The Well-Tempered Ear

Classical music: Want to know about Chinese classical music composers in our time? Read this story about the six-day Juilliard festival that starts today

January 19, 2018
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By Jacob Stockinger

Classical music – like everything else in China – has undergone momentous changes over the past few decades.

The importance of Western classical music in contemporary China is not seen only through the construction of new conservatories and opera houses; or through the many outstanding instrumentalists, especially pianists such as Lang Lang, Yundi Li, Haochen Zhang and Sa Chen, who have won prizes in Western competitions and become major performers.

Chinese composers have also left their mark, as the Juilliard School in New York City will prove over six days, starting today, during this year’s “Focus” festival.

One such older composer is Chou Wen Chung (below, in a photo by Andrew Reneissen for The New York Times).

A much younger composer is Chen Lin (below in a photo by Dawes Li).

You will find some but not a lot of their music on YouTube – yet.

But The Ear bets that many of the 33 Juilliard performances will soon find their way to social media.

Anyway, here is a link to the comprehensive preview in The New York Times, which also features some sound and video samples.

https://www.nytimes.com/2018/01/12/arts/music/juilliard-china-music.html

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Classical music: Acclaimed violinist Gil Shaham debuts here this weekend in an all-Russian program with the Madison Symphony Orchestra

January 16, 2018
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By Jacob Stockinger

This weekend, the Madison Symphony Orchestra (below) performs three concerts that include the long-awaited Madison debut of violin virtuoso Gil Shaham. MSO music director John DeMain will conduct.

The all-Russian program features works by three of the most popular and beloved Russian composers of all time: the Suite from The Love for Three Oranges” by Sergei Prokofiev; the Symphony No. 3 in A minor by Sergei Rachmaninoff; and the Violin Concerto in D Major by Peter Ilyich Tchaikovsky.

The concerts are in Overture Hall at the Overture Center, 201 State Street, on this Friday, Jan. 19, at 7:30 p.m.; Saturday, Jan. 20, at 8 p.m.; and Sunday, Jan. 21, at 2:30 p.m.

(See below for ticket information.).

“Our January concerts feature a number of significant firsts,” says MSO music director John DeMain (below, in a photo by Prasad).

“Most important is the Madison Symphony Orchestra debut of one of the world’s premier violinists, Gil Shaham. We have sought out Mr. Shaham for many seasons, and we are thrilled his international schedule aligned with ours this year. His offer to play the Tchaikovsky Violin Concerto led me into creating another one of my all-Russian programs.

From Prokofiev, we open the concert with MSO’s first performance in nearly 40 years of his Suite from his opera, The Love of Three Oranges. This will also be our first-ever performance of Rachmaninoff’s Third Symphony.”

“The Love for Three Oranges” Suite by Sergei Prokofiev (below) is based on a satirical opera commissioned during the composer’s first visit to the United States in 1918.

“The suite is composed in six parts and follows the story of a prince that is cursed to love three oranges, roaming the Earth searching for them. When he finds the oranges and peels them, each discloses a beautiful princess inside. The first two princesses to emerge die, but the third and most beautiful is saved, and she and the Prince live happily ever after.

“The Violin Concerto by Peter Ilych Tchaikovsky (below) is one of the best-known violin concertos in the repertoire and is considered one of the most technically difficult works ever written for the violin. The concerto was written in 1878 as Tchaikovsky ended his marriage to Antonina Milyukova, a marriage that lasted only three months.”

Declared “the outstanding American violinist of his generation” by Time magazine, Gil Shaham is one of the foremost violinists of our time: his flawless technique combined with his inimitable warmth and generosity of spirit has solidified his renown as an American master.

Grammy Award-winner Shaham (below), also named Musical America’s “Instrumentalist of the Year,” is sought after throughout the world for concerto appearances with leading orchestras and conductors, and regularly gives recitals and appears with ensembles on the world’s great concert stages and at the most prestigious festivals. (You can hear Gil Shaham rehearsing the Tchaikovsky Violin Concerto last month in Paris in the YouTube video at the bottom.)

