills and new confidence.

What does returning to your hometown to conduct the Madison Symphony Orchestra mean to you?

It’s both very exciting and a little surreal. Under the leadership of John DeMain (below top, in a photo by Greg Anderson), the MSO (below bottom, in a photo by Peter Rodgers) has come so far since the time I was in it. And the new hall is such a treasure for all of Wisconsin – it’s practically a different orchestra.

I still have many friends and former mentors in the orchestra and it’s going to be wonderful to see them all and make music together again after so long.

But it’s more than a homecoming. It’s a chance to celebrate where we’ve all been and what we’ve all done the last 20 years or so. My musical life has mostly been in the UK for a long time, so to re-connect with my musical roots here is rather magical.

What are your major current and upcoming projects?

The English Symphony Orchestra (below) represents the biggest chunk of my musical life. This year we’re celebrating Beethoven’s 250th birthday and the orchestra’s 40th anniversary.

The ESO has a special commitment to new and unknown music, and right now we’re in the midst of something called the 21st Century Symphony Project, which involves commissioning, premiering and recording nine new symphonies by diverse composers. It’s one of the most ambitious commissioning projects I’ve ever heard of, let alone been involved in.

I’m also excited about this year’s Colorado MahlerFest in Boulder, where we’re focusing on Mahler’s Symphony No. 2 “Resurrection” this May, which will crown a week of music exploring themes of color and visual art with music by Wagner, Messiaen and British composer Philip Sawyers.

Is the MSO program special to you?

I must say that it was incredibly generous of John DeMain to offer me such a fantastic program. Not every music director is gentleman enough to let a guest have Ein Heldenleben.

What would you like the public to know about your approach to music and about the specific works by Haydn, Mendelssohn and Richard Strauss?

Haydn’s music is maybe the richest discovery of my adult life. I didn’t get it as a kid, largely because most performances I heard were so dull.

His music is so varied, and his personality so complex, one mustn’t try to reduce him down to a simplistic figure. The late symphonies, of which this is one of the finest, are inexhaustible sources of wisdom, beauty, humor and sanity.

The Mendelssohn is really an astonishing piece. I’ve probably conducted it as much as any piece of music, with so many different soloists, all of whom had hugely different temperaments, personalities, sounds and approaches.

I’ve played it with some of the greatest violinists in the world and with young students. Somehow, whoever is playing, it always leaves me, and the audience, smiling. I’m pretty sure we can continue that streak with Blake Pouliot (below, in a photo by Jeff Fasano).

The Strauss is a rich, personal, wise, funny and moving work. It’s always a challenge, particularly bringing out all the astonishing detail in the score, but it’s also a real joy to perform. If the Mendelssohn always leaves me smiling, the Strauss always leaves me smiling with a tear in my eye.

 


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Classical music: The second annual Mineral Point Chamber Festival – with both free and ticketed performances — takes place this coming weekend

June 5, 2018
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By Jacob Stockinger

The summer music season in the Madison area — which kicks off big-time this weekend – just seems to get busier and busier.

The second annual Mineral Point Chamber Music Festival will take place this coming Friday through Sunday, June 8-10.

All the information — including ensembles, complete repertoire and concerts times and venues — is available at artsmp.org under “Chamber Music Festival.” You will also find there some extensive audio samples of the performers.

There are three ticketed concerts that will take place at the refurbished Mineral Point Opera House (below top, by Michael J. Smith, and bottom):

Tickets are $20, and a package pass for all three concerts is $49.

The schedule for ticketed events is:

On Friday night at 7:30 p.m., the cello-and-piano Artu Duo (below) from the University of Minnesota will perform music by Robert Schumann, Bohuslav Martinu and Ludwig van Beethoven.

On Saturday at 7:30 p.m. the Volante Winds (below) from Indiana University will perform music by Samuel Barber, Karl Pilss, Gyorgy Orban and Giulio Briccialdi.

On Sunday afternoon at 1:30 p.m., the Altino Duo (below), from Madison, will perform music by Zoltan Kodaly, Maurice Ravel and Johan Halvorsen.

There are also two FREE concerts. They feature many other works by many other composers including George Frideric Handel, Johann Pachelbel, Felix Mendelssohn, Johannes Brahms, Richard Strauss, Jacques Ibert and Samuel Barber.

