The Well-Tempered Ear

Classical music: Sound Out Loud will perform Arnold Schoenberg’s “Pierrot Lunaire” for FREE this Wednesday night at UW-Madison

May 8, 2017
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By Jacob Stockinger

The Ear has heard the following news to post:

On this Wednesday night, May 10, from 6:30 to 7:45 p.m. in Music Hall on Bascom Hill, the Sound Out Loud ensemble will give a FREE performance of “Pierrot Lunaire” by Arnold Schoenberg (below).

Schoenberg’s expressionistic masterpiece features poetry that details the ravings of a lunatic clown. The group will feature UW-Madison vocal faculty member Mimmi Fulmer (below).

“Pierrot Lunaire” is in music what Pablo Picasso’s “Les Demoiselles d’Avignon” is to painting or James Joyce’s “Ulysses” is to literature. These three revolutionary works, written in the first decades of the 20th century, completely redefined the accepted aesthetic standards of their time and opened wide new paths to artistic creation.

American soprano Mimmi Fulmer first performed “Pierrot Lunaire” in 1978 at the famed Tanglewood Music Festival. (You can hear the opening section of “Pierrot Lunaire,” with English translation subtitles, in the YouTube video at the bottom.)

Sound Out Loud is thrilled to be hosting this encore performance under the guidance of such an experienced and knowledgeable performer of the work. Brief remarks by Professor Leslie Blasius (below, in a photo by Katrin Talbot) about the work will begin the performance.

For more information, go to:

www.soundoutloudensemble.com

http://www.music.wisc.edu/faculty/mimmi-fulmer/


Classical music: On Saint Patrick’s Day, The Ear explores Irish classical music and classical music in Ireland -– who composed it, who played it and how important it has been.

March 17, 2014
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By Jacob Stockinger

Today is Saint Patrick’s Day.

ST PATRICK'S DAY logo

There will be big, loud. colorful and music-filled parades (below top), complete with leprechauns, around the country and around the world wherever the Irish gather and celebrate their heritage. Even the Chicago River even turns green (below bottom).

And a lot of us who aren’t remotely Irish will nonetheless eat the traditional Saint Patrick’s Day dinner of corned beef and cabbage.

saint patrick's day parade albany 2010 leprechaun

Green Chicago River on Saint Patricks Day

So The Ear asks: What about Irish classical music? And what about classical music in Ireland?

After all, the Irish seems a deeply musical culture. But there must be more to Irish music than Riverdance (below top), Celtic Woman, The Irish Tenors and The Chieftains (below bottom), don’t you think?

riverdance

The Chieftains

For all the immense popularity of Celtic music these days, for all the justly famous Irish literature by William Yeats, James Joyce, John Millington Synge, Brendan Behan, Samuel Beckett, Edna O’Brien, Roddy Doyle, Maeve Binchy and many others –- especially fiction, poetry and plays -– one never hears very much about Ireland and classical music.

(To be fair: The Ear does recall a memorable and rare performance a couple of seasons ago of a John Field piano concerto by the Wisconsin Chamber Orchestra under its longtime music director and conductor Andrew Sewell, who also happens to be an adventurous programmer.)

So today seems a fitting occasion to take a look both those issues.

Oh, there are some well-known composers.

In the 19th century John Field (below), who spent much of his career in Russia, is said to have invented the nocturne form that Frederic Chopin turned to and mastered and made famous. He also wrote quite a few piano concertos and a piano quintet.

John Field

Of course Irish singing and fiddling are justly famous. But how did it affect the classical music tradition.

These days the early 20th-century composer E.J. Moeran (below) seems to be undergoing something of a revival. He had strong Irish roots, but is technically an English composer if you look at his biography.

e.j. moeran

So who are the Irish classical composers – and their masterpieces – that we should know about?

Sir Charles Villiers Stanford seems to be one candidate. 

Sir Charles Villiers Stanford

What about Irish classical music performers? Perhaps the most well-known candidate today is the prize-winning and award-winning pianist John O’Conor, who, concertizing and teaching at the Royal Irish Academy of Music, has championed Irish piano music as well as the piano music by Ludwig van Beethoven and other standard classical composers?

John O'Conor_1

And what about the role that some famous, non-Irish classical music composers and performers –- including George Frideric Handel, who premiered his oratorio “Messiah” in Dublin, the violinist Paganini and the pianist Franz Liszt -– played in the history of Irish culture?

Here are some links to help you explore the question of Irish classical music and classical music in Ireland.

http://classicalartsireland.com/archive-project/

http://basilwalsh.wordpress.com

http://en.wikipedia.org/wiki/Category:Irish_classical_musicians

And here are two sound samples to help celebrate Saint Patrick’s Day.

The first is the Irish Rhapsody No.1 by Sir Charles Villiers Stanford:

And the second sound sample is the lovely Nocturne No. 2 in C minor for solo piano by John Field as performed by John O’Conor:

HAPPY SAINT PATRICK’S DAY!

And the chances are good that some of you readers know more about Irish classical music and classical music in Ireland than The Ear does.

So be sure to leave what you know in the COMMENTS section along with links to websites, blogs and YouTube videos that will illuminate me and other readers.

The Ear wants to hear.

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