In his Symphony No. 3, Sergei Rachmaninoff’s melodic outline and rhythm characterize what is believed to be his most expressively Russian symphony, particularly in the dance rhythms of the finale.

Composed between 1935 and 1936, this was the last symphony Rachmaninoff (below) would create, with an orchestration more transparent than that of his previous symphonies.

One hour before each performance, Randal Swiggum (below), artistic director of the Elgin Youth Symphony Orchestra and interim director of the Wisconsin Youth Symphony Orchestras (WYSO), will lead a 30-minute Prelude Discussion in Overture Hall to enhance concertgoers’ understanding and listening experience.

For more background on the music, please read the Program Notes by MSO trombonist and UW-Whitewater professor J. Michael Allsen (below, in photo by Katrin Talbot) at: http://www.allsenmusic.com/NOTES/1718/5.Jan18.html

NOTE: The MSO recommends that concert attendees ARRIVE EARLY for each performance to make sure they have time to pass through Overture Center’s security stations, and so they can experience the pre-concert talk, which is free for all ticket-holders.

TICKET INFORMATION

Single Tickets are $18-$90 each and are on sale http://www.overture.org/events/gil-shaham-plays-tchaikovsky, through the Overture Center Box Office at 201 State Street, or by calling the Box Office at (608) 258-4141.

Groups of 15 or more can save 25% by calling the MSO office at (608) 257-3734.

For more information, visit: https://www.madisonsymphony.org/groups.

Student rush tickets can be purchased in person on the day of the concert at the Overture Center Box Office at 201 State Street. Students must show a valid student ID and can receive up to two $12 or $18 tickets.

More information is at: https://www.madisonsymphony.org/studentrush

Seniors age 62 and up receive 20% savings on advance and day-of-concert ticket purchases in select areas of the hall.

Discounted seats are subject to availability, and discounts may not be combined.

Major funding for the January concerts is provided by the Irving and Dorothy Levy Family Foundation, Inc., Kenneth A. Lattman Foundation, Inc., Marilyn and Jim Ebben, Dr. Stanley and Shirley Inhorn, Kato L. Perlman, and Cyrena and Lee Pondrom. Additional funding provided by James and Joan Johnston, von Briesen & Roper, S.C., and the Wisconsin Arts Board with funds from the State of Wisconsin and the National Endowment for the Arts.


Classical music: The Oakwood Chamber Players perform rarely heard repertoire this Saturday night and Sunday afternoon

January 10, 2018
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By Jacob Stockinger

The Oakwood Chamber Players (below) continue their 2017-2018 season series “Journey” with a concert titled Horizon on this Saturday, Jan. 13, at 7 p.m. and Sunday, Jan. 14, at 2 p.m.

As the group often does, it will present a program of old and new works by composers who are rarely heard or performed.

Both concerts will be held at the Oakwood Center for Arts and Education, 6209 Mineral Point Road, on the city’s far west side near West Towne Mall.

Tickets can be purchased with cash or personal checks at the door: $25 for general admission, $20 for seniors and $5 for students. Visit www.oakwoodchamberplayers.com for more information.

Sunset 1892 by Michael Mikulka is a musical interpretation of a painting by influential American landscape artist George Inness. (Below is another sunset painting, “Sunset Montclair – 1892,” by George Inness, whose work can be found in the Metropolitan Museum of Art in New York City.)

The pastoral colors are represented musically in an evocative manner by the warm timbres of the clarinet and the viola interwoven with pianistic light and shadow. An emerging American composer, Mikulka (below) saw his piece win the grand prize in a 2008 competition. (You can hear it, and see the original inspiration, in the YouTube video at the bottom.)

Serenade for Five Instruments by Italian composer Alfredo Casella (below) was written for a music composition contest in 1927. It nimbly combines the contrasting sounds of the clarinet, bassoon, trumpet, violin, and cello. His musical style is attributed in part to the influence of his avid appreciation for visual art.