The first FREE concert is on Saturday afternoon at 1:30 p.m. at the Congregational United Church of Christ, 300 Maiden St., and features Q&A sessions after each ensemble’s performance.

The second FREE concert — weather permitting — is on Sunday afternoon at 12:30 p.m. in Library Park (below) and features the Festival Brass.

The festival’s director Peter Schmalz explains the philosophy of the festival, which strikes The Ear as a savvy way to host a festival of fine performers and great music for very reasonable ticket prices:

“We are a festival devoted to providing opportunity to emerging talent,” says Schmalz. “At least 50 percent of the membership of each ensemble must be currently enrolled students.

“This year we ran into an insoluble problem, when one member of the Zima Piano Trio from Indiana University could not be approved for employment because of her current status as an international student.

“Hence we have the last-minute substitution of the Altino Duo from Madison – cellist Leonardo Altino and violinist Soh-Hyun Park Altino – who are both college professors and obviously not a student ensemble. (She teaches at the UW-Madison, and he teaches privately in Madison and at the Wheaton College Conservatory near Chicago.)

(Editor’s note: You can read more background about the Altinos, and about playing together as spouses, here: https://welltempered.wordpress.com/2018/01/22/classical-music-what-is-it-like-to-play-music-with-a-spouse-local-wife-and-husband-violinist-and-cellist-open-the-winter-masterworks-season-of-the-wisconsin-chamber-orchestra-with-the-brahms-double/

“The Altinos were very gracious about helping us in this situation, and will present a concert Sunday, June 10, of music that is included on their recently released CD “En voyage.”” (You can hear them perform the Duo for Violin and Cello by Zoltan Kodaly, which is on the recording, in the YouTube video at the bottom.)

If you want to see the sponsors of the festival or become a sponsor, go to the bottom of the page at: http://www.artsmp.org/chamber-music-fest/


Classical music: Here are this week’s FREE events at the UW-Madison where the spotlight falls on new music

March 27, 2017
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By Jacob Stockinger

This will be a busy week at the UW-Madison.

Here are the events, concerts and master classes, at the UW-Madison this week. All events are FREE and OPEN TO THE PUBLIC.

As you can see, a lot of new music will be featured.

TUESDAY

At noon in Morphy Recital Hall, oboist Courtney Miller (below), of the University of Iowa, will give a master class. 

At 7:30 p.m.in Mills Hall, Mike Leckrone (below top) will lead the UW Concert Band (below bottom) in a FREE concert. Sorry, no word on the program.


WEDNESDAY

At 7:30 p.m. in Morphy Recital Hall, pianist Emile Naoumoff (below), from Indiana University, will give a recital.

Sorry, no word about the program. But there is a lot of background about the acclaimed French pianist who once studied at age 10 with the legendary teacher Nadia Boulanger and then later took over for her. (You can see him and Boulanger in the YouTube video at the bottom.) For information, go to http://www.music.wisc.edu/event/guest-artist-emile-naoumoff-pianist/

Naoumoff will also give a master class on Thursday from 10 a.m. to noon in Morphy Recital Hall.

THURSDAY

From 10 a.m. to noon in Morphy Recital Hall, guest pianist Emile Naoumoff will give a master class. See Wednesday’s listings for information about him and his recital.

FRIDAY

At 7 p.m. in Morphy Recital Hall, a concert of new music will be performed by Sound Out Loud (below) in conjunction with a two-day conference. For the complete program and more information, go to:

http://www.music.wisc.edu/event/midwest-graduate-music-consortium-presenting-original-research-and-new-compositions/

At 7:30 in Mills Hall, the UW Wind Ensemble (below top) will give a FREE concert under conductor Scott Teeple (below bottom).

The program includes “The Leaves Are Falling” by Warren Benson as well as two Wisconsin premieres: “Across the Graining Continent” by Jonathan Newman; and Suite in E-Flat by Gustav Holst, edited by Matthews.

SATURDAY

At 1:30 p.m. in Morphy Recital Hall, the UW-Madison Trombone Quartet performs music by Tchaikovsky,Webern, Shostakovich, Tull and Bozza among others. Members of the quartet are Thomas Macaluso, Kevin Schoeller, Matthew Bragstad and Nicolas Lawrence.

