The Well-Tempered Ear

Classical music: The Madison-based wind quintet Black Marigold performs two concerts this Friday night and Saturday night. On Sunday afternoon, the Edgewood College Chamber Orchestra performs

September 21, 2017
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By Jacob Stockinger

Here is another twofer preview because of so many events happening this weekend.

FRIDAY AND SATURDAY NIGHTS

The Madison-based wind quintet Black Marigold (below, in a photo by Vincent Fuh) will perform two concerts this Friday and Saturday nights.

The program features wind music of the 19th and 21st centuries.

Here are the two performances:

This Friday night, Sept. 22, at 8 p.m.; Arts & Literature Laboratory; 2021 Winnebago Street; $8 in advance, $10 at the door; Tickets: http://blackmarigold.bpt.me/

The program includes Five Stick$ (2014) by Columbian composer Víctor Agudelo; Petit Suite(1889) by French composer Claude Debussy; and flights (selections) of Beer Music (2016), a suite of short pieces inspired by Madison area microbrews by American composer Brian DuFord (below).

Vote for your favorite beer! Choose your favorite beer and we’ll perform the top six as a flight of Beer Music. Don’t know which is your favorite yet? Check out our “Tasting Notes” and see what strikes your fancy.

Vote HERE

There is an additional FREE performance:

This Saturday night, Sept. 23, at 7 p.m. at Capitol Lakes Retirement Community; 331 West Main Street, three blocks off the Capitol Square; http://www.retirement.org/madison/; Free admission, presented by Capitol Lakes

Facebook event links are: Arts & Literature Lab, Sept. 22; Capitol Lakes, Sept. 23

SUNDAY AFTERNOON

This Sunday afternoon at 2:30 p.m. in the St. Joseph Chapel, 1000 Edgewood College Drive, the Edgewood College Chamber Orchestra will present its fall concert.

Admission is $5, free with Edgewood College ID.

Edgewood College professor Blake Walter (below) will conduct the orchestra in the first concert of its 2017-18 season.

The program includes: the Overture to “Iolanthe” by Sir Arthur Sullivan; the Suite from Gabriel Faure’s incidental music to the play by Maurice Maeterlinck, entitled “Pelleas and Melisande,” as well as Wolfgang Amadeus Mozart’s popular Symphony No. 40 in G minor. You can hear and see a really cool graphic depiction of the first movement of Mozart’s Symphony No. 40 in the YouTube video at the bottom.)

Founded in 1993 via a generous endowment established by benefactors William O. Hart and Vernon Sell, the Edgewood College Chamber Orchestra fulfills a unique role in the Madison community, providing high-quality performances and unique educational opportunities. The ensemble is the permanent, in-house chamber orchestra at Edgewood College.

Edgewood College’s Music Department has been recognized by the readers of Madison Magazine with the Best of Madison 2017 Silver Award.


Classical music Q&A: The Ear checks in on the Madison Savoyards about the success of this summer’s production of Gilbert and Sullivan’s “Iolanthe” and of the company itself.

July 24, 2013
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By Jacob Stockinger

Starting this Thursday, July 24, the Madison Savoyards will wrap up the final four performances of this summer’s production of Gilbert and Sullivan’sIolanthe.”

Iolanthe poster.web

Performances take place in the University of Wisconsin-Madison’s Music Hall (below) on Bascom Hill — a venue that is more or less historically contemporary with G&S operas — on this Thursday, Friday and Saturday nights at 7:30 p.m.; and on Sunday afternoon at 3 p.m.

MusicHall2

For more information, including tickets, here is a link to the Savoyards’ homepage:

http://www.madisonsavoyards.org

I have so far been unable to attend the opera this summer, but here is a link to a very positive review by John W. Barker (below), who often writes for this blog, that appeared in Isthmus:

http://www.thedailypage.com/daily/article.php?article=40454

John-Barker

Here is a link to my earlier post for the first week of the production:

https://welltempered.wordpress.com/2013/07/16/classical-music-the-madison-savoyards-celebrates-50-years-of-staging-gilbert-and-sullivan-with-an-encore-production-of-iolanthe-that-opens-this-friday-and-saturday-nights-at-uw-madi/

And here is a Q&A that Evan Richards (below), the secretary of the Madison Savoyards’ board of directors as well as the videographer and webmaster, did via email for The Ear.  (Richards also took the photos of the production of “Iolanthe” on today’s post.) And at bottom is a YouTube video of Evan Richards talking in 2011 about the Madison Savoyards.

You might have also heard him last week on Wisconsin Public Radio’s “The Midday” during his very informative and entertaining interview with hosts Norman Gilliland, so here is a link to that interview:

http://wpr.org/webcasting/asx/listen17.asx

Evan Richards

Why did the Madison Savoyards want to do “Iolanthe” this summer 

2013 marks the beginning of the second 50 years of the Madison Savoyards. The first performance of the Madison Savoyards in 1963 was “Iolanthe,” so we felt it fitting that we begin our second 50 years with the same opera. It was also due to be performed; the last performance was in 2001.

The Savoyards have a plan to produce all the G&S operas at least once between 2007 and 2020.

The more familiar and popular ones tend to be performed more often than the less known ones because it helps keep our bank balance black. But we feel our mission is to perform them all. Sometimes the obscure ones surprise us by drawing a larger audience than we expect, as was the case with

“Utopia Limited” (below)  in 2011, in its second Madison Savoyards production.