This piece was one of the composer’s favorites and is a delightful work with five short contrasting movements that range from lilting to witty to sweetly melodic. Casella studied with Gabriel Faure and was film composer Nino Rota’s composition teacher. (Rota is famous and most familiar for his soundtracks for movies by Federico Fellini, but he also composed a lot of outstanding chamber music.)

Quintet for Winds and Piano by Swiss composer Hans Huber (below) was premiered in 1918 and written for piano, flute, clarinet, horn and bassoon.

Listeners will perceive the influence of Brahms and Schumann in his Romantic style. However, Huber definitely shows individual flair in his approach. The four-movement work is spirited and captivating, and features each of the instruments over the course of the composition with an obvious talent for virtuosic piano writing throughout its entirety.

Guest instrumentalists are Jason Kutz, piano (below); Ariel Garcia, viola; and Halie Brown, trumpet.

The members of the Oakwood Chamber Players (above) are Marilyn Chohaney, flute; Nancy Mackenzie, clarinet; Amanda Szczys, bassoon; Anne Aley, horn; Leyla Sanyer, violin; and Maggie Darby Townsend, cello.

This is the third of five concerts in the Oakwood Chamber Players’ 2017-2018 season series entitled Journey. Remaining concerts will take place on March 10 and 11; and May 19 and 20.

The Oakwood Chamber Players are a group of Madison-area professional musicians who have played with other ensembles such as the Madison Symphony Orchestra and the Wisconsin Chamber Orchestra, and who have rehearsed and performed at Oakwood Village for over 30 years.


Classical music: For reviving and securing Bach Around the Clock, The Ear names Marika Fischer Hoyt as “Musician of the Year” for 2017

December 30, 2017
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By Jacob Stockinger

Regular readers of this blog know how much The Ear likes to recognize community-based initiatives, amateur participation, and events that are affordable or free to the public and so help build and widen the audience for classical music.

On all those counts, the Musician of the Year for 2017 goes to Marika Fischer Hoyt (below) who revived Bach Around the Clock and has given it a seemingly secure future.

In Madison, Bach Around the Clock was originally sponsored and put on for several years by Wisconsin Public Radio’s music director Cheryl Dring. But when Dring left for another job five years ago, WPR ended the event, which got its national start in New Orleans and is now celebrated in many other cities to mark the March birthday of Baroque composer Johann Sebastian Bach.

Yet it is not as if Fischer Hoyt didn’t already have enough on her plate.

She is a very accomplished and very busy violist.

As a modern violist, she plays with the Madison Symphony Orchestra and is a founding member of the Ancora String Quartet (below), with which she still plays after 17 seasons. She is also  a member of the Madison Symphony Orchestra.

As a specialist on the baroque viola, she is a member (below far left) of the Madison Bach Musicians who also plays for the Handel Aria Competition and the Madison Early Music Festival.

In addition, she is a private teacher who finds time to attend early music festivals around the country.

To get an idea of what she has done to put Bach Around the Clock (BATC) on a stable footing here, read the update posting from a couple of days ago:

https://welltempered.wordpress.com/2017/12/28/classical-music-bach-around-the-clock-2018-is-set-for-march-10-here-is-a-year-end-update-with-more-impressive-news/

Not only did Fischer Hoyt obtain the participation of some 80 performers — students and teachers, amateurs and professionals, individuals and groups– she also got cooperation, facilities, performers and help from St. Andrew’s Episcopal Church, 1833 Regent Street, on Madison’s near west side.

She obtained donations of money and even food to stage the event.

She herself played in the event that drew hundreds of listeners.

She lined up local sound engineers who recorded the entire event, which was then broadcast in parts by Rich Samuels (below) on WORT-FM 89.9 and streamed live as far away as London.

She served as an emcee who also conducted brief interviews about the music with the many performers (below right, with flutist Casey Oelkers)

Recognizing she can’t keep doing so much by herself, the energetic Fischer Hoyt has turned BATC into a more formal and self-sustaining organization with a board of directors.