At 8 p.m. the wife-and husband piano-percussion duo Sole Nero (below), consisting of Jessica Johnson (piano) and Anthony DiSanza (percussion), will perform a faculty concert of new music.

For the complete program and program notes, plus biographies, go to:

http://www.music.wisc.edu/event/sole-nero-with-jessica-johnson-and-anthony-disanza/

It is also that time of the academic year when there are a lot of student recitals and lecture-recitals, especially ones by graduate students, that might interest the public. This week, The Ear sees at least half a dozen listed including those by a cellist, violinist, hornist, trumpeter and flutist.

For more information, go to: http://www.music.wisc.edu/events/


Classical music: Violinist Alexander Ayers gives a FREE recital on Monday night at Taliesin in Spring Green 

June 25, 2016
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Due to technical difficulties beyond his control at the web site host, The Ear cannot publish a new post today that has many links in the text. He apologizes and will let you know if and when the problems are solved. In the meantime, he will offer what he can.

By Jacob Stockinger

The following announcement has been sent for posting by The Ear by the Rural Musicians Forum:

Widely praised for his shimmering virtuosity and technical precision, violinist Alexander Ayers performs a FREE recital at 7:30 p.m. on this Monday, June 27, in a concert sponsored by the Rural Musicians Forum in Frank Lloyd Wright’s Hillside Theater at Taliesin, south of Spring Green, Wisconsin.

Ayers (below, in a photo by O’Brien Photos of Waukesha), a native of Waukesha, Wisconsin, joined the Milwaukee Symphony in 2013. He was previously a member of the Madison Symphony Orchestra.

After studying nine years at the String Academy of Wisconsin-Milwaukee he studied at Indiana University, and in 2006 he won the grand prize of the Milwaukee Symphony Stars of Tomorrow Competition. This resulted in performances of the Violin Concerto No. 1 by Sergei Prokofiev with the MSO. He has performed collaboratively with Joshua Bell, Alex Kerr, Jaime Laredo, Gilles Apap and Soovin Kim.

Alexander Ayers 1 CR O'Brien Photos

Ayers’ June 27 program is international in scope. It includes works by German-born Ludwig van Beethoven and Parisian Camille Saint-Saens as well as the Belgian violinist and composer Eugene Ysaye and virtuosic Polish violinist Henryk Wieniawski, who was regarded by many as an exciting and flamboyant re-incarnation of Niccolo Paganini.

About the concert RMF Artistic Director Kent Mayfield said, “We are honored to work in close collaboration with Taliesin Preservation Inc. to host much of this year’s series at Taliesin’s Hillside Theater (below). It provides an especially dramatic but intimate setting for Ayers’ performance which will be totally consistent with Frank Lloyd Wright’s vision: imaginative, bold and beautiful.”

taliesin_hillside2

Hillside Theater is located at 6604 Highway 23, Spring Green.

The concert is not ticketed and is open to the public. A free-will offering will be taken to support the concert series.

For additional information and driving directions, see www.ruralmusiciansforum.org

 


Classical music: The Madison Symphony Orchestra presents a FREE Farmers’ Market Concert of music for organ and piano this Saturday morning. Plus, there is a FREE orchestra concert and viola concert at Capitol Lakes Retirement Center TONIGHT at 7.

June 15, 2015
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ALERT: A friend writes: TONIGHT at 7 p.m. at Capitol Lakes Retirement Community, 333 West Main Street, downtown off the Capitol Square, UW-Madison graduate student Kyle Knox (below with the Middleton Community Orchestra) will be conducting the Serenade No. 1 by Johannes Brahms (at bottom, you can hear the Berlin Philharmonic under conductor Claudio Abbado, in a YouTube video) performed by many members of the Middleton Community Orchestra, and past and future soloists. On the second half of the program, violist Vicki Powell, who is just in Madison for the week, will perform solo works.

The Brahms sounds great. We are lucky to be joined by Madison Symphony Orchestra concertmaster Naha Greenholtz; violinist Paran Amirinazari who will be Middleton Community Orchestra’s concertmaster in the fall; and violist Vicki Powell plus many other fine players.

THE CONCERT IS FREE AND OPEN TO THE PUBLIC.

Kyle Knox conducts MCO

By Jacob Stockinger

It could sound like a professional wrestling match: “This Saturday the Über Steinway meets the Colossal Klais!”

