The Well-Tempered Ear

Classical music: The Wisconsin Baroque Ensemble performs baroque chamber music this Saturday night in Madison. Plus, harpist Linda Warren performs a FREE concert at noon on Friday.

April 9, 2015
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ALERT: This week’s FREE Friday Noon Musicale, which runs from 12:15 to 1 p.m. in the Landmark Auditoriun of the Frank Lloyd Wright-designed First Unitarian Society of Madison, 900 University Bay Drive, will feature harpist Linda Warren (below) playing music by Benjamin Britten, Pearl Chertok and Astor Piazzolla.

linda warren

By Jacob Stockinger

The Ear has received the following note:

The Wisconsin Baroque Ensemble invites the public to a concert of baroque chamber music.

The concert is this Saturday night, April 11, at 8 p.m. in Saint Andrew’s Episcopal Church (the exterior is below top, the interior is below bottom), 1833 Regent Street, Madison, on the near west side.

St. Andrew's Episcopal Madison Front

St. Andrew's Church interior

Members of the Wisconsin Baroque Ensemble include: Brett Lipshutz – traverso; Eric Miller – viola da gamba, baroque cello; Consuelo Sañudo – mezzo-soprano; Monica Steger – traverso, harpsichord; Martha Vallon – viola da gamba; and Max Yount – harpsichord.

Wisconsin Baroque Ensemble composite

Tickets at the door only: $20 for the public, $10 for students.

For more information call (608) 238-5126 or visit www.wisconsinbaroque.org.

The program includes:

  1. Jean-Marie Leclair – Première Récréation de Musique (You can hear it in a YouTube video at the bottom)
  2. Louis MarchandPièces de Clavecin, Suite No. 1 in D minor (1702) (selected movements)
  3. George Frideric Handel – “Nice, che fa? Che pensa?”
  4. Johan Helmich Roman – Sonata No. 3 for flauto traverso in C minor

Intermission

  1. Michel Pignolet de Montéclair – Ariana et Bachus
  2. Marin Marais – Pièces de Viole, Book 3 (selected movements)
  3. Jacques Hotteterre – Trio Sonatas, Op. 3, No. 1


Classical music: The Wisconsin Baroque Ensemble will explore vocal music of the 16th and 17th centuries this Sunday afternoon at a new venue -– Saint Andrew’s Episcopal Church. Plus, music for trumpet, cello and piano is featured at this week’s FREE Friday Noon Musicale at the First Unitarian Society.

October 15, 2014
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ALERT: This week’s FREE Friday Musicale, to be held from 12:15 to 1 p.m. at the First Unitarian Society of Madison, 900 University Bay Drive, will feature “Triple Play” — trumpeter David Miller, cellist Amy Harr and pianist Jane Peckham in music of Eric Ewazon, William Schmidt, and Johannes Brahms. The concert is in the historic Landmark Auditorium.

FUS1jake

By Jacob Stockinger

The early music and period instrument group Wisconsin Baroque Ensemble will perform a concert of vocal and instrumental chamber music of largely the 16th and 17th centuries.

Wisconsin Baroque Ensemble composite

PLEASE NOTE: The concert will be performed at 3 p.m. on this Sunday, October 19, at Saint Andrew’s Episcopal Church  — That is a change of venue from the usual Gates of Heaven Synagogue in James Madison Park. The church is located at 1833 Regent Street, on Madison’s near west side across from Randall Elementary School.

St. Andrew's Episcopal Madison Front

Performers are UW-Madison professor soprano Mimmi Fulmer; mezzo-soprano Consuelo Sañudo; recorder and dulcian players Theresa Koenig; traverse, recorder and harpsichord player Monica Steger; viola da gamba and cornetto players Eric Miller; baroque cello player Anton TenWolde; and organist and harpsichord player Max Yount.

Wisconsin Baroque Ensemble 2014

Works by Scarani, Heinrich Schuetz, d’India, J.S. Bach, Bertoli, and Simpson will be featured.

Tickets at the door only: $20 for the general public, $10 for students.

For more information (608) 238-5126 or info@wisconsinbaroque.org, or visit www.wisconsinbaroque.org.

Here is the complete program: Prelude for Solo Viola da gamba by Monsieur de Sainte-Colombe (ca. 1640–1700); “Ancor che col partire” from “French Motets, Madrigals and Songs” by Giovanniu Bassano (ca. 1561-1617) viola da gamba solo; “Music for Two Voices” (1615) by Sigusmondo d’India (ca. 1582-1629); Sonata for Dulcian and Basso continuo by Giovanni Antonio Bertoli (1598-1645); Sonata XII for Traverse and basso continuo by Johan Helmich Roman (1694-1758); INTERMISSION; Sonata decima quarta a tre, duoi canti e basso by Giuseppe Scarani (1628–1641); Two Divisions for the Practice of Learners by Christopher Simpson (1606–1669); “Komm, du süsse Todesstunde” (Come, Sweet Hour of Death, the tenor aria from which can be heard at bottom in a YouTube video), from Cantata 161 by Johann Sebastian Bach (1685-1750); “Tugend ist der beste Freund,” SWV 442, by Heinrich Schütz (1585-1672).

 


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