She has sought advice from experts about Bach and Bach festivals.

She applied for and won one of five national grants from Early Music America in Boston.

She has consulted legal help to make BATC a nonprofit charitable organization, which should help guarantee a steady stream of funding.

And artistically, she has added a back-up mini-orchestra to accompany singers and instrumentalists.

The event this year is on Saturday, March 10, a little early for Bach’s 333rd birthday (March 31, 1685) but a smart decision to avoid spring break in the schools and at the UW, and to help recruit the many performers who are also important, if secondary,  Musicians of the Year.

But the center of the event, the force holds it all together, is Marika Fischer Hoyt and all the hard work, done over a long time, that she has invested in making Bach Around the Clock a permanent part of Madison’s classical music schedule and cultural scene.

If you didn’t go last year, try it this year. It is wonderful, inspiring and enjoyable.

Please join The Ear in congratulating Marika Fischer Hoyt for making Bach Around the Clock the success it now is and giving it the future it now has. Leave your comments about her and BATC in the COMMENT section.

To celebrate, here is a YouTube video of the Brandenburg Concerto No. 3 by Johann Sebastian Bach:


Classical music: The Oakwood Chamber Players and guest artists give two performances of a holiday program this coming Sunday afternoon

November 20, 2017
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By Jacob Stockinger

The Oakwood Chamber Players (below) continue their 2017-2018 season series “Journey” with a concert titled Quest on  this coming Sunday, Nov. 26, at 1 p.m. and 3:30 p.m.

Both concerts will be held at the Oakwood Center for Arts and Education, 6209 Mineral Point Road, on Madison’s far west side near West Towne Mall.

Tickets can be purchased with cash or personal checks at the door: $25 for general admission, $20 for seniors and $5 for students. Visit www.oakwoodchamberplayers.com for more information.

At the heart of this holiday-themed concert is British composer John Rutter (below) and his imaginative story about the origins of the holiday favorite In dulci jubilo.

Believed to have been sung by angels as an inspired gift to a medieval monk, the musical fable traces how life’s distractions can sometimes interfere with sublime gifts.

The quest for the carol’s completion is told with heart-warming humor.

Narrator Buzz Kemper (below) will bring the whimsical story’s characters to life along with instrumentalists and a vocal quartet.

Canadian-Slovenian composer Marjan Mozetich (below) characterizes his music as that which explores the spiritual by showing introspective and meditative qualities. Written for harp, flute, clarinet and string quartet his evocative Angels in Flight is poignant and layered with a shimmering melodic framework.

The animated short of Raymond Brigg’s children’s story The Snowman was set to music by British film composer Howard Blake (below). A string quartet arrangement of his uplifting music for the film highlights the memorable moments. The suite includes the delightful “Walking in the Air” capturing the moment when imagination brings the snowman to life and it flies a young boy toward the North Pole.

The program will also include Ralph Vaughan Williams’ March Past of the Kitchen Utensils (heard in the YouTube video at the bottom) and George Shearing’s jazzy arrangement of Blow, Blow Thou Winter Wind. UW-trained composer and pianist Scott Gendel (below) wrote a Christmas piece — It Was My Father’s Custom — in 2011, and it will be presented by the ensemble and singers.

Guest vocalists are: Mari Borowski, Lauren Gruber, Robert Goderich and Jace Nichols.

Guest instrumentalists are: Scott Gendel, piano; Margaret Mackenzie, harp; Thalia Coombs, violin; Katrin Talbot, viola; and Jennifer Morgan, oboe.

This is the second of five concerts in the Oakwood Chamber Players’ 2017-2018 season series entitled Journey. Remaining concerts will take place on Jan. 13 and 14; March 10 and 11; and May 19 and 20.

The Oakwood Chamber Players are a group of Madison-area professional musicians who have rehearsed and performed at Oakwood Village for over 30 years.

The Oakwood Chamber Players is a professional music ensemble proudly supported by Oakwood Lutheran Senior Ministries and the Oakwood Foundation.