The Madison Symphony Orchestra’s (MSO) German (Hamburg) Steinway piano will meet the colossal Klais Overture Concert Organ (below) in a free concert featuring guest pianist Stephen Nielson and organist Samuel Hutchison.

Overture Concert Organ overview

The concert will take place during the Dane County Farmers’ Market (below) on this Saturday, June 20, at 11 a.m. in Overture Hall of the Overture Center for the Arts, 201 State Street.

No tickets or reservations are needed for this 45-minute concert.

dane county farmers' market

From familiar hymns to rousing patriotic medleys and stunning solos for piano and organ, this first and only Farmers’ Market organ concert of the summer promises to deliver thrills for all.

American pianist Stephen Nielson made his orchestral debut as a pianist at age 11. During a 30-year collaboration with his late colleague, Ovid Young, Nielson performed more than 3,500 concerts world-wide as part of the distinguished piano duo Nielson & Young.

His 2008 performance with Samuel Hutchison in Overture Hall garnered rave reviews from those in attendance. Nielson received his degree from Indiana University, where he also earned the Distinguished Performer and Phi Beta Kappa honors. Nielson was named a finalist in the Queen Elizabeth Competition in Brussels and has performed throughout Europe and Asia.

Stephen Nielson

Samuel Hutchison has served as Curator and Principal Organist for Madison Symphony Orchestra’s Overture Concert Organ since 2001. An honors graduate of Westminster Choir College in Princeton, New Jersey, Hutchison has presented many recitals in the U.S and in Europe in locations that include the Riverside Church, New York City; St. Paul’s Cathedral, London; and Notre Dame, St. Sulpice and St. Étienne-du-Mont, Paris. He also performed the complete works of J.S. Bach in a series of 11 weekly recitals for the 300th anniversary of the composer’s birth.

Sam Hutchison  close up

The Madison Symphony Orchestra and Overture Center for the Arts present the Farmers’ Market Concert in partnership with the Wisconsin State Journal/Madison.com.

Support for all Overture Concert Organ programs is provided by the Diane Endres Ballweg Fund. With a gift from Pleasant T. Rowland, the Madison Symphony Orchestra commissioned the Overture Concert Organ, which is the stunning backdrop of all MSO concerts.

To see the Overture Concert Organ series of concerts for 2015-16 or to subscribe at a 25% savings, visit: www.madisonsymphony.org/organseason15-16

 

 


Classical music: The Ancora String Quartet closes its 14th season this Friday and Saturday nights in Janesville and Madison with works by Beethoven, Brahms and Shostakovich.

May 19, 2015
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By Jacob Stockinger

The critically acclaimed Madison-based Ancora String Quartet (below) will present two concerts this weekend to close its 14th season.

Ancora CR Barry Lewis

The two events are:

A FREE performance this Friday night, May 22 at 7:30 p.m., at the Janesville Woman’s Club Association. Donations will be gratefully accepted.

A ticketed performance on Saturday night, May 23 at 7:30 p.m., in the Landmark Auditorium in the meeting house of the First Unitarian Society of Madison (below), designed by Frank Lloyd Wright, at 900 University Bay Drive, in Madison.

Tickets are general seating and available at the door. They cost $15 for the general public, $12 for seniors and students, $6 for children under 12.

FUS exterior BIG COLOR USE

The program includes:

The Quartet No. 1 in C major, Op. 49, by Dmitri Shostakovich, which presents the composer’s trademark quirkiness in fresh, innocent and fantastical form.

The String Quartet No. 11, Op. 95, “Serioso” Ludwig van Beethoven, where the terse energy is lightened by a melting, lilting Allegretto.

The String Quartet No. 3 in B-Flat Major, Op. 67, by Johannes Brahms, where the beautiful lyricism of the composer’s final string quartet closes with a delightful Theme and Variations movement. (You can hear the theme-and-variations movement, as performed by the Jerusalem String Quartet, in a YouTube video at the bottom.)

A reception will follow the concert.

Current members of the Ancora (below, in a photo by Barry Lewis) are cellist Benjamin Whitcomb, who teaches at the UW-Whitewater; violinist Robin Ryan, left) and violist Marika Fischer Hoyt, who also plays with the Madison Bach Musicians and Madison Symphony Orchestra, and is a weekend host for Wisconsin Public Radio.