Utopia Limited 2

How would you compare “Iolanthe” to other well-known Gilbert and Sullivan operettas such as “The Pirates of Penzance,” H.M.S. Pinafore” and “The Mikado”?

“The Mikado,” “The Pirates of Penzance” and “HMS Pinafore” are the most familiar G&S operas in the USA and receive more performances than the others.

“The Mikado” is the most popular of all, in the US, in the UK, and around the world. The US has had a particular fondness for “The Pirates” since it was first performed here, and that has only increased in recent times with the Joseph Papp production in New York which brought it to the attention of many who were not familiar with G&S. “Iolanthe” came after “Pinafore” and “Pirates” (and “Patience”) and represents a more developed period in the G&S output.

By the time “Iolanthe” came along, both Gilbert and Sullivan (below, with Sullivan on the left)) were rich, having an income over time to rival the Prime Minister’s. Gilbert was building a new mansion with four bathrooms, central heating and a telephone.

The music is more sophisticated, as is the writing. The political satire is particularly sharp and, given the current partisan gridlock in Washington, D.C., particularly timely. One can make a case that it represents a peak of their achievement, but I would admit I would make a similar case for several other of their operas.

Gilbert and Sullivan (left)

What can you tell briefly about the plot and roles of “Iolanthe”?

Very briefly, we are dealing with fairyland, lawyers and the House of Lords (below), all of which are not connected with the real world. The plot is really rather dark and could have easily ended very badly, if it were not for the sudden turn at the end.

The roles are recognizable G&S characters, for example, the Lord Chancellor has the patter song, the famous “Nightmare” song, one of the best of all G&S patter songs.

DSC05637

What would you like to say about the cast, sets, costumes and other aspects of the production?

The sets and costumes are wonderful. The cast has some Savoyard veterans and some who are making their debut with us. It has all come together very well.

DSC05666

What kinds of shape in the Savoyards in after The Great Recession now that recovery is underway? What do future plans include?

Our bank balance is in the black, where we like to keep it. We plan multi-year cycles, so the popular show income can compensate for the obscure show losses. We have a wonderful and loyal band of followers who buy tickets and contribute. We have a board of directors that watches the expenses carefully to get the most out of every penny. So we weathered the storm rather well.

Future plans include performing all of the G&S operas between 2007 and 2020, and we are working on a collaboration with the Madison Ballet to mount “Pineapple Poll” in 2015.

Is there more you would like to say or add?

Don’t miss “Iolanthe” because it is a great show and it has not been seen in Madison for a dozen years. The music is Sullivan at his best, the words are Gilbert at his best, and the combination is better than the sum of each. So don’t miss it.


Classical music: The Madison Savoyards celebrates 50 years of staging Gilbert and Sullivan with an encore production of “Iolanthe” that opens this Friday and Saturday nights at UW-Madison Music Hall.

July 16, 2013
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By Jacob Stockinger

It’s summer, so it must be time for another production of a Gilbert and Sullivan satirical operetta by the Madison Savoyards.

The venerable and veteran local group, which relies on gifted amateur talent, started in 1963 with the operetta “Iolanthe.”

So what better way to make the 50th anniversary, and the 51st season, than by staging another updated production of “Iolanthe.”

Iolanthe poster.web

The production this summer will be staged in Music Hall (below), at the foot of Bascom Hill on the University of Wisconsin-Madison campus – a kind of fitting and time-appropriate setting. It has been the usual venue for the Savoyards since 2002, after the shows moved form the Wisconsin Union Theater.

MusicHall2

The production starts this weekend on this coming Friday and Saturday nights at 7:30 p.m. and Sunday afternoon at 3 p.m.; the final four performances with be on Thursday, Friday and Saturday (July 25-28) at 7:30 p.m.; and Sunday July 29 at 3 p.m.

One of the many encouraging things to like about the Madison Savoyards – which seems to have survived the Great Recession in excellent shape — is how organized the troupe (seen below in a recent production of “Utopia Limited”) has become in terms of using electronic media.

DSC03869

The home website is a model of how to be both informative and entertaining. It has links to the Savoyard’s’ YouTube channel that has a lot of video and audio clips, especially from last summer’s acclaimed production of the popular “Pirates of Penzance.”

You will also find links to information about tickets; about reviews and recordings; about the pre-concert dinners on Friday nights; about the history of the Savoyards; and of course about the plot of “Iolanthe.’

Here is a link to the Savoyards’ website:

http://www.madisonsavoyards.org

And here is a link to the Savoyards’ YouTube channel with lots of fine videos:

http://www.youtube.com/user/MadisonSavoyardsLtd?feature=mhee

What is the secret to the perennial popularity of the musical theater created by Gilbert and Sullivan (below) that has survived and prospered ever since the time of Queen Victoria? 

Gilbert and Sullivan (left)

Is it the absurd plots? The generally sympathetic characters with all their human foibles? The clever lyrics, as exemplified in the lickety-split, tongue-twistingly witty patter songs? The tuneful and easy-to-digest music? The trials and tribulations we all eternally endure through bureaucracy and the well-intended mistakes of officialdom? The biting political satire that can be updated, as in the YouTube video at the bottom?

It is probably all of that and more, at least when you look at the wide spectrums of ages and personalities that make up devoted “G&S” fans.

What message do you want to leave the Madison Savoyards on marking 50 years?

Why do you like G&S? And what is your favorite G&S operetta?

The Ear wants to hear.


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