Classical music: A FREE organ and violin concert is this Saturday at noon at Grace Episcopal Church

November 16, 2016
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By Jacob Stockinger

Grace Presents, now entering its seventh year offering FREE public concerts at Grace Episcopal Church (below), located at 116 West Washington Avenue on the Capitol Square, will host resident organist Mark Brampton Smith with violinist Maureen McCarty on this Saturday, Nov. 19.

grace episcopal church ext

Grace Episcopal harpsichord

The concert begins at noon and ends at 1 p.m. Audience members are invited to bring their lunch.

The program — an asterisk indicates that both the violin and organ will play — includes:

Psalm 19: “The Heavens Declare the Glory of God” by Benedetto Marcello (1686-1739)

*”Jesu, Joy of Man’s Desiring” by Johann Sebastian Bach (1685-1750). (You can hear an organ version of the popular work in the YouTube video at the bottom.)

Partita on “Werde munter, mein Gemüte” (Sing not yet, my soul, to slumber) by Johann Pachelbel (1653-1706)

*”Ornament of Grace” by Bernard Wayne Sanders (b. 1957)

Variations on ‘Cwm Rhondda’ by Mark Brampton Smith (b. 1954) Introduction – Allegro – Duo – Reflection – Finale

*Meditation from “Thaïs” by Jules Massenet (1842-1912)

Concerto in a minor, after Vivaldi (BWV 593) – Johann Sebastian Bach Allegro

Toccata and Fugue in d minor (BWV 565) – Johann Sebastian Bach

The final concert of 2016 will feature the widely renowned Russian Folk Orchestra on Dec. 10.

Mark Brampton Smith Biography:

Mark Brampton Smith (below) serves as the current organist at Grace Episcopal Church. Mark began his church music career as a boy soprano at St. Paul’s Parish on K Street in Washington, D.C., eventually serving on the music staff of churches in seven states. He holds degrees in organ performance from the Eastman School of Music and the University of Michigan.

As an organist, Mark won prizes in the Fort Wayne, Ann Arbor, and American Guild of Organists National Competitions, and he’s performed solo recitals at venues such as Overture Hall. As a collaborative pianist, Mark has worked with numerous singers, instrumentalists, and ensembles, including the Ann Arbor Cantata Singers, University of Michigan choirs, Colgate University Chorus, and currently the Wisconsin Chamber Choir.

Mark Brampton Smith

Maureen McCarty Biography:

Maureen McCarty (below) began the violin in the Madison public schools, and played in the Wisconsin Youth Symphony Orchestras for many years. She received a BA in violin performance from the University of Wisconsin-Madison.

While working on her degree, she performed as a musician with American Players Theatre for five seasons. She has extensive orchestral experience playing in such local ensembles as the Madison Symphony Orchestra and Wisconsin Chamber Orchestra, as well as various orchestras in five Midwestern states, the Barcelona City Orchestra and the Orquesta Filarmónica de Gran Canaria in Spain.

Maureen returned to UW-Madison for a teaching certificate in music education in 1999, and taught strings and general music for students in grades 3-12 in Monona Grove during her fifteen years in the district. Recently retired from public school teaching, she now teaches privately, performs with the Camerata String Quartet, tutors Spanish, and takes photographs for her local newspaper. Formative violin teachers include Eva Szekely, Sharan Leventhal, Thomas Moore and Vartan Manoogian.

maureen-mccarty

For more information, visit www.GracePresents.org


Classical music education: Here are 10 tips from China for productive practicing. Also, this afternoon is your last chance to hear the Madison Symphony Orchestra and violinist-composer Henning Kraggerud

October 23, 2016
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ALERT: This afternoon at 2:30 p.m. in Overture Hall is your last chance to hear the Madison Symphony Orchestra with violinist-composer Henning Kraggerud (below). The popular “Pastorale” Symphony by Ludwig van Beethoven is also on the program. Here are some reviews, all positive:

Here is the review that John W. Barker wrote for Isthmus:

http://isthmus.com/music/something-old-something-new/

Here is Jessica Courtier’s review for The Capital Times and The Wisconsin State Journal:

http://host.madison.com/ct/entertainment/music/concert-review-madison-symphony-orchestra-takes-listeners-on-a-trip/article_6ccb102f-2f5a-5f81-8df0-84323c05ca44.html

And here is the review written by Greg Hettmansberger for his blog “What Greg Says”:

https://whatgregsays.wordpress.com/2016/10/22/no-place-like-a-second-home/

henning-kraggerud-2016

By Jacob Stockinger

The Ear, who is an avid amateur pianist, ran across these 10 tips for productive practicing – something he can always use.

He knew some of them before. But it never hurts to review the basics. That’s why they are called the basics.

And some tips — included on a website based in Hong Kong, China, where music education is booming — were new.

Steinway Grand Piano

string trio violin, viola and cello

He thought that you too – no matter what instrument you play or if you sing – would find them helpful too.

And if you don’t play or sing, maybe these tips will still enhance your appreciation of the hard work that goes into playing and practicing.

So here they are:

http://www.interlude.hk/front/ten-tips-productive-practice/

If you have some practice tips of your own to add, just leave them in the COMMENT section.

The Ear wants to hear.

And to play better.


Classical music: Are American violins equal to or even superior to European ones? The Library of Congress thinks so and will buy 263 of them

August 11, 2016
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By Jacob Stockinger

Whether it is conductors or orchestras, singers or instrumentalists, Americans have often been viewed as inferior to Europeans.

And that goes for modern instruments, not just those that are centuries old.

But one collector felt otherwise. He is David Bromberg, a guitarist who played with Bob Dylan and Beatle George Harrison, and he ended up collecting some 263 American-made violins.

The violins are modern but some go back to the 19th century.

American Violins NPR

Now the American government – specifically, the Library of Congress – will raise $1.5 million to purchase the collection.

NPR, or National Public Radio, recently featured a terrific story about the phenomenon, which should help overcome any sense of cultural inferiority.

Here is a link:

http://www.npr.org/2016/08/07/488561838/these-250-plus-violins-are-about-to-be-owned-by-the-u-s-government

Read it and see what you think.

Then let us know in the COMMENT section.

Does anyone else wonder about the quality of violins and string instruments made in Asia, in China and especially in Japan, which is the home of the Suzuki method that has trained so many string players?

The Ear wants to hear.


Classical music: The last of this summer’s FREE Farmers’ Market organ concerts takes place this Saturday at 11 a.m. in Overture Hall

August 9, 2016
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By Jacob Stockinger

The last of the three monthly FREE organ concerts that the Madison Symphony Orchestra puts on during the summer for the Dane County Farmers’ Market on Saturdays will take place this Saturday at 11 a.m. in Overture Hall of the Overture Center.

Overture Organ close up CRE ZaneWilliams

The hour-long program will feature local musician Mark Brampton Smith (below).

Mark Brampton Smith

Brampton Smith holds degrees in organ performance from the Eastman School of Music and the University of Michigan. Past teachers have included William Watkins, Russell Saunders, and Robert Glasgow (organ); Vincent Lenti (piano); and Edward Parmentier (harpsichord).

Currently the organist at Grace Episcopal Church (below), he has served on the music staff of churches in seven states. He has won prizes in the Fort Wayne, Ann Arbor and American Guild of Organists National Competitions.

grace episcopal church ext

As a collaborative pianist, he has worked with numerous singers, instrumentalists and ensembles, including the Ann Arbor Cantata Singers, University of Michigan choirs, Colgate University Chorus, and the Wisconsin Chamber Choir.

His program includes music by Felix Mendelssohn, Jean Roger-Ducasse, Wolfgang Amadeus Mozart and others. Sorry, but specific titles of the works to be performed were not sent to The Ear. But you can hear a sample of Jean-Roger Ducasse in the YouTube video at the bottom.

For more information about this and other Farmers’ Market organ concerts, go to:

http://www.madisonsymphony.org/farmers


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