Ancora 2014 2 Marika, Benjamin, Robin

With first violinist Leanne League on leave until next fall, we are excited to work this spring with guest violinist Eleanor Bartsch (below), a University of Wisconsin-Madison School of Music graduate and a musician of superb musicality with an impressive resume and a devoted local following.

Eleanor Bartsch

The members’ credentials include degrees from the Indiana University School of Music and the University of Texas-Austin, as well as study at the New England Conservatory and Eastman School of Music. Individually, they have attended numerous chamber music festivals and performed across the United States and Europe.

The four players have well-established individual musical careers as soloists, chamber musicians and orchestral players. They perform constantly in Madison and beyond, appearing regularly in such ensembles as the Madison Symphony Orchestra, the Wisconsin Chamber Orchestra, the Madison Bach Musicians, the Wisconsin Baroque Ensemble, and the Bach Collegium of Fort Wayne, Indiana.

 


Classical music: The early music group Ensemble SDG will perform psalms by Heinrich Schütz and other composers as well as sonatas and a canticle this Saturday night at Luther Memorial Church.

November 20, 2014
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By Jacob Stockinger

The Madison-based duo Ensemble SDG will perform a concert of early music on this Saturday night, November 22, 2014, at 7 p.m. in the Luther Memorial Church (below), 1021 University Avenue, in Madison, Wisconsin.

luther memorial church madison

The concert will feature special guests William Hudson, tenor, and Katherine Shuldiner, viola da gamba.

The program includes settings of Psalm texts by Heinrich Schütz (below with his psalms at bottom in a YouTube video), Johann Hermann Schein, and Jacques de Bournonville, with a setting by Johann Philipp Krieger of the anonymous canticle Laetare anima mea, as well as sonatas by Giovanni Battista Fontana, Dieterich Buxtehude and Elisabeth Jacquet de la Guerre.

Heinrich Schutz

Ensemble SDG (below) features Madison musicians Edith Hines, baroque violin, and John Chappell Stowe, professor of harpsichord and organ at the University of Wisconsin-Madison School of Music. The duo has performed across the United States, and their recording of the complete works of J. S. Bach for violin and keyboard is soon to be released by Arabesque Records.

William Hudson is a founding member and director of LIBER: Ensemble for Early Music and was recently appointed Assistant Professor of voice and diction at Illinois Wesleyan University (Bloomington, Ill.).

Katherine Shuldiner recently graduated from Oberlin Conservatory of Music, specializing in viola da gamba performance. She lives and works in Chicago, Illinois.

ensemble sdg new USE

Admission to the concert on November 22 is $15; admission is free for students with a valid ID.

Ensemble SDG, a baroque violin and keyboard duo formed in 2009, performs music spanning the entire Baroque period, with a particular focus on the works of Johann Sebastian Bach. The duo has presented works by German, French and Italian composers of the 17th and 18th centuries in recitals from the Midwest to the East Coast. Venues include Fringe Concerts at the 2009, 2011, and 2013 Boston Early Music Festivals; a recital featuring the Brombaugh organ at First Presbyterian Church in Springfield, Illinois; the biennial meeting of the American Bach Society and the annual joint conclave of the Midwest and Southeastern Historical Keyboard Societies; the Michigan Festival of Sacred Music; Wisconsin Public Radio’s Sunday Afternoon Live from the Chazen; and multiple appearances at the University of Wisconsin–Madison, one being a performance of J.S. Bach’s six sonatas for violin and obbligato keyboard. This fall the duo will release a recording of Bach’s complete works for violin and keyboard.

Ensemble SDG takes its name from the epigraph (below top) used by Johann Sebastian Bach (below bottom) to sign many of his works. Soli Deo Gloria (“to God alone the glory”) represents the members’ common approach to music and to life, and it is with this grounding that they approach their technique, choice of repertoire, and interpretative decisions.

sdg

Bach1

Highly sought after as a specialist in historical performance, tenor William Hudson has been described as “positively hypnotic” by Gramophone magazine.  An accomplished ensemble singer, Mr. Hudson has performed with many of the nation’s leading early music ensembles including the Boston Early Music Festival Opera, The New York Collegium, The Waverly Consort, The Rose Ensemble, Boston Bach Ensemble, and Ensemble Project Ars Nova (PAN).

As a founding member and director of LIBER: Ensemble for Early Music (formerly Liber unUsualis), he has performed extensively throughout North America and abroad at international music festivals in England, Wales, Ireland, Belgium, Germany, France, Latvia, Estonia, and Spain. Mr. Hudson also enjoys an active solo career, singing the Evangelist in Johann Sebastian Bach’s St. John Passion, Apollo in Claudio Monteverdi’s Orfeo, the title role in Giacomo Carissimi’s Jephte, Lucano in Monteverdi’s L’incoronazione di Poppea, Mercury in Eccles’ Judgment of Paris, and Alessandro Stradella’s oratorio San Giovanni Battista with the Jerusalem Baroque Orchestra.

An active scholar and clinician, Mr. Hudson (below, in a photo by Tall & Small Photography) was the winner of the 2009 Noah Greenberg award and has presented at the International Congress of Medieval Studies in Kalamazoo. He has led master-classes and given lecture-demonstrations in medieval performance practice at universities throughout North America. He has recorded with Naxos, Passacaille, Arsis, Titanic and Dorian. Mr. Hudson holds a Master’s degree in Historical Performance from the Longy School of Music and a Doctor of Music in Early Music from Indiana University. He is a Visiting Assistant Professor of voice and diction at Illinois Wesleyan University in Bloomington, Illinois.

William Hudson Tall & Small Photography

Katherine Shuldiner graduated from Oberlin Conservatory in viola da gamba performance under the tutelage of Catharina Meints. She has performed with Chicago based ensembles such as The Newberry Consort, BBE: Bach and Beethoven Ensemble, and The OC (The Opera Company).

She has also performed with Washington Bach Consort and La Follia Austin Baroque. Katherine recently finished her two-year term on the board of the Viola da Gamba Society of America and was chosen to perform in the first Early Music America’s Young Performers Festival during Boston Early Music Festival. This past summer, Katherine taught at the Madison Early Music Festival as well as the VdGSA Conclave.

katherine shuldiner USE

 


Classical music: Acclaimed organist Janette Fishell plays music by J.S. Bach and other Romantic and modern composers in her Madison and Overture Hall debut this Friday night.

March 18, 2014
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By Jacob Stockinger

If you thought that the Madison Symphony Orchestra only programmed orchestral music, you would be very wrong.

The MSO also programs chamber music, such as string quartets, and even organ recitals on the Overture Concert Organ.

Take this Friday night, for instance.

Here is how a press release from the MSO puts it:

“How many concerts does it take to play the complete organ works of Johann Sebastian Bach (below)?

Bach1

Internationally renowned organist Janette Fishell (below) found out that 21 was the magic number when she performed the complete cycle of Bach’s organ music.

Now she will bring some of this magic to Madison.

The third installment of the 2013-14 Madison Symphony Orchestra Overture Concert Organ series will feature  Fishell, an internationally renowned organist, as she makes her Overture Hall debut in a recital this Friday night, March 21, 2014, at 7:30 p.m. at the Overture Center. 

Single tickets are $20, and a special $10 student rush will be offered on the day of the performance.

Janette Fishelle

The program, entitled “Bach and Beyond,” will include organ music composed as far back as the early 1700s, and as recently as 1976, displaying the wonderfully diverse repertoire at the hands of the modern organist. (Below is photo of the beautiful, custom-built Klais concert organ in Overture Hall.)

Overture Concert Organ overview

Three pieces by J.S. Bach are included on the program: the Prelude and Fugue in G minor, BWV 535; selections from the Sonata for Unaccompanied Violin, BWV 1001; and the Prelude and Fugue in E-Flat Major, BWV 552 (you can hear it at the bottom in a YouTube video). The works will exhibit the Baroque style in which the organ, on which Bach was a master, flourished.

Fishell will then move on to three works composed in the late 1800s or later:  Ethyl Smyth’s “O Trauerigkeit, O Herzeleid”; Lionel Rogg’s Partita sopra “Nun Freut Euch”; and Louis Vierne’s Organ Symphony No. 3 in F-sharp minor, Op. 28. The works will display the intriguing evolution of organ music in recent centuries.

Janettte Fishell has been described as “…a tour de force” (The Diapason) and “…fabulous…flawless!” (comments from a National Convention of the American Guild of Organists). She is a seasoned recitalist, having performed in many of the world’s greatest concert venues in Tokyo, Cambridge, Berlin, Budapest and Prague.

She has been featured at five national conventions and five regional conventions of the American Guild of Organists, and is professor of music and chair of the organ department at the prestigious Jacobs School of Music at Indiana University.

The concert is sponsored by John and Christine Gauder, with additional funds from Pleasant T. Rowland Foundation and the Diane Endres Ballweg Fund.

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Classical music: This coming Sunday is busy with lots of live concerts from Con Vivo, Sound Ensemble Wisconsin and Edgewood College as well as Wisconsin Public Radio and the Pro Arte Quartet. Plus, on Saturday afternoon the Percussion Ensemble of Wisconsin Youth Symphony Orchestras (WYSO) performs its annual EXTRAVAGANZA concert.

February 27, 2014
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ALERT: On Saturday at 1 p.m. in Mills Hall, the Wisconsin Youth Symphony Orchestras’ (WYSO) Percussion Ensemble will perform the 13th annual Percussion ‘EXTRAVAGANZA’  in the UW Humanities Building. Directed by Vicki Peterson Jenks, the WYSO Percussion Ensemble is comprised of 12 talented young percussionists and one bassist from Madison, Middleton, Verona, Viroqua, Mount Horeb, DeForest, and Barneveld. (See the impressive individual profiles in the YouTube video at the bottom.) 

WYSO will donate part of proceeds to support the American Red Cross Badger Chapter.

The concert features special guest artist Steve Houghton. A Kenosha, Wis., native, Houghton is an internationally renowned jazz drummer, percussionist, clinician, author and educator who is currently a professor at Indiana University’s prestigious Jacobs School of MusicAlso joining the WYSO Percussion Ensemble in guest appearances will be two WYSO alumni, composer and pianist Jon D. Nelson and bassist Sam Olson – both Sun Prairie natives – the UW World Percussion Ensemble, UW-Madison Professor of Saxophone Les Thimming, and WYSO student flugelhorn player Noah Mennenga.

Tickets for the 2014 WYSO Percussion EXTRAVGANZA! are $10 for adults, $5 for youth (18 and under) and can be purchased at the door beginning one hour prior to the start of the concert. For more information, contact the WYSO office at (608) 263-3320. Parking is available at State Street Campus Ramp, Helen C. White Hall, and Grainger Hall parking facilities. You can also visit:

http://wyso.music.wisc.edu

WYSO Percussion Ensemble 2012

By Jacob Stockinger

What a close friend and colleague calls “train wrecks” — that is, competing or conflicting events and concerts  — just keep on happening.

It is true that choices become more difficult, and more mutually exclusive, as the classical music scene continues to expand in the Madison area.

Take this Sunday, which is normally a pretty quiet day — but NOT this week.

Of course, from 12:30 to 2 p.m., the Pro Arte Quartet (below) will give the second premiere performance of Belgian composer Benoit Mernier’s String Quartet No. 3 on Wisconsin Public Radio’s “Sunday Afternoon Live From the Chazen.” It will air live from the FREE concert in Brittingham Gallery No. 3 of the Chazen Museum of Art on the University of Wisconsin-Madison campus.

But check out these other events:

SALProArteMay2010

CON VIVO

At 2:30 p.m., the ensemble Con Vivo (“Music with Life) continues its 12th season of chamber music with a concert entitled “Germanic Gems” at the First Congregational United Church of Christ, 1609 University Avenue, across from Camp Randall.

Tickets can be purchased at the door for $18 for adults, $15 for seniors and students.

The program includes the First Suite for Solo Cello by Johann Sebastian Bach; a duet for violin and viola by Wolfgang Amadeus Mozart; and the “Fairy Tales” Trio for clarinet, viola and piano by Robert Schumann. The program will also feature the outstanding church organ with duets for violin and organ by Joseph Rheinberger, a solo work for organ by 17th-century composer Johann Reincken, and “Ein Alterblatt” (An Old Page), a romantic piece for violin, viola, cello and organ by Ferdinand Manns.

To round out the afternoon’s offering, Con Vivo will perform a quintet for clarinet, two violas, cello and piano by a mystery composer who will be reveled at the concert!

Audience members are invited to join musicians after the concert for a free reception to discuss this chamber music literature and to hear about their Carnegie Hall debut this past December.

Con Vivo is a professional chamber music ensemble comprised of Madison area musicians assembled from the ranks of the Madison Symphony Orchestra, the Wisconsin Chamber Orchestra, and various other performing groups familiar to Madison audiences. 

Con Vivo core musicians

EDGEWOOD CHAMBER ORCHESTRA

Also at 2:30 p.m. on Sunday, the Edgewood Chamber Orchestra will perform in the St. Joseph Chapel, 1000 Edgewood College Drive, on Madison’s near west side.      

Admission is $5 for the public; free with Edgewood College ID.

The orchestra will perform under the direction of music conductor Blake Walter (below). The program of masterworks includes the Symphony No. 7 by Ludwig van Beethoven; the Orchestral Suite No. 3 by Johann Sebastian Bach; and the Overture to “Abduction from the Seraglio” by Wolfgang Amadeus Mozart.

blake walter john maniaci

Included in the program is a special performance of the Piano Concerto in D Major by Franz Joseph Haydn. It will be performed by the recent Madison Memorial High School alumna Johanna Novich-Leonard (below), winner of the Edgewood College Student Concerto Competition.

Johanna Novich Leonard

SOUND ENSEMBLE WISCONSIN

At 6 p.m., Sound Ensemble Wisconsin (SEW) will be collaborating with Chef Dan Bonanno and poet Katrin Talbot (below in a photo with violinist Mary Theodore on the far right holding a violin bow) for a “delicious” event at A Pig in a Fur Coat restaurant, located at 940 Williamson Street, Madison, WI, 53703. Phone is (608) 316-3300.

SEW poet, chef and violin

Tickets are currently on sale at www.sewmusic.org and are $105 per person or $100 by check (with guests’ names) to:  Sound Ensemble Wisconsin, 716 Edgewood Avenue, Madison, WI 53711. Performing musicians (below) are SEW members and incude violinists Mary Theodore and Mary Perkinson, violist Chris Dozoryst, and cellist Maggie Townsend.

More information and tickets are available at www.sewmusic.org.

SEW dinner group photo

Here is an excellent story written by Gayle Worland of The Wisconsin State Journal:

http://host.madison.com/entertainment/music/a-menu-of-music/article_7668c3ef-b514-546a-9be5-e25aab9a0a70.html

And here is the SEW press release:

“What does food sound like?  What does music taste like?

“Participants enjoy a lovely evening out as they explore their senses as the pathway to their souls through the performing arts of food and music, accompanied by poetry.  “SEWing Taste and Sound, Bite by Byte” is a collaboration between Sound Ensemble Wisconsin, Chef Dan Bonanno of Madison’s celebrated Pig in a Fur Coat, and SEW’s 2013-14 Artist-in-Residence, who is Madison poet and violist Katrin Talbot.

“The event centers around the aesthetic similarities of food and music, both of which Mary Theodore, SEW’s director and violinist, considers performing arts.  SEW has based the evening on a movement from a Beethoven String Quartet, Op. 18 No. 5, Andante Cantabile, that is a theme and variations.

“Each variation, or byte of music, will inspire Chef Bonnano and be paired with one course, or bite, of food — and performed and served as such to create a seven-course meal, including a beverage pairing for each course.

“For example, the third variation, which might remind one of a bubbling brook with a contrast of smooth, running water and sunlight glistening through the trees as well as a touch of sweetness, has inspired Chef Bonanno to create a smooth, creamy risotto with fresh blueberries and sweetbreads.

A Pig in a Fur Coat logo

“Katrin Talbot will also read poems composed for each variation.

“At the end of the meal, SEW musicians will perform the quartet movement from beginning to end with the aim of offering participants a new experience of the music, a new journey of taste and sound.

“As a large part of SEW’s mission is to bring more people to classical music, SEW makes an effort to demonstrate that music can be found in many things that we experience every day.

“SEW achieves this by collaborating with other artists, institutions, etc. through innovative programming and authentic events.  Also, as SEW’s founding principle is that music is a vital part of humanity and should serve everyone, the ensemble strives to both offer engaging and unique programming to regular participants (their term for “audience”), as well as to offer music to those who might not have access to it otherwise.

“As part of the March 2 program, SEW will be performing during dinner hour at a food pantry and offering two free tickets to the Sunday event.  As a side note, SEW also played at a correctional facility as a precursor to their last event